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MUSEUM
ARCHITECTURE MORE THAN
BUILDING BLOCKS
ICAMT CONFERENCE
14 I 15 I 16 September 2017
OLGA VAN OOST & MONIQUE VERELST
Flemish
Institution for
Cultural Heritage
WELCOME TO …
FLANDERS
Clichés
Erfgoedkaart
MUSEUMS
UNDER
CONSTRUCTION
WHY DO WE
BUILD?
WHAT DOES
ARCHITECTURE
MEAN TO
MUSEUMS?
WHY DO WE
ORGANIZE THIS
CONFERENCE?
THE NEXT 3 DAYS
•Museum selection
•The museums and construction sites we
will visit
•Challenges
A VARIETY OF CASES
•Open for public after recent renovation
•Different construction phases
•Buildings of different sizes
•Museums with various collections
•Museums with different missions
•A variety of public tenders
THE SITES THAT
WE WILL VISIT
DAY 1
• ROYAL MUSEUM FOR
CENTRAL AFRICA
(KMMA), Tervuren
DAY 2
• MUSEUM M, Leuven
• MUSEUM HOF VAN
BUSLEYDEN, Mechelen
• KAZERNE DOSSIN,
Mechelen
DAY 3
• MUSEUM FOR
CONTEMPORARY ART
(M HKA), Antwerp
• DIVA, Home of
Diamonds, Antwerp
CHALLENGES
• FASTER, BIGGER,
CHEAPER?
THE GROWTH OF
THE DESIGN&BUILD
INDUSTRIE
• SLOWER, BETTER,
RICHER?
THE GROWTH OF
CONTEMPORARY
VERNACULAR
ARCHITECTURE
WHAT?
• FASTER, BIGGER,
CHEAPER?
THE GROWTH OF
THE DESIGN&BUILD
INDUSTRIES
• Traditional approach
• Appointment of a designer
• Appointment of a contractor
• Design & Build / D&B and total fit
• One single point of
responsability
• in an attempt to reduce risks
and overall costs
• Critics:
• Limits the clients or users
involvement in the design
• Contractors make design
decisions outside their area of
expertise
• An architect/sceno is a better
advocate for the client
• Everything has to be
determined from beginning
• Proponents:
• Saves risks time and money for
the owner
PRO/CONTRA?
• FASTER, BIGGER,
CHEAPER?
THE GROWTH OF
THE DESIGN&BUILD
INDUSTRIE
• How & why determine everything at
the beginning?
• Can designers still create in all
freedom?
• Can designers still judge
independently and critically when a
project is completed?
• Is there space and time for
customization?
• For handicraft?
• To involve the heritage community?
IMPORTANCE?
• FASTER, BIGGER,
CHEAPER?
THE GROWTH OF
THE DESIGN&BUILD
INDUSTRIE
WHAT?
• SLOWER, BETTER,
RICHER?
THE GROWTH OF
CONTEMPORARY
VERNACULAR
ARCHITECTURE
Examples:
Zoma, Contemporary Art
Centre (ZCAC), Ethiopia
The Ningbo Museum, China
• SLOWER, BETTER, RICHER?
THE GROWTH OF
CONTEMPORARY
VERNACULAR ARCHITECTURE.
In both Examples:
• Ancient traditions
• Handicrafts
• Local community’s
• Oral history
&
• Contemporary knowledge &
architecture
• Ecology
• SLOWER, BETTER, RICHER?
THE GROWTH OF
CONTEMPORARY
VERNACULAR ARCHITECTURE.
• If we focus more on social aspects of
sustainability, how would that change the
building and scenography and the way
heritage communities get involved?
• Can we create places with a richer local
cultural significance?
• Does it give a clearer identity, more
authenticty?
• A stronger link with sites and local
traditions?
• Could this be a way to incorporate
intangible heritage better?
• SLOWER, BETTER, RICHER?
THE GROWTH OF
CONTEMPORARY
VERNACULAR ARCHITECTURE.
• FASTER, BIGGER, CHEAPER?
THE GROWTH OF DESIGN &
BUILD INDUSTRY
“Groot Onderhoud” 01.12.2017
Theme: ‘Sustainable development’
• Plenary lectures
• Parallel sessions
• Session “THE CLIMATE NETWORK”
• A network with different parties (users, architects, preventive
conservators and technicians)
• Session “SUSTAINABLE DESIGN AND EXHIBITIONS”
• Presentation and debate with mr. Michiel Schwarz
Vision on social design (Sustainism Lab, Amsterdam)
• and other sessions…
MONIQUE VERELST
Advisor cultural infrastructure and museography
Monique.Verelst@faro.be
T 02 213 10 89
OLGA VAN OOST
Coordinator museums
Olga.VanOost@faro.be
T 02 213 10 79

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Museum architecture. More than building blocks | Olga Van Oost & Monique Verelst

  • 1. MUSEUM ARCHITECTURE MORE THAN BUILDING BLOCKS ICAMT CONFERENCE 14 I 15 I 16 September 2017 OLGA VAN OOST & MONIQUE VERELST
  • 10. WHY DO WE ORGANIZE THIS CONFERENCE?
  • 11. THE NEXT 3 DAYS •Museum selection •The museums and construction sites we will visit •Challenges
  • 12. A VARIETY OF CASES •Open for public after recent renovation •Different construction phases •Buildings of different sizes •Museums with various collections •Museums with different missions •A variety of public tenders
  • 13. THE SITES THAT WE WILL VISIT
  • 14. DAY 1 • ROYAL MUSEUM FOR CENTRAL AFRICA (KMMA), Tervuren
  • 15. DAY 2 • MUSEUM M, Leuven • MUSEUM HOF VAN BUSLEYDEN, Mechelen • KAZERNE DOSSIN, Mechelen
  • 16. DAY 3 • MUSEUM FOR CONTEMPORARY ART (M HKA), Antwerp • DIVA, Home of Diamonds, Antwerp
  • 17. CHALLENGES • FASTER, BIGGER, CHEAPER? THE GROWTH OF THE DESIGN&BUILD INDUSTRIE • SLOWER, BETTER, RICHER? THE GROWTH OF CONTEMPORARY VERNACULAR ARCHITECTURE
  • 18. WHAT? • FASTER, BIGGER, CHEAPER? THE GROWTH OF THE DESIGN&BUILD INDUSTRIES • Traditional approach • Appointment of a designer • Appointment of a contractor • Design & Build / D&B and total fit • One single point of responsability • in an attempt to reduce risks and overall costs
  • 19. • Critics: • Limits the clients or users involvement in the design • Contractors make design decisions outside their area of expertise • An architect/sceno is a better advocate for the client • Everything has to be determined from beginning • Proponents: • Saves risks time and money for the owner PRO/CONTRA? • FASTER, BIGGER, CHEAPER? THE GROWTH OF THE DESIGN&BUILD INDUSTRIE
  • 20. • How & why determine everything at the beginning? • Can designers still create in all freedom? • Can designers still judge independently and critically when a project is completed? • Is there space and time for customization? • For handicraft? • To involve the heritage community? IMPORTANCE? • FASTER, BIGGER, CHEAPER? THE GROWTH OF THE DESIGN&BUILD INDUSTRIE
  • 21. WHAT? • SLOWER, BETTER, RICHER? THE GROWTH OF CONTEMPORARY VERNACULAR ARCHITECTURE Examples: Zoma, Contemporary Art Centre (ZCAC), Ethiopia The Ningbo Museum, China
  • 22. • SLOWER, BETTER, RICHER? THE GROWTH OF CONTEMPORARY VERNACULAR ARCHITECTURE. In both Examples: • Ancient traditions • Handicrafts • Local community’s • Oral history & • Contemporary knowledge & architecture • Ecology
  • 23.
  • 24. • SLOWER, BETTER, RICHER? THE GROWTH OF CONTEMPORARY VERNACULAR ARCHITECTURE. • If we focus more on social aspects of sustainability, how would that change the building and scenography and the way heritage communities get involved? • Can we create places with a richer local cultural significance? • Does it give a clearer identity, more authenticty? • A stronger link with sites and local traditions? • Could this be a way to incorporate intangible heritage better?
  • 25. • SLOWER, BETTER, RICHER? THE GROWTH OF CONTEMPORARY VERNACULAR ARCHITECTURE. • FASTER, BIGGER, CHEAPER? THE GROWTH OF DESIGN & BUILD INDUSTRY
  • 26. “Groot Onderhoud” 01.12.2017 Theme: ‘Sustainable development’ • Plenary lectures • Parallel sessions • Session “THE CLIMATE NETWORK” • A network with different parties (users, architects, preventive conservators and technicians) • Session “SUSTAINABLE DESIGN AND EXHIBITIONS” • Presentation and debate with mr. Michiel Schwarz Vision on social design (Sustainism Lab, Amsterdam) • and other sessions…
  • 27. MONIQUE VERELST Advisor cultural infrastructure and museography Monique.Verelst@faro.be T 02 213 10 89 OLGA VAN OOST Coordinator museums Olga.VanOost@faro.be T 02 213 10 79