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MEDIA LANGUAGE
BY Evangeline Horne
SEMIOTICS
The main categorisation of signs concerns those that are mental and
private and those which are spoken or written in order to be made public.
This process of making meaning from society’s signs underpinned a new
logic/science/philosophy or way of thinking. GENRE relies on signs,
signifiers and signifying practices. Signifying practices are what defines a
genre.
Saussure pinpointed the gap between what is on display in society and
how the human made meaning from it.
SIGNS
 Signifier- the physical object e.g. sound, printed word or advertisement
 Signified- meaning or mental concept conveyed by the signifier. E.g. police
drama
 Polysemic= many signs
 Remix= postmodern
 Saussure ideas were initially related to language and understanding
 Roland Barthes used Saussure’s ideas and modernised them, applying the
frame work to popular culture. Barthes also used his work and applied it to
post-modern culture of western life. He used the term “Mythologies” to
describe how we construct a desire to answer a non-existent need.
MISE-EN-SCENE
 What is put into a scene or frame
 Settings & props
 Costume, hair, make up
 Facial expressions and body language
 Lighting and colour
 Positioning on characters
 Objects within a frame
 HIDDEN MEANINGS –what meaning/ emotions do the following images
convey.
 Denoted-what you can see which is a fact
 Settings can manipulate an audience by building certain expectations and
then taking a different turn.
 Costume, hair and make up act as an instant indicator to us of a character’s
personality, status & job.
 Facial expressions and body language provide a clear indicator of how
someone is feeling.
 Positioning of characters and objects within a frame can draw our attention
to an important character/ object between people.
 Colour carries certain connotations which many add meaning to a scene
 Lighting, low key lighting and high key lighting can show the difference
between a scene and personality of a character

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Media language

  • 2. SEMIOTICS The main categorisation of signs concerns those that are mental and private and those which are spoken or written in order to be made public. This process of making meaning from society’s signs underpinned a new logic/science/philosophy or way of thinking. GENRE relies on signs, signifiers and signifying practices. Signifying practices are what defines a genre. Saussure pinpointed the gap between what is on display in society and how the human made meaning from it.
  • 3. SIGNS  Signifier- the physical object e.g. sound, printed word or advertisement  Signified- meaning or mental concept conveyed by the signifier. E.g. police drama  Polysemic= many signs  Remix= postmodern  Saussure ideas were initially related to language and understanding  Roland Barthes used Saussure’s ideas and modernised them, applying the frame work to popular culture. Barthes also used his work and applied it to post-modern culture of western life. He used the term “Mythologies” to describe how we construct a desire to answer a non-existent need.
  • 4. MISE-EN-SCENE  What is put into a scene or frame  Settings & props  Costume, hair, make up  Facial expressions and body language  Lighting and colour  Positioning on characters  Objects within a frame  HIDDEN MEANINGS –what meaning/ emotions do the following images convey.  Denoted-what you can see which is a fact
  • 5.  Settings can manipulate an audience by building certain expectations and then taking a different turn.  Costume, hair and make up act as an instant indicator to us of a character’s personality, status & job.  Facial expressions and body language provide a clear indicator of how someone is feeling.  Positioning of characters and objects within a frame can draw our attention to an important character/ object between people.  Colour carries certain connotations which many add meaning to a scene  Lighting, low key lighting and high key lighting can show the difference between a scene and personality of a character