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hello
quot;if you love something, set it freequot;


..in which weā€™ll consider the benefits of making
stuff (more) available as well as some of the
issues around value, scarcity and scale
I am Mike Ellis

I have spent about ten years on the web

I am a generalist, strategist, social(web)ist

I work for a not for profit IT company called Eduserv




                                                    my mum
weā€™re used to producing content in silos
we've often produced experiences
to be consumed in a linear way
..within the confines of
our quot;virtual wallsquot;
and once, we even used to say things like:
 ā€œdonā€™t link to that external site ā€“ weā€™ll lose a visitorā€




but we don't do that any more...right...?
we're only just starting to understand
that our users are talented and fickle.
they get what they want from whoever
will provide it. they want more stuff via
more channels
this means users find stuff through
means other than those we provide,
they drop into the depths of our
sites rather than via the homepage
and they use our material in ways
weā€™d never even begin to imagine
users arenā€™t necessarily having
controlled experiences...




...a lot of the time, they're beautifully chaotic
and increasingly, theyā€™re experiencing
our content somewhere other than
on our site...
% referrals from myspace
to sciencemuseum.org.uk?
(cultural) institutions often
  struggle with this
after all, authority is what
makes us...us, right?
well, maybe web2 is teaching us
that authority comes from the real,
 from authenticity
and not (always) from a designed,
 understood, moderated pathway
once we've realised that the important thing
is our content and not where it is consumed,
we should find it easier to let go..
..and instead of being protective,
strive to make it easier for people
to use our content anywhere
this approach makes ā€œmashupsā€ possible
http://www.patroc.com/paris/free-museums.html
http://simile.mit.edu/timeline/examples
http://electronicmuseum.org.uk/experiments/rss-to-image
http://mashedmuseum.org.uk
http://freeearth.poly9.com
http://manyeyes.alphaworks.ibm.com/manyeyes/visualizations/lost
content     service




your site
the problem is... there
isnā€™t much exposed heritage content
which is a shame, because
much of it is superb...
take a look at web2.0
creative
                         commons
                                               user
                                             generated
rich ā€œnon web-likeā€
   environment                                content




                            web
                           2.0 is..
viral marketing                                      mashups
and permission
 based activity




                                          radical
         collaboration                de-centralisation
the
social
 web
I'd argue that one of
the most important things
  about web2.0 is this:
the sociability isnā€™t just on the surface
under the hood web2.0 is social
too, in the form of data sharing
it's about RSS, API's, REST
(these are geeky ways of saying you can
get content and data in and out of your
website and systems...)
it's about giving freedom to your content, letting it
out of the confines of your website. if you do this,
other people will be able to mash your stuff as well
give it away??? what about...cash?
in this brave new online world, weā€™ve had
to re-appraise everything else.




     now might be the time to re-appraise what
     we understand by ā€œvalueā€.
Paulo Coelho, author of The Alchemist




   ā€œ     In 2001, I sold 10,000 hard copies. And
         everyone was puzzled. We came from
         zero, from 1000, to 10,000. And then the
         next year we were over 100,000. [...]

            I thought that this is fantastic. You give
         to the reader the possibility of reading
         your books and choosing whether to buy
         it or not. [...]

           So, I went to BitTorrent and I got all my
         pirate editionsā€¦ And I created a site
         called The Pirate Coelho.
                                                         ā€

http://torrentfreak.com/alchemist-author-pirates-own-books-080124/
ā€œlosers wish for scarcity.
                      winners leverage scaleā€
                                    ian rogers, ex vp video and media
                                    applications, yahoo!




scarcity? or scale?
the take-home...
freeing data is a virtuous cycle:
the more people do it
the more there is
and the more it gets seen
1. we truly is is better than me

2. development of additional
channels (mobile, facebook, text
only, kiosk, screen- reader) is
made easy, almost trivial.

3. it isn't hard, or expensive

4. investing in this even at an
early stage (< web2.0!) means
you can always get at your stuff
and once your content is out there,
who knows where it might go?
thanks for listening


 www.eduserv.org.uk

  twitter.com/dmje


mashedmuseum.org.uk
thanks also to these flickr people for sharing:
 hello world            http://www.flickr.com/photos/oskay/472097903/
 freedom                http://www.flickr.com/photos/frankloohuis/468320896/
 mike on beach          mine
 silos                  http://www.flickr.com/photos/zoomzoom/304135268/
 simple                 http://www.flickr.com/photos/louganmanzke/2722701187
 corporate              http://www.flickr.com/photos/dhinson/1439657540
 charlotte              mine
 cloth puppet           http://www.flickr.com/photos/hellomokona/2907265786/
 airplane               mine
 chaos                  http://www.flickr.com/photos/penny2036/2498097929
 jellyfish              mine
 number 9               http://www.flickr.com/photos/kibbles/2902544170/
 d(anger)               http://www.flickr.com/photos/sindesign/221297512/
 tower                  mine
 authentic              http://www.flickr.com/photos/josefgrunig/1732787905/
 babel                  http://www.flickr.com/photos/pulpolux/384199243
 seesaw                 http://www.flickr.com/photos/zaxl4/16950197
 easy                   http://www.flickr.com/photos/spackletoe/90811910/
 mash                   http://www.flickr.com/photos/plasticrevolver/61068219/
 desolate               http://www.flickr.com/photos/jeremyengleman/158208286/
 e=mc hair              http://www.flickr.com/photos/ocularsmith/239674652
 question               http://www.flickr.com/photos/drachmann/327122302
 dark tunnel            http://www.flickr.com/photos/citizen_poeta/425749475/
 web2 logos             http://www.flickr.com/photos/ryyo/249804450/
 crowd blur             http://www.flickr.com/photos/victoriapeckham/164175205/
 moon tree              mine
 night fight            http://www.flickr.com/photos/strocchi/295280599/
 gadget                 http://www.flickr.com/photos/lotts-family/2092624726/
 cash register          http://flickr.com/photo_zoom.gne?id=315274981&size=o
 truth or consequence   http://www.flickr.com/photos/kxlly/349894433
 newton                 http://www.flickr.com/photos/sunnyuk/2357899880
 scale                  http://flickr.com/photo_zoom.gne?id=1461810959&size=l
 escape                 http://www.flickr.com/photos/practicalowl/329076696
 broken tower           mine
 blurred night          mine
 fireworks              mine
 dan hand               mine

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If you love something, set it free

  • 2. quot;if you love something, set it freequot; ..in which weā€™ll consider the benefits of making stuff (more) available as well as some of the issues around value, scarcity and scale
  • 3. I am Mike Ellis I have spent about ten years on the web I am a generalist, strategist, social(web)ist I work for a not for profit IT company called Eduserv my mum
  • 4. weā€™re used to producing content in silos
  • 5. we've often produced experiences to be consumed in a linear way
  • 6. ..within the confines of our quot;virtual wallsquot;
  • 7. and once, we even used to say things like: ā€œdonā€™t link to that external site ā€“ weā€™ll lose a visitorā€ but we don't do that any more...right...?
  • 8. we're only just starting to understand that our users are talented and fickle. they get what they want from whoever will provide it. they want more stuff via more channels
  • 9. this means users find stuff through means other than those we provide, they drop into the depths of our sites rather than via the homepage and they use our material in ways weā€™d never even begin to imagine
  • 10. users arenā€™t necessarily having controlled experiences... ...a lot of the time, they're beautifully chaotic
  • 11. and increasingly, theyā€™re experiencing our content somewhere other than on our site...
  • 12. % referrals from myspace to sciencemuseum.org.uk?
  • 13. (cultural) institutions often struggle with this
  • 14. after all, authority is what makes us...us, right?
  • 15. well, maybe web2 is teaching us that authority comes from the real, from authenticity
  • 16. and not (always) from a designed, understood, moderated pathway
  • 17. once we've realised that the important thing is our content and not where it is consumed, we should find it easier to let go..
  • 18. ..and instead of being protective, strive to make it easier for people to use our content anywhere
  • 19. this approach makes ā€œmashupsā€ possible
  • 26. content service your site
  • 27. the problem is... there isnā€™t much exposed heritage content
  • 28. which is a shame, because much of it is superb...
  • 29. take a look at web2.0
  • 30. creative commons user generated rich ā€œnon web-likeā€ environment content web 2.0 is.. viral marketing mashups and permission based activity radical collaboration de-centralisation
  • 32. I'd argue that one of the most important things about web2.0 is this:
  • 33. the sociability isnā€™t just on the surface
  • 34. under the hood web2.0 is social too, in the form of data sharing
  • 35. it's about RSS, API's, REST (these are geeky ways of saying you can get content and data in and out of your website and systems...)
  • 36. it's about giving freedom to your content, letting it out of the confines of your website. if you do this, other people will be able to mash your stuff as well
  • 37. give it away??? what about...cash?
  • 38. in this brave new online world, weā€™ve had to re-appraise everything else. now might be the time to re-appraise what we understand by ā€œvalueā€.
  • 39. Paulo Coelho, author of The Alchemist ā€œ In 2001, I sold 10,000 hard copies. And everyone was puzzled. We came from zero, from 1000, to 10,000. And then the next year we were over 100,000. [...] I thought that this is fantastic. You give to the reader the possibility of reading your books and choosing whether to buy it or not. [...] So, I went to BitTorrent and I got all my pirate editionsā€¦ And I created a site called The Pirate Coelho. ā€ http://torrentfreak.com/alchemist-author-pirates-own-books-080124/
  • 40. ā€œlosers wish for scarcity. winners leverage scaleā€ ian rogers, ex vp video and media applications, yahoo! scarcity? or scale?
  • 42. freeing data is a virtuous cycle: the more people do it the more there is and the more it gets seen
  • 43. 1. we truly is is better than me 2. development of additional channels (mobile, facebook, text only, kiosk, screen- reader) is made easy, almost trivial. 3. it isn't hard, or expensive 4. investing in this even at an early stage (< web2.0!) means you can always get at your stuff
  • 44. and once your content is out there, who knows where it might go?
  • 45. thanks for listening www.eduserv.org.uk twitter.com/dmje mashedmuseum.org.uk
  • 46. thanks also to these flickr people for sharing: hello world http://www.flickr.com/photos/oskay/472097903/ freedom http://www.flickr.com/photos/frankloohuis/468320896/ mike on beach mine silos http://www.flickr.com/photos/zoomzoom/304135268/ simple http://www.flickr.com/photos/louganmanzke/2722701187 corporate http://www.flickr.com/photos/dhinson/1439657540 charlotte mine cloth puppet http://www.flickr.com/photos/hellomokona/2907265786/ airplane mine chaos http://www.flickr.com/photos/penny2036/2498097929 jellyfish mine number 9 http://www.flickr.com/photos/kibbles/2902544170/ d(anger) http://www.flickr.com/photos/sindesign/221297512/ tower mine authentic http://www.flickr.com/photos/josefgrunig/1732787905/ babel http://www.flickr.com/photos/pulpolux/384199243 seesaw http://www.flickr.com/photos/zaxl4/16950197 easy http://www.flickr.com/photos/spackletoe/90811910/ mash http://www.flickr.com/photos/plasticrevolver/61068219/ desolate http://www.flickr.com/photos/jeremyengleman/158208286/ e=mc hair http://www.flickr.com/photos/ocularsmith/239674652 question http://www.flickr.com/photos/drachmann/327122302 dark tunnel http://www.flickr.com/photos/citizen_poeta/425749475/ web2 logos http://www.flickr.com/photos/ryyo/249804450/ crowd blur http://www.flickr.com/photos/victoriapeckham/164175205/ moon tree mine night fight http://www.flickr.com/photos/strocchi/295280599/ gadget http://www.flickr.com/photos/lotts-family/2092624726/ cash register http://flickr.com/photo_zoom.gne?id=315274981&size=o truth or consequence http://www.flickr.com/photos/kxlly/349894433 newton http://www.flickr.com/photos/sunnyuk/2357899880 scale http://flickr.com/photo_zoom.gne?id=1461810959&size=l escape http://www.flickr.com/photos/practicalowl/329076696 broken tower mine blurred night mine fireworks mine dan hand mine