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DIA DE LOS MUERTOS 
McKaycee Abrenica 
Rominna Joie De Torres 
Anthropology 121 
Professor Wolfe 
November 5, 2014
Hollywood Forever Cemetery has an intercultural version of the Day of 
the Dead. There, in a mixture of Mexican traditions and Hollywood hip, 
conventional altars are set up side-by-side with altars to Jayne Mansfield 
and Johnny Ramone.
Some families build altars 
or small shrines in their 
homes; these sometimes 
feature Christian cross, 
statues or pictures of the 
Blessed Virgin Mary, 
pictures of deceased 
relatives and other 
persons, scores of candles 
and an ofrenda.
There were hundreds of Aztec Ritual Dancers in full costume. 
Colorful native dancers and music intermix with performance artists, 
while sly pranksters play on traditional themes.
Dia De Los Muertos is a 
time of celebration on 
remembrance. It is also a 
time to come to terms with 
our mortality and become 
aware of the cycle of life 
and death. Rather than 
deny and fear death this 
event teaches us to accept 
and contemplate the 
meaning of mortality.
People go to cemeteries to be with 
the souls of the departed and build 
private altars containing the favorite 
foods and beverages, as well as 
photos and memorabilia, of the 
departed. The intent is to 
encourage visits by the souls, so 
the souls will hear the prayers and 
the comments of the living directed 
to them. Celebrations can take a 
humorous tone, as celebrants 
remember funny events and 
anecdotes about the departed.
ETERNAL QUINCEAÑERA 
This altar has a theme of a peacock. Traditionally, peacocks have 
been associated with the afterlife. Their colors attract spirits of the 
dead back to living. They also symbolize integrity, beauty, 
reincarnation, and new life.
On Dia De Los Muertos, 
tradition holds that the dead 
return to earth to visit their living 
relatives. It is believed that 
although these relatives can’t 
see them, they can surely feel 
them. This night is an important 
feast and evocation. It is a time 
when family members share 
memorable stories that evoke 
the lives of their ancestors .
Dia De Los Muertos expresses this 
perspective: it is not a mournful 
commemoration but a happy and 
colorful celebration where Death takes 
a lively, friendly expression and is not 
frightening or strange. There is no 
place for sorrow or weeping for this 
could be interpreted as a discourteous 
to the dead relatives who are visiting 
gladly. Indigenous people believed that 
souls did not die, that they continued 
living in Mictlán (Place of Death) a 
special place for them to finally rest.
Altars are decorated with 
candles, buckets of flowers 
mounds of fruit, peanuts, plates 
of turkey mole, stacks of tortillas 
and big Day-of-the-Dead breads 
called pan de muerto. The altar 
needs to have lots of food, 
bottles of soda, hot cocoa and 
water for the weary spirits. Toys 
and candies are left for the 
angelitos.
Since the theme of this 
year’s Day of the Dead 
celerebration is Quinceañera 
they had an altar with actual 
15 year old girls dressed in 
their quiceañera dresses 
with their beautiful crowns 
and have their faces painted 
with sugar skull designs.
They have different 
booths, one of which is 
where they do painting 
your face with the sugar 
skulls. The people doing 
the face painting also 
have sugar skulls painted 
on their faces.
There are also musical performances by Grammy 
Award winning recording artists such
SUGAR SKULL 
Sugar skulls represented a 
departed soul, had the name 
written on the forehead and 
was placed on the home 
ofrenda or gravestone to honor 
the return of a particular spirit. 
Sugar skull art reflects the folk 
art style of big happy smiles, 
colorful icing and sparkly tin 
and glittery adornments.
ROBIN WILLIAMS 
Starting as a stand-up 
comedian in San 
Francisco and Los 
Angeles in the mid- 
1970s, he is credited with 
leading San Francisco's 
comedy renaissance.
BELA “DRACULA” 
LUGOSI 
Bela Lugosi, was a 
Hungarian-American 
actor, famous for 
portraying Count Dracula 
in the original 1931 film 
and for his roles in 
various other horror films.

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Dia de los Muertos Photo-field Observation

  • 1. DIA DE LOS MUERTOS McKaycee Abrenica Rominna Joie De Torres Anthropology 121 Professor Wolfe November 5, 2014
  • 2. Hollywood Forever Cemetery has an intercultural version of the Day of the Dead. There, in a mixture of Mexican traditions and Hollywood hip, conventional altars are set up side-by-side with altars to Jayne Mansfield and Johnny Ramone.
  • 3. Some families build altars or small shrines in their homes; these sometimes feature Christian cross, statues or pictures of the Blessed Virgin Mary, pictures of deceased relatives and other persons, scores of candles and an ofrenda.
  • 4. There were hundreds of Aztec Ritual Dancers in full costume. Colorful native dancers and music intermix with performance artists, while sly pranksters play on traditional themes.
  • 5. Dia De Los Muertos is a time of celebration on remembrance. It is also a time to come to terms with our mortality and become aware of the cycle of life and death. Rather than deny and fear death this event teaches us to accept and contemplate the meaning of mortality.
  • 6. People go to cemeteries to be with the souls of the departed and build private altars containing the favorite foods and beverages, as well as photos and memorabilia, of the departed. The intent is to encourage visits by the souls, so the souls will hear the prayers and the comments of the living directed to them. Celebrations can take a humorous tone, as celebrants remember funny events and anecdotes about the departed.
  • 7. ETERNAL QUINCEAÑERA This altar has a theme of a peacock. Traditionally, peacocks have been associated with the afterlife. Their colors attract spirits of the dead back to living. They also symbolize integrity, beauty, reincarnation, and new life.
  • 8. On Dia De Los Muertos, tradition holds that the dead return to earth to visit their living relatives. It is believed that although these relatives can’t see them, they can surely feel them. This night is an important feast and evocation. It is a time when family members share memorable stories that evoke the lives of their ancestors .
  • 9. Dia De Los Muertos expresses this perspective: it is not a mournful commemoration but a happy and colorful celebration where Death takes a lively, friendly expression and is not frightening or strange. There is no place for sorrow or weeping for this could be interpreted as a discourteous to the dead relatives who are visiting gladly. Indigenous people believed that souls did not die, that they continued living in Mictlán (Place of Death) a special place for them to finally rest.
  • 10. Altars are decorated with candles, buckets of flowers mounds of fruit, peanuts, plates of turkey mole, stacks of tortillas and big Day-of-the-Dead breads called pan de muerto. The altar needs to have lots of food, bottles of soda, hot cocoa and water for the weary spirits. Toys and candies are left for the angelitos.
  • 11. Since the theme of this year’s Day of the Dead celerebration is Quinceañera they had an altar with actual 15 year old girls dressed in their quiceañera dresses with their beautiful crowns and have their faces painted with sugar skull designs.
  • 12. They have different booths, one of which is where they do painting your face with the sugar skulls. The people doing the face painting also have sugar skulls painted on their faces.
  • 13. There are also musical performances by Grammy Award winning recording artists such
  • 14. SUGAR SKULL Sugar skulls represented a departed soul, had the name written on the forehead and was placed on the home ofrenda or gravestone to honor the return of a particular spirit. Sugar skull art reflects the folk art style of big happy smiles, colorful icing and sparkly tin and glittery adornments.
  • 15. ROBIN WILLIAMS Starting as a stand-up comedian in San Francisco and Los Angeles in the mid- 1970s, he is credited with leading San Francisco's comedy renaissance.
  • 16. BELA “DRACULA” LUGOSI Bela Lugosi, was a Hungarian-American actor, famous for portraying Count Dracula in the original 1931 film and for his roles in various other horror films.