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‘Young and Beautiful’ is a song recorded by American singer songwriter Lana 
Del Rey. It follows a young lovers apprehension about aging. 
The music video was released on 10th May, 2013. Alongside a full-string 
orchestra, Del Rey sings in 1920s art deco fashion. She is shown singing the 
song in a dark room with diamond earrings and glittery tears that look like 
they have been tattooed onto her face. The video is performance based as it 
shows no narrative within it.
First, The black screen fades into 
an extreme long shot of her 
walking towards numerous 
reflections of herself showing 
how isolated she is. 
It then cuts to a close up of her 
face singing, again by herself. 
This goes with the fact that the 
lyrics suggest she is scared of 
being old and alone. 
As she is singing, she looks 
straight at the viewer a few times 
to show that she’s serious about 
the words she’s singing, she 
changes between various face 
expressions which add to the 
emotion of the lyrics.
Afterwards, The camera moves to various shots of the orchestra, who seem to 
be the only other people in the video. However, Del Rey is never in the same 
shot as these musicians so she is constantly filmed by herself. The lighting has 
been positioned so that you cannot see details of these musicians, only simple 
silhouettes of them.
Del Rey often has dark, fuzzy effects added to her videos to give a vintage, dated feel 
to the clip. The primary coloured lights show up on spots of the orchestra to liven up 
the dullness of the video. Almost all of her music videos are mainly performance-based, 
with sometimes a slight narrative-spin. This works well with the slow expressive 
songs she sings. light and dark colours are used to create a dated and natural ‘look’ and 
atmosphere. Del Rey’s “Young and Beautiful” uses lighting to black-out the details of 
her figure but also to highlight her curvy outline, portraying her as appealing and 
attractive to the audience, which is a common convention for music videos to follow.
Parts of the video relate to the lyrics but not much. For example, the chorus of the 
song, “Will you still love me...” is quite personal and rhetorical. .While this is sung, the 
footage cuts to close-ups of the artists face, creating a link between the artist’s 
personal question and the expression of the artist’s face. When Del Rey begins the 
verse featuring “Dear Lord, when I get to Heaven”, the footage flickers to an image of 
the artists silhouette standing in a shaft of light, which connotes it. Then, as the line 
“He’s my sun, he makes me shine” is sung, a circular glow appears around Del Rey’s 
figure, representing a halo and further drawing a connection between lyrics and visuals. 
This contrasts with the orchestra who are standing before red lights, making it look 
like heaven and hell.
There is a lot of small zooming scenes, 
specifically with the orchestra, where the 
camera zooms towards the large shadows. 
There is also a lot of slow crossfades in the 
music video which goes well with the 
slowness of the song. 
Another thing to 
point out is that 
Del Rey may be 
looking at her 
reflections 
various times in 
the video because 
she is looking at 
how “beautiful” 
she currently is.

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Young and Beautiful

  • 1.
  • 2. ‘Young and Beautiful’ is a song recorded by American singer songwriter Lana Del Rey. It follows a young lovers apprehension about aging. The music video was released on 10th May, 2013. Alongside a full-string orchestra, Del Rey sings in 1920s art deco fashion. She is shown singing the song in a dark room with diamond earrings and glittery tears that look like they have been tattooed onto her face. The video is performance based as it shows no narrative within it.
  • 3. First, The black screen fades into an extreme long shot of her walking towards numerous reflections of herself showing how isolated she is. It then cuts to a close up of her face singing, again by herself. This goes with the fact that the lyrics suggest she is scared of being old and alone. As she is singing, she looks straight at the viewer a few times to show that she’s serious about the words she’s singing, she changes between various face expressions which add to the emotion of the lyrics.
  • 4.
  • 5. Afterwards, The camera moves to various shots of the orchestra, who seem to be the only other people in the video. However, Del Rey is never in the same shot as these musicians so she is constantly filmed by herself. The lighting has been positioned so that you cannot see details of these musicians, only simple silhouettes of them.
  • 6. Del Rey often has dark, fuzzy effects added to her videos to give a vintage, dated feel to the clip. The primary coloured lights show up on spots of the orchestra to liven up the dullness of the video. Almost all of her music videos are mainly performance-based, with sometimes a slight narrative-spin. This works well with the slow expressive songs she sings. light and dark colours are used to create a dated and natural ‘look’ and atmosphere. Del Rey’s “Young and Beautiful” uses lighting to black-out the details of her figure but also to highlight her curvy outline, portraying her as appealing and attractive to the audience, which is a common convention for music videos to follow.
  • 7. Parts of the video relate to the lyrics but not much. For example, the chorus of the song, “Will you still love me...” is quite personal and rhetorical. .While this is sung, the footage cuts to close-ups of the artists face, creating a link between the artist’s personal question and the expression of the artist’s face. When Del Rey begins the verse featuring “Dear Lord, when I get to Heaven”, the footage flickers to an image of the artists silhouette standing in a shaft of light, which connotes it. Then, as the line “He’s my sun, he makes me shine” is sung, a circular glow appears around Del Rey’s figure, representing a halo and further drawing a connection between lyrics and visuals. This contrasts with the orchestra who are standing before red lights, making it look like heaven and hell.
  • 8. There is a lot of small zooming scenes, specifically with the orchestra, where the camera zooms towards the large shadows. There is also a lot of slow crossfades in the music video which goes well with the slowness of the song. Another thing to point out is that Del Rey may be looking at her reflections various times in the video because she is looking at how “beautiful” she currently is.