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An extreme long shot is a view from an even greater
distance, in which people appear as small dots in the
landscape if at all (e.g. a shot of New York's skyline).
The effect of this angle is to inform you of the location.
Extreme long shot:
XLS
In cinematography, a low-angle shot, is a shot from a
camera angle positioned low on the vertical axis,
anywhere below the eye line, looking up.
Psychologically, the effect of the low-angle shot is that
it makes the subject look strong and powerful.
Low angle shot: LS
In film, a medium shot is a camera angle shot from a
medium distance. The dividing line between "longshot"
and "medium shot" is fuzzy, as is the line between
"medium shot" and "close-up". The effect is to show the
subject in more detail.
Medium shot: MS
Extreme Close Up ("ECU" or "XCU"): The shot is so tight that
only a detail of the subject, such as someone's eyes, can be
seen. Lean-In: when the juxtaposition of shots in a sequence,
usually in a scene of dialogue, starts with medium or long shots,
for example, and ends with close-ups. mysterious, dramatic,
intimate, detailed, perspective-changing, and disorienting.
Extreme close up: XCU
A value of framing that almost shows the full subject
or does in some case; also known as plan américain.
The effect of it is to show the subject in a fuller image.
Medium long shot:
A close-up or close up in filmmaking, television production, still
photography and the comic strip medium is a type of shot,
which tightly frames a person or an object. Close-ups are one of
the standard shots used regularly with medium shots and long
shots (cinematic techniques) the purpose of it is to narrow your
attention onto the subject.
Close up: CU
a two shot is a cinematographers way of capturing two
people in a shot, this is done to determine the
relationship between the two subjects, they do not have
to be next to each other; the purpose to just capture two
people.
Two shot: TS

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Angles

  • 1. An extreme long shot is a view from an even greater distance, in which people appear as small dots in the landscape if at all (e.g. a shot of New York's skyline). The effect of this angle is to inform you of the location. Extreme long shot: XLS
  • 2. In cinematography, a low-angle shot, is a shot from a camera angle positioned low on the vertical axis, anywhere below the eye line, looking up. Psychologically, the effect of the low-angle shot is that it makes the subject look strong and powerful. Low angle shot: LS
  • 3. In film, a medium shot is a camera angle shot from a medium distance. The dividing line between "longshot" and "medium shot" is fuzzy, as is the line between "medium shot" and "close-up". The effect is to show the subject in more detail. Medium shot: MS
  • 4. Extreme Close Up ("ECU" or "XCU"): The shot is so tight that only a detail of the subject, such as someone's eyes, can be seen. Lean-In: when the juxtaposition of shots in a sequence, usually in a scene of dialogue, starts with medium or long shots, for example, and ends with close-ups. mysterious, dramatic, intimate, detailed, perspective-changing, and disorienting. Extreme close up: XCU
  • 5. A value of framing that almost shows the full subject or does in some case; also known as plan américain. The effect of it is to show the subject in a fuller image. Medium long shot:
  • 6. A close-up or close up in filmmaking, television production, still photography and the comic strip medium is a type of shot, which tightly frames a person or an object. Close-ups are one of the standard shots used regularly with medium shots and long shots (cinematic techniques) the purpose of it is to narrow your attention onto the subject. Close up: CU
  • 7. a two shot is a cinematographers way of capturing two people in a shot, this is done to determine the relationship between the two subjects, they do not have to be next to each other; the purpose to just capture two people. Two shot: TS