Photographs can tell stories without words by leading readers through the copy in distinct elements and to important parts or larger points. Strong photographs have simplicity, focus the eye with cropping and placement, imply relationships or meaning, and use technical qualities like lighting to increase interest. While static, photographs can suggest change, motion, personality, and relationships to persuade readers. Powerful photos lead the eye, imply stories, use simplicity and framing, show human interest, and freeze moments in time.
3. Photographs lead readers
◼ To the copy
◼ Into the copy
◼ Through the copy (distinct elements)
◼ E.g., between large and small points
◼ To an important part of the copy
◼ To a larger point and/or the future
◼ Toward some action, feeling, etc.
4. Strong photographs have a)
◼ Simplicity
◼ Careful cropping
◼ Only show the main elements, avoid
distractions
◼ Internal dynamic
◼ Lines suggested by elements
◼ Placement of focal point(s)
◼ Clear sequence for the eye
◼ Initial focus, second, etc.
5. Strong photographs have b)
◼ Meaning and/or relationship with impact
◼ Symbolism of larger significance
◼ Something new or inherently interesting
◼ More info on the story and other photographs
◼ “Location” of viewer (above, etc.)
◼ Technical quality (contrast, focus, exposure)
◼ Also, lighting that adds to interest (side, back,
flat, diffused)
◼ Clear and pointed cutlines, heads, etc.
6. Photos as story-telling
◼ Though static, Photographs can suggest
◼ Change
◼ Relationship/comparison
◼ Motion
◼ Personality
◼ Cause and effect
◼ We automatically make links
◼ That the photographer uses to persuade, etc.
7. Photographs: symbol and moment
◼ Just as good writing paints a picture in the
mind of the reader, good photos often place
stories in the mind of the viewer/reader
◼ Most good photos offer
◼ a concept
◼ a fleeting experience
◼ both
45. Choosing photographs
◼ Choose photos that
◼ Reflect the style of the topic, copy and section
◼ Show an event, relationship, information, etc.
◼ Will attract and persuade readers
◼ Supplement the story
46. Editing photographs
◼ When possible, reduce the photograph to its
strongest and most relevant aspects
◼ Principle: If it doesn’t add, it subtracts
◼ Try to show a relationship
◼ Always come back to the audience