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To increase the scare factor of the horror
film, a supernatural entity is used. This sets
the protagonist apart from the antagonist
very early and quickly. This supernatural
entity is “Bughuul” or “Mr Boogie” He steals
children and takes them to the netherworld.


                        There is hardly any ambiguity due to the fact that in
                        most horror films the supernatural are presumed to
                        be evil. This film conforms to this template, which
                        makes it film a good physiological horror film as it
                        plays with the audience’s pre-existing natural fear of
                        the supernatural - a very common phobia.
In horror films, children are often portrayed as the
antagonists because we do not expect it because we attribute
features such as, weak, vulnerable, and innocent to children.
They are still objectified as weak as they have to tie up their
victims before they can begin to kill them. This is consistent
throughout all the murders, for example when the child slit
the throat of their victims, the victims were all tied up. This is
to eliminate the possibility of a struggle as the child will most
likely lose in that event.




                        Children are not thought of as powerful antagonists but in horror
                        films, they are. This unexpected turn of events end up being
                        physiologically terrifying. This causes the audience to also label
                        children as dangerous and threatening in their minds.
Another very common feature in horror films is
low key lighting. This is consistent with
‘Sinister’. Low key lighting is very effective, if a
room is poorly lit, it would be very hard to
identify objects/people within that room. This
is exactly the case when Ellison enters the attic
and discovers the box filled with films. At first
we and him do not know what this object is, we
don’t know the significance of this object due to
the low lighting. He isn’t sure what this object is
until he is closer to the
box. This adds tension
 to the film as we are
now expecting a
moment of discovery.
The film also uses sounds to its advantage. Most of
these sounds is juts ambient sound. An example of
this is when Ellison is outside at night in search of
“Bughuul” The sounds in this scene is diegetic sound
as Ellison can hear it and so can we, the audience.
This is also the case when Ellison is watching the
films; we can hear the projector in motion. This is
helps the audience connect with Ellison as we can
hear what he can hear and we can see just about what
he can too. Tense non-diegetic sound is also used.
This is simply to just raise the tension in a given scene.
The type of tense music is directionally proportional
to the events taking place. For example the music
played when Ellison is watching the lawn mower
scene is an eerie one. The type expected in a horror
film. This sound is designed to frighten the audience.

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Sisnister case study

  • 1.
  • 2. To increase the scare factor of the horror film, a supernatural entity is used. This sets the protagonist apart from the antagonist very early and quickly. This supernatural entity is “Bughuul” or “Mr Boogie” He steals children and takes them to the netherworld. There is hardly any ambiguity due to the fact that in most horror films the supernatural are presumed to be evil. This film conforms to this template, which makes it film a good physiological horror film as it plays with the audience’s pre-existing natural fear of the supernatural - a very common phobia.
  • 3. In horror films, children are often portrayed as the antagonists because we do not expect it because we attribute features such as, weak, vulnerable, and innocent to children. They are still objectified as weak as they have to tie up their victims before they can begin to kill them. This is consistent throughout all the murders, for example when the child slit the throat of their victims, the victims were all tied up. This is to eliminate the possibility of a struggle as the child will most likely lose in that event. Children are not thought of as powerful antagonists but in horror films, they are. This unexpected turn of events end up being physiologically terrifying. This causes the audience to also label children as dangerous and threatening in their minds.
  • 4. Another very common feature in horror films is low key lighting. This is consistent with ‘Sinister’. Low key lighting is very effective, if a room is poorly lit, it would be very hard to identify objects/people within that room. This is exactly the case when Ellison enters the attic and discovers the box filled with films. At first we and him do not know what this object is, we don’t know the significance of this object due to the low lighting. He isn’t sure what this object is until he is closer to the box. This adds tension to the film as we are now expecting a moment of discovery.
  • 5. The film also uses sounds to its advantage. Most of these sounds is juts ambient sound. An example of this is when Ellison is outside at night in search of “Bughuul” The sounds in this scene is diegetic sound as Ellison can hear it and so can we, the audience. This is also the case when Ellison is watching the films; we can hear the projector in motion. This is helps the audience connect with Ellison as we can hear what he can hear and we can see just about what he can too. Tense non-diegetic sound is also used. This is simply to just raise the tension in a given scene. The type of tense music is directionally proportional to the events taking place. For example the music played when Ellison is watching the lawn mower scene is an eerie one. The type expected in a horror film. This sound is designed to frighten the audience.