Fight Club Essay Explores Emasculation of Modern Man

Fight Club Essay
Alan Badel English 100/Major Essay #2 Professor Raymond Morris 23 October 2015 The Fight Club Aims to Free Individuals from Society's
Emasculating Shackles Chuck Palahniuk's Fight Club is an exciting fictional novel that will hold the audience captive following three revolving main
characters in Marla Singer, Tyler Durden, and the narrator himself as they take the reader through confusing twists and perspectives, while providing a
most revealing closure. Although the title suggests an exclusive organization focused on violence, the novel describes the emasculation of man in
today's modern age of consumerism, societal associations and family structure along with the main and sub–characters' exercising of power and
submission to power... Show more content on Helpwriting.net ...
Today's age of computer automation sparked a generation pampered with gadgets that enabled the user to complete labor intensive and
complicated tasks with a touch of a button or a simple act of pulling a lever. Now, with this type of jobs commonplace all over the world, a feeling
or sense of emasculation of these individuals as a result of being restricted to such menial tasks affectionately labeled as "space monkeys," rebellion
among this repressed group may arguably occur in order to display external power. The narrator synonymously identified emasculation in the early
chapters in the most literal sense of a man's loss, a symbolic loss to man's virility as to woman's fertility. In chapter two, the narrator felt emotional
and routinely cried weekly for and with his friend Bob; a largely built man whose own "huevos" were removed due to testicular cancer (21). The
narrator hugged and cried with Bob, a visually striking man with "bitch tits" now adorning the former body builder's physique. Such displays of
affection between men are not commonly seen in public, and therefore the author projected both as fragile, emasculated men submitting to the power of
a debilitating disease such as cancer. Emasculation has become
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Emasculation In The Striped Poem Summary
The intention of my piece 'Stripped', is to convey the negative effects of emasculation. I used a high–profile male to exaggerate how his reputation is
destroyed by a lady that strips him down of everything money, family and free choice. I was inspired by Tony Parson's 'Man and Boy', as it focuses
on how a man can lose absolutely everything within a few days and reach rock bottom. I did my own research and discovered that the importance of
reputation during the 1970s was regarded as a top priority. The aim was to convey the reality of emasculation from even the highest position to express
that gender in the 1970s was very favoured to men however the protagonist is confronted with a devious woman that betrayed him and moved on from
him with

Analysis of вЂњFight ClubвЂќ Essay
Analysis of "Fight Club"
For years David Fincher has directed some of the most stylish and creative thrillers in American movies. His works include: Aliens 3, Seven, The
Game and Fight Club. Each of these films has been not only pleasing and fun to watch but each has commented on society, making the viewers think
outside the normal and analyze their world. Fight Club is no exception, it is a multi–layered film with many subplots and themes, but primarily it is a
surrealistic description of the status of the American male at the end of the 20th century. David Flincher's movie, Fight Club, shows how consumerism
has caused the emasculation of the modern male and tells a tale of liberation from a corporate controlled society.
In the ... Show more content on Helpwriting.net ...
The corporate ownership of the male extends to how much his life is worth. Ed Norton works in a claims department for a large car manufacture. His
job is to decide what a manufacture does in case of a design flaw. Take for example, if a carburetor runs a risk of exploding after 100,000 miles; ED
Norton's job is to investigate the probability of this happening. Then take the number of vehicles on the road and multiply them it by the probable rate
of failure and multiply the product again with average price of an out of court settlement. If the end result is less than the cost of a recall, there is no
recall.
Brad Pitt makes a statement that illustrates the society the modern male is forced to live in, "We are a society of men raised by women." The film
shows the emasculation of the 20th century male, not only by our consumer–oriented society but also by feminine standards of civilization. The best
example of this would be the support groups Ed Norton visits. In these support groups, men are told to gather power, strength and courage from each
other not from themselves. At the end of the sessions men are told to hold each other and cry, things that are very non–stereotypical of men. The 20th
century society does not want men to function independently and be able to be emotionally strong on their own, it does not want men to be men.
Society wants to take the very ideals of being a man, independence, strength and courage and only allow for men to experience them

Summary: The Sun Also Rises
Xiaoyu Ma
A Format
Mr. Hawkins
A Shot in the Dark
In The Sun Also Rises, the characters grapple with the destructive effects of WWI. War veterans such as Jake experiences physical and mental
emasculation, as he struggles with his sense of disillusionment and confusion that become especially prominent at night. On the other hand, Brett's
attempts to heal her war wounds and search for a sense of purpose makes her more masculine. Vivid descriptions of these characters paint a postwar
picture of blurred gender boundaries.
The parallel between Jake and the steers reveals the war's emasculation of Jake. The steers' castration and Jake's comparison of them to "old maids"
suggest that they symbolize loss of masculinity (138). Similarly, the war renders ... Show more content on Helpwriting.net ...
His inner thoughts tend to surface at night, weakening him. Long passages of Jake's reflection at night or in the dark recur throughout the story. For
instance, one central passage that reveals Jake's cynical philosophy that the world is just trade of money and "the bill always came" occur when Jake
lies in bed in the dark (153). As Jake observes, "It is awfully easy to be hard–boiled about everything in the daytime, but at night it is another thing"
(42). During the day, Jake might occasionally lend himself to male bravado, but the night unleashes Jake's insecurities. "What a lot of bilge I could
think up at night," Jake mocks himself in the dark (153). He can no longer escape from his thoughts–"couldn't keep away from" his mind–the way he
does during the day through drinking and wandering around with his friends (39). Once, during one of his long nights, Jake thinks "to hell with
people" and starts to "cry," revealing his postwar cynicism and vulnerability (39). In another instance, his need to cope with a world of uncertainty, a
civilization shattered by WWI, becomes apparent. After thinking about his philosophy, Jake says, "All I wanted to know was how to live in it" (153).
As a part of a "lost generation" after WWI, Jake struggles with a sense of disorientation that haunts and enfeebles him

The Role Of Masculinity In Disney And Pixar
Characterized to Be Emasculated
Questioning the masculinity within male characters of Disney/Pixar, by watching their son's perspective on the film "Cars," in "Post–Princess Models
of Gender: The New Man in Disney/Pixar," Ken Gillam and Shannon R. Wooden examine multiple movies and point out that the leading male
characters in "Cars," "Toy Story," and "The Incredibles," are victims of emasculation. Prior to Disney/Pixar releasing nine movies, Disney conveyed
all its main male characters to be "alpha male" (472). However, Pixar opened new types of characters, those that led to having the characters'
masculinity stripped by another supporting character in the film. The authors draw attention from the strong male model to the "New Man" (476) role.
Gillam and Wooden focus on the main male characters in each of the movies who all start with a high machismo personality, which rapidly transitions
into an effeminate identity.
Buzz, Woody, Mr. Incredible, and Lighting McQueen all assumed they were going to achieve the "alpha male" (472) status, by isolating from their
friends and family, and becoming agitated towards any forces that challenged their power. Each of these characters quickly realized the alpha male
qualities were not going to help them achieve what was expected. The authors point out that the main emotions that the characters possess in the
beginning of the movies is "anger and frustration" (474). Why did Disney originally limit the emotions that men can feel? The

Nurse Ratched Character Analysis
Individuals are being emasculated and mistreated by woman throughout their journey. Emasculation is intertwined with societal expectation throughout
the novel such as when men arrive at the ward. "'Why then, I'll just explain it to you.' McMurphy raises his voice; though he doesn't look at the other
Acutes listening behind him, it's them he's talking to. "The flock gets sight of a spot of blood on some chicken and they all go to peckin' at it, see..."
(Kesey 51). In this quote, McMurphy distinguishes the key factors and clues that the nurse is controlling the men in their institution by forcing them to
turn upon each other. She services them to reveal things that shame them to one another. Nurse Ratched is using the men's secrets to turn them against
each other, showing she is mistreating the men and this action really strips the men on their masculine rights. Many of the men got threatening by
Nurse Ratched, and some where more extreme than others, leading to terrible outcomes. Billy and the girl had climbed around to the bow and were
talking and looking down in the water (Kesey 213)". Billy Ribbit feels emasculated because of Nurse Ratched is threatening him into telling his
mother about the situation with Candy. Billy had never been with a woman until he had sex with Candy, a prostitute. Billy's mom seems to have a
strong hold on him, and has a powerful look upon him. The Nurse uses this against Billy, a he thinks deeply considers his mother's opinion on him his.
Nurse

Is The Self Mutilation Is Characterized By Autoagressive...
Self–mutilation is characterized by autoagressive behaviors without intent to die, and is not uncommonly encountered in clinical practice, with an
estimated prevalence of 4.3% in general psychiatric patients. The highest incidences of self–mutilation have been reported in prisoners, institutionalized
teenagers with antisocial traits, and among those diagnosed with autism, schizophrenia, intellectual disabilities, and traumatic brain injuries [1].
Major self– mutilation is a rare, severe manifestation of deliberate self harm that results in perpetual loss of function or capacity of an organ and
constitutes a medical/surgical and psychiatric emergency[2]. Notably the act of major self– mutilation usually is associated with delusions or
hallucinations [3].Auto–emasculation, a subtype of major self– mutilation, typically manifests in the context of schizophrenia[4] , and presents a
significant management challenge for both medical/surgical and psychiatric providers, in part because of the lack of clinical guidelines for
pharmacological management.
Here, we describe a patient with schizoaffective disorder who presented with status post auto–emasculation in context of severe psychosis. While penile
reattachment was unsuccessful, the patient's psychotic symptoms responded well to clozapine, a third line antipsychotic medication that has been
demonstrated to be effective for treatment of aggressive behaviors [5]. To our knowledge, we are the first to report a case of a patient

Black Is Black Ain T Essay
Film Evaluation: Black Is... Black Ain't The final film by Marlon Riggs, Black is...Black Ain't, is concerned with the state of the African American
community. This film essentially asks the question, what does it mean to be black? The director and producer, Marlon Riggs, guides viewers along an
"an up–front examination of racism, sexism, and homophobia within the black community itself. Bringing together personal stories, interviews, music,
history, and performance, Black Is...Black Ain't asks African Americans: What is black, black enough, or too black?"1 Unfortunately, the
AIDS–stricken director died before the film was completed. This film operates as a kind of last will and testament for Marlon Riggs. "He bequeaths
the idea that rigid... Show more content on Helpwriting.net ...
The film reminds us that "slavery and its aftermath involved the emasculation–physical as well as psychological – of black men, the drive for black
power was usually taken to mean a call for black male power, despite the needs of (and often with the complicity of) black women. That continues to
result in the devaluing of black female contributions to the liberation struggle and in the subordination of black women in general."4 The result of
emasculation became hyper masculinity. This phenomenon confined the meaning of what it meant to be black even further. For example, to be
black is not to be homosexual. This is due to the notion of homosexuality as the ultimate weakness. Hence there is often prejudice of homosexuals in
the black community. The homophobic initiative from the black Catholic Church doesn't make the situation any better. Hence, Marlon Riggs ties in
his own story as a gay black man with AIDS. It really assists the film in showing the restrictions that exist in black unity. So what is the black
identity? Are you black enough? Do you talk black? Are you a hyper masculine heterosexual male with kinky hair and a criminal record? I can see
how it must be difficult to maintain a sense of communal self. Angela Davis one of the speakers in the film, provides this answer: "You take some
color, a dash

Regeneration
There are at least two ways to answer this question. One way is to argue that Regeneration is not an anti–war novel. First, because the work is historical
fiction, we might assert that it was necessary for Barker to include Sassoon's protest against the war as an important facet of his character, but that his
protest is not central to the novel. Second, as the narrator does not play an intrusive role in the story, there is no overarching judgment of the
occurrences and events that carries a didactic anti–war tone. Third, in the characters' observations there is most definitely a condemnation of well
known pacifists like Bertrand Russell and Ottoline Morrell. Finally, we may argue that Regeneration is not an anti–war novel because it ... Show more
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This topic resurfaces throughout the novel. Sassoon remembers the young boy in the bed next to him who has been castrated on the battlefield.
Anderson dreams he is tied up with corsets. Prior recalls his weakness against his father and the influence of his mother. Sassoon mentions to Rivers the
topic of homosexuality and the idea of an "intermediate sex." Rivers reflects on the "feminine: nature of healing and caring for one another on the
battlefield.
The motif of emasculation signals the powerlessness the men feel when confronted with the shocking reality of war. Although they try to do the
ostensibly manly thing by enlisting in the war and fighting for their country, they must face society's judgment that it is decidedly unmanly to suffer a
breakdown from their war experience. In the hospital, Rivers's method of treatment involves further unmanly actions, as the patients are forced to
release their emotions and discuss their feelings. Willard is so opposed to the unmanliness of his situation that he refuses to believe he has anything
other than a physical problem. Yet, Rivers achieves results in a sympathetic manner; he helps his patients to improve and lead a normal life once again.
Through further emasculation the patients are able to improve. Ultimately, the motif of emasculation in the novel challenges the traditional notion of
manliness.
Suggested Essay Topics
Describe the role of fathers and mothers in the novel. How do they

Analysis Of Neither Man Nor Woman
na Nanda 's Neither Man Nor Woman is an ethnographic study about the lives of Indian men known as the hijras. Through interaction with the hijras
and her study of Indian culture, Nanda provides a glimpse into a unique society and lifestyle. The author goes into detail about the lives of hijras, their
treatment by Indian society, the economic and sexual implications of their existence and status within Indian culture. Nanda defines the hijras as "...the
name given to a full–time female impersonator who is a member of a traditional social organization, part cult and part caste, of hijras, who worship the
goddess Bahuchara Mata. Hijras may be eunuchs with partial surgical sex reassignment; their sexuoerotic role is as women with men." (Nanda)... Show
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In Neither Man Nor Woman, Nanda explains that these hijra communes are many separete "houses" requiring rent from each member to help the
household. The majority of hijras, with the assistance of their gurus, make their income through prostitution. Located in red–light district cities, these
hijra houses of prostitiution are an economic center for the hijras. As Nanda notes, "The community of gurus and prostitutes provides their working
space, a steady source of customers, a minimum assurance of physical security in case customers get rowdy, and someone to pay off the police so that
they are not arrested" (pp.

The Negatives Of Mass School Shootings
Key Arguments This article had multiple key arguments about mass school shootings, and mass school shooters. The first key argument would be that
school shooters have a "type". According to the article, school shooters are most likely to be young white men who feel as though they have been
oppressed by their peers or society. Kalish and Kimmel's second argument in their article was to say that humiliation is emasculation; "If you humiliate
someone, you take away his manhood" (Page 454). Young white men decide to conduct aschool shooting due to their peers making fun of them or not
accepting them, according to the article. The third key argument in the article was that there is a gender gap in suicide. It is not apparent in all age ...
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I do understand that they used multiple media sources so the information they gathered is most likely factually sound, but media sources also tend to
"steal" information from other media sources as well, so there is a possibility of the information being misconstrued. The third key idea is the gender
gap. The text defines the gender gap of suicide by explaining that even though women have a higher rate of suicide attempts, men have a higher rate of
suicidal deaths. This term was well defined in the article and the information given with it was presented substantially. The authors put together
convincing statistics, although one source that was associated with multiple statistics was from 1997, which brings to question the validity of those
statistics in today's rapidly– changing society; almost 20 years later. In multiple places in within the article the authors use definitive language, but they
provide no statistic to back it up. You have to be careful when you are using definitive language, because, in society, there are bound to be outliers;
people who do not fit into definitive statements. I feel that the article would have been strengthened substantially if the authors compared more than
just three school shooting cases. Even a 5:1 ratio is more compelling than a 3:1 ratio. The authors have provided evidence that the majority of people
who conduct school shootings are white males, but

The Theme Of Emasculation And Consumerism In Fight Club
The novel Fight Club, encapsulates the issues faced by white males in Western capitalist society but also the working class man in general. In order to
effectively evaluate how Palahnuik achieves this and whether his solution has any merit, the problems faced by the working class man, emasculation,
consumerism, lack of purpose etc. in the context of the novel and society need to be thoroughly examined and his method of conveying these problems
scrutinized.
The most prominent themes in the novel are that of emasculation and consumerism. Palahnuik highlights in Fight Club the feeling of purposelessness
and loss of place in society felt by men. Whether this has arisen due to feminism, death of the industrial man or absent fathers is inconsequential, ...
Tyler is the narrator's solution but he is never able to adopt Tyler's free–spirited nature as he always clings to his old life and isn't able to 'hit bottom' as
Tyler describes it. Hitting bottom being realizing he should accept that he is living in a consumerist world but not allow it to affect him. Tyler isn't
able to be the alter ego of every working class man, so his only way of enlightening them is through appealing to their carnal desire to fight and to be
part of something bigger while preying on their disillusionment. Because Tyler appears inside the narrator, Palahnuik's aim and solution is to show
there is a part of Tyler that is in all those that are disillusioned by society and that it is not necessary for men to blindly abuse each other or start a
revolution in order to break free from the bonds of consumerist, emasculatory and capitalist culture and this can rather be done

Emasculated Reality
Emasculated Reality The novel Fight Club by Chuck Palahniuk is filled with a large number of motifs from downward movement and destruction to
overall decay. The unnamed narrator uses motifs to show images and pictures of greater themes throughout the novel. The narrator and other main
character Tyler Durden share the feeling that civilization has emasculated men and, "What you see at fight club is a generation of men raised by
women" (Palahniuk 50). The author shows the reader many themes by describing overly vivid motifs that represent them. Motifs are images that show
up throughout a work. Fight Club uses motifs of downward movement and disintegration to point to the larger themes of emasculation, self–destruction
and rejection of... Show more content on Helpwriting.net ...
Tyler wants all of civilization to return to simple hunter–gatherer ways because of all the damage and pain humans have caused the earth. Tyler's
thoughts are mostly satanic, but this idea that humans are hurting the earth connects very much to the Native American Indians' way of life. In the
essay An Indian Father's Plea Medicine Grizzlybear Lake (the father) is writing his young son's teacher about understanding the way his son was taught,
and how the western culture is new to him. Making assumptions that he is slow is wrong. "Although you in Western society may argue that such a
method serves to hinder motor–skills development and abstract reasoning, we believe it forces the child to develop his intuitive faculties, rational
intellect, symbolic thinking and five senses" (Grizzlybear Lake 371). Medicine Grizzlybear Lake and Tyler think somewhat alike in a sense that they
both feel like their different idea of life should be recognized. Tyler and the narrator take their ideas of the rejection of civilization to a massive scale
with Project Mayhem and its multiple charters. Through all the motifs in the book, the ones displaying downward movement, destruction and
disintegration have quite a few meanings. Tyler and the narrator's drive for self–destruction, rejection of civilization and masculinity overpower others
shown through many other motifs. Chuck Palahniuk displays a perfect example of men in today's world who don't feel

The Dutchman: A Dramatic Expression of the Relationship...
Amiri Baraka's The Dutchman would be considered a historical allegory that could be understood as this poetic and dramatic expression of the
relationship between whites and blacks throughout the existence of the United States. These patterns of history are symbolically acted out by the two
characters Lula and Clay; Lula represents white America and Clay seems to stand for the modern day Uncle Tom, who has over time been shaped by
white America and this slave mentality. The beginning Stage directions seem to form this poem in it of itself. The first line establishes the mythic
qualities of the play. "In the flying underbelly of the city. Steaming hot and summer on top, outside. Underground. The subway heaped in modern myth."
... Show more content on Helpwriting.net ...
Though the most significant stage property that Baraka uses is the symbol of apples. "Eating apples is always the first step" (1087) the apple
symbol represents the temptations of promises that white society offered to blacks, while these promises actually demeaned the dignity of blacks.
Baraka uses the character Lula as a devise to mock Clay as being a supposed Uncle Tom. You look like you have been trying to grow a bear. That's
exactly what you look like. You look like you live in New Jersey with your parents and are trying to grow a beard. That's what. You look like you've
been reading Chinese poetry and drinking lukewarm sugarless tea. You look like death eating a soda cracker. (1087) Lula seems to be stating here
that Clay is the new integrated and socially acceptable black man, unlike the character of an Uncle Tom from Harriet Breecher Stowe, who is trying
to ignore his identity that he was born with and manhood. Baraka seems to be mocking Clay for his attempt to become one with the system of whites,
because he was very much against, "being white". Soda cracker seems to suggest a white person in this context, so the "death eating a soda cracker" is
implying what Baraka would consider as the black man's continuing metaphorical and psychological prostitution to the exploitive white society by
conforming to the society's definition of identity. How the

What Is The Love Song Of J Alfred Prufrock's Treatment Of...
T.S. Eliot's poem, The Love Song of J. Alfred Prufrock, is not about love because it represents a sense of emasculation by women, rather than that
of love for them. By pulling some key parts from the poem you can see how the overall notion of the then modern man's sense of emasculation is
represented; "In the room the women come and go/ Talking of Michelangelo"() a line repeated within the work, is a prime example. During the time
that this poem was originally published, 1915, there was a shift in society in which women were able to learn more, to gain more of an education
than they had been able to previously. This line gives a sense of irritation over the reality of this; of women being able to speak to each other like men
would – over topics of an intellectual basis. The representation of 'Prufrock's'... Show more content on Helpwriting.net ...
So much so that when their fellow men call them back, they will drown. They will not survive this changing time. Prufrock mocks the intellectualism
of women and serves to boost a man's sense of self at the cost of that. Eliot uses the character of Prufrock to represent not only himself, but other men
of the time who were like him: artistic intellectuals who have only that to their name. And the risk of women breaking into that sphere is too great,
so therefore it must be undermined while it is still new and fresh, so that other people like him, other 'Prufrock's', can remain confident in their place
in society and use it to rid themselves of hypothetical competition before it even forms. Overall The Love Song of J. Alfred Prufrock embodies the
artistic, intellectual man's loss of self and place in the new society; it undermines the intellectual ability of women in order to re–establish the place of
men such as Prufrock, in order to try and keep a changing society stagnant for their

One Flew Over The Cuckoos Nest
Jood Abuali
I.B. English Written Assignment– One Flew Over the Cuckoo's Nest
Mr. Rader
23 November 2016
Word Count: 1411
In the novel One Flew Over the Cuckoo's Nest, the author Ken Kesey 1.enthralls the reader's attention by displaying events of 2.diminished 3.humanity
all throughout the book. This book revolves around the idea that women may be a threat to the masculinity of mental ward patients. The manipulation
that occurs within the ward has do with making other characters betray one another and reveal their shame. The manner in which the dominant
characters attack the other 's' "manhood" demonstrates their methods for manipulating the inferior characters under their control. The 4.diverse types of
minority groups become 5.conspicuous as the author reveals the 6.inclement and 7.sadistic character, Nurse Ratched, the stories antagonist, , who runs
the ward with 8.morbid intentions to 9.desiccate the courage of the people around her. Thepower in which she portrays is10. ample to the point it
becomes 11. flagrant. Her choice of words and background knowledge on the patient 's weaknesses, 12.engender her ability to control people within the
ward using insinuation. Although she claims that her actions are in favor for everyone she has contact with within the ward, they are just 13.facades in
which 14.covert her manipulation. Throughout the novel, the power of emasculation was a common implement in which controlled the ward, dismayed
the courage of many patients and

Research Paper On One Flew Over The Cuckoo's Nest
My research will be about Ken Kesey's One Flew Over the Cuckoo's Nest. Since, I already read the book, I knew the plot. Kesey begins the book with
the oppressive Nurse Ratched torturing the men in the mental institution. Then, Randle McMurphy, a man who faked mental insanity, enters the ward.
McMurphy, rebels against Nurse Ratched and her goons, and he changes the ward forever. The book ends with Nurse Ratched losing her power, while
the men find their manhood and leave the ward. With my research, I went to ebscohost and found journal articles, one article explained the
emasculation of the men in the ward, while another gave of an in depth explainer of how the mixed heritage of the Chief prohibited his manhood and
how McMurphy helped the Chief

Elizabeth Gaskell 's The Industrial Revolution Affected...
During the Victorian era, there were specific expectations set for women and men. Men expected to be fathers and heads of households, whereas
women were expected to simply be in the home, dependent of their husbands. The only alternatives for unmarried women were either religious life or
prostitution. Elizabeth Gaskell comments on these expectations in her novel Mary Barton, especially through the actions of the titular character, during
the Industrial Revolution. While the Mary Barton can often be read in the context of the economic changes in society, it also provides significant
commentary regarding the gendered aspects of life. To put it simply, the Industrial Revolution affected everyone and everything; Elizabeth Gaskell
illustrates ... Show more content on Helpwriting.net ...
Gaskell characterizes her, "Mary dwelt upon and enjoyed the idea of some day becoming a lady, and doing all the elegant nothings appertaining to
ladyhood." (Gaskell 79) She is initially a stereotypical young girl, but later develops into a strong character. Because of the Industrial Revolution's
substantial impacts, Mary's characterization is a reaction to these impacts. Gaskell recognized that the period was very dynamic, especially regarding
the roles of women (Al–Haj 1134). Pearl Brown notes, "Mary Barton reflects on the impact at mid–century of this new culture on gender roles" (Brown
346). The Industrial Revolution served as a catalyst leading to a change of women's roles out of necessity.
Mary's characterization, especially at the latter half of the novel, is atypical. She was initially introduced as a girl stuck in a love triangle, but
after the death Harry Carson, she becomes a heroic character, making her own decisions. Necessity was a primary factor; the Bartons were on the
edge of poverty for much of the novel. This reality forced Mary to work, much to her father's protest. He believes he should be the primary
provider; John Barton recommends she becomes a servant, a very feminine career. Instead Mary decides to become a seamstress; Brown points out it
was a job "with a possibility of a future managing a shop or perhaps owning he own" (348). Mary not only becomes a significant breadwinner for her
family, but also has the

Ken Kesey 's One Flew Over The Cuckoo 's Nest
The Geese in the Wolf's Nest
"The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was
which." (Orwell). Although animals might only look like animals, they are symbols of deeper meanings. Throughout the fiction novel One Flew over
the Cuckoo's Nest, by Ken Kesey, many symbols/motifs are presented in the form of animals that represent characters. These animals give meaning to
the story and illuminate the plot by giving insight on character development, parallels, themes and thought processes of characters. McMurphy
represents the Geese, Nurse Ratched is rendered as a wolf and the Patients are portrayed as hens and rabbits. First of all, the geese represent ... Show
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This is similar to how the goose in the quotes swoops down and plucks hens out of the cuckoo's nest. The geese that are flying opposite directions from
the cuckoo's nest reflect Mcmurphy's own desire to free himself and not the patients. Furthermore, even though Mcmurphy liberates himself from the
ward, he also liberates the patients from the ward, which is the cuckoo 's nest. Another parallel between Mcmurphy and geese is when Chief Bromden
looks out the window of the ward and sees a dog, geese and a car. For instance, one night when Bromden wakes up, he sees the dorm for how it is
instead of the usual machinery he sees. He realizes this and walks to the window and to his surprise sees a dog and geese, "I tried to look where the
dog was looking to see if I could find the flock, but it was too dark. The honking came closer and closer till it seemed like they must be flying right
through the dorm, right there over my head. Then they crossed crossed the moon–a black, weaving necklace, drawn into a V by that lead goose...when
[t]he [dog] couldn't hear them any either, he commenced to lope off in the direction they had gone,"(Kesey 143). The parallel between Mcmurphy
again is shown through his leadership and followers. In this quote the geese are only heard at first, and then seen. This is similar to Mcmurphy in the
way he says things to the Nurse and to the Patients and then Nurse Ratched sees what actions he is taking. He takes action

The Great Gatsby By F. Scott Fitzgerald
To what extent do you agree that Fight Club is an updated version of Great Gatsby that captures the zeitgeist of modernism?
F. Scott Fitzgerald's The Great Gatsby encompasses the flamboyant and morally corrupt society of 1920's America, whereas in contrast, C Palahniuk's
Fight Club addresses the sinister and nihilistic attitudes 70 years later. It is incomprehensible that these two novels would share anything in common;
however it is undeniable that Fight Club represents the continuation of the consumer culture and materialistic narcissism that The Great Gatsby
embodied so effectively. Palahniuk himself stated that "What I was writing was just The Great Gatsby, updated". Through comparing the different
attributes of the characters in both novels, Palahniuk shows the development of the zeitgeists of modernism in both novels and highlights the
repercussions that they have upon society. Both novels are enriched with symbolisms that portray the zeitgeist of their respective times and justify
Palahniuk's claim to having written the Great Gatsby updated. One theme that supports Palahniuk's claim is the emancipation of women.
The consequences of the emancipation of women have been represented within the form of Daisy in Great Gatsby whereas the progression of their
emancipation has been revealed in Palahniuk's Fight Club as portrayed by Marla Singer. In the beginning we are introduced to Daisy; a delicate and
perceptive woman who relishes her position in society but recognises the

Masculinity In Movies: A League Of Their Own
Project 2 I chose this project because I thought it would be interesting to discuss masculinity in these movies. The first movie I chose was A
League of Their Own. I have heard about this movie, but I have never actually seen it. The second movie I decided to watch was The Mighty
Macs. Before watching the movies, I read the descriptions and watched the trailers to get an idea of what I thought the outcomes would be. I
assume with both movies, because females are playing male dominated sports, it will call masculinity into question of whether these sports can be
played by women. I also plan to see a lot of discrimination towards women in these movies. I watched this movie by myself in my room because I
knew I would focus more on what was happening. First, I will reflect on A League of Their Own. In this movie, I expected that the women would
play baseball until the men got back from the war, then they would be taken out of the league. It sounded like the women were basically there to hold
the jobs for the men, similar to the factory situations. I also expected there would be a lot of stereotypical responses towards the women. Because
there are so many characters in this movie, I will quickly explain Kit Keller, Dottie Hinson, and Jimmy Dugan's... Show more content on
Helpwriting.net ...
For example, at one of their games, the "locker room" they were given was basically just a women's bathroom. I feel like these emotions are true for
real life situations as well. Although female sports are very common around the world, sports are still dominated by men. There is not an equal
representation or approval for female athletes. I would argue this has a lot to do with the stereotype that women are supposed to be fragile and stay at
home. Although we are in the 21st century, this is still a view that many people have. This translates into how my view of men and masculinity has
changed in

Gender roles in Pat Barkers' Regeneration
Pat Barker uses language effectively in the novel "Regeneration" to present gender roles and other themes within the novel. Her presentation of
women, emasculation and men taking on more feminine roles are important for the theme of gender roles within the novel. She also uses language
effectively to present themes of duty and father figures. There is a very small but important female presence in "Regeneration". The first mention of
women in the novel is the Voluntary Aid Detachments (VAD's). "A couple of VAD's ran across the room to him, clucking, fussing, flapping
ineffectually at his tunic with a napkin, until eventually they had the sense to get him out of the room". The language Barker uses compares the
women to chickens, the use of "until they had the sense" shows the women as stupid and "fussing" suggests they were making a bigger drama than
they needed to about the situation. Later on in the novel, Barker introduces Sarah Lumb and her friends; they're described in a much more positive
way and are portrayed as strong dominant women. The contrast from the VADs earlier in the novel to Sarah and her friends later in the novel could
suggest that Barker is trying to show how the roles of women changed as the war progressed. Her positive description of Sarah and her friends could
show Barker is a feminist as she seems to favour the 'munitionettes' to the VADs. Though her own views on women are presented within the novel, she
still accurately represents women's roles in

Masculinity In One Flew Over The Cuckoo's Nest
In the novel One Flew Over the Cuckoo's Nest by Ken Kesey, the masculinity of the men in the ward is threatened because of three powerful women
preventing their recovery. In particular, these struggles are between Randle P. McMurphy and Nurse Ratched, Dale and Vera Harding, and Chief
Bromden and his mother. The struggles the men face against the women who oppress them make the men unable grow and this leads to their inability
to leave the hospital. One of the biggest oppositions in the novel is between McMurphy and Nurse Ratched. The Nurse is first seen when she enters
the hospital, "I hear her rubber heels hit the tile and the stuff in her wicker bag clash with the jar of her walking as she passes me in the hall.... Her
face is smooth, calculated, ... Show more content on Helpwriting.net ...
He is the son of Tee Ah Millatoona, also known as The Pine That Stands Tallest on the Mountain, who is a Native American chief who was strong
and powerful and his mother is a Caucasian woman named Mary Louise Bromden. She was the dominant force in the couple. Chief's father
explains to him, "You're the biggest by God fool if you think that a good Christian woman takes a name like Tee Ah Millatoona. You were born
into a name, so okay, I'm born into a name. Bromden. Mary Louise Bromden. And when we move into town,... that name makes gettin' that Social
Security card a lot easier" (Kesey, 239). He took her last name because it was easier to be accepted by society with a "white" last name. This
acceptance shows that his mother had a dominance over his father and therefore emasculates him. When McMurphy and Chief are talking, Chief
brings up how his mother grew twice the size of his father and how his father wouldn't give in to what anyone said and did what he pleased until the
Combine started working on him. "It wanted us to live in inspected houses. It wanted to take the falls. It was even in the tribe, and they worked on
him. In the town they beat him up in the alleys and cut his hair short once.... He fought it a long time until my mother made him too little to fight any
more and he gave up" (Kesey, 187). His mother influenced him into signing papers that agreed to giving up

The Sun Also Rises By Earnest Hemingway
Monica Lackey
ENG 1113
Cristie Hooker
21 November 2014
THE SUN ALSO RISES
a.In The Sun Also Rises by Earnest Hemingway, there are two main settings: France and Spain. The novel begins in Paris, France with the narrator
and protagonist, Jake Barnes lives and immerses himself in his journalism. Paris is known to be a place of great beauty, and was a common place
for many writers to reside in the 1920's. This initial setting of Paris served to contrast the excitement and beauty yet corruption and uneasiness that
is the enigma of Paris. This is where Jake lives, he frequents bars and parallels his author Hemingway in his general detachment from the war. The
second setting is in Spain where Burguete, Pamplona and Madrid are visited. Burguete is a more rustic part of the country where Jake and Bill go to
be one with nature and go fishing. This setting was the most different from Pamplona and Paris, for its unadulterated nature and simplicity of the
landscape. However, the fiesta in Pamplona was a grand event where Brett was moved by Pedro Romero. Pamplona was a small city known for its
bull–fighting, and the place where tension unfolds when the main characters get drunk and fight for Brett's affection. The settings in this novel are
parallel to the events that unfold there.
b.One of the possible themes of The Sun Also Rises is fear of emasculation and the effects of castration, both literally and figuratively speaking. In this
novel, we follow Jake Barnes who was injured during

вЂ вЂ™the Experience of the Great War Stripped Men of Their...
''The experience of the Great War stripped men of their masculinity''explore the ways in which Barker, Sassoon and Owen portray this in their writing.
Sassoon and Owen as poets and Barker as a novelist, explore through their works of literature the changing and challenging notions of masculinity
experienced as a result of The Great War. Furthermore, all three writers suggest that the often overlooked reality of the conflict was the creation of a
subversion of the stereotypical 'heroic soldier'. Replacing this image through their work, with that of the truth, we see an exploration of the emasculated
and dehumanised shell that many men truly became as a result of what they experienced in service. This extends throughout their texts, to... Show more
Both the scenario explored here by Barker and the closure of Owen's Disabled with demeaning rhetorical questions 'And put him into bed? Why don't
they come?' demonstrate a crisis in masculinity and helplessness. However it could be suggested that although society overlooks what is hard to face
in Disabled, the reader of Regeneration is exposed to worse sense of emasculation with the feeling of inadequacy and distance the patients of
Craighlockhart experience only being enhanced by their treatment by women. Barker equally uses imagery to evoke emotion focusing closely on his
post–war appearance, describing his forearms 'the groove between radius and ulna was even deeper than a week ago', not only suggesting that Burns is
physically becoming weaker, but also mirroring the ever increased detachment from the man he felt he was– turning into the 'thin yellow skinned man'
The Great war has forced him to become. Thus we start to realise that this emasculation extends beyond the concept that many men no longer felt
physically male in the way they did before the Great War, but largely protracts to the idea they felt they could no longer speak out as a male and their
treatment within a society that still strived on pre–war notions of masculine behaviour

Gender Stereotypes In Pixar's The Incredibles
A large audience of two hundred million children and adults watch Disney movies and videos every year (Gilliam, Wooden 7). When one thinks about
Disney animated feature films he or she probably immediately have the image of beautiful princesses in mind, while when thinking about Pixar one
may think of a narrative, which centers on a male character. According to The Pixar Story, TheWalt Disney Company and Pixar Animation Studios have
been collaborating together in many films since 2006; as one can see in many films the two companies draw distinctive gender dynamics, Disney
adapts to old narratives while Pixar creates new ones. In Tangled (2010), a Disney movie, the masculine character Flynn Rider is a secondary
character, an arrogant and crude thief. In The Incredibles, a movie born from the collaboration between Disney and Pixar, Bob Parr is depicted as the
strongest, independent and the protagonist of the narrative. While Disney's narratives center around a female protagonists such as in Tangled, where
the main character is a princess, in Pixar instead everything revolves the male subject, such as in Toy Story, Cars and in The Incredibles.... Show more
Both companies play with social construed gender portrayals where masculinity seen as a dominant figure even over other males. Mr. Incredible and
Flynn Rider confirm stereotyped masculine of an alpha male features and behaviors; however, even if Mr. Increbible who has exaggerated masculine
features will need the forthcoming of the two genders will reveal determining: Bob Parr and Flynn Rider need help from a female figure in order to
solving the narrative with happy ending. Masculinity is opposed to femininity and this binary system reigns in cultural

Misandry and Emasculation in Disney's Beauty and the Beast
Disney's Beauty and the Beast can be seen as a very honest way of depicting how society feels about the gender roles of men and women. Firstly, of
the main characters, two out of the three are in fact males. The interesting thing about this balance is that despite there being a higher number of males
in the film, they are both shown to be at least partially villainous. Throughout the entirety of the film, the only two characters, main or otherwise, who
truly embody and possess typically masculine characteristics (chivalry, a wish to fight to protect women, strength etc) are both depicted as being
wrong, evil, and negative. The first of these two men is Gaston. Gaston is by all accounts, the villain of the piece. His great crime? He... Show more
But Beast is not only an interesting topic when discussing the hugely misandric elements of the film because of this, it is also worthy of discussion
because of the tipping point. The turning point, the face heel turn, whichever name you choose. He fully makes the transformation from villain to
victim when he meets and is guided by Belle. A woman. If we remove the fantasy and the characters, and look at it purely in terms of actions, then we
are met with this path of characterisation. Horrible, evil masculine male who cannot control himself (Villain) – Possibly a redeemable person, he has a
few feminine traits – [MEETS A WOMAN]– Fully a victim, in need of love and affection to limit his masculine traits and become a feminised
person, thus entering the stage of being worth anything in society. Yes, Beast becomes a good character, one who we are expected to sympathise
with, only when he has a feminine touch. When a woman enters the equation and puts her foot down, she brings emasculation and shame for his
maleness, and thus the process of making him "acceptable" begins. This same value is shown through sitcoms, television shows, films and every
other form of media. It's one of the most basic storylines. Man has masculine traits (sleeping with multiple partners, a biological urge, or
demonstrating and taking pride in physical prowess, also a biological and social urge) and this means that he is a bad person. But then

The Significance of Blurred Gender Roles for the Key Male...
WORLD LITERATURE ASSIGMENT ONE
The significance of blurred gender roles for the key male characters in 'Kitchen' and 'Like Water For Chocolate'
Word Count: 1497
Banana Yoshimoto's novella 'Kitchen' and 'Like Water For Chocolate' by Laura Esquivel explore the blurring ofgender roles through the
characterisation of the key male characters, Eriko and Pedro. The obscurity of gender roles is utilised by both authors as a literary tool in the formation
of interpersonal relationships with the protagonists of each text. Furthermore both authors employ this blurring in the deconstruction of their respective
audience's societal expectations. Yoshimoto on the conventions of conservative 1980's Japan, and Esquivel as a 3rd wave feminist writer... Show more
'What an amazing life story!" The casual nonchalant tone of the dialogue between Mikage and Yuichi demonstrates an acceptance of the
unconventional, transcending the limitations of normality in Tokyo's urban setting. Through the employment of caesuras in the form of commas,
questioning and quotations, a natural progression of conversation is portrayed. The use of colloquial diction creates an insouciant tone. Mikage's
enthusiastic response, underlined through the use of exclamation, and the positive diction, highlights her acceptance of Eriko's difference. Through
Eriko's blurred gender role, Yoshimoto essentially entreats an acceptance of the unconventional 'other' on the conservative Japanese audience.
The emasculation of Pedro in Esquivel's novel deconstructs the prescriptive roles of romance and Mexican society, redefining the patriarchal context in
a 3rd wave feminist ambition. Esquivel's textual construction mirrors the genre of Mexican women's fiction. Through these codes as a foundation of
the novel's structure, Esquivel parodies the formulaic roles of the feminine, and wages an assault on these constructs, empowering the women of the
text. Furthermore the traditional romantic narrative arc in which the text follows is unhinged through Pedro's emasculation, disregarding the male hero
figure, and vilifying the expectations of a patriarchal

Representations Of Gender And Masculinity
Representations of gender and masculinity in Pat Barker 's Regeneration.
One of the major themes in Pat barker's 'Regeneration' is gender and masculinity, this is my chosen theme. The novel overall reflects the struggles of
World War one soldiers and their attempts to overcome the trauma of war experience. In this essay, I will be exploring ways which Barker represents
my chosen themes. By discussing in depth and focusing on homosexuality, parenthood, emasculation, and mutism as a symbol.
A key issue which falls under masculinity is on the battlefield, love between men is accepted and it's wanted. Sassoon is known for his love and
commitment he shows for the men who serve alongside him. Such a bond involved a level of comradeship and care for soldiers. Humanity looks
upon this love positively as it produces a better army. Intimate and a love bond between men is a repeated subject in the novel, by means of all the
characters involved are all male.
Nevertheless, there are restrictions on the level of male 'passionate' communication in "Regeneration". River mentions these limits in Chapter 17. He
tells Sassoon that whilst partnership is cheered. "...there's always this little niggle of anxiety. Is it the right kind of love?" (Barker, 204) Here,
homosexuality is mentioned indirectly, but it is not an overt theme in the novel. Rivers advises that in wartime, the response to homosexuality would
only be more bigoted than in harmony as the system would want to make it strong that

Character Analysis Of Mr. Incredible
However, Mr. Frederickson ignores Russell to continue on trying to navigate it without him. The purpose behind that is to show some sense of
strength, as an old man he won't exhibit super strength or any sort of power like Mr. Incredible, but instead he exhibits the old saying that with age
comes wisdom; within that scene that is exactly what "strength" he is showing. Mr. Frederickson wants to show that he is strong and capable
enough to get there without help. However, as the movie progresses his vulnerability becomes more visible. The want to show strength and to appear
strong comes from the emasculation of the characters. Mr. Incredible was this well known superhero that went around saving the city from robbers,
criminals, and other events. However the city soon retired him for the amount of damage he caused, leading to him having to obtain a real job and
provide for a family. His series of events are Mr. Incredible's emasculation. On the other hand is Mr. Frederickson, he however was never a superhero
or anything of extravagance. Instead, he was the man in charge of the balloon cart at a zoo. While he wasn't very exciting in the first place, he had
had dreams of being able to retire with his wife at Paradise Falls. Mr. Frederickson's retirement with his wife never happens sadly. In fact he wasn't
truly ever able to retire. The failure to achieve his dream of retirement at Paradise Falls is the emasculation of Mr. Frederickson. The failure
/emasculation is also the reason

Emasculation Essay
How does Pat Barker use symbolism in the novel Regeneration to explore the theme of emasculation?
The theme emasculation appears several times throughout the novel Regeneration in variety of forms. Barker's exploration of emasculation in the
novel challenges traditional notions of manliness, showing war as a possible "feminine" experience. Pat Barker is bringing to attention that the
atrocities suffered at war are making the soldiers unmanly as they're facing shell shock and trauma. There are many situations in the novel where
emasculation is expressed, where there is loss of power, masculinity, deprive of the male role and identity has taken place.
Andersons dream is a part of Regeneration where an emasculating experience occurs, which ... Show more content on Helpwriting.net ...
Simple things such as branches rattling reminded him of machine–guns, he saw dead animals linking in to dead bodies and he was trembling, slipping
and stumbling in the mud when attempting to run for his life. Burns struggled to away from it all, he had to bite his lips to stop himself crying; he
also imagined the dead corpses on the ground all around him. This is why he went back to the hospital, he needed Rivers for that care and
protection like a son needs of his father, he has lost all faith of being that manly man he once was. Overall Barkers aim including the theme
emasculation in Regeneration is to show men have been disconnected from Mother Nature and themselves at war, they suffer mental illnesses and
become weeping hysterics because of the things they have seen and experienced and because of this they believe they have a loss of masculinity.
This was believed by most people, the soldiers were seen as abnormal, being sent away from war for help after being diagnosed with shell shock.
However being in a place where people are being killed, the wondering whether you are going to live or die, not seeing your family people need to
face society's judgement that it leads to suffering and

How Does Gender Confine Homosexuality?
In the interwar period, concepts of sexuality and gender were being beginning to shift as women began entering the workforce and taking on more
'masculine' traits. While men were coming back from the war and seen as "weakened" men. The need to define the essential difference between gender
also worked to define and confine homosexual practices into identities and into the category of 'abnormal.' First, I will discuss post–war anxieties and
male emasculation and how it defined the essential difference between heterosexuality and homosexuality on the basis of gender and class. Next I will
discuss how these male–anxieties constrained heterosexual women and lesbianism in the working and middle–class, while defining heterosexual
practices as biologically ... Show more content on Helpwriting.net ...
By determining the divide between what was suggested to be 'normal' gender performance and 'abnormal.' To restrict what was 'normal' gender
behaviour and to restrict heterosexual women from becoming the dominate gender, but also to condemn sexual deviations at the same time. Women
with education and independence were viewed as a threat to patriarchal society, and by stating that women who were not passive or more masculine
were lesbians or had a "psychic disturbance" was a way of forcing women to stay in their gender position or face being considered 'sick' (100). Women
were expected to control their sexual passions because female sexuality was discredited as subdued or non–existent. The belief was that men could
awaken them sexually as a way to maintaining social order and forcing women to maintain heterosexual domestic positions. Female sexuality and
lesbianism, and other deviances, were blamed on middle–class decadence and "upper–class debauchery" and that middle–class people were corrupted
by sinful greed and lust that made them behave this way (101). Unlike their working class counterparts, who were initially blamed for corrupting
higher class groups, in many cases "simple economic necessity forced some working–class women into marriage or concubinage [sic]"

Hyper Masculinity Vs. Emasculation
Hyper–Masculinity vs. Emasculation The role the father figure plays in a family is very important; from providing food, and shelter, to raising their
youth into functional members of society. The actions of Abner Snopes from "Barn Burning" and Guy from "A Wall of Fire Rising" have a huge
impact on their families, but more important their sons. The fathers try to teach their sons values and lessons that will prepare the young boys to
become men. While teaching these lessons the fathers commit monstrous acts and their sons see up close what type of men they are. Each of the
families come from different periods of time and live in different social and cultural environments; however, the relationship between each father and
his family are very similar. Each of the fathers teaches his sons lessons that are very important as they develop into young men. The most important
lesson that Abner Snopes teaches his son Sarty is that if he wants to make it far in life he must stick with his family no matter what. "You're getting to
be a man. You got to learn. You got to learn to stick to your own blood or you ain't going to have any blood to stick to you" (Faulkner 191). Abner
Snopes and his family live in a time and place where many feel that family is all that they have, and with the dozen or so moves that the family has
made, they have never gotten the opportunity to settle in a community and form social relationships. Abners youngest son Sarty understands this
lesson, and refers to

Examples Of Masculinity In Hamlet
During Early Modern England, a major portion of one's masculinity depended on their physical abilities. In terms of life expectancy of the time
period, the King is approaching, or already is in, old age, and, as Casey writes, "Men may become effeminized by age such that old and tired bodies
lose their defining maleness," (11). The King may have used poison as a murder weapon because of the femininity that is associated with old age,
thus meaning that he chose to act in concordance to his age, and not to his sex. Hamlet, on the other hand, is much closer to the period of heightened
manhood, that is pointed out by Shepard. "Between the ages of 14 and 28. . . was the time when [men were] 'most sensible, full of strength, courage,
and activenes'" (24). This increased manhood is clearly evident when looking at how Hamlet solves his issues–he physically fights and/or kills
someone with a sword or rapier, (H 11.14–15, 17.83–84,96–97). Rather than committing murder in a hands–off... Show more content on Helpwriting.net
...
"Did my heart love till now? Forswear it, sight, / For I ne'er saw true beauty till this night," (R&J 1.5.49–50). The audience receives details that project
him as very emotional person who is willing to publicly share his emotions, which is not a masculine trait. The prominence and strength of one's
feelings are often hidden by the men of this time period to coincide with the belief that emotionality is associated with women, who were deemed as
the weaker sex. Romeo becomes the more emotional one in his relationship with Juliet, "O sweet Juliet, / Thy beauty hath made me effeminate," and
blames her beauty for the reason behind his weakening (R&J 3.1.108–109). By Romeo himself discussing his effeminacy, it becomes obvious of the
gender role reversal between Romeo and Juliet in terms of their

Beowulf Is Not Your Average Viking Warrior
"The hero observed the swamp–thing from hell, the tarn–hag in all her terrible strength, then heaved his war–sword and swung his arm: the decorated
blade came down ringing and singing on her head. But soon he found his battle–torch extinguished; the shining blade refused to bite." (1518–1523).
Few images in medieval literature capture masculinity as well as the sword. Its phallic shape and use of dealing harm by penetrating your foe make it
the ultimate allusion to the male anatomy. However, in this battle between Grendel's mother and Beowulf, our hero's sword cannot seem to perform its
intended function. This failed display of masculinity by Beowulf is only one of many that suggest that he is not your average Viking warrior. The...
Beowulf's gender–nonconformity is poorly justified by the Beowulf poet representing him as almost a Jesus Christ figure. There are several ways
that Beowulf serves as a working Christ figure. He saves people's lives, is chaste as far as we know and he even has a posse of twelve that follow
him around. This allusion to Jesus is further solidified in the ending of the epic poem where Beowulf is betrayed by his "apostles" who allow him to
fight the dragon mostly alone. Beowulf saying "this fight is not yours, nor is it up to any man except me..." (2533–2534), is essentially the same as
how Jesus alone had to die to free man from sin. However, this Christianization of Beowulf is just an attempt for people to understand why Beowulf
never had any sexual relations with a woman. By constant comparison to Jesus, who also abstained from sex, Beowulf's abstinence is normal.
However, this is not the case, it is instead an example of Catholicism making things confusing. It doesn't make sense to have so much symbolism
alluding to the fact that Beowulf is queer while simultaneously alluding to him as a Christ figure. Therefore, Beowulf must have been changed by the
Beowulf poet or simply over the years of people telling the poem by word of mouth to fit better into Catholicism.
During the fight with Grendel's mother, Beowulf performs emasculating actions which are discounted by the fact that

Phallic Symbols In The Sun Also Rises By Hemingway
In the The sun also rises by Ernest Hemingway, phallic symbols are used because they represent emasculation in different scenarios in regard to
the development and state of mind of the characters. Phallic symbols represent the power of a penis. As Jake and Bill were fishing, Bill asked
how big were Jake's fishes and he said: "They're about the size of your smallest" (Hemingway 125). In this part, the fishes are representing the
penis. Earlier, Bill talked about the size of his fishes and he told Jake that his fish continues to get bigger and bigger. On the other hand, Jake says
that his fish is "about the size of your smallest." He is saying that his penis is small compared to Bill. As they continued to fish, Jake "Slit them all and
shucked... Show more content on Helpwriting.net ...
When Mike was drunk, he said to Robert: " I would have thought you'd loved being a steer, Robert... Why do you follow Brett around like a poor
bloody steer?... You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer" (Hemingway 146).
Mike is drunk and when people are drunk they tend to express their true feelings. Mike is calling Robert a steer and telling him that he thought that
he loved being a steer. By definition, a steer is a castrated male bull. This means that they have been neutered and they no longer have their
reproductive organs. Although Robert is not literally castrated like Jake, he is referred to a steer because he is weak. Mike said that Robert follows
Brett like a steer. Mike is not talking about Robert's relationship with France's but he is talking about another girl. This shows that Robert is weak
even when he is not around France's. France's is controlling and she takes advantage of Robert but he continues to obey her. If Robert is capable of
being impotent in front of other women, he is weak in front of everyone because he had the chance to be strong while France's was not

Examples Of Being Cuckolded In Othello
The act of being cuckolded affects Othello's body as he has "a pain upon [his] forehead" (3.3.288). This physical pain affects him more than his
"seven years' pith" (1.3.84) martial body. From this, he opposes Desdemona binding his head with the handkerchief he gives her because it is "too
little" (3.3.290–292). By rejecting the handkerchief, he rejects his ancestral history as his paranoia on Desdemona's chastity bids "farewell [to his once]
tranquil mind" (3.3.351). Also, Iago jibes at Othello's emasculated position by asking if he has "hurt [his] [head]" (4.1.58). Othello acknowledges Iago
mocking him but cannot do anything about it. Iago tells Othello to "bear [cuckoldry] like a man!" (4.1.61), but Othello accepts his emasculation and
sees himself as a "horned [cuckolded]...beast" (line 62) who is ennobled, sexually deficient and uncivilised.
Notably, Dympna Callaghan enforces that cuckolds are constructed as "physically and socially ... Show more content on Helpwriting.net ...
According to Comensoli and Russell, the early modern stage "also inverted [conventional paradigms of gender] structures" (1). These "inverted
structures" appear as Othello's Italian masculinity contrasting the Elizabethan stereotypes on his race and being cuckolded; while Desdemona's "foul
disproportion[ed] thoughts [and actions] [are] unnatural" (3.3.237) for a "maiden never bold" (1.3.95). Alternatively, a boy actor playing Desdemona
empowers her femininity that is realised and acknowledged within with the theatre's walls" (Stephen Orgel, 106). Similarly, Othello's valiant character
as a black protagonist is realised and acknowledged too but within blackface. Moreover, Othello and Desdemona break away from their Elizabethan
stereotypes "[where] such subversive views could not only be advanced or tested but also...contained" (Michael Shapiro, 41) on the early modern

Examples Of Masculinity In Margaret Hale
Throughout the North and South, Margaret Hale shows a tremendous ability to affirm and alter the masculinity of the men around her. This power is
both due to the nature of masculinity itself, as well as Margaret's unwavering convictions about what she perceives to be masculine. For any man, their
masculinity will be influenced by the women around them. This is because masculinity exists in a duality with femininity; they define themselves
against one another, what is dominant is masculine and what is submissive is feminine, stoicism and emotional, blue and pink. Without one to cast its
shadow on, the other loses its structure. Thus, masculinity measures itself against the mensuration that femininity lays out for it. This reliance on one
another... Show more content on Helpwriting.net ...
Thornton hears Margaret call him out on his "cowardice" and question his "courage" and "noble quality", Gaskell writes that "a dark cloud came over
his face while he listened. He set his teeth as he heard her words" (232). Rather than wither under Margaret's accusations on his manliness, Mr.
Thornton reacts accordingly and leaves to perform his duty as the man of the household so quickly that he cuts Margaret off mid–sentence. This is
drastically different to Mr. Hale's reactions, which would instead leave Margaret up to her own devices to fulfill his role, and shows how Margaret's
influence on the men around her does not just lead to emasculation, but a push toward a fuller embodiment of their masculinity. Here especially, all it
took were a few sharp sentences and Mr. Thornton felt compelled from hiding inside his home to boldly addressing an army of rioting, angry men.
Thus, Margaret has a significant amount of control over the actions of the men around

Fight Club Essay Explores Emasculation of Modern Man

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Fight Club Essay Explores Emasculation of Modern Man