How good is your metadata? Helping readers find the content they want, in a well-organised way, is fundamental to selling more books online. There are set rules aimed at standardising how publishers, booksellers and others describe each book. Kieron Smith (Digital Director, Blackwells Bookshops) walked us through what we should be thinking about and what will ultimately lead to more online sales at BookMachine in Oxford last week. Here are his slides.
2. What I’m going to cover
• A little bit about Blackwell’s
• What’s the challenge?
• Hygiene Factor Metadata & richer information
• The missing link
• Concluding words
3. About Blackwell’s
Blackwell’s has been supplying academic
books and specialist publications for over
130 years and is the leading academic
bookseller in the UK. Blackwell’s includes
35 full time trading shops on the high
street and university campuses. This rises
to 80 at peak times via temporary ‘pop-up’
shops serving over 1.2 million students
across 56 higher education institutions in
the United Kingdom.
Blackwell’s booksellers are renowned for their
expertise, depth of knowledge and love of books
- a tradition which has
been maintained since the first Blackwell’s shop
opened its doors in 1879.
4. Our own platform learn.Blackwell.co.uk & ecommerce site
Blackwells.co.uk
6. 0
75000
150000
225000
300000
Year 1885 1890 1895 1900 1905 1910 1915 1920 1925 1930 1935 1940 1945 1950 1955 1960 1965 1970 1975 1980 1985 1990 1995 2000 2005
New books published in the US
7.
8. Sixty-one percent of book purchases by frequent book buyers take place online, but
only seven percent of those buyers said they discovered that book online.
Book choosing methods on
12. Bug list
5. Why when I click on an author name does it not disambiguate
between two authors of the same name g.g. Stephen King
6. Why can’t I see all the versions of the same book? (i.e. is there
a new version of this OOP title? Graphic Novel Version, abridged,
audio etc.?
7. Why can’t I see other language versions of the same title? If
you want to find the French edition of ‘A Study in Scarlett’ then
how will you know it’s called ‘Une étude en rouge’?
8. Even problematic in a global environment around books
retitled in the same language UK e.g. Love in Black and White
13. Bug list
9. What age range/academic level is this book in the school
system of the country I’m in now? BIC and BISAC codes include
some school levels for the UK/US – more tenuous in other
locations but Thema could help.
10. Can I search for a book in Latin and non-Latin character
sets, a title may well have a dual existence – for example in
Greek and Latin Alphabets
11. What inspired the book – what was inspired by the book?
12. Customers often know part of a book – ‘it has a poem with
daffodils in it’
14. Thema
- Allows us the chance to present different shop fronts to
different countries
- Huge help in helping us to enable groupings of books which
make sense
We’ve been stuck in 1995 bookselling with a very static view of
book browsing and presentation online…
15.
16. …and we’ve not even talked about
• Look inside the book
• Additional images & back covers
• Professional reviews
• Video content
• Categorisation…
19. Looking to create an
Agile culture across the
business.
Tools to learn and
share collectively, for
Booksellers, collaborators
(authors, publishers, etc.)
and for customers.
Thinking like a start-up,
albeit one which is 137
years old.
20. The Missing Link
• The ability to link all these drops of data into one big picture
which can connect people to book information beyond each
individual data bucket.
• Why when I click on an author name does it not disambiguate
between two authors of the same name e.g. Stephen King
• Ways to use information in new and exciting ways of
visualisation.
• Some of this is technical.
• Some is human.
23. • Metadata is exciting.
• Searching for and finding titles in such a large pool is challenging.
• How does your data help a customer in this context.
• The importance of getting the basics right can’t be underestimated.
• There is huge potential in additional partnerships over data and information linking
that could add value for readers.
Conclusions
1881 – 2,991
1900 – 6,356
2007 – 276,649
“On Demand” and short-run books to 134,773
2002-2007 22% increase traditional titles
2002-2007 313% increase, “On Demand” and short-run books
http://www.lulu.com/static/pr/6_01_05.php by 2052 Authorgeddon – Americans who write books will outnumber those who read them
We thought we’d seen this before...
In the late 1960s Marshall McLuhan highlighted that the Xerox came as a reverse flip as the end of the Gutenberg cycle; whereas Gutenberg madeeverybody a reader, Xerox makes everybody a publisher.
That a wonderful product has been reduced to a flat image and no discernible difference between an ebook and a physical one
Being able to correctly order series – these could be numbered collected works, a set of titles, children’s series, character or educational titles (ORT for example).
Ability to identify the original publication date of a title.
Ability to identify and clearly show if a title is self published.
Ability to disambiguate POD; Public Domain Internet Content Works, ** killPublic Domain Works – Text,Public Domain Works Facsimile, Professional Original Work, Self Published Original Work.
6. Why can’t I see all the versions of the same book? (i.e. is there a new version of this OOP title? Graphic Novel Version, abridged, audio etc.?
7. Can I search for a book in Latin and non-Latin character sets, a title may well have a dual existence – for example in Greek and Latin Alphabets
8. Why can’t I see other language versions of the same title? If you want to find the French edition of ‘A Study in Scarlett’ then how will you know it’s called ‘Une étude en rouge’?
9. Even problematic in a global environment around books retitled in the same language UK e.g. Love in Black and White
10. What age range/academic level is this book in the school system of the country I’m in now? BIC and BISAC codes include some school levels for the UK/US – more tenuous in other locations but Thema could help.
11. Customers often know part of a book – ‘it has a poem with daffodils in it’
12. Dimension data – I need to know how big and heavy the book is otherwise I cannot calculate the correct price, nor help a customer find the right one
& many more of course
So…
The Catcher in the Rye is currently classed as:
BIC : FA Modern and Contemporary Fiction
Under Thema – it has the potential to become much richer indeed:
FBA – Modern and Contemporary Fiction
FBX Narrative Theme: Coming of Age
Geographic and time qualifiers
IKBB-US-NAKC – New York City
3MPQM – c1950-1959
Thema also has adult colouring books -
Organisational access to global resources – essential to serve and adapt to these changes on a global level.
Used to be about creating a product for a global audience.
Now it has been reversed and it’s one product for each customer, whether created or co-created with global resources accessed.
N=1 R=G
The fastest growing brand on the planet at the moment is Android – it’s shared across an ecosystem of organisations and individuals
What inspired the book – what was inspired by the book?
Opportunities to link via semantic data – The Suspicions of Mr Whicher non fiction title by Kate Summerscale – linking of data could reveal where it was set in Wiltshire, that it has won the Whitbread Award – that it’s about the first detective case in the UK, a case that inspired Dickens and Conan Doyle opening up many titles and opportunities for further sales. Data represented on the web semantically is growing rapidly.
It’ll be a challenge but an important one to challenge if we want to get beyond set product data and link all book knowledge in a meaningful way.