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Title Sequence Case Study on:

                Bob Kurtz
Bob Kurtz is the founder of Kurtz & Friends
                       Animation. He is a director, producer, artist
                       and designer who primarily works in films
                       and TV commercials.

                           
Bob Kurtz was born in Los Angeles, California
He graduated from the California School of the Arts.
He spent 20 years in television broadcasting
He was the first man on-air for CNN!
He was a teacher at the Character Animation program at
the California Institute of the Arts.
He started off by directing commercials
Bob Kurtz has made many
title sequences such as …

                           
   Are we done yet?
   The Pink Panther
   Dolly Parton
   Max Dugan Returns
   Honey, I blew up the kid
   City Slickers
   City Slickers 2: The legend of Curly’s Gold
   Straight walk
   Four rooms
Comments…

                           
 “Animation is very closely related to the dance. To
  be aware of this is to realize the film form in
  choreography in time, space, sound and light. In our
  films we try to develop as many styles and
  approaches as the opportunity provides. My role in
  these films is writer, director and producer but Kurtz
  and Friends is far from a one man studio, it is a
  group effort of incredibly talented and dedicated
  artists.”

 "Therefore the message comes first, then the
  graphics. I want to stimulate, excite, scare or create
  laughter. I don't want a passive audience. I don't
  expect a captive audience. It is the film artist's
  obligation to reach out and touch that audience."
http://www.watchthetitles.com/articles/0082-The_Pink_Panther




                                   

This image straight away suggests that it is
a animated film genre. Also the contrast of
colour between the pink and black shows
that this film is aimed towards children
because of the bright pink and lilac.




The pink typography is continuity the
friendly theme/mood of the title
sequence once again due to the bright
pink in contrast to the black to show it
is more important.
The use of shadow is very effective as it creates
                  another mood which is mystery and this is
                  helped to be created by the use of sound. The
                  music is repetitive at a slow pace to create
                  meaning to the audience like there is mystery

                      
                  that needs to be solved.

                  In this shot, it shows how the smashed title
                  has been exaggerated therefore suggesting
                  children are the target audience as slapstick
                  comedy is mainly used. The genre is
                  therefore hybrid.




After working for Friz Freleng writing some
scripts for the original pink panther short
films, Kurtz was chosen to create another
title sequence in 2006 of the original 1963
version.

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Bob Kurtz

  • 1. Title Sequence Case Study on: Bob Kurtz
  • 2. Bob Kurtz is the founder of Kurtz & Friends Animation. He is a director, producer, artist and designer who primarily works in films and TV commercials.  Bob Kurtz was born in Los Angeles, California He graduated from the California School of the Arts. He spent 20 years in television broadcasting He was the first man on-air for CNN! He was a teacher at the Character Animation program at the California Institute of the Arts. He started off by directing commercials
  • 3. Bob Kurtz has made many title sequences such as …   Are we done yet?  The Pink Panther  Dolly Parton  Max Dugan Returns  Honey, I blew up the kid  City Slickers  City Slickers 2: The legend of Curly’s Gold  Straight walk  Four rooms
  • 4. Comments…   “Animation is very closely related to the dance. To be aware of this is to realize the film form in choreography in time, space, sound and light. In our films we try to develop as many styles and approaches as the opportunity provides. My role in these films is writer, director and producer but Kurtz and Friends is far from a one man studio, it is a group effort of incredibly talented and dedicated artists.”
  • 5.   "Therefore the message comes first, then the graphics. I want to stimulate, excite, scare or create laughter. I don't want a passive audience. I don't expect a captive audience. It is the film artist's obligation to reach out and touch that audience."
  • 7.  This image straight away suggests that it is a animated film genre. Also the contrast of colour between the pink and black shows that this film is aimed towards children because of the bright pink and lilac. The pink typography is continuity the friendly theme/mood of the title sequence once again due to the bright pink in contrast to the black to show it is more important.
  • 8. The use of shadow is very effective as it creates another mood which is mystery and this is helped to be created by the use of sound. The music is repetitive at a slow pace to create meaning to the audience like there is mystery  that needs to be solved. In this shot, it shows how the smashed title has been exaggerated therefore suggesting children are the target audience as slapstick comedy is mainly used. The genre is therefore hybrid. After working for Friz Freleng writing some scripts for the original pink panther short films, Kurtz was chosen to create another title sequence in 2006 of the original 1963 version.