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David Hockney (1937)
Andy Warhol, David Hockney, 1973
David Hockney, A bigger Splash, 1967, Tate Gallery Londen
David Hockney, The Arrival of Spring in Woldgate, in Yorkshire, 2011
Lucien Clergue, David Hockney in the sunflowers near Arles, 1985
Vincent van Gogh, Van Gogh’s Chair, 1888, National Gallery, Londen / David Hockney, La chaise et la pipe de Vincent, 1988
British Art
50’s & 60’s
“The School of London”
Lucian Freud, Girl with a Kitten, 1947, Tate Collection
Lucian Freud, Naked Portrait, 1972-1973, Tate Collection
Lucian Freud, Benefits Supervisor Sleeping, 1995, privecollectie
David Hockney, in de studio van Lucian Freud
Lucian Freud, Francis Bacon, 1952, Tate Collection
Francis Bacon in zijn studio
Francis Bacon, Three Studies of Lucian Freud, 1969
Francis Bacon, Three Studies of Lucian Freud, 1969
Francis Bacon, Three Studies for Figures at the Base of a Crucifixion, c.1944, Tate Collection
Francis Bacon, Studie naar Velazquez’, Paus Innocent X, 1953, Des Moines Art Center, Iowa
Diego Velazquez, Portret van Paus Innocentius X, 1650, Galleria Doria Pamphili, Rome
Richard Hamilton, Just what is it, that makes our todays homes so different, so appealing?, 1956
Peter Blake, De ontmoeting (A Fine Day, Mr. Hockney), 1981-83, olie op doek, 58x75, Tate Gallery, Londen
Gustave Courbet, (Bonjour monsieur Courbet), 1854, olie op doek, 129x149 , Musée Fabre, Montpellier
David Hockney (1937)
David Hockney (1937)
Bradford, West-Yorkshire
Derek Boshier and David Hockney at the Royal College of Art in London, c.1961
"At the Royal College of Art in those days, there was a stipulation that in
your diploma show you had to have at least three paintings done from
life. I had a few quarrels with them over it because I said the models
weren’t attractive enough; and they said it shouldn’t make any difference
ie: it’s only a sphere, a cylinder and a cone. And I said, well, I think it does
make a difference, you can’t get away from it.
"Any great painter of the nude has always painted nudes that he liked;
Renoir paints rather pretty plumpy girls, because he obviously thought
they were really wonderful. He was sexually attracted to them and
thought they were beautiful, so he painted them; and if some thin little girl
came along he’d probably have thought, ‘lousy model’. Quite right.
Michelangelo paints muscular marvelous young men; he thinks they’re
wonderful. In short, you get inspired.
David Hockney, Life Painting for a Diploma, 1962
David Hockney, Cleaning Teeth, Early Evening (10 PM) W11, 1962, Astrup Fearnley Colletion, Oslo
David Hockney, Tea Painting in an Illusionistic Style, 1961, olieverf op doek, 233x83, Tate Collection
David Hockney, Flight Into Italy – Swiss Landscape, 1962
David Hockney, Domestic Scene, Los Angeles, 1963, privecollectie
David Hockney, Man onder de douche in Beverly Hills, 1964, Tate Collection
David Hockney, Man onder de douche in Beverly Hills, 1964, Tate Collection
“Beverly Hills houses
seemed full of showers
of all shapes and sizes…
They all seemed to me
to have elements of
luxury…
very un-English that!”
David Hockney, Cleanliness is next to Godliness, 1964, Tate Collection
David Hockney, Sunbather, 1966
'In Yorkshire was alles zo grijs, geen wonder dat ik pas in Amerika de kleuren
ontdekte', vertelde hij jaren na zijn vertrek in een interview.
‘Toen we over Los Angeles vlogen en ik vanuit het vliegtuigraampje naar beneden
keek, zag ik overal blauwe vlakken die de grond bedekten. Niet veel
later realiseerde ik me dat het zwembaden waren, een 'product' dat in mijn
regenachtige thuisland Engeland een luxe was, terwijl ze in het zonovergoten
Californië op het groene gazon naast ieder minimalistisch wit huis, ondenkbaar zijn.'
David Hockney, Peter getting out of Nick’s pool, 1966, Walker Art Gallery, Liverpool
David Hockney, Peter Schlesinger, 1970
David Hockney after winning the John Moores Painting Prize in 1967
David Hockney, A Lawn being Sprinkled, 1967, Collection of Lyn and Norman Lear
David Hockney, A bigger Splash, 1967, Tate Gallery Londen
Jackson Pollock / Ellsworth Kelly, Orange Red Relief, 1959, Guggenheim Collection
David Hockney, A bigger Splash, 1967, Tate Gallery Londen
David Hockney, A bigger Splash, 1967, Tate Gallery Londen
When you photograph a splash, you’re freezing a
moment and it becomes something else. I realise
that a splash could never be seen this way in real
life, it happens too quickly. And I was amused by
this, so I painted it in a very, very slow way.
David Hockney
David Hockney, Pool and Steps, Le Nid du Duc, 1971
David Hockney, Jerry Diving Sunday Feb. 28th 1982
David Hockney, Beverly Hills Housewife, 1966
David Hockney, Beverly Hills Housewife, 1966 / Betty Freeman
David Hockney, Christopher Isherwood and Don Bachardy, 1968
David Hockney, American Collectors (Fred and Marcia Weisman), 1968, acryl op doek, 213x305, The Art Institute Chicago
David Hockney, Henry Geldzahler and Christopher Scott, 1969, foto van Cecil Beaton
David Hockney, Henry Geldzahler and Christopher Scott, 1969
Henry Geldzahler in zijn appartement
David Hockney, Mr and Mrs Clark and Percy, 1970-1971, acryl, 213x305, Tate Collection
David Hockney, Mr and Mrs Clark and Percy, 1970-1971, acryl, 213x305, Tate Collection / Jan van Eyck, Arnolfini-portret
David Hockney, Celia with Green Hat, 1984, lithografie, 76x57, Tate Collection
David Hockney, An image of Celia, 1984-1986, lithografie, 153x105, Tate Collection
David Hockney, Celia Birtwell, 31 August – 4 September, 2015, acryl op doek
David Hockney, Portrait of an Artist (Pool with two figures), 1972
Preparatory photograph for Portrait of an Artist (Pool with Two Figures), Le Nid-du-Duc, 1972
David Hockney, Portrait of an Artist (Pool with two figures), 1972
David Hockney, Portrait of an Artist (Pool with two figures), 1972
David Hockney, Portrait of an Artist (Pool with two figures), 1972
David Hockney, My Parents, 1977, olieverf op doek, 183x183, Tate Collection
David Hockney, My Parents, 1975
David Hockney, My Parents, 1977, olieverf op doek, 183x183, Tate Collection
David Hockney, My Parents, 1977, olieverf op doek, 183x183, Tate Collection
David Hockney, My Parents, 1975
David Hockney, My Parents, 1975
David Hockney, My Parents, 1975
David Hockney, Nicholas Wilder Studying Picasso. Los Angeles 24th March 1982, polaroids
David Hockney, Still Life Blue Guitar 4th April 1982, polaroids
David Hockney, Jerry Diving Sunday Feb. 28th 1982
David Hockney, Nathan Swimming Los Angeles March 11th 1982, 1982, privecollectie
David Hockney, Blue Terrace Los Angeles March 8th 1982
David Hockney, Sunday Morning, Mayflower Hotel, N.Y., November 28 1983, The Art Institute Chicago
David Hockney, Sunday Morning, Mayflower Hotel, N.Y., November 28 1983, The Art Institute Chicago
David Hockney, Chair, 1985, fotocollage
David Hockney, Number One Chair, 1985-1986, lithografie, 57x48, Tate Collection
David Hockney, Mother, 1985, fotocollage
David Hockney, Portrait of Mother I, 1985, lithografie, 51x44, Tate Collection
David Hockney, Portrait of Mother II, 1985, lithografie, 51x44, Tate Collection
Portrait of Mother III, 1985, lithografie, 51x44, Tate Collection
Bradford, West-Yorkshire
David Hockney, Woldgate before Kilham
David Hockney, The Road across the Woods, 1997, oil on canvas
Van Gogh, The Harvest, June 1888, Van Gogh Museum, Amsterdam
David Hockney, Woldgate Vista, 27 July 2005
David Hockney- Kilham to Langtoft II, 27 July 2005
David Hockney, A Closer Winter Tunnel, February-March 2006, oil on six canvases
David Hockney, Woldgate Woods, 26, 27 & 30 July 2006
David Hockney, Woldgate Woods, 6 & 9 November 2006
David Hockney, Woldgate Woods, 21, 23 and 29 November 2006, oil on six canvases
David Hockney, Three Trees near Thixendale, Summer / Winter, 2007
David Hockney, May Blossom on the Roman Road - 2009
‘Iedereen houdt van het voorjaar. Alles komt uit en staat
omhoog. Het is alsof de natuur een erectie heeft. Alsof er
champagne over struiken is gegoten!’
David Hockney
David Hockney
David Hockney, The Arrival of Spring in Woldgate, in Yorkshire, 2011, iPad
Sir Titus Salt, Salts Mill, 1853, Saltaire, Bradford, West-Yorkshire
Sir Titus Salt, Salts Mill, 1853, Saltaire, Bradford, West-Yorkshire
Sir Titus Salt, Salts Mill, 1853, Saltaire, Bradford, West-Yorkshire
David Hockney, The Arrival of Spring in Woldgate, in Yorkshire, 2011
David Hockney, The Arrival of Spring in Woldgate, in Yorkshire, 2011
Vincent van Gogh, Tuin van de inrichting Saint-Paul (‘Het vallen van de bladeren’), 1889, Van Gogh Museum, Amsterdam
David Hockney, Nov.7th, Nov.26th 2010, Woldgate Woods, 11.30 am and 9.30 am, film still
https://www.youtube.com/watch?v=0IZCaeF3
Adg vanaf 1:45
David Hockney, Garden, 2015, Collectie Hockney
David Hockney, Garden with Blue Terrace, 2015, privecollectie
David Hockney, A Bigger Interior with Blue Terrace and Garden, 2017, privecollectie
David Hockney, A Bigger Interior with Blue Terrace and Garden, 2017, privecollectie
David Hockney, Annunciation II, After Fra Angelico, 2017 / Fra Angelico, De Annunciatie, c.1450
Frank Stella, Keizerin van India, 1965, 195x569, Museum of Modern Art, New York
Mijn schilderkunst is er op gebaseerd op het
feit dat wat er te zien is het enige is wat er
gezien kan worden’
Frank Stella
David Hockney, Tall Dutch Trees After Hobbema (Useful Knowledge), 2017, 163x366,
David Hockney, Tall Dutch Trees After Hobbema (Useful Knowledge), 2017, 163x366,
David Hockney, Tall Dutch Trees After Hobbema (Useful Knowledge), 2017, 163x366 / Meindert Hobbema, het Laantje bij
Middelharnis, 16.., National Portrait Gallery London
David Hockney, 82 Portraits and one Still Life, 2016
David Hockney, 82 Portraits and one Still Life, 2016
David Hockney, 82 Portraits and one Still Life, 2016
David Hockney, 82 Portraits and one Still Life, 2016 / Stephanie Barron, curator van de expositie
David Hockney, 82 Portraits and one Still Life, 2016 / Gregory Evans & Rufus Hale, 11 jaar oud
David Hockney, 82 Portraits and one Still Life, 2016
Vincent van Gogh, Zittende man op de drempel van de eeuwigheid, 1882, Van Gogh Museum, Amsterdam
Vincent van Gogh, Zittende man (op de drempel van de eeuwigheid), 1890, Kröller Müller Museum, Otterlo
David Hockney (1937)

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