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Nick Garcia
Jovan Pittman
Alex Hellberg
Jose Casas
NICK & DA BOYZ
 Born in Germany in 1900
 Was composing and mounting concerts by age 12
 Had a wide range of musical occupations to start making a living
 By 1923, they had 5 full works performed in Germany
 First opera was performed in 1926
 Remarried his 1st wife a few years after their divorce
 Was a respected conductor and composer
 Died in 1950
BIO
 Moriat:
 “Deadly Deed”
 Medieval version of a Murder Ballad
 Waltz Section
 March Section
GENRES
 Premiered in Berlin in 1925
 Program: The harsh life of a beggar
 Review from Village Voice “[T]he work is not actively political as many of
______later works are, though he tried to make it so in subsequent rewritings. It
was meant as provocative entertainment for middle-class theatergoers – part
satire, part shock effects, part aesthetic innovation, part moral indictment, and
part sheer theatrical diversion…Wilson carefully removed all these aspects of the
piece, turning ___ and ___ middle-class wake-up call into dead entertainment for
rich people.”
 Influenced jazz artists who translate and transpose several pieces from this opera
THIS PIECE
 Minimalism
 Post-Modernism
 Nationalism
 Serialism
ASSOCIATED ISMS AND IDEAS

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Nick & da boyz ppt

  • 1. Nick Garcia Jovan Pittman Alex Hellberg Jose Casas NICK & DA BOYZ
  • 2.  Born in Germany in 1900  Was composing and mounting concerts by age 12  Had a wide range of musical occupations to start making a living  By 1923, they had 5 full works performed in Germany  First opera was performed in 1926  Remarried his 1st wife a few years after their divorce  Was a respected conductor and composer  Died in 1950 BIO
  • 3.  Moriat:  “Deadly Deed”  Medieval version of a Murder Ballad  Waltz Section  March Section GENRES
  • 4.  Premiered in Berlin in 1925  Program: The harsh life of a beggar  Review from Village Voice “[T]he work is not actively political as many of ______later works are, though he tried to make it so in subsequent rewritings. It was meant as provocative entertainment for middle-class theatergoers – part satire, part shock effects, part aesthetic innovation, part moral indictment, and part sheer theatrical diversion…Wilson carefully removed all these aspects of the piece, turning ___ and ___ middle-class wake-up call into dead entertainment for rich people.”  Influenced jazz artists who translate and transpose several pieces from this opera THIS PIECE
  • 5.  Minimalism  Post-Modernism  Nationalism  Serialism ASSOCIATED ISMS AND IDEAS