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“I, too, have a dream – to show people in the out of the way
  places, some of whom are not only in small villages but in
 corners of New York City – something they cannot get from
between the covers of books – some real paintings and prints
        and etchings and some real music.” – FDR 1938
 American Art on the World
  Stage Post World War II
 Federal Emergency Relief
  Act (1934)
   What people should be
     helped?
 Do artists have “real jobs?”
   “Hell, they’ve got to eat
     just like other people!” –
     Harry Hopkins, head of
     FERA
 Public Works of Art Project
  (PWAP)
   December 1933 – June 1934
 Federal Art Project (FAP)
   August 1935 – June 1943
   Focused on the Visual Arts
 Section of Painting &
  Sculpture (Section of Fine
  Arts)
   1934-1943
   Select high quality art for
    public buildings
Post Office
Murals



1934-1943

1% of the PWAP
budget directed at
the murals

In all 48 states

Highly competitive
commissions
 Focused on combating
  rural poverty
 Photography program
  1935-1944
   Beginning of photo
    journalism
   Some of the most iconic
    images
Dorothea Lange     “Mississippi Delta
“Migrant Mother”   Children”
Walker Evans “Allie Mae   Walker Evans
Burroughs”                “Sharecropper”
 Promoted the idea of art as a profession
 Intentionally beautifying public buildings
 Instigated conversations about the role of art in the
  public
 Initiated a community for artists
 Promoted travel and experiences for American Artists
 Exposed Americans in rural areas to art and culture.

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Art & the new deal

  • 1. “I, too, have a dream – to show people in the out of the way places, some of whom are not only in small villages but in corners of New York City – something they cannot get from between the covers of books – some real paintings and prints and etchings and some real music.” – FDR 1938
  • 2.  American Art on the World Stage Post World War II  Federal Emergency Relief Act (1934)  What people should be helped?  Do artists have “real jobs?”  “Hell, they’ve got to eat just like other people!” – Harry Hopkins, head of FERA
  • 3.  Public Works of Art Project (PWAP)  December 1933 – June 1934  Federal Art Project (FAP)  August 1935 – June 1943  Focused on the Visual Arts  Section of Painting & Sculpture (Section of Fine Arts)  1934-1943  Select high quality art for public buildings
  • 4.
  • 5.
  • 6.
  • 7. Post Office Murals 1934-1943 1% of the PWAP budget directed at the murals In all 48 states Highly competitive commissions
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.  Focused on combating rural poverty  Photography program 1935-1944  Beginning of photo journalism  Some of the most iconic images
  • 13. Dorothea Lange “Mississippi Delta “Migrant Mother” Children”
  • 14. Walker Evans “Allie Mae Walker Evans Burroughs” “Sharecropper”
  • 15.  Promoted the idea of art as a profession  Intentionally beautifying public buildings  Instigated conversations about the role of art in the public  Initiated a community for artists  Promoted travel and experiences for American Artists  Exposed Americans in rural areas to art and culture.

Editor's Notes

  1. PWAP: Headed by Edward Bruce, run through the Treasury Department, paid for by the Civil Works Administration.FAP: employ out of work artists to create visual images for non federal buildings, e.g. schools, hospitals, libraries, etc.; support some of the most famous american artists: de Kooning, Pollock, Lee Krasner, Rothko, etc.The shared experience of the FAP promoted their experiencesSection fo Fine Arts famous for the post office murals. This was highlgy competitive and awarded commissions via rigorous competition
  2. Most of the art not very good by modern standards and the artists were and remain relative unknowns
  3. African American painterin NYC, emphasize strength & dignity
  4. Oregon painter, depicting optimistic view and construction of the golden gate bridge finished in 1937, FDR hung this piece in the white house
  5. 12’ x 5’ oil on canvasRenovo Post Office in PA
  6. Interaction between spansih and floridians with the natives. Left is Ponce meeting natives. Middle is De Soto fighting with natives. Right is “confeerence” Jessup negotiating with natives.
  7. Arthur Rothstein pic of farmer & 2 sons dust storm 1936