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Bordwell 11e ppt_ch04
1.
Chapter 4 The Shot:
Mise-en-Scene 1 Copyright Ā© 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
2.
What Is Mise-en-Scene? ā¢
Elements that appear in the frame that the director has control over, whether they are planned or not. 2 Copyright Ā© 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
3.
The Power of
Mise-en-Scene ā¢ Notions of realism vary across cultures, over time, and among individuals. ā¢ Sometimes style precludes realism. ā¢ Evaluation should involve function, motivation, and the elementās relation to the rest of the film. 3 Copyright Ā© 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
4.
The Power of
Mise-en-Scene ā¢ George MĆ©liĆØs built one of the first film studios. ā¢ This allowed him total control over every element in the frame. 4 Copyright Ā© 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
5.
Components of Mise-en-Scene: Setting ā¢
Design can shape how we understand story action. ā¢ Choices can involve color, existing or constructed locales, use of props, and overall size. 5 Copyright Ā© 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
6.
Components of Mise-en-Scene: Costume
and Makeup ā¢ Can have specific functions in the causality of a filmās events. ā¢ Can be realistic or stylized. ā¢ Interacts with setting. ā¢ Digital technology also plays a role. 6 Copyright Ā© 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
7.
Components of Mise-en-Scene: Lighting ā¢
Creates a composition and guides attention. ā¢ Creates shape and texture through highlights and shadows. ā¢ Features include its quality, direction, source, and color. ā¢ Computers aid filmmakers in creating lighting schemes in films with simulated figures and settings. 7 Copyright Ā© 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
8.
Components of Mise-en-Scene: Staging;
Movement and Performance ā¢ Involves the placement and movement of figures, as well as the actorsā performance. ā¢ An actorās performance is individualistic; it can be realistic, or highly stylized. ā¢ Motion and performance capture allow for realistic CGI characters. ā¢ Is best evaluated in terms of functions and motivation within the film as a whole as well as in the context of other techniques. 8 Copyright Ā© 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
9.
Putting It All
Together: Mise-en- Scene in Space and Time ā¢ In LāAvventura, the filmmaker guides the audienceās attention through juxtaposing physical shapes with surroundings, position, movement, and use of props. ā¢ This adds to the meaning of the scene. 9 Copyright Ā© 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
10.
Space ā¢ Screen space
refers to the overall composition of the shot. This can guide the viewerās attention and create meaning. ā¢ Scene space refers to the depth and volume of the depicted space. It is especially affected by movement. 10 Copyright Ā© 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
11.
Time ā¢ Involves the
speed and direction of movement within a shot. ā¢ Our eyes are drawn to movement, and so it guides our attention. ā¢ Frontality can also guide attention. 11 Copyright Ā© 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
12.
Narrative Functions of
Mise-en-Scene in Our Hospitality ā¢ Settings divide the film into scenes and create contrast between them. ā¢ Settings have important narrative functions. ā¢ Costumes highlight plot points and differences between characters. ā¢ Lighting has both general and specific functions. 12 Copyright Ā© 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
13.
Narrative Functions of
Mise-en-Scene in Our Hospitality ā¢ Acting supports the narrative. ā¢ In-depth staging allows for narrative economy. ā¢ Motifs are used to both unify the narrative but also function as motivation. ā¢ Mise-en-scene is also used for comedic effect. 13 Copyright Ā© 2017 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
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