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TWENTIETH
CENTURY
MUSIC
Impressionism, Expressionism and
Avant-Garde Music
FIRST QUARTER MUSIC
▪ Definition of Impressionism Music
▪ Characteristics of Impressionism Music
▪ Proponent of Impressionism Music
01. IMPRESSIONISM MUSIC
03. AVANT-GARDE MUSIC
▪ Definition of Expressionism Music
▪ Characteristics of Expressionism Music
▪ Proponent of Expressionism Music
02. EXPRESSIONISM MUSIC
TOPIC CONTENTS
▪ Definition of Avant-Garde Music
▪ Characteristics of each Avant-Garde Music
▪ Lead proponents of Avant-Garde Music
CLASS REMINDERS
It is important to take
down notes
Participate on class
activities
Share your opinions
and insights
Still confused? Ask
questions
GUESS THE
REBUS
PUZZLE
Rebus Puzzle O1
REBUS PUZZLE O1:
Hint: It means that when people work
together they are more likely to solve a
problem than one person doing it alone
TWO HEADS ARE
BETTER THAN ONE
Rebus Puzzle O2
REBUS PUZZLE O2:
Hint: There are some statements that is
being out of sight or not readily
apparent
HIDDEN MEANING
Rebus Puzzle O3
REBUS PUZZLE O3:
Hint: It is the experience of starting
to be in love with someone as soon
as you see them for the first time
LOVE AT FIRST SIGHT
Rebus Puzzle O4
REBUS PUZZLE O4:
Hint: If you do this, you understand what
someone really means, or what is really
happening in a situation, even though it
is
not said openly.
READ BETWEEN LINES
Rebus Puzzle O5
REBUS PUZZLE O4:
Hint: This poetic phrase refers to
something extremely rare in
occurrence
ONCE IN A BLUE MOON
WHAT’S YOUR
SCORE?
5 POINTS
6 JUMPING JACKS
4 POINTS
9 JUMPING JACKS
3 POINTS
12 JUMPING JACKS
2 POINTS
15 JUMPING JACKS
1 POINT
20 JUMPING JACKS
NO POINT
3 JUMPING JACKS
1. Stand upright with your legs
together, arms at your sides.
2. Bend your knees slightly,
and jump into the air.
3. As you jump, spread your
legs to be about shoulder-
width apart. Stretch your
arms out and over your head.
4. Jump back to starting
position.
5. Repeat.
TARGET
OBJECTIVES
OBJECTIVE 01:
Describes distinctive
musical elements of
given pieces in 20th
century styles
Musical Elements
OBJECTIVE 02:
Explains the performance
practice (setting,
composition, role of
composers, and
audience) of 20th century
music
Performance Practices
OBJECTIVE 03:
Relates 20th Century music
to other art forms and
media during the same time
period
Art Forms
OBJECTIVE 04:
Performs music sample
from the 20th century music
Musical Performance
Beauty must appeal to the
senses, must provide us with
immediate enjoyment, must
impress us or insinuate itself
into us without any effort on
our part.
- CLAUDE DEBUSSY
TWENTIETH CENTURY MUSIC
In this history of
music and arts, every
period has its own
characteristic style
which is associated
with the society from
which it originated.
The period of the
19th and 20th
century perceived
the two world wars,
and had been a
period of many
changes
A period of many inventions such as the telephone,
television, electronic light, computers, cassette tapes,
synthesizers, CD players, and many others.
ADVANCEMENT OF TECHNOLOGY
MUSICAL
TIMELINE
Music encompasses culture, art, emotion, and ideology. As society
evolves, so does the style and sound of the music, and what emerges
is a diverse tapestry that represents the time period in which the
music was created as well as the people who created it.
1820 - 1900 1900 - 2000
1750 - 1830
CLASSICAL
The introduction of a form
which has dominated
instrumental composition to
the
present day: sonata form.
The development of the
modern concerto,
ROMANTIC
The next period in musical
history therefore found
composers attempting to
balance the expressive and
the formal in music with a
variety of approaches
TWENTIETH CENTURY
The early half of the 20th century
also gave rise to new musical styles,
which were not quite as extreme as
the electronic, chance, and
minimalist styles that arose later.
1400 - 1600 1600 - 1750
1150 - 1400
MEDIEVAL
This is the first period where
we can begin to be fairly
certain as to how a great
deal of the music which has
survived actually
sounded.
RENAISSANCE
The fifteenth century
witnessed vastly increased
freedoms, most particularly in
terms of
what is actually perceived as
'harmony' and 'polyphony'
BAROQUE
The foundations were laid for the
following 300 or so years of musical
expression: the idea of the modern
orchestra was born, along with opera
(including the overture, prelude, aria,
recitative and chorus), the concerto,
sonata, and modern cantata
IMPRESSIONISM MUSIC
It used to describe music that uses a wide
range of instrumental colors and unusual
rhythmic pattern to express subtle feelings
and perceptions.
It is a style borrowed from painting which
creates illusion of light and atmosphere by
using colors side by side instead of blending.
CHARACTERISTICS:
• Vague in form
• Delicate in nature
• Had a mysterious atmosphere.
• Suggestion
• Moved away from the Romantic movement.
THE HISTORICAL
BACKGROUND OF
IMPRESSIONISM
Impressionism was a radical
art movement that began in
the late 1800s, centered
primarily around Parisian
painters. Impressionists
rebelled against classical
subject matter and
embraced modernity,
desiring to create works that
reflected the world in which
they lived.
CLAUDE DEBUSSY
He is a French composer
who adapted the style of
Impressionism to his
music. He is one of the
leading Impressionism
composers. The Engulfed
Cathedral, Claire de Lune,
Chanson de Bilitis and
String Quartet in G minor
are some of his
impressionism music
pieces.
CLAIRE DE LUNE
CLAUDE DEBUSSY
The title Clair de Lune
means 'moonlight' in French. Fair
enough- the piece does remind us of the
moonlit night. Debussy's music was a
turning point from the Romantic music
that had dominated the 19th century to
EXPRESSIONISM MUSIC
It is characteristically subjective, dissonant
and tonal, although these traits are by no
means confined to the expressionistic
category.
This musical style reflects intense emotions
and extremes of behavior through
techniques such as dissonance.
CHARACTERISTICS:
• Atonal and dissonant.
• German movement.
• Moved away from French impressionism.
• Emotional, romantic feeling.
ARNOLD SCHOENBERG
He was the pioneer of
atonal music style.
Identified the twelve-tones
system composition, his
earliest works are post-
Romantic and
Expressionistic style, and
some of his later works
are Pierrot, Lunaire, Op. 21,
Variations for Ochestra
and Sonata No. 2 for piano.
PERIPETIE
ARNOLD SCHOENBERG
Peripetie comes from the Greek word
meaning 'sudden changes'. ‘Peripetie’ is
the fourth movement of Schoenberg’s
‘Five Orchestral Pieces’. It was written in
1909, but revised in 1922 and 1949.
IMPRESSIONISM
Aside from Debussy, can you
name another proponent of
Impressionism Music? EXPRESSIONISM
Can you enumerate other
compositions made by
Schoenberg?
QUESTION FOR GIRLS
The term _______ was originally borrowed from
visual art and literature. Artists created vivid
pictures, distorting colors and shapes to make
unrealistic images that suggested strong
emotions. Composers poured intense
emotional expression into their music and
explored the subconscious mind.
EXPRESSIONISM
A.
IMPRESSIONISM
B.
NEO-CLASSICISM
C.
QUESTION FOR BOYS
In the world of classical music, ________ refers
to a style that explores mood and atmosphere
through the use of timbre, orchestration, and
progressive harmonic concepts. It was
spawned from the late Romantic music of the
late
nineteenth century and early twentieth
century
EXPRESSIONISM
IMPRESSIONISM
NEO-CLASSICISM
C.
B.
A.
Choose three (3) emojis on your
keypad which represents
Impressionism Music. Explain why
JANUARY - MARCH APRIL - JUNE
JULY - SEPTEMBER OCTOBER - DECEMBER
Choose three (3) emojis on your
keypad which represents
Claude Debussy. Explain why
Choose three (3) emojis on your
keypad which represents
Expressionism Music. Explain why
Choose three (3) emojis on your
keypad which represents Arnold
Schoenberg. Explain why
The term AVANT-
GARDE is applied to music
when it is considered
"ahead of its time" by
critics or fans, i.e., it
contains unique or original
elements, or it explores
unusual fusions of different
DEFINITION:
•Electronic Music
•Chance Music or Aleatory Music
•Futurism Music
•Minimalism Music
EXAMPLES:
next lesson: AVANT-GARDE MUSIC
READ AND RESEARCH
- Teacher Herzon
THANK YOU
EVERYONE !

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TWENTIETH CENTURY MUSIC.pptx

  • 2. ▪ Definition of Impressionism Music ▪ Characteristics of Impressionism Music ▪ Proponent of Impressionism Music 01. IMPRESSIONISM MUSIC 03. AVANT-GARDE MUSIC ▪ Definition of Expressionism Music ▪ Characteristics of Expressionism Music ▪ Proponent of Expressionism Music 02. EXPRESSIONISM MUSIC TOPIC CONTENTS ▪ Definition of Avant-Garde Music ▪ Characteristics of each Avant-Garde Music ▪ Lead proponents of Avant-Garde Music
  • 3. CLASS REMINDERS It is important to take down notes Participate on class activities Share your opinions and insights Still confused? Ask questions
  • 6. REBUS PUZZLE O1: Hint: It means that when people work together they are more likely to solve a problem than one person doing it alone
  • 9. REBUS PUZZLE O2: Hint: There are some statements that is being out of sight or not readily apparent
  • 12. REBUS PUZZLE O3: Hint: It is the experience of starting to be in love with someone as soon as you see them for the first time
  • 13. LOVE AT FIRST SIGHT
  • 15. REBUS PUZZLE O4: Hint: If you do this, you understand what someone really means, or what is really happening in a situation, even though it is not said openly.
  • 18. REBUS PUZZLE O4: Hint: This poetic phrase refers to something extremely rare in occurrence
  • 19. ONCE IN A BLUE MOON
  • 20. WHAT’S YOUR SCORE? 5 POINTS 6 JUMPING JACKS 4 POINTS 9 JUMPING JACKS 3 POINTS 12 JUMPING JACKS 2 POINTS 15 JUMPING JACKS 1 POINT 20 JUMPING JACKS NO POINT 3 JUMPING JACKS 1. Stand upright with your legs together, arms at your sides. 2. Bend your knees slightly, and jump into the air. 3. As you jump, spread your legs to be about shoulder- width apart. Stretch your arms out and over your head. 4. Jump back to starting position. 5. Repeat.
  • 21. TARGET OBJECTIVES OBJECTIVE 01: Describes distinctive musical elements of given pieces in 20th century styles Musical Elements OBJECTIVE 02: Explains the performance practice (setting, composition, role of composers, and audience) of 20th century music Performance Practices OBJECTIVE 03: Relates 20th Century music to other art forms and media during the same time period Art Forms OBJECTIVE 04: Performs music sample from the 20th century music Musical Performance
  • 22. Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part. - CLAUDE DEBUSSY
  • 23. TWENTIETH CENTURY MUSIC In this history of music and arts, every period has its own characteristic style which is associated with the society from which it originated. The period of the 19th and 20th century perceived the two world wars, and had been a period of many changes
  • 24. A period of many inventions such as the telephone, television, electronic light, computers, cassette tapes, synthesizers, CD players, and many others. ADVANCEMENT OF TECHNOLOGY
  • 25. MUSICAL TIMELINE Music encompasses culture, art, emotion, and ideology. As society evolves, so does the style and sound of the music, and what emerges is a diverse tapestry that represents the time period in which the music was created as well as the people who created it. 1820 - 1900 1900 - 2000 1750 - 1830 CLASSICAL The introduction of a form which has dominated instrumental composition to the present day: sonata form. The development of the modern concerto, ROMANTIC The next period in musical history therefore found composers attempting to balance the expressive and the formal in music with a variety of approaches TWENTIETH CENTURY The early half of the 20th century also gave rise to new musical styles, which were not quite as extreme as the electronic, chance, and minimalist styles that arose later. 1400 - 1600 1600 - 1750 1150 - 1400 MEDIEVAL This is the first period where we can begin to be fairly certain as to how a great deal of the music which has survived actually sounded. RENAISSANCE The fifteenth century witnessed vastly increased freedoms, most particularly in terms of what is actually perceived as 'harmony' and 'polyphony' BAROQUE The foundations were laid for the following 300 or so years of musical expression: the idea of the modern orchestra was born, along with opera (including the overture, prelude, aria, recitative and chorus), the concerto, sonata, and modern cantata
  • 26. IMPRESSIONISM MUSIC It used to describe music that uses a wide range of instrumental colors and unusual rhythmic pattern to express subtle feelings and perceptions. It is a style borrowed from painting which creates illusion of light and atmosphere by using colors side by side instead of blending. CHARACTERISTICS: • Vague in form • Delicate in nature • Had a mysterious atmosphere. • Suggestion • Moved away from the Romantic movement.
  • 27. THE HISTORICAL BACKGROUND OF IMPRESSIONISM Impressionism was a radical art movement that began in the late 1800s, centered primarily around Parisian painters. Impressionists rebelled against classical subject matter and embraced modernity, desiring to create works that reflected the world in which they lived.
  • 28. CLAUDE DEBUSSY He is a French composer who adapted the style of Impressionism to his music. He is one of the leading Impressionism composers. The Engulfed Cathedral, Claire de Lune, Chanson de Bilitis and String Quartet in G minor are some of his impressionism music pieces.
  • 29. CLAIRE DE LUNE CLAUDE DEBUSSY The title Clair de Lune means 'moonlight' in French. Fair enough- the piece does remind us of the moonlit night. Debussy's music was a turning point from the Romantic music that had dominated the 19th century to
  • 30. EXPRESSIONISM MUSIC It is characteristically subjective, dissonant and tonal, although these traits are by no means confined to the expressionistic category. This musical style reflects intense emotions and extremes of behavior through techniques such as dissonance. CHARACTERISTICS: • Atonal and dissonant. • German movement. • Moved away from French impressionism. • Emotional, romantic feeling.
  • 31. ARNOLD SCHOENBERG He was the pioneer of atonal music style. Identified the twelve-tones system composition, his earliest works are post- Romantic and Expressionistic style, and some of his later works are Pierrot, Lunaire, Op. 21, Variations for Ochestra and Sonata No. 2 for piano.
  • 32. PERIPETIE ARNOLD SCHOENBERG Peripetie comes from the Greek word meaning 'sudden changes'. ‘Peripetie’ is the fourth movement of Schoenberg’s ‘Five Orchestral Pieces’. It was written in 1909, but revised in 1922 and 1949.
  • 33. IMPRESSIONISM Aside from Debussy, can you name another proponent of Impressionism Music? EXPRESSIONISM Can you enumerate other compositions made by Schoenberg?
  • 34. QUESTION FOR GIRLS The term _______ was originally borrowed from visual art and literature. Artists created vivid pictures, distorting colors and shapes to make unrealistic images that suggested strong emotions. Composers poured intense emotional expression into their music and explored the subconscious mind. EXPRESSIONISM A. IMPRESSIONISM B. NEO-CLASSICISM C. QUESTION FOR BOYS In the world of classical music, ________ refers to a style that explores mood and atmosphere through the use of timbre, orchestration, and progressive harmonic concepts. It was spawned from the late Romantic music of the late nineteenth century and early twentieth century EXPRESSIONISM IMPRESSIONISM NEO-CLASSICISM C. B. A.
  • 35. Choose three (3) emojis on your keypad which represents Impressionism Music. Explain why JANUARY - MARCH APRIL - JUNE JULY - SEPTEMBER OCTOBER - DECEMBER Choose three (3) emojis on your keypad which represents Claude Debussy. Explain why Choose three (3) emojis on your keypad which represents Expressionism Music. Explain why Choose three (3) emojis on your keypad which represents Arnold Schoenberg. Explain why
  • 36. The term AVANT- GARDE is applied to music when it is considered "ahead of its time" by critics or fans, i.e., it contains unique or original elements, or it explores unusual fusions of different DEFINITION: •Electronic Music •Chance Music or Aleatory Music •Futurism Music •Minimalism Music EXAMPLES: next lesson: AVANT-GARDE MUSIC
  • 37. READ AND RESEARCH - Teacher Herzon