15. An idea, feeling, sense, or opinion
about something or someone,
especially one formed without
conscious thought or on the basis of
little evidence.
20. The styles of modern songs can be
traced back from the 20th Century.
The innovative and experimental styles
of the 20th Century Music are the
influences of
the genius composers
24. CLAUDE DEBUSSY (1862–1918)
➢ Claude Debussy was one of the most influential and
leading composers of the 20th century. He was the
principal exponent of the impressionist movement
and the inspiration for other impressionist
composers. He reformed the course of musical
development by eradicating traditional rules and
conventions into a new language of possibilities in
harmony, rhythm, form, texture, and color.
➢ He was born on August 22, 1862 in a small towncalled
St. Germain-en-Layein in France.
➢ He composed a total of more or less 227
masterpieces which include orchestral music,
chamber music, piano music, operas, ballets, songs,
and other vocal music.
25. CLAUDE DEBUSSY (1862–1918)
➢ He was known as the “Father of the Modern School
of Composition” and made his impact in the styles of
the later 20th century composer like Igor Stravinsky.
➢ Debussy’s mature creative period was exemplified
by the following works:
• String Quartet
• La Mer (1905)-a highly imaginative and
atmospheric symphonic work for orchestra about
the sea
• Première Arabesque
• Claire de Lune (Moonlight)-The third and most
famous movementof Suite bergamasque.
26. CLAUDE DEBUSSY (1862–1918)
➢ In the field of visual arts, Debussy was
influenced by Monet, Pissaro, Manet,
Degas, and Renoir; and from the literary
arts, by Mallarme, Verlaine and Rimbaud.
➢ Most of his close friends were painters
and poets who significantly influenced his
works.
➢ On March 25, 1918, he died of cancer at the
height of the First World War in Paris.
28. MAURICE RAVEL (1875–1937)
➢ Joseph Maurice Ravel was born in Ciboure,
France to a Basque mother and a Swiss
father. At age 14, he entered the Paris
Conservatory where he was musically
nurtured by a prominent French composer,
Gabriel Faure. The compositional style of
Ravel is mainly characterized by its
distinctively innovative but not atonal style
(music that is written in a way that is not
based on any particular key) of harmonic
treatment.
29. MAURICE RAVEL (1875–1937)
➢ His works are defined with intricate
and sometimes modal melodies and
extended chordal components. It
demands considerable technical
virtuosity from the performer which
is the character, ability, or skill of a
virtuoso—a person who is exemplary
in musical technique or execution.
30. MAURICE RAVEL (1875–1937)
➢ Ravel was a perfectionist and every
bit a musical craftsman. He
strongly adhered to the classical
form, specifically its ternary
structure. A strong advocate of
Russian music, he also admired the
music of Chopin, Liszt, Schubert,
and Mendelssohn. He died in Paris
in 1937.
33. Music of the 20th century
A.Musical styles would not have
developed if not for the musical
genius that stand out as the…
B. moving forces behind the innovative
and experimental styles of the
different composers
38. Periods and eras of
Western classical music
AD / CE
Early period
Medieval era c. 500–1400
Renaissance era c. 1400–1600
Common practice period
Baroque era c. 1600–1760
Classical era or period c. 1730–1820
Romantic era c. 1780–1910
Impressionist era c. 1875–1925
Modern and contemporary period
Modern and high modern(style era) c. 1890–1975
20th century(calendar era) 1900–2000
Contemporary or postmodern(style era) c. 1975–present
21st century(calendar era) 2000–present
39. IMPRESSIONISM
1. MELODY – FAVOR IN MOODS AND
IMPRESSIONS
A. Intervals are traditionally considered either
consonant or dissonant.
B. Consonant intervals are usually described as
pleasant and agreeable.
C. Dissonant intervals are those that cause tension
and desire to be resolved to consonant intervals.
These descriptions relate to harmonious intervals).
PLANTSEA
NETNOSI
40. MUSICAL STYLE in IMPRESSIONISM
2. impressionistic forms were translucent and hazy, as if
trying to see through a rain-drenched window.
NIDWOW
41. • CLAUDE DEBUSSY
1. Pioneer of the impressionist movement.
2. he changed the course by dissolving
traditional rules and conventions into a
new language of possibilities
3. (14 Years old) entered Paris Conservatory
in 1873
RENOPIE
SULER
SERCONTORYVA
42. CLAUDE DEBUSSY ctn….
4. in 1884, he won the top prize at the PRIX DE ROME
competition (THE PRODIGAL SON).
5. he is the FATHER OF THE MODERN SCHOOL OF
COMPOSITION.
COMPOSITIONS:
• Prelude to the Afternoon of a Faun
• La Mer – orchestra about the sea
• Claire De Lune (Moonlight)
• Pelleas et Melisande – famous operatic work
TITIOMCEPON
HERFAT
43. MAURICE RAVEL
1. born in France 1875 – 1937
2. entered the Paris Conservatory at age of 14.
3. at his early 20’s he had composed a number of
masterpieces.
4. his unique style as innovative but not atonal
style
FACERN
DOSEPOMC
NOTALA
44. MAURICE RAVEL ctn….
5. many of his works deal with water in its flowing
or stormy moods as well as human characterizations.
COMPOSITIONS:
• Pavane for a Dead Princess – a slow but lyrical
requiem.
• Bolero – for two pianos,about dance movements
• Mirrors – for piano, know for its harmonic
(vocal/choral) evolution and imagination.
• Gaspard de la Nuit – a set of demonic-inspired
pieces based on poems of Aloysius Bertrand.
RATEW
48. 1. Visual - Paris-based visual artists
started the Impressionism movement.
1. Impressionism came from CLAUDE MONET’s Painting
"IMPRESSION SUNRISE”
55. True or False
1. Impressionism music started at Paris by musicians?
2. The musical style impressionism came from Claude
Monet’s painting “Impression Sunrise”.
3. Impressionism music forms were translucent and hazy, as
if trying to see through a rain drenched window.
4. The primary pioneers of impressionism music were
Claude Debussy and Arnold Schoenberg.
5. Maurice Ravel is the Father of the Modern School of
Composition.
71. Claude Debussy
1. PRIMARY - exponent of the impressionist movement.
2. GENIUS - he changed the course of musical
development. From romantic to impressionism
3. he ENTERED the Paris Conservatory in 1873.
4. In 1884 he won the top PRIZE at the Prix de Rome
74. WHAT IS THE MISSING WORD?
1. He entered
conservatory at the age of 14.
MAURICE RAVEL
PARIS
75. WHAT IS THE MISSING WORD?
2. His style is characterized
by its
innovative but not atonal.
MAURICE RAVEL
UNIQUE
76. WHAT IS THE MISSING WORD?
3. His works demands considerable technical
virtuosity. Virtuoso - a person who is perfect
in musical technique or_______
MAURICE RAVEL
EXECUTION
77. Maurice Ravel
His music are musically satisfying and pleasantly
dissonant and elegantly sophisticated. He is
perfectionist.
COMPOSITIONS:
1. Pavane for a Dead Princess- a slow but lyrical
requiem
2. Bolero
3. Mirrors - for piano, known for its harmonic evolution.
81. IDENTIFICATION
1. It is the mark of the beginning of the Contemporary
Period.
2. It is a modern contemporary piano piece in
Impressionism which played in the movie Twilight Saga.
3. Total number of masterpieces composed by Claude
Debussy.
4. Prominent composer who nurtured Maurice Ravel.
5. Intervals are usually described as pleasant and
agreeable.
82. TRUE or FALSE
6. The term impressionism was borrowed from
painting.
7. String Quartet is also known as Moonlight.
8. Impressionism serves as a way to convey strong
emotions.
9. Maurice Ravel showed his interest in composing
rather than the piano.
10.Impressionist music may be described generally
as having refinement, delicacy, and vagueness.
83. CLAUDE DEBUSSY OR MAURICE RAVEL
11.He is the Father of the Modern School of Composition.
12.He wrote the most controversial and famous orchestral "Bolero."
13.He died of cancer at the height of the First World War in Paris.
14.He entered the Paris Conservatory
15.He changed the course by dissolving traditional rules and conventions into
a new language of possibilities
16.His style is characterized by its innovative but not atonal.
17.He is perfectionist and every bit a musical craftsman.
18.Pioneer of the impressionist movement.
19.Most of his close friends were painters and poets who significantly
influenced his works.
20.he won the top prize at the PRIX DE ROME competition (THE
PRODIGAL SON).