Anavysos Kouros

Anavysos Kouros
The Anavysos Kouros exhibits form in the use of marble. During the Ancient Greek era, new techniques of sculpting and carving caused precise
curves and shape to be applied to plentiful rocks such as marble. The sculptures represented power and youth as translated from the word "kouros"
in the body curves and stature of the figure. Art historians believe sculptures such as the Anavysos Kouros may have functioned as grave markers,
offerings in sanctuaries, or may have even represented a god, specifically Apollo. It may have been possible to see the Anavysos Kouros at either a
grave of a powerful elite, or a sanctuary of Apollo.
Get more content on HelpWriting.net

Filipino Sculptures
[pic]
BONIFACIO MONUMENT
Filipino sculptors came to be known in the middle of the 19th century. Classical Philippine sculpture reached its peak in the works of Guillermo
Tolentino (1890–1976). His best known masterpiece is the Bonifacio Monument, which is a group sculpture composed of numerous figures massed
around a central obelisk. The principal figure is Andres Bonifacio, leader of the revolution against Spain in 1896. Behind him stands Emilio Jacinto, the
brains of the Katipunan. The Bonifacio Monumen t – completed in 1933 –– marked the apex of Tolentino''s career.
Guillermo Estrella Tolentino (1890–1976), a teacher and sculptor, is a National Artist in sculpture of the Philippines . Reflected in his works being
patriotic because he...show more content...
Some of his major works include Kaganapan (1953), Kiss of Judas (1955), Thirty Pieces of Silver , The Transfiguration, Eternal Gardens Memorial
Park (1979), UP Gateway (1967), Nine Muses (1994), UP Faculty Center, Sunburst (1994)–Peninsula Manila Hotel, the bronze figure of Teodoro M.
Kalaw in front of National Library, and murals in marble at the National Heroes Shrine, Mt. Samat, Bataan. One masterpiece he dedicates to the
Boholanos is the Sandugo or Blood Compact shrine in Bohol, Tagbilaran City, a landmark at the site of the first international treaty of friendship
between Spaniardsand Filipinos. This is now a tourist attraction in Bohol province. This shrine is an expression of Abueva's awareness of his roots, and
a manifestation of his artistic talents.
[pic] mother and child
Sculpture of mother and child by Contreras made from discarded century–old molave hardwood, texturized stainless steel and other materials
indigenous to the Philippines
Rey Paz Contreras was born August 31, 1950. He is an outstanding Filipino sculptor working with urban refuse and ecological materials as artistic
media. He is encouraged by the native Filipino traditions and creates visual forms of current images that discover a distinct Filipino aesthetics.
Contreras' pioneered the exercise of travieza or hardwood railroad tracks through the late 70s.
An activist during the oppressive Marcos government, Contreras use his art as a form of agency. Using local and available

Roman Sculpture Research Paper
Vaibhav kumbhani
Ms. Wozniak
Humanities 1
25 October, 2016
Rough draft
Roman Sculpture was formed on the basis of Greek sculpture. It is basically the expansion and the continuation of Greek sculpture. Roman sculpture
often reflected the lifestyles of the Rome. The tradition of the roman sculpture and with those of the Greek sculpture are quite problematic. Roman
sculpture is a unique in comparison to other ancient cultures as it influence Roman portrait and realistic art of the people which is still prevalent today.
The roman sculpture is quite confusing than the Greek Sculpture which is collected by the lovers of art of the religion they follow which is basically the
Rome and they displayed unique picture of roman sculpture on the wall...show more content...
Most of the people believe in Roman god and goddesses. So far as Roman had a religion of their own. Roman God Mars, who is the father of
Romulus and Remus, is the founder of the Rome. The religion was based on the noble nation means that all people follow the faiths which has
equal path leading to the same place which has the spiritual connection between person and a god. The most important thing was to respect the god
and if you fail to do so you might down divine the worth of the god not only those who worship but the entire community. The most of the
information about the historical events that took place in the Rome history were passed orally from one generation to others. During the Monarchy
and the most of the Republic, the majority of the Roman people were dedicated believers in large number of gods and others spirits. The Roman
people sacrifices their life for every god they worshipped ("A People Proud of Their Myths"). Basically the Romans found that there were greek and
latin gods and they had are basically the same. And so tried to take both of them and make them into one god. Romans believed that majority of the
gods had played a major role in the development of the

Ancient Civilization Sculpture Essay
1. "Bronze statuette of Aphrodite"
Date: late 2nd or 1st century B.C.Culture: Greece This statue of Aphrodite shows the dedication the Greeks had to their gods. The bronze goddess,
holding her right arm in the air, gives off a powerful attitude. As the pose itself of the statue is not bland and more active, it gives the impression that
this was created during the classical period of Greece when sculpture began having more relaxed, natural poses. The lack of more painstaking muscle
and bone structure probably places it in the earlier part of the classical period though. What is most intriguing about the sculpture is the white eyes she
is given that, in the face of a more natural, realistic human form, the eyes seem to retain an essence...show more content...
The materials used were alabaster and limestone. The figure itself is roughly cut with clasped praying hands, unproportional body and shoulder sizes,
and large unnatural eyes. Again, this lack of realism is significant to the time; the focus was not on the realistic portrayal of who it was fashioned for,
but what ritual and religious purpose it served.
4. "Limestone grave relief with two sphinxes" Date: late 5th century B.C.Culture: Greece The sphinxes were popular mythical creatures, playing their
part in myths and legends and stories throughout time–including the story of Oedipus, and the riddle of the sphinx. The beauty of the sphinx in this
piece shows how much was passed around throughout Western culture. Egypt also memorialized the sphinx through wall art and sculpture, and this
continuation (despite the nonexistence of the sphinx as a real creature) shows how much truly does carry on throughout history. This relief piece has
subtle dimension, making it low relief rather than high relief.
5. Terracotta statuette of a standing woman Date: late 4th century B.C.Culture: Greek, Corinthian The woman, with the delicately "draped" clothing
gives off a very natural, realistic impression. The painstakingly specific cuts of the woman's clothes look so realistic the way they drape over her
body. The Hellenistic era was very focused on making sculpture perfect from all angles

Outdoor Sculpture And Indoor Sculpture
Sculpture is an ancient art form and artists used several different mediums throughout the millennia, starting with readily available resources. Stones,
clays, wood, and eventually metals were commonly used to create sculptures. However, artists today are only limited by their imagination when it
comes to materials for their sculptures, making it harder for conservators to know how different methods of preservation of newer mediums will
persevere over time. Consequently, conservators utilize a range of technology and creative processes in order to preserve sculptures as best as
possible. Outdoor sculpture and indoor sculpture come with different conservation requirements. Conservators agree that outdoor sculpture is harder to
maintain but that outdoor sculpture is prevalent in accessing the public eye. "With so much open–air sculpture in the public realm embodying
symbolic, historic, and aesthetic value, the process of conservation requires negotiation and collaboration–drawing in, for example, art historians,
custodians, conservation scientists, engineers, fabricators, and the sculptor or the sculptor 's estate." Sculpture conservation requires an extensive
amount of forethought and preparation, especially when considering material, indoor and outdoor elements, funding, and the provenance.
Conservators know how to care for stone and metals because these materials were abundantly used by artists and architects for centuries. The most
popular metal that is still used by

The Art of Sculpture Essay
The Art of Sculpture Long before man could record history, people were sculpting free standing figures out of bones rocks and other objects. It is
said that sculpting is the art of the people, and it is a more powerful art than literature and painting because it can be touched and felt. When a
sculpture is in a gallery our attention is sustained by an intensified visual engagement. This is what makes its fixed shape come alive in the viewer's
eyes.
Before the 20th century, sculpture was considered a representational art; but its scope has now been extended to include nonrepresentational forms.
Sculpting has evolved over many years and it has long been accepted that the forms of functional three – dimensional objects such as...show more
content...
Although it created everyday necessities, clay eventually grew as a form of art because its abundance and ease of expression.
Metal sculpture can be created by a combination of many methods. Sculpture can be created by cutting metals with shears and snips, by firing and
hammering metals, or by joining metals with sheet metal screws, rivets and soldering. Wax sculpture is an art form that dates back to the ancient
civilizations of Egypt and Greece. History documents that wax figures were sculpted for religious ceremonies. This was also a costly endeavour and
therefore the practice was reserved for royal and religious hierarchies. Finally sculpture in ivory was used by the Greeks in combination with gold for
monumental works. In the Middle Ages and in modern times ivory is often used for works of small proportions and it is particularly suitable for
delicate and pathetic subjects.
Linking the art of Sculpture to Leadership "An artist chisels away at the stone, piece by piece until they find the figure they seek. Leadership is like a
sculpture. That is, it's a creative expression of who we are after all the stuff has been chipped away."–Unknown
Not one person was born a great leader; as history and society can prove one must develop and evolve into a leader. To become respected and excel as a
leader there is a sculpting stage in one's life which

Sculpture And The Archaic Period
The staff at the museum are expecting a delivery of two sculptures. Both of them are from ancient Greece. Sculpture A is a small, bronze sculpture
with dimensions of 37/8 in. (9.8 cm). Sculpture B is also a small, bronze sculpture with dimensions of 6/4 in. (15.9 cm). My job here is to fully
identify which sculpture comes from the Archaic period and the High classical period.

Classical Greek Sculpture Analysis Essays
Classical Greek Sculpture Analysis Riace Bronzes (Statue A) This classical Greek sculpture is titled the Riace Bronzes. The Riace statues are two
life–size bronze statues each weighing nearly a ton. Statue A which is depicted above is of a young warrior, while statue B which is not depicted is
of an older warrior wearing a helmet. In this analysis I will be concentrating on Statue A. The sculptor of this statue remains unknown; however most
experts attribute this statue to Polyclitus, an expert Greek sculptor and mathematician, or one of his many disciples. The Riace is from the early
Classical Period, made around 445 BCE. It was unexpectedly discovered in the Ionian Sea along with an...show more content...
The soft S–shaped lines form a realistic human form giving it a graceful but still powerful human figure. The high definition of the pectorals and the
abdominal muscles are indicative of someone who is in prime physical condition and aware of a fine–toned body. The firm grip of the left hand and the
outward gaze convey energy and alertness to his surroundings. He is standing in a Contrapposto stance, meaning that most of his weight is
balanced on one leg, in this case the right leg is behind the left. His physique is however, an exaggeration. In his book How Art Made the World,
Nigel Spivey writes about the Riace Bronze, "Division between top and bottom has been exaggerated by a crest of muscle across the waist that is
more defined that can ever be on a real person" (Spivey). He also states how the "central channel of the spine is deeper than you will ever see on a
real person and to improve the line of its back; this man has no coccyx bone at the base of its spine" (Spivey). This shows that the sculptor, whoever
he was lived in a time where human perfection was heavily admired. Even though the statue is naturalistic, it is unrealistic due to the incredible
symmetry and perfection being displayed. The median used for this sculpture was bronze. The only part of this sculpture that was not bronze was its
teeth that were made out of silver. The Riace however was hollow and not made of solid bronze, which is essential for a piece of art that was meant to

The Human Body in Ancient Greek Sculptures
The primary focus of ancient Greek sculptures was that of the human body. Almost all Greek sculptures are of nude subjects. As the first society to
focus on nude subjects, Greek sculptors attempted to "depict man in what they believed was the image of the gods and so would come to celebrate the
body by striving for verisimilitude or true – likeness (realism and naturalism!)."(Riffert) Not only did the Greeks celebrate the human form in their art
but also in everyday life. (Riffert) One of the favorite topics for sculptors was that of the athlete. In Greek culture athletes were described as
"hero–athletes". (Riffert) This shows that athletes were revered and looked upon as heroes. The influence...show more content...
Greeks were constantly in search of the "Ideal"(Riffert). Their "Ideal" was "a body capable of enduring all efforts, either of the racecourse or of
bodily strength...this is why the athletes in the pentathlon are the most beautiful." (Tufts) This description of the "Ideal" person given by Aristotle
reflects the attitude of the majority of ancient Greeks. People were not judged solely on their minds but rather strong emphasis was given to the
body. This emphasis given to the body was given to the nude body. It is understandable that we question why nude art was so accepted by the
Greeks, as they were the pioneers in this field. The answer lies in the everyday life of the people. It was commonplace for Greek men to exercise, go to
war, and generally go about their daily business in the nude or scantly clothed (Boardman 276).
While male nudity was straightforward and hiding nothing, female nudity was more reserved. In the first fully nude female sculpture, Aphrodite of
Knidos by Praxitales c. 350–340bc., "the 'feminine principle' (is invented) which as a demure pose where the knees are brought together and
sometimes the hand is discreetly before the genitals"(Riffert). This reference shows that in art as in life, women are depicted as less than equal to their
bold male counterparts. Usually female statues were either draped in some way or

Nataraja of Shiva Essay
When I went to Museum of Metropolitan of Art, I saw many interesting works of arts. I was so amazed by all of the art–work. It was a tough decision
to choose one work to focus on for my art paper, but there was one sculpture that caught my eye; it was Nataraja of Shiva (11th century) from
Ancient Southeastern Art located on the 2nd floor of the museum. The main message of this sculpture is focused on the idea of the boundaries of
cosmos and the destruction and rebirth of the world. This paper will employ close visual analysis of this sculpture and describe how the visual
elements of the work relate to its main theme. In my opinion, this sculpture is very beautiful and I was so surprised to find it in the museum. As I was
growing up in...show more content...
Chola Dynasty, which is also known as one of the greatest periods in Asia for sculpture. This time period was also well–known for bronze sculptures
but this particular sculpture in Met was copper alloy probably because from my knowledge, at that time, copper was better for carving and sculpting
but now a days, there are paintings of the Nataraja that are colorful, too (with a lot of colors, and much easier to see and understand). Also, being that
it was copper to me it looked a little dull because I have seen the sculpture in the different colors, shapes and sizes. There are many other brass
figures depicting Shiva as Lord of the Dance in different postures of the dance. When these sculptures were made only fortunate classes such as
royals and priest could view the deities and people who were poor wasn't able to. But now, everyone can see it, and have it. The pose, Shiva with his
four arms is called "tribhanga in Bharantanayam" (another classical dance of South India). From my observation at the Met, this sculpture is inside a
medium glass and space. Also, it is by itself in the glass. It is a three–dimensional sculpture created by modeling and merging hard materials. Next to it
there are other deities (Vishnu, Parvati, Ganesh etc.) and sculptors from the Chola Dynasty. The other works near it complements the sculpture as I
have stated above they are from the same time period so, they are related to each other some way and

Sculptor: Claes Oldenburg
Claes Oldenburg was a wonderful sculptor. He was born in Stockholm, Sweden on January 28, 1929. He was famous for his sculptures, which were
usually created from everyday objects, however at first he worked as a reporter at the City News Bureau of Chicago. He developed his famous skills
by working on paper machie. His style of art was pop art , which is art based on modern culture and the media. There were many other people who did
this style, such as Andy Warhol, Roy Lichtenstein, James Rosenquist, but they painted instead of sculpting. My favorite quote from him was, "My
mom told me to avoid the color red." because it is funny.
The subject matter of the Clothespin is ______. It is a still life, and is very realistic, apart from its size.

Sculpture Comparison Essay
Over the course of history, human statues have taken on different forms and function. The change in form and function was necessitated by the
development of sculptural skill and change of sociopolitical circumstance. The style of sculpture varies from region to region, so I think it is
worthwhile to look into the development of sculpture in Mediterranean region. In this paper, I am going to compare and contrast three sculptures:
Khafre enthroned from Egypt, statue of Poseidon from Athens and statue of Augustus from Rome. Each work is separated from one another at least
several centuries, so these statue would give general idea how sculptures developed during these In the following paragraphs, I am going to compare
and contrast these sculptures

Sculpture Analysis Example
Sculpture Analysis
My sculpture is portrayed of a green turtle coming back to shore with his foot and head damaged by a piece of fishing net that pierced it's skin. With a
bit of imagination you visualize a turtle trying to escape from fishing net and getting his mouth hooked by the fishing net. This would put the turtle
through unbelievable pain and possibly make the turtle suffer enough so that it dies. The sculpture is based on one of the lucky turtles that did survive,
though it has horrific injuries. In the real world this turtle is not only one of many turtles, but one of the few turtles that survive.
This sculpture represents how careless we are for our environment and the marine ecosystem and wildlife. Not only are we polluting, but we are slowly
damaging the environment, with all the creatures in it, including us. Each time you throw away a piece of plastic or rubbish without proper disposal it
makes a tiny impact on our environment. Not enough to destroy it in itself, but something. With people thinking this, they become even more carefree
for the environment, but there is a catch to what we throw away. It may only make a small impact but countlessly people litter and throw away their
rubbish. If so much littering and pollution is caused in our environment there will be a big impact with every small piece of rubbish contributing to it.
Actually that is what's currently going on in the world, and it is also one of the main causes of not only climate change, but global warming....show more
content...
Carbon dioxide is hazardous to the ozone layer and thereby weakens it. The ozone layer is what protects the earth from being over heated by the sun.
The ozone layer reflects heat rays coming from the sun. Not everything, but enough so that our earth stays at a relatively cool temperature, excluding
the heat generated from natural

Comparing Two Sculptors Essay
This essay will compare and contrast the work of two sculptors who use the human form as a basis of their artwork. The first sculpture "Apollo and
Daphne" by Gian Lorenzo Bernini was created in 1622 and portrays a Romanian story. Where as "Two Women" by Ron Mueck is a hyper realistic
sculpture made by an Australian contemporary artist.
Gian Lorenzo Bernini was a traditional sculptor that was born in 1598 and created art pieces such as "Apollo and Daphne" for well–known churches in
Rome. On the other hand, Ron Mueck is a contemporary sculptor from Australia who is known to use hyper–realism when creating magnificent
sculptures of the human form.
The media techniques and processes that each of the sculptors completed required large...show more content...
By using mixed materials such as silicon, fabric and plastic Ron Mueck to created the diminutive and brilliantly realistic sculpture of two elderly
women. Ron Mueck dresses and threads each hair into the heads of the sculpture, which further the uncanny realistic look of his artwork.
The sculptures "Apollo and Daphne" and "Two Women" share elements and principles with one another, such as shape, size and texture. Bernini's
work is a life size piece that complements the figure of the two characters. The facial expressions, hands, feet and hair of "Apollo and Daphne" are in
reasonable detail; however there are no lines on the bodies to create depth and texture. On the other hand, Mueck challenge's the viewer by changing
the scale of his work, with "Two Women" minute and in incredible proportion with the features and figure of the women.
While Gian Lorenzo Bernini's sculpture "Apollo and Daphne" depicts a Romanian story of forbidden love, Ron Mueck's "Two Women" portray two
elderly women hyper–realistically. By analysing the meaning behind the two sculptures, evidence is given that the two artists had different intentions
for their work. The story "Apollo and Daphne" is from a roman poem named "Metamorphoses" by a man named Ovid. In the story, Apollo is hit by a
magical arrow from a god of

The expansion sculpture was designed by Paige Bradley. It was created in 2004 when Paige moved to Manhattan. Bradley is an American sculptor
known for representative bronzes. She decided she wanted to create real art with general talent. It seemed as everything unique and visionary was
already done. Creating the Expansion sculpture was the perfect adventure and idea to succeed in the art world.
The sculpture represents a sign of meditation. Awoman is meditating in a lotus position with her body cracking to reveal an inner light. It looks as if
she is building internal energy or life force. I feel as it represents a sign of strength. It is shown as if she is at ease or clearing the mind. How Paige
assembled the sculpture together shows a sign

Sculpture Review of Spartacus Breaking His Chains
This nineteen century sixteen inch sculpture was created by Denis Foyatier. The sculpture is of Spartacus, a man who served as a leader in a revolt
against slavery. This statue was composed of bronze and could be distinguished by its fine polish and style. This bronzestatue stood in a mobile upright
position, the left foot extended forward, the arms crossed around the lower chest region. Foyatier succeeded in producing a vivid and convincing
figure by using the techniques of shape, texture and details. His techniques suggest and appeal to a sense of intense power and vigor.
The brooding stance and overall shape of Spartacus gives the sculpture...show more content...
The tenseness of his muscles is a clear suggestion that Spartacus was about to or already performed some sort of movement. There is also a dominant
"s" like shape runs through the body beginning from above the knees and continues until the neck, this "s" like curvature provides the figure with a
sense of autonomous life.
The rough contrasting texture Foyatier uses makes Spartacus much more realistic and proves to be very effective. His use of highly stylized polish
contrasts the shades of the arms and legs. He uses a lighter shade of polish around Spartacus's muscles; these highly polished areas provide sheen and
highlight strength and power. The use of different shades of polish is imperative to the sculpture because it allows his spectators to focus on the more
central parts of Spartacus. The uneven curly texture in the hair also plays an important role; it adds a more realistic image to Spartacus's identity. The
use of the different textures generates liveliness and animates a sense of energy compressed within Spartacus's quiet pose.
Foyatier uses careful detail in his presentation. His details of Spartacus's face are very effective as it creates a mood and sets an ideal atmosphere for
the sculpture. One can detect Spartacus's raging mood by the intense glare of his eyes, the

Descriptive Essay On Sculptures
As the sun started to settling down, you walked into a wonderful museum full of figure sculptures to which the natural spot light shines from the sun hit
the wonderful master pieces. Then you walk more deeply inside an exhibition room, suddenly, you notice that you are surrendered by medium size to
large sculptures. One sculpture that is space equally to one an another, but they all have no cloth on. As you tend to get closer and closer and the
story of the sculptures reveal more details of what is the sculpture tell you like a story telling. Even the details of the bodies tend to give of a more
muscle structures. When looking at a stone sign above, you notice that you are in a theme of nude figure sculptures. In the center were the four
main sculptures which is in order from finest pick from the museum and three from the class room lecture. They are The Lansdown Athlete, the
Roman copy of the Lysippos, and Roman copy after a Greek original by Praxiteles, Hermes and the Infant Dionysos. From my opinion is that the
sculptures are in nude because they tell us that the sculptures are goddesses or a recreation of a person that is not real. The nude sculpture is one
who is not wearing cloth or less who which it shows our body parts. Most of the sculptures are made out of stone, marble, and bronze. They are shown
in large structure or a human size. All figures are mostly made in Greek Late Classical to Hellenistic, thus the artist show more details in human body
structures. For

Casey Chiovaro
December 3, 2012
Optional Paper
Art History 109
Define the transformations that have taken place between the sculpture of the late archaic period and that of the early Classical period. Note how these
imply a change in relationship of the viewer to the work of art.
Throughout history, sculptures have developed significantly. The Western tradition of sculptures began inAncient Greece along with Egypt and many
other ancient civilizations around the world. Greece is widely seen as producing great masterpieces in the archaic period and as time evolved into the
classical period more detailed and sensible artwork developed. During the archaic period (c.660–480 B.C.) sculpture emerged as a principal form of
artistic...show more content...
Typical Archaic sculptures are produced to be very frontal and have the archaic smile on its face. Anavysos Kouros has both of these descriptions. The
art work's body language would portray the sculpture to convey no emotion but with the archaic smile represented on it's face the viewer may become
confused due to the inconsistent body language. The body looks as if it is very light but still has extremely large muscles that are tensed which also
back up the argument that it's unnatural. The statue should be in motion due to the one leg in front of the other but the statue is portrayed as frozen
which makes it extremely mechanical.
On the other hand, the Kritios Boy Statue from century 480 B.C. is much more organic with a more fluid body stance. Never before had a sculptor
been concerned with depicting how a human being, as opposed to a stone image, actually stands. Real people do not stand in the stiff form of the
kouroi and korai. Humans shift their weight and the region of the main body parts around the vertical but flexible axis of the spine. The muscular and
skeletal structures are depicted with freely lifelike accuracy, with the rib cage naturally expanded as if in the act of breathing, with a collected and
calm demeanor and hips, which are distinctly narrower. The artist of this image was the first to grasp this fact and represent it in statuary. The head also
turns slightly to the right and tilts,

Assyrian Sculptures
When we talked about the similarities between Sumerian and Assyrian sculptures, both of them are some kind of art that's been engraved to wood
stone and other objects, and the important part of both of them are that they deal with God(s), those were not just any engraved object they had a very
deep meaning for the people of that time, even nowadays. The differences, Sumerian may have been the first to talk through picture or tell stories using
pictures/art. On the other hand Assyrian sculptures I would say it just upgraded version of Sumerian sculptures, which talked or told stories using
picture but in lots of different area, it mainly showed art/picture of God(s). And building that study finds that we (modern world) using somehow same
strategies that they have used long ago....show more content...
He made the law fair for everybody, most of his staled code was in favor of humanity and that's what made it very significant to the humidity. If we
look at code 196, "if a man destroy an eye of another man they shall destroy his eye. If one broke a man's bone, they shall break his bone. If one
destroy eye of a freeman or break the bone of a free man he shall pay one mana of silver. If one destroy the eye of a man's slave or break a bone of a
man's slave he shall pay one–half his price." (King Hammurabi). That really convince me that it significant to humanity. Because regard less who
commits the crime he/she have to pay the same penalty. I somehow find a pattern between codes of Hammurabi and the "sharia law" even though
there isn't any law that's called "sharia law". The word "sharia "means law. However we can say Islamic law or whatever you call it, my question is
if we don't have any problem with "Hammurabi Code" we even find it significant to HUMANITY. Then why do we "mainly western society" have
problem with "sharia

Anavysos Kouros

Recommended

Recommended

More Related Content

Recently uploaded

Recently uploaded (20)

Featured

Featured (20)

Anavysos Kouros