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Normalizing Cultural Diversity –
Curatorial and political practices
Dr. Lisa Gaupp
Queen's University Belfast
APRIL 6TH – 7TH 2017
„Dominant Ideologies: Examining Institutions,
Habits and Terminology in the Profession“
Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 2
AGENDA
Normalizing Cultural Diversity –
Curatorial and political practices
1  Researching Cultural Diversity
2  German Cultural Policies
3  Transnational Curatorial Practices
Diversity
in the Arts
Intersectional
Diversity
Cultural
Diversity
Mediating
Diversity
Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 3
Researching Cultural Diversity
§  Critique of Eurocentrism §  Deconstruction of Power Discourses
Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 4
AGENDA
Normalizing Cultural Diversity –
Curatorial and political practices
1  Researching Cultural Diversity
2  German Cultural Policies
3  Transnational Curatorial Practices
German Cultural Policies
Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 5
§  traditional, nation-based concepts of culture, which foster differences between a
homogenous “minority” and a homogenous “host society”
Inter-/Multiculturalism
German Cultural Policies
Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 6
§  traditional, nation-based concepts of culture, which foster differences between a
homogenous “minority” and a homogenous “host society”
Inter-/Multiculturalism
Transculturality/Post-Migrancy
§  focus on the promotion of cultural inclusion, mediation and diversity; deconstruction of
differences; against a reduction to national or ethnic backgrounds; immigration as a
dynamic precondition to today’s societies
German Cultural Policies
Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 7
Cultural politics should
§  adapt to the realities of today’s post-
migrant social processes.
§  center on interactions, crossroads and
(contradictory) commonalities, without
emphasizing segregating tendencies.
Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 8
AGENDA
Normalizing Cultural Diversity –
Curatorial and political practices
1  Researching Cultural Diversity
2  German Cultural Policies
3  Transnational Curatorial Practices
Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 9
§  „The biggest challenge for
the arts is an increasing
nationalism in all matters.
Due to the financial crisis,
the national funding bodies
insist more and more on
national production –
foreign participation is of
course welcome in financial
terms, but there is less
interest in co-financing new
works by non-resident-
artists.”
(Kaup-Hasler 2012)
Transnational Curatorial Practices
Structures
Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 10
Esthetics
§  „confronted with a strong
Eurocentrism in the field in
which works from other
continents get easily
labeled either as ‚outdated’
in comparism to the
European development or
as ‚too specific’ to be
presented next to European
works without also creating
access to their ‚original’
local context“ (Husemann
2012: 276f.)
Transnational Curatorial Practices
§  „The biggest challenge for
the arts is an increasing
nationalism in all matters.
Due to the financial crisis,
the national funding bodies
insist more and more on
national production –
foreign participation is of
course welcome in financial
terms, but there is less
interest in co-financing new
works by non-resident-
artists.” (Kaup-Hasler
2012)
Structures
Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 11
Concepts
§  „do we have to consider
hybridity as the ultimate and
inexorable condition of all
postcolonial
subjectivities?“ (Amīn
2010: 7)
Transcultural Diversity
Transnational Curatorial Practices
§  „The biggest challenge for
the arts is an increasing
nationalism in all matters.
Due to the financial crisis,
the national funding bodies
insist more and more on
national production –
foreign participation is of
course welcome in financial
terms, but there is less
interest in co-financing new
works by non-resident-
artists.”
(Kaup-Hasler 2012)
§  „confronted with a strong
Eurocentrism in the field in
which works from other
continents get easily
labeled either as ‚outdated’
in comparism to the
European development or
as ‚too specific’ to be
presented next to European
works without also creating
access to their ‚original’
local context“ (Husemann
2012: 276f.)
Structures Esthetics

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Normalizing Cultural Diversity: Curatorial and Political Practices

  • 1. Normalizing Cultural Diversity – Curatorial and political practices Dr. Lisa Gaupp Queen's University Belfast APRIL 6TH – 7TH 2017 „Dominant Ideologies: Examining Institutions, Habits and Terminology in the Profession“
  • 2. Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 2 AGENDA Normalizing Cultural Diversity – Curatorial and political practices 1  Researching Cultural Diversity 2  German Cultural Policies 3  Transnational Curatorial Practices
  • 3. Diversity in the Arts Intersectional Diversity Cultural Diversity Mediating Diversity Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 3 Researching Cultural Diversity §  Critique of Eurocentrism §  Deconstruction of Power Discourses
  • 4. Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 4 AGENDA Normalizing Cultural Diversity – Curatorial and political practices 1  Researching Cultural Diversity 2  German Cultural Policies 3  Transnational Curatorial Practices
  • 5. German Cultural Policies Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 5 §  traditional, nation-based concepts of culture, which foster differences between a homogenous “minority” and a homogenous “host society” Inter-/Multiculturalism
  • 6. German Cultural Policies Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 6 §  traditional, nation-based concepts of culture, which foster differences between a homogenous “minority” and a homogenous “host society” Inter-/Multiculturalism Transculturality/Post-Migrancy §  focus on the promotion of cultural inclusion, mediation and diversity; deconstruction of differences; against a reduction to national or ethnic backgrounds; immigration as a dynamic precondition to today’s societies
  • 7. German Cultural Policies Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 7 Cultural politics should §  adapt to the realities of today’s post- migrant social processes. §  center on interactions, crossroads and (contradictory) commonalities, without emphasizing segregating tendencies.
  • 8. Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 8 AGENDA Normalizing Cultural Diversity – Curatorial and political practices 1  Researching Cultural Diversity 2  German Cultural Policies 3  Transnational Curatorial Practices
  • 9. Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 9 §  „The biggest challenge for the arts is an increasing nationalism in all matters. Due to the financial crisis, the national funding bodies insist more and more on national production – foreign participation is of course welcome in financial terms, but there is less interest in co-financing new works by non-resident- artists.” (Kaup-Hasler 2012) Transnational Curatorial Practices Structures
  • 10. Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 10 Esthetics §  „confronted with a strong Eurocentrism in the field in which works from other continents get easily labeled either as ‚outdated’ in comparism to the European development or as ‚too specific’ to be presented next to European works without also creating access to their ‚original’ local context“ (Husemann 2012: 276f.) Transnational Curatorial Practices §  „The biggest challenge for the arts is an increasing nationalism in all matters. Due to the financial crisis, the national funding bodies insist more and more on national production – foreign participation is of course welcome in financial terms, but there is less interest in co-financing new works by non-resident- artists.” (Kaup-Hasler 2012) Structures
  • 11. Intern. Research Network: Brokering Intercultural Exchange - Dr. Lisa Gaupp 11 Concepts §  „do we have to consider hybridity as the ultimate and inexorable condition of all postcolonial subjectivities?“ (Amīn 2010: 7) Transcultural Diversity Transnational Curatorial Practices §  „The biggest challenge for the arts is an increasing nationalism in all matters. Due to the financial crisis, the national funding bodies insist more and more on national production – foreign participation is of course welcome in financial terms, but there is less interest in co-financing new works by non-resident- artists.” (Kaup-Hasler 2012) §  „confronted with a strong Eurocentrism in the field in which works from other continents get easily labeled either as ‚outdated’ in comparism to the European development or as ‚too specific’ to be presented next to European works without also creating access to their ‚original’ local context“ (Husemann 2012: 276f.) Structures Esthetics