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Amdavad ni Gufa
 Type- Art Gallery
 Location- Ahmedabad
 Construction Period- 1992-1995
 Architect- Ar. B.V Doshi
 Client- M.F Hussain
 Ahmedabad ni Gufa is an underground art
gallery in Ahmedabad
 It exhibits works of the famous artist Maqbool
Fida Hussain.
 The gallery represents a unique juxtaposition of
architecture and art.
 The cave-like underground structure has a roof
made of multiple interconnected domes,
covered with a mosaic of tiles. On the inside,
irregular tree-like columns support the domes
Etymology
• The gallery is called gufa because of its
resemblance to a cave.
• It was known earlier as Hussain-Doshi
ni Gufa, after its architect, B.V. Doshi,
and the artist, M.F. Hussain.
Form and development
 The structure's contemporary
architecture draws on ancient and natural
themes.
 The Buddhist caves
of Ajanta and Ellora inspired Doshi to design
the interior with circles and ellipses, while
Hussain's wall paintings are inspired
by Paleolithic cave art.
 The mosaic tiles on the
roof are similar to
those found on the
roofs of the Jain
temples at Girnar, and
the mosaic snake is
from Hindu mythology
 The entire design is made up of circles and
ellipses.
 The interior is divided by tree trunks or
columns similar to those found
at Stonehenge
 Computer-assisted planning facilities
were used to resolve the structure's
unorthodox design.
 The domes are inspired by the shells
of tortoises and by soap bubbles.
Clay models
INSTITUTION:-
ISHAN INSTITUTE OF ARCHITECTURE
AND PLANNING
SUBJECT:-
ARCHITECTURAL DESIGN:- V
SUBMITTED BY:- UBAID KHAN
B.ARCH(5TH SEM)
SIGNATURE
 A simple floor of
wire mesh and mortar was used instead
of a traditional foundation.
 All the structure's components are self-
supporting, relieving stress by their
ubiquitous continuity
 Ferro cement, only one inch thick, was
used for the undulating walls and domes
in order to reduce load.
 The domes themselves are supported by
irregularly shaped inclined columns,
similar to those found in natural caves.
Planning
Construction
Structure
 The cave was constructed by
unskilled tribal labourers using
only hand tools.
 Broken crockery and waste tiles were used to cover
tihe domes' exterior, which bears a transversal
mosaic of a snake.
 Work was carried out in two phases:
 the first was the construction of the main cave as
an underground art gallery
 The second covered the surrounding structures
including the paving, the café, and a separate art
gallery for exhibitions.
 Light arrives though snouts
 Creating spots of light on the floor which move
around as the day progresses, intended to create
a mystic atmosphere
 The gallery space is below ground
level.
 A partially hidden staircase leads to
a circular door which opens into a
cave-like space.
Though designed to display paintings, the cave has no straight walls, instead using a
continuation of the curved dome structure which extends down to the floor.
 Hussain used the gallery's
walls as a canvas, painting on
them with bold strokes and
bright colors.
 The figures were
designed to
resemble ancient
cave paintings.
INSTITUTION:-
ISHAN INSTITUTE OF ARCHITECTURE
AND PLANNING
SUBJECT:-
ARCHITECTURAL DESIGN:- V
SUBMITTED BY:- UBAID KHAN
B.ARCH(5TH SEM)
SIGNATURE

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Amdavad ni gufa

  • 1. Amdavad ni Gufa  Type- Art Gallery  Location- Ahmedabad  Construction Period- 1992-1995  Architect- Ar. B.V Doshi  Client- M.F Hussain  Ahmedabad ni Gufa is an underground art gallery in Ahmedabad  It exhibits works of the famous artist Maqbool Fida Hussain.  The gallery represents a unique juxtaposition of architecture and art.  The cave-like underground structure has a roof made of multiple interconnected domes, covered with a mosaic of tiles. On the inside, irregular tree-like columns support the domes Etymology • The gallery is called gufa because of its resemblance to a cave. • It was known earlier as Hussain-Doshi ni Gufa, after its architect, B.V. Doshi, and the artist, M.F. Hussain. Form and development  The structure's contemporary architecture draws on ancient and natural themes.  The Buddhist caves of Ajanta and Ellora inspired Doshi to design the interior with circles and ellipses, while Hussain's wall paintings are inspired by Paleolithic cave art.  The mosaic tiles on the roof are similar to those found on the roofs of the Jain temples at Girnar, and the mosaic snake is from Hindu mythology  The entire design is made up of circles and ellipses.  The interior is divided by tree trunks or columns similar to those found at Stonehenge  Computer-assisted planning facilities were used to resolve the structure's unorthodox design.  The domes are inspired by the shells of tortoises and by soap bubbles. Clay models INSTITUTION:- ISHAN INSTITUTE OF ARCHITECTURE AND PLANNING SUBJECT:- ARCHITECTURAL DESIGN:- V SUBMITTED BY:- UBAID KHAN B.ARCH(5TH SEM) SIGNATURE
  • 2.  A simple floor of wire mesh and mortar was used instead of a traditional foundation.  All the structure's components are self- supporting, relieving stress by their ubiquitous continuity  Ferro cement, only one inch thick, was used for the undulating walls and domes in order to reduce load.  The domes themselves are supported by irregularly shaped inclined columns, similar to those found in natural caves. Planning Construction Structure  The cave was constructed by unskilled tribal labourers using only hand tools.  Broken crockery and waste tiles were used to cover tihe domes' exterior, which bears a transversal mosaic of a snake.  Work was carried out in two phases:  the first was the construction of the main cave as an underground art gallery  The second covered the surrounding structures including the paving, the café, and a separate art gallery for exhibitions.  Light arrives though snouts  Creating spots of light on the floor which move around as the day progresses, intended to create a mystic atmosphere  The gallery space is below ground level.  A partially hidden staircase leads to a circular door which opens into a cave-like space. Though designed to display paintings, the cave has no straight walls, instead using a continuation of the curved dome structure which extends down to the floor.  Hussain used the gallery's walls as a canvas, painting on them with bold strokes and bright colors.  The figures were designed to resemble ancient cave paintings. INSTITUTION:- ISHAN INSTITUTE OF ARCHITECTURE AND PLANNING SUBJECT:- ARCHITECTURAL DESIGN:- V SUBMITTED BY:- UBAID KHAN B.ARCH(5TH SEM) SIGNATURE