SlideShare a Scribd company logo
1 of 30
Media Client Project
18-25 Year Old York-Based
Demographic
Promo/Trailer for Nights Out in York
• Varying night life: lively bars, dance floors, loud music,
live bands/music acts, cozy pubs, theatre productions,
cinemas, restaurants, horror tours etc.
• Student discounts, distance from campuses, Fresher’s,
transport links/taxis, constant shows and events e.g.
theatre shows,
• Neon lights, night fashion, modern life in a medieval city
• Subvert it into a narrative following a group of drinkers
walking by the river when someone falls in and turns into
a horror-like tragedy/warning to party-chasers.
BBC. (2019). Mother's sorrow over latest York river deaths. Available:
https://www.bbc.co.uk/news/uk-england-york-north-yorkshire-47952015. Last accessed
19/09/2019.
Mike Laycock. (2019). After fifth death the mums of two York river victims say ‘this can’t
go on’. Available: https://www.yorkpress.co.uk/news/17601518.mums-of-two-york-
river-victims-tell-of-shock-after-fifth-death-in-weeks/. Last Accessed 19/09/2019.
Demographic: 18-22 year olds
• A total of approx. 24,610 university students = broke 18-22 year olds who
want to go out for cheap. Student discounts, distance from campuses,
ease of access to the main bars.
• Loud music – grime, pop, dance
• The age of short attention spans – quick cuts, fast music, straightforward,
interesting graphics and transitions etc.
• Modern motion graphics/transitions.
• Alcohol consumption is important for this age range’s nights out.
Existing Work: York Christmas Markets – Visit York
https://www.youtube.com/watch?v=AE6kHC68r6k
• Time lapse
• Artistic bokeh
• performances (carol singing, musicians)
• B-roll (Christmas decorations, cameras/phones, clapping)
• Simple end text slate
Existing Work: “Only In York” – Visit York
https://www.youtube.com/watch?v=008QpRGHzhk
• Follows hosts
• Directly tells the audience about the attractions and culture
• Cheesy af – not aiming for 18-25 year olds, but families instead
• Cooking food B-roll w/ speed ramps, slow motion
• End text slate with hashtags
Existing Work: Coming Up In York in 2019 – Visit York
https://www.youtube.com/watch?v=qpG5vTIur2c
• Drone shots. Lots of drone shots.
• B-roll of ice sculptures
• Text accompanying the first shot of each event
• Constant hashtagged watermark in the bottom corner
• Stills being panned over in post
• No audio other than the soundtrack itself
Analysis of Existing Work Research
• Looooooots of B-Roll sequences – slow
motion, speed ramps, quick cuts, up tempo
music
• Famous landmarks (the Minster, the wall etc.)
• Upbeat pacing, quick cuts and high tempo
music.
• End slates w/ hashtags.
• Frequent watermarks etc.
Similarities with each video
SURVEY QUESTIONS AND RESULTS
https://www.surveymonkey.co.uk/r/F38DTF2
Although close, there are more women answering this survey than men, which
correlates to the overall population of York itself. 51% of York’s population is
female, which is very similar to the 53% shown in my survey.
World Population Review. (2019). York Population 2019. Available:
http://worldpopulationreview.com/world-cities/york-population/. Last
accessed 20/09/2019.
No surprises here, the vast majority of the thirty 18-25 year olds drink.
These results vary, but the majority of respondents ‘rarely’ go out in York. ‘Never’
is the second largest answer, but only amounts to 26% of respondents who don’t
go out in this city of ours, against the 74% who do. This may be because they live
elsewhere, like Scarborough, or have already moved away to university in a
different area of the country.
Q4: What do you look for when
choosing a place to drink?
Venue Music Price Atmosphere
IIIIIII IIIIIIII IIIIIIIIIIIIIII IIIIIIII
7 8 15 8Total
As this was a text-box question, some people noted a number of things in their
answers (meaning that the tally numbers don’t equal the total number of
respondents), but all answers fell under these 4 categories.
Price is very clearly the most important thing to the people when they go on a night
out, perhaps because the majority of them are now university students living
independently and with their own money. This is followed by music and atmosphere,
which go hand in hand very well. Venue is not far behind these two answers, though
sits at the bottom of the “most important” pile.
Most respondents claim to be responsible, with only around 17% of people throwing
caution to the wind and getting black-out drunk. This would mean that there are
people who are susceptible to falling in the river if not looked after by more sober
friends.
Most people aren’t planning on going to one of the York-based universities, nor
already attend them. I believe this is because most of the people answering my
survey have either left for university already, are enrolled and moving away
shortly, or haven’t yet decided.
As it would seem, bright lights, fast music and fancy graphics are
equally preferred to artsy shots, with straight-to-the-point advertising
being third and nobody caring about slow motion.
This question seems completely off topic, however it fits perfectly with what I want to do
with the twist from “advert”, to narrative about the dangers of the river, particularly while
intoxicated.
Survey Summary
• My audience is mainly female.
• The vast majority drink alcohol.
• My audience predominantly goes out in York on ‘rare occasions’.
• While on a night out, most of my demographic consider price
before going into venues like bars and pubs, meaning advertising
the average prices of drinks amongst the venues.
• Most claim to be responsible, so the planned twist for the end of
the video will make them think about how well they look after their
friends and themselves.
• Attending one of the York universities is not in the plans for 87% of
my respondents, but this may be because many people that
answered my survey have already moved to a different uni, have
already finished university, or hasn’t yet decided.
• The majority prefer stylistic promotional videos that contain bright
lights, fast music and fancy graphics for bars and other venues, so I
shall make the promo-section with these results in mind.
• Thriller, is the film genre of choice for my demographic, which fits
the plans I have for the twist from advert to narrative.
Idea Mind Map
Night Out Advert
Dangers of the River
B-ROLL
BarsYates Slug and Lettuce
Slow Motion
In-camera Transitions
Las Iguanas1331
Hazy visuals, mimicking drunkenness
Digital/in post or in-camera trick
(multiple takes trying each technique)
Narrative
Bright & and vibrant lights
High saturation
High contrast
Graphics/transition
s packages
Smoothly transitions into a bunch
of drunken party-goers stumbling
by the river before it's clear
something is changing in the tone
of the whole video itself.
Glitchy visuals as if the prior
advert section shouldn’t be going
in this direction in the advert,
paralleling with the party-goers
evening - starting fun and frantic,
turning into a eerie and tragic
ending.
Highly contrasting
from the previously
vibrant and hectic
visuals from before –
lowered saturation,
dark and grungy rather
than bright and
vibrant.
Idea Development
• Begins with B-roll of bars and various venues in town at
night – Yates, Slug and Lettuce, Las Iguanas (and that
street), Thirteen Thirty One (Bar 1331) etc.
• Average price for a pint in York = £3.00
• Flashy graphics, slow motion, in-camera transitions to
swiftly move from venue to venue
• Group of stumbling drunks walk by the river when one
of them goes missing from frame. A fairly loud splash is
audible, with minimal struggle due to the intoxication.
• Lighting heavily contrasts the bright and vibrant lights
from within and around the bars and streets with the
dark riverside walkways.
• Camera trick where you hold the lens up to the sensor
to create a dreamy/hazy in-camera effect.
Location Scouting/Recce
Storyboards
Shot List
Stock Footage
B-Roll/Advert
Narrative}
Experiments
• Drunken effect in post: https://youtu.be/oDpDEttbNuk
• Drunken effect in camera: https://youtu.be/qsoog8uW3tk
• Falling into water simulation: https://youtu.be/oWSZEjkbBVM
Personally, I think I'm going to take aspects of both styles and put them into the
production stage. I think the practical effect's lighting added looks far superior, as
well as the natural out of focus elements, whereas the digital effect of overlaying
the same clip twice and changing the opacity to around 15%-30% really puts
across the feeling I'm going for.
I used a number of different techniques when approaching this experiment. First, I
let the tripod-mounted camera fall via gravity before catching it with my off hand.
Then I tried lowering the camera down at my own pace with the neck strap to
control speed, but not so much the direction the lens faced. Finally I tried just
guiding the tripod slowly to the floor with both hands, which yielded the best
results.
Filming Reflection
I decided to shoot over a number of days:
• Day 1: Ext and end shot
• Day 2 onwards: Int and B-Roll
The first day went very much to plan and I ticked off
every external shot on the shot-list. Unfortunately, day
two was a different story. I wasn't able to bring my
camera into any of the venues, such as Yates and Las
Iguanas etc, so I wasn't able to shoot any of the interior
shots that my storyboard and shot-list had detailed.
Thankfully I managed to get some footage of a
university flat party that I went to at Halloween which
at least gave me a bit of visual variety. I will most likely
have to fill in some gaps with stock footage.
Editing Reflection
The editing process has ran pretty smoothly. I have cut
together all of my shots and the stock footage, as well
as titles and colouring each of my own shots/adding a
pre-set so that they match better with the higher
quality stock footage shots. I am quite proud of the
sound design, more so than I am with the footage I
collected (which I'm content with, but irritated that I
couldn't film any of the internals I had planned for).
I think the drunken effect works most of the time,
particularly in the internal shots of the party and with
the final shot of the drunken camera falling into the
river.
The audio sounds really good, the sound design I've
done for the video works so well and shines when
looking at the issues I had with the visuals.
Evaluation
Research
• My survey was very helpful, allowing me to get to
know my demographic outside of my peer group, who
also matched the demographic. It let me find out how
often they went out for the night, how many drink
alcohol and how much they drink.
• My research about the number of students at the
various York universities meant that I knew how large
my whole audience was and how many were at each
uni.
• The search I did about victims of the river helped me
mould my message to people about the danger that is
the water.
• Looking at and analysing the various existing products
helped me understand what was successful and what
similarities and differences each video had.
Evaluation
Idea Development
• I feel like the idea mind map was fairly decent and
helped me explore different avenues that I could take
my original concept down. It wandered through both
the night out factual section and the narrative element
towards the end of the video that I wanted to
punctuate it with.
• The following slide was putting the mind map into a
more worded chronological and detailed order.
• I think that this stage of the project combines more
with pre-production, rather than standing on its own
feet. In that sense, I think it served its purpose very
well and allowed me to then move onto creating a plan
for the video itself, rather than just the concept of it.
Evaluation
Pre-Production
• My location recce could have been much more detailed in
terms of internal scenes and such.
• The external recce however helped me create a perfect
visual for the shots set outside.
• The experiments I underwent assisted my selection of
technique for certain shots and effects.
• My storyboard was clearly set out and almost
perfectly showed my exact visualisation of the video, bar
one or two shots.
• The shot-list was extremely detailed and promising and
held potential for a very decent final product, whilst also
being realistic and including stock footage where I
suspected there may be issues filming.
• Where my pre-production collapsed was in the failure to
secure the filming locations. This crippled my entire final
product and forced me to compromise when I could have
found various ways around the issues.
Evaluation
Production
• This is the stage of the project where in which the
execution really let me down and ruined the entire vision
for what I wanted to create.
• Thankfully, I managed to shoot all of the external shots that
I had planned on my shot-list, most of which I was happy
with. The one external shot I wish I could change would be
the final shot where the camera 'falls into the river'. I feel
as though it wasn't long enough and wasn't nearly
contrasting enough to the rest of the video. In all fairness, I
was thrown off slightly by the water level being too high to
shoot on the side of the river that I had originally planned
for and visualised.
• Regarding the internal shots issue: I may have been able to
film with my phone for some of the internal footage that I
needed, but instead decided there was no way around
it and settled for mediocre footage from a flat party
that looked nothing like a bar. I should have taken my
phone into a bar or club and recorded B-roll that at least
resembled my shot-list or fit the theme at minimum.
Evaluation
Post-Production
• I feel as though elements of the editing process really saved the project
itself after the production calamities.
• The colouring of each of my own shots did assist the whole video towards
blending in my shots with the stock footage, although most were quite
clearly shot on a different camera altogether.
• The cuts all landed on beats and had some elements of rhythm to them.
The soundtrack was selected from Epidemic Sound and fit the overall tone
of the advert-section of the product.
• I believe that the sound design and backing track was probably the best
performing section, pound for pound. It added another level to the video,
making it more dynamic and giving it more weight and style. For
example, part of the pouring beer sound was the sound of a flowing stream
which not only sounded smooth, but also could be used to convey that to a
certain point, alcohol can become hard to stop like a body of flowing water
in nature. It also foreshadows the end of the video too: reflecting the river
that the camera falls into.
• The drunken effect (created using multiple copies of the same take and
then slightly desynchronising them and changing the opacity of the top clip
to create a wavy and odd visual similar to being drunken, giving a similar
effect to seeing double) works very well and works better than the other
way I had tried creating the same effect, using in-camera tricks.
Evaluation
Overall
• I'd say that overall, my final product is disappointing. This is
especially considering how promising my shot-list and storyboards
were, and the potential I had created in my head for the project
itself.
• It's main flaw is the lack of internal shots that made up the majority
of the shot-list, due to the lack of clearance for shooting within
venues with my camera, and lack of injenuity regarding ways that I
could have went around this obstacle. If I were to go back in time to
the pre-production stage, I would call various bars and ask if I would
be able to film B-roll for my student project, and if I got denied that
access, I would work my way around it by at least filming within the
venues with my phone. Both of these outcomes would have, most
likely, been much better than what I settled with in reality.
• I also think that parts of my pre-production weren't detailed
enough and could've done with more content: the 'idea
development' stage was very much lacking development itself. It
was more of a rough guide of my vision, rather than a progression
on what I had written down in my mind map.
• My reflection from the production and also the editing stage should
be much more detailed, particularly considering the problems that
occurred and how I dealt with them.
Evaluation

More Related Content

Similar to Media Client Project | York 18-22

Targetaudienceformyproduction
TargetaudienceformyproductionTargetaudienceformyproduction
Targetaudienceformyproductionlaurenstandley
 
Target audience for my production
Target audience for my productionTarget audience for my production
Target audience for my productionlaurenstandley
 
Final planning and research
Final planning and researchFinal planning and research
Final planning and researchSilvia Bazzarelli
 
Podcasting, Museums & Info Evolution
Podcasting, Museums & Info EvolutionPodcasting, Museums & Info Evolution
Podcasting, Museums & Info EvolutionElena Lagoudi
 
Assignment 9
Assignment 9Assignment 9
Assignment 9Jayde-Marie
 
Assignment 9: Group Presentation
Assignment 9: Group PresentationAssignment 9: Group Presentation
Assignment 9: Group PresentationJayde-Marie
 
Assignment 9 better part 1
Assignment 9 better part 1Assignment 9 better part 1
Assignment 9 better part 1yunaslife
 
Assignment 9 draft 1
Assignment 9 draft 1Assignment 9 draft 1
Assignment 9 draft 1Jayde-Marie
 
Assignment 9: Group Presentation
Assignment 9: Group PresentationAssignment 9: Group Presentation
Assignment 9: Group PresentationKarolina Fryckowska
 
Assignment 9 better part 1
Assignment 9 better part 1Assignment 9 better part 1
Assignment 9 better part 1mich_angel
 
Comm 101 chapter #7 music and culture powerpoint-updated LUTHER
Comm 101 chapter #7 music and culture powerpoint-updated LUTHERComm 101 chapter #7 music and culture powerpoint-updated LUTHER
Comm 101 chapter #7 music and culture powerpoint-updated LUTHERprofluther
 
Client project
Client projectClient project
Client projectHarryBorwell
 
WCC-COMM 101 Chapter 7-Music and Culture + Reflective Project #3.pptx
WCC-COMM 101 Chapter 7-Music and Culture + Reflective Project #3.pptxWCC-COMM 101 Chapter 7-Music and Culture + Reflective Project #3.pptx
WCC-COMM 101 Chapter 7-Music and Culture + Reflective Project #3.pptxprofluther
 
WCC-LUTHER COMM 101 Chapter 7-Music and Culture+Reflective Project #3 POWERPO...
WCC-LUTHER COMM 101 Chapter 7-Music and Culture+Reflective Project #3 POWERPO...WCC-LUTHER COMM 101 Chapter 7-Music and Culture+Reflective Project #3 POWERPO...
WCC-LUTHER COMM 101 Chapter 7-Music and Culture+Reflective Project #3 POWERPO...profluther
 
WCC-LUTHER COMM 101 Chapter 7-Music and Culture+Reflective Project #3 POWERPO...
WCC-LUTHER COMM 101 Chapter 7-Music and Culture+Reflective Project #3 POWERPO...WCC-LUTHER COMM 101 Chapter 7-Music and Culture+Reflective Project #3 POWERPO...
WCC-LUTHER COMM 101 Chapter 7-Music and Culture+Reflective Project #3 POWERPO...profluther
 
City of york 2
City of york  2City of york  2
City of york 2JackAbsFab20
 
City of york 3
City of york  3City of york  3
City of york 3JackAbsFab20
 
City of york 2
City of york  2City of york  2
City of york 2JackAbsFab20
 

Similar to Media Client Project | York 18-22 (20)

Targetaudienceformyproduction
TargetaudienceformyproductionTargetaudienceformyproduction
Targetaudienceformyproduction
 
Target audience for my production
Target audience for my productionTarget audience for my production
Target audience for my production
 
Final planning and research
Final planning and researchFinal planning and research
Final planning and research
 
Podcasting, Museums & Info Evolution
Podcasting, Museums & Info EvolutionPodcasting, Museums & Info Evolution
Podcasting, Museums & Info Evolution
 
TEACHING ENGLISH THROUH MEDIA
TEACHING ENGLISH THROUH MEDIATEACHING ENGLISH THROUH MEDIA
TEACHING ENGLISH THROUH MEDIA
 
Assignment 9
Assignment 9Assignment 9
Assignment 9
 
Assignment 9: Group Presentation
Assignment 9: Group PresentationAssignment 9: Group Presentation
Assignment 9: Group Presentation
 
Assignment 9 better part 1
Assignment 9 better part 1Assignment 9 better part 1
Assignment 9 better part 1
 
Assignment 9 draft 1
Assignment 9 draft 1Assignment 9 draft 1
Assignment 9 draft 1
 
Assignment 9: Group Presentation
Assignment 9: Group PresentationAssignment 9: Group Presentation
Assignment 9: Group Presentation
 
Assignment 9 better part 1
Assignment 9 better part 1Assignment 9 better part 1
Assignment 9 better part 1
 
Comm 101 chapter #7 music and culture powerpoint-updated LUTHER
Comm 101 chapter #7 music and culture powerpoint-updated LUTHERComm 101 chapter #7 music and culture powerpoint-updated LUTHER
Comm 101 chapter #7 music and culture powerpoint-updated LUTHER
 
Client project
Client projectClient project
Client project
 
WCC-COMM 101 Chapter 7-Music and Culture + Reflective Project #3.pptx
WCC-COMM 101 Chapter 7-Music and Culture + Reflective Project #3.pptxWCC-COMM 101 Chapter 7-Music and Culture + Reflective Project #3.pptx
WCC-COMM 101 Chapter 7-Music and Culture + Reflective Project #3.pptx
 
WCC-LUTHER COMM 101 Chapter 7-Music and Culture+Reflective Project #3 POWERPO...
WCC-LUTHER COMM 101 Chapter 7-Music and Culture+Reflective Project #3 POWERPO...WCC-LUTHER COMM 101 Chapter 7-Music and Culture+Reflective Project #3 POWERPO...
WCC-LUTHER COMM 101 Chapter 7-Music and Culture+Reflective Project #3 POWERPO...
 
WCC-LUTHER COMM 101 Chapter 7-Music and Culture+Reflective Project #3 POWERPO...
WCC-LUTHER COMM 101 Chapter 7-Music and Culture+Reflective Project #3 POWERPO...WCC-LUTHER COMM 101 Chapter 7-Music and Culture+Reflective Project #3 POWERPO...
WCC-LUTHER COMM 101 Chapter 7-Music and Culture+Reflective Project #3 POWERPO...
 
York video
York videoYork video
York video
 
City of york 2
City of york  2City of york  2
City of york 2
 
City of york 3
City of york  3City of york  3
City of york 3
 
City of york 2
City of york  2City of york  2
City of york 2
 

More from SpencerFox5

Blockbuster Essay
Blockbuster EssayBlockbuster Essay
Blockbuster EssaySpencerFox5
 
UAL UCAS Pro Forma
UAL UCAS Pro FormaUAL UCAS Pro Forma
UAL UCAS Pro FormaSpencerFox5
 
FMP 4. Pre-Production
FMP 4. Pre-ProductionFMP 4. Pre-Production
FMP 4. Pre-ProductionSpencerFox5
 
FMP Shot List
FMP Shot ListFMP Shot List
FMP Shot ListSpencerFox5
 
Rock + roll (script) 2.0
Rock + roll (script) 2.0Rock + roll (script) 2.0
Rock + roll (script) 2.0SpencerFox5
 
rock + roll - EDEN (Script)
rock + roll - EDEN (Script)rock + roll - EDEN (Script)
rock + roll - EDEN (Script)SpencerFox5
 
FMP 3. Research
FMP 3. ResearchFMP 3. Research
FMP 3. ResearchSpencerFox5
 
FMP 3.5 Problem Solving
FMP 3.5 Problem SolvingFMP 3.5 Problem Solving
FMP 3.5 Problem SolvingSpencerFox5
 
FMP 3.5 Problem Solving
FMP 3.5 Problem SolvingFMP 3.5 Problem Solving
FMP 3.5 Problem SolvingSpencerFox5
 
FMP Research
FMP ResearchFMP Research
FMP ResearchSpencerFox5
 
FMP Proposal
FMP ProposalFMP Proposal
FMP ProposalSpencerFox5
 
Fmp 1. initial plans
Fmp 1. initial plansFmp 1. initial plans
Fmp 1. initial plansSpencerFox5
 
FMP Context
FMP ContextFMP Context
FMP ContextSpencerFox5
 
Fmp pre proposal
Fmp pre proposalFmp pre proposal
Fmp pre proposalSpencerFox5
 
Documentary Evaluation
Documentary EvaluationDocumentary Evaluation
Documentary EvaluationSpencerFox5
 
Factual project | unit 9
Factual project | unit 9Factual project | unit 9
Factual project | unit 9SpencerFox5
 
Media Client Project | York 18-22 Demographic
Media Client Project | York 18-22 DemographicMedia Client Project | York 18-22 Demographic
Media Client Project | York 18-22 DemographicSpencerFox5
 
5. Evaluation
5. Evaluation5. Evaluation
5. EvaluationSpencerFox5
 
2. fmp proposal
2. fmp proposal2. fmp proposal
2. fmp proposalSpencerFox5
 

More from SpencerFox5 (20)

Research
ResearchResearch
Research
 
Blockbuster Essay
Blockbuster EssayBlockbuster Essay
Blockbuster Essay
 
UAL UCAS Pro Forma
UAL UCAS Pro FormaUAL UCAS Pro Forma
UAL UCAS Pro Forma
 
FMP 4. Pre-Production
FMP 4. Pre-ProductionFMP 4. Pre-Production
FMP 4. Pre-Production
 
FMP Shot List
FMP Shot ListFMP Shot List
FMP Shot List
 
Rock + roll (script) 2.0
Rock + roll (script) 2.0Rock + roll (script) 2.0
Rock + roll (script) 2.0
 
rock + roll - EDEN (Script)
rock + roll - EDEN (Script)rock + roll - EDEN (Script)
rock + roll - EDEN (Script)
 
FMP 3. Research
FMP 3. ResearchFMP 3. Research
FMP 3. Research
 
FMP 3.5 Problem Solving
FMP 3.5 Problem SolvingFMP 3.5 Problem Solving
FMP 3.5 Problem Solving
 
FMP 3.5 Problem Solving
FMP 3.5 Problem SolvingFMP 3.5 Problem Solving
FMP 3.5 Problem Solving
 
FMP Research
FMP ResearchFMP Research
FMP Research
 
FMP Proposal
FMP ProposalFMP Proposal
FMP Proposal
 
Fmp 1. initial plans
Fmp 1. initial plansFmp 1. initial plans
Fmp 1. initial plans
 
FMP Context
FMP ContextFMP Context
FMP Context
 
Fmp pre proposal
Fmp pre proposalFmp pre proposal
Fmp pre proposal
 
Documentary Evaluation
Documentary EvaluationDocumentary Evaluation
Documentary Evaluation
 
Factual project | unit 9
Factual project | unit 9Factual project | unit 9
Factual project | unit 9
 
Media Client Project | York 18-22 Demographic
Media Client Project | York 18-22 DemographicMedia Client Project | York 18-22 Demographic
Media Client Project | York 18-22 Demographic
 
5. Evaluation
5. Evaluation5. Evaluation
5. Evaluation
 
2. fmp proposal
2. fmp proposal2. fmp proposal
2. fmp proposal
 

Recently uploaded

Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance Booking
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance BookingCall Girls Manjri Call Me 7737669865 Budget Friendly No Advance Booking
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance Bookingroncy bisnoi
 
(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...
(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...
(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...ranjana rawat
 
𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...rahim quresi
 
Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...
Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...
Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...ritikasharma
 
Independent Hatiara Escorts ✔ 8250192130 ✔ Full Night With Room Online Bookin...
Independent Hatiara Escorts ✔ 8250192130 ✔ Full Night With Room Online Bookin...Independent Hatiara Escorts ✔ 8250192130 ✔ Full Night With Room Online Bookin...
Independent Hatiara Escorts ✔ 8250192130 ✔ Full Night With Room Online Bookin...Riya Pathan
 
(KRITI) Pimpri Chinchwad Call Girls Just Call 7001035870 [ Cash on Delivery ]...
(KRITI) Pimpri Chinchwad Call Girls Just Call 7001035870 [ Cash on Delivery ]...(KRITI) Pimpri Chinchwad Call Girls Just Call 7001035870 [ Cash on Delivery ]...
(KRITI) Pimpri Chinchwad Call Girls Just Call 7001035870 [ Cash on Delivery ]...ranjana rawat
 
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur EscortsCall Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur EscortsCall Girls in Nagpur High Profile
 
Almora call girls 📞 8617697112 At Low Cost Cash Payment Booking
Almora call girls 📞 8617697112 At Low Cost Cash Payment BookingAlmora call girls 📞 8617697112 At Low Cost Cash Payment Booking
Almora call girls 📞 8617697112 At Low Cost Cash Payment BookingNitya salvi
 
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...Apsara Of India
 
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort GoaDesi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goarussian goa call girl and escorts service
 
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser... Shivani Pandey
 
Call Girl Nashik Amaira 7001305949 Independent Escort Service Nashik
Call Girl Nashik Amaira 7001305949 Independent Escort Service NashikCall Girl Nashik Amaira 7001305949 Independent Escort Service Nashik
Call Girl Nashik Amaira 7001305949 Independent Escort Service NashikCall Girls in Nagpur High Profile
 
VIP Call Girls Sonagachi - 8250192130 Escorts Service 50% Off with Cash ON De...
VIP Call Girls Sonagachi - 8250192130 Escorts Service 50% Off with Cash ON De...VIP Call Girls Sonagachi - 8250192130 Escorts Service 50% Off with Cash ON De...
VIP Call Girls Sonagachi - 8250192130 Escorts Service 50% Off with Cash ON De...anamikaraghav4
 
2k Shot Call girls Laxmi Nagar Delhi 9205541914
2k Shot Call girls Laxmi Nagar Delhi 92055419142k Shot Call girls Laxmi Nagar Delhi 9205541914
2k Shot Call girls Laxmi Nagar Delhi 9205541914Delhi Call girls
 
Call Girls in Barasat | 7001035870 At Low Cost Cash Payment Booking
Call Girls in Barasat | 7001035870 At Low Cost Cash Payment BookingCall Girls in Barasat | 7001035870 At Low Cost Cash Payment Booking
Call Girls in Barasat | 7001035870 At Low Cost Cash Payment Bookingnoor ahmed
 
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near MeBook Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Meanamikaraghav4
 
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...aamir
 
Top Rated Pune Call Girls Pimpri Chinchwad ⟟ 6297143586 ⟟ Call Me For Genuin...
Top Rated  Pune Call Girls Pimpri Chinchwad ⟟ 6297143586 ⟟ Call Me For Genuin...Top Rated  Pune Call Girls Pimpri Chinchwad ⟟ 6297143586 ⟟ Call Me For Genuin...
Top Rated Pune Call Girls Pimpri Chinchwad ⟟ 6297143586 ⟟ Call Me For Genuin...Call Girls in Nagpur High Profile
 

Recently uploaded (20)

Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance Booking
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance BookingCall Girls Manjri Call Me 7737669865 Budget Friendly No Advance Booking
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance Booking
 
Call Girls South Avenue Delhi WhatsApp Number 9711199171
Call Girls South Avenue Delhi WhatsApp Number 9711199171Call Girls South Avenue Delhi WhatsApp Number 9711199171
Call Girls South Avenue Delhi WhatsApp Number 9711199171
 
(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...
(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...
(DIVYA) Dhanori Call Girls Just Call 7001035870 [ Cash on Delivery ] Pune Esc...
 
𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...
 
Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...
Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...
Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...
 
Independent Hatiara Escorts ✔ 8250192130 ✔ Full Night With Room Online Bookin...
Independent Hatiara Escorts ✔ 8250192130 ✔ Full Night With Room Online Bookin...Independent Hatiara Escorts ✔ 8250192130 ✔ Full Night With Room Online Bookin...
Independent Hatiara Escorts ✔ 8250192130 ✔ Full Night With Room Online Bookin...
 
(KRITI) Pimpri Chinchwad Call Girls Just Call 7001035870 [ Cash on Delivery ]...
(KRITI) Pimpri Chinchwad Call Girls Just Call 7001035870 [ Cash on Delivery ]...(KRITI) Pimpri Chinchwad Call Girls Just Call 7001035870 [ Cash on Delivery ]...
(KRITI) Pimpri Chinchwad Call Girls Just Call 7001035870 [ Cash on Delivery ]...
 
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur EscortsCall Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
 
Goa Call Girls 9316020077 Call Girls In Goa By Russian Call Girl in goa
Goa Call Girls 9316020077 Call Girls  In Goa By Russian Call Girl in goaGoa Call Girls 9316020077 Call Girls  In Goa By Russian Call Girl in goa
Goa Call Girls 9316020077 Call Girls In Goa By Russian Call Girl in goa
 
Almora call girls 📞 8617697112 At Low Cost Cash Payment Booking
Almora call girls 📞 8617697112 At Low Cost Cash Payment BookingAlmora call girls 📞 8617697112 At Low Cost Cash Payment Booking
Almora call girls 📞 8617697112 At Low Cost Cash Payment Booking
 
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
 
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort GoaDesi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
 
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...
 
Call Girl Nashik Amaira 7001305949 Independent Escort Service Nashik
Call Girl Nashik Amaira 7001305949 Independent Escort Service NashikCall Girl Nashik Amaira 7001305949 Independent Escort Service Nashik
Call Girl Nashik Amaira 7001305949 Independent Escort Service Nashik
 
VIP Call Girls Sonagachi - 8250192130 Escorts Service 50% Off with Cash ON De...
VIP Call Girls Sonagachi - 8250192130 Escorts Service 50% Off with Cash ON De...VIP Call Girls Sonagachi - 8250192130 Escorts Service 50% Off with Cash ON De...
VIP Call Girls Sonagachi - 8250192130 Escorts Service 50% Off with Cash ON De...
 
2k Shot Call girls Laxmi Nagar Delhi 9205541914
2k Shot Call girls Laxmi Nagar Delhi 92055419142k Shot Call girls Laxmi Nagar Delhi 9205541914
2k Shot Call girls Laxmi Nagar Delhi 9205541914
 
Call Girls in Barasat | 7001035870 At Low Cost Cash Payment Booking
Call Girls in Barasat | 7001035870 At Low Cost Cash Payment BookingCall Girls in Barasat | 7001035870 At Low Cost Cash Payment Booking
Call Girls in Barasat | 7001035870 At Low Cost Cash Payment Booking
 
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near MeBook Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
 
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
 
Top Rated Pune Call Girls Pimpri Chinchwad ⟟ 6297143586 ⟟ Call Me For Genuin...
Top Rated  Pune Call Girls Pimpri Chinchwad ⟟ 6297143586 ⟟ Call Me For Genuin...Top Rated  Pune Call Girls Pimpri Chinchwad ⟟ 6297143586 ⟟ Call Me For Genuin...
Top Rated Pune Call Girls Pimpri Chinchwad ⟟ 6297143586 ⟟ Call Me For Genuin...
 

Media Client Project | York 18-22

  • 1. Media Client Project 18-25 Year Old York-Based Demographic
  • 2. Promo/Trailer for Nights Out in York • Varying night life: lively bars, dance floors, loud music, live bands/music acts, cozy pubs, theatre productions, cinemas, restaurants, horror tours etc. • Student discounts, distance from campuses, Fresher’s, transport links/taxis, constant shows and events e.g. theatre shows, • Neon lights, night fashion, modern life in a medieval city • Subvert it into a narrative following a group of drinkers walking by the river when someone falls in and turns into a horror-like tragedy/warning to party-chasers. BBC. (2019). Mother's sorrow over latest York river deaths. Available: https://www.bbc.co.uk/news/uk-england-york-north-yorkshire-47952015. Last accessed 19/09/2019. Mike Laycock. (2019). After fifth death the mums of two York river victims say ‘this can’t go on’. Available: https://www.yorkpress.co.uk/news/17601518.mums-of-two-york- river-victims-tell-of-shock-after-fifth-death-in-weeks/. Last Accessed 19/09/2019.
  • 3. Demographic: 18-22 year olds • A total of approx. 24,610 university students = broke 18-22 year olds who want to go out for cheap. Student discounts, distance from campuses, ease of access to the main bars. • Loud music – grime, pop, dance • The age of short attention spans – quick cuts, fast music, straightforward, interesting graphics and transitions etc. • Modern motion graphics/transitions. • Alcohol consumption is important for this age range’s nights out.
  • 4. Existing Work: York Christmas Markets – Visit York https://www.youtube.com/watch?v=AE6kHC68r6k • Time lapse • Artistic bokeh • performances (carol singing, musicians) • B-roll (Christmas decorations, cameras/phones, clapping) • Simple end text slate Existing Work: “Only In York” – Visit York https://www.youtube.com/watch?v=008QpRGHzhk • Follows hosts • Directly tells the audience about the attractions and culture • Cheesy af – not aiming for 18-25 year olds, but families instead • Cooking food B-roll w/ speed ramps, slow motion • End text slate with hashtags Existing Work: Coming Up In York in 2019 – Visit York https://www.youtube.com/watch?v=qpG5vTIur2c • Drone shots. Lots of drone shots. • B-roll of ice sculptures • Text accompanying the first shot of each event • Constant hashtagged watermark in the bottom corner • Stills being panned over in post • No audio other than the soundtrack itself
  • 5. Analysis of Existing Work Research • Looooooots of B-Roll sequences – slow motion, speed ramps, quick cuts, up tempo music • Famous landmarks (the Minster, the wall etc.) • Upbeat pacing, quick cuts and high tempo music. • End slates w/ hashtags. • Frequent watermarks etc. Similarities with each video
  • 6. SURVEY QUESTIONS AND RESULTS https://www.surveymonkey.co.uk/r/F38DTF2
  • 7. Although close, there are more women answering this survey than men, which correlates to the overall population of York itself. 51% of York’s population is female, which is very similar to the 53% shown in my survey. World Population Review. (2019). York Population 2019. Available: http://worldpopulationreview.com/world-cities/york-population/. Last accessed 20/09/2019.
  • 8. No surprises here, the vast majority of the thirty 18-25 year olds drink.
  • 9. These results vary, but the majority of respondents ‘rarely’ go out in York. ‘Never’ is the second largest answer, but only amounts to 26% of respondents who don’t go out in this city of ours, against the 74% who do. This may be because they live elsewhere, like Scarborough, or have already moved away to university in a different area of the country.
  • 10. Q4: What do you look for when choosing a place to drink? Venue Music Price Atmosphere IIIIIII IIIIIIII IIIIIIIIIIIIIII IIIIIIII 7 8 15 8Total As this was a text-box question, some people noted a number of things in their answers (meaning that the tally numbers don’t equal the total number of respondents), but all answers fell under these 4 categories. Price is very clearly the most important thing to the people when they go on a night out, perhaps because the majority of them are now university students living independently and with their own money. This is followed by music and atmosphere, which go hand in hand very well. Venue is not far behind these two answers, though sits at the bottom of the “most important” pile.
  • 11. Most respondents claim to be responsible, with only around 17% of people throwing caution to the wind and getting black-out drunk. This would mean that there are people who are susceptible to falling in the river if not looked after by more sober friends.
  • 12. Most people aren’t planning on going to one of the York-based universities, nor already attend them. I believe this is because most of the people answering my survey have either left for university already, are enrolled and moving away shortly, or haven’t yet decided.
  • 13. As it would seem, bright lights, fast music and fancy graphics are equally preferred to artsy shots, with straight-to-the-point advertising being third and nobody caring about slow motion.
  • 14. This question seems completely off topic, however it fits perfectly with what I want to do with the twist from “advert”, to narrative about the dangers of the river, particularly while intoxicated.
  • 15. Survey Summary • My audience is mainly female. • The vast majority drink alcohol. • My audience predominantly goes out in York on ‘rare occasions’. • While on a night out, most of my demographic consider price before going into venues like bars and pubs, meaning advertising the average prices of drinks amongst the venues. • Most claim to be responsible, so the planned twist for the end of the video will make them think about how well they look after their friends and themselves. • Attending one of the York universities is not in the plans for 87% of my respondents, but this may be because many people that answered my survey have already moved to a different uni, have already finished university, or hasn’t yet decided. • The majority prefer stylistic promotional videos that contain bright lights, fast music and fancy graphics for bars and other venues, so I shall make the promo-section with these results in mind. • Thriller, is the film genre of choice for my demographic, which fits the plans I have for the twist from advert to narrative.
  • 16. Idea Mind Map Night Out Advert Dangers of the River B-ROLL BarsYates Slug and Lettuce Slow Motion In-camera Transitions Las Iguanas1331 Hazy visuals, mimicking drunkenness Digital/in post or in-camera trick (multiple takes trying each technique) Narrative Bright & and vibrant lights High saturation High contrast Graphics/transition s packages Smoothly transitions into a bunch of drunken party-goers stumbling by the river before it's clear something is changing in the tone of the whole video itself. Glitchy visuals as if the prior advert section shouldn’t be going in this direction in the advert, paralleling with the party-goers evening - starting fun and frantic, turning into a eerie and tragic ending. Highly contrasting from the previously vibrant and hectic visuals from before – lowered saturation, dark and grungy rather than bright and vibrant.
  • 17. Idea Development • Begins with B-roll of bars and various venues in town at night – Yates, Slug and Lettuce, Las Iguanas (and that street), Thirteen Thirty One (Bar 1331) etc. • Average price for a pint in York = ÂŁ3.00 • Flashy graphics, slow motion, in-camera transitions to swiftly move from venue to venue • Group of stumbling drunks walk by the river when one of them goes missing from frame. A fairly loud splash is audible, with minimal struggle due to the intoxication. • Lighting heavily contrasts the bright and vibrant lights from within and around the bars and streets with the dark riverside walkways. • Camera trick where you hold the lens up to the sensor to create a dreamy/hazy in-camera effect.
  • 21. Experiments • Drunken effect in post: https://youtu.be/oDpDEttbNuk • Drunken effect in camera: https://youtu.be/qsoog8uW3tk • Falling into water simulation: https://youtu.be/oWSZEjkbBVM Personally, I think I'm going to take aspects of both styles and put them into the production stage. I think the practical effect's lighting added looks far superior, as well as the natural out of focus elements, whereas the digital effect of overlaying the same clip twice and changing the opacity to around 15%-30% really puts across the feeling I'm going for. I used a number of different techniques when approaching this experiment. First, I let the tripod-mounted camera fall via gravity before catching it with my off hand. Then I tried lowering the camera down at my own pace with the neck strap to control speed, but not so much the direction the lens faced. Finally I tried just guiding the tripod slowly to the floor with both hands, which yielded the best results.
  • 22. Filming Reflection I decided to shoot over a number of days: • Day 1: Ext and end shot • Day 2 onwards: Int and B-Roll The first day went very much to plan and I ticked off every external shot on the shot-list. Unfortunately, day two was a different story. I wasn't able to bring my camera into any of the venues, such as Yates and Las Iguanas etc, so I wasn't able to shoot any of the interior shots that my storyboard and shot-list had detailed. Thankfully I managed to get some footage of a university flat party that I went to at Halloween which at least gave me a bit of visual variety. I will most likely have to fill in some gaps with stock footage.
  • 23. Editing Reflection The editing process has ran pretty smoothly. I have cut together all of my shots and the stock footage, as well as titles and colouring each of my own shots/adding a pre-set so that they match better with the higher quality stock footage shots. I am quite proud of the sound design, more so than I am with the footage I collected (which I'm content with, but irritated that I couldn't film any of the internals I had planned for). I think the drunken effect works most of the time, particularly in the internal shots of the party and with the final shot of the drunken camera falling into the river. The audio sounds really good, the sound design I've done for the video works so well and shines when looking at the issues I had with the visuals.
  • 25. Research • My survey was very helpful, allowing me to get to know my demographic outside of my peer group, who also matched the demographic. It let me find out how often they went out for the night, how many drink alcohol and how much they drink. • My research about the number of students at the various York universities meant that I knew how large my whole audience was and how many were at each uni. • The search I did about victims of the river helped me mould my message to people about the danger that is the water. • Looking at and analysing the various existing products helped me understand what was successful and what similarities and differences each video had. Evaluation
  • 26. Idea Development • I feel like the idea mind map was fairly decent and helped me explore different avenues that I could take my original concept down. It wandered through both the night out factual section and the narrative element towards the end of the video that I wanted to punctuate it with. • The following slide was putting the mind map into a more worded chronological and detailed order. • I think that this stage of the project combines more with pre-production, rather than standing on its own feet. In that sense, I think it served its purpose very well and allowed me to then move onto creating a plan for the video itself, rather than just the concept of it. Evaluation
  • 27. Pre-Production • My location recce could have been much more detailed in terms of internal scenes and such. • The external recce however helped me create a perfect visual for the shots set outside. • The experiments I underwent assisted my selection of technique for certain shots and effects. • My storyboard was clearly set out and almost perfectly showed my exact visualisation of the video, bar one or two shots. • The shot-list was extremely detailed and promising and held potential for a very decent final product, whilst also being realistic and including stock footage where I suspected there may be issues filming. • Where my pre-production collapsed was in the failure to secure the filming locations. This crippled my entire final product and forced me to compromise when I could have found various ways around the issues. Evaluation
  • 28. Production • This is the stage of the project where in which the execution really let me down and ruined the entire vision for what I wanted to create. • Thankfully, I managed to shoot all of the external shots that I had planned on my shot-list, most of which I was happy with. The one external shot I wish I could change would be the final shot where the camera 'falls into the river'. I feel as though it wasn't long enough and wasn't nearly contrasting enough to the rest of the video. In all fairness, I was thrown off slightly by the water level being too high to shoot on the side of the river that I had originally planned for and visualised. • Regarding the internal shots issue: I may have been able to film with my phone for some of the internal footage that I needed, but instead decided there was no way around it and settled for mediocre footage from a flat party that looked nothing like a bar. I should have taken my phone into a bar or club and recorded B-roll that at least resembled my shot-list or fit the theme at minimum. Evaluation
  • 29. Post-Production • I feel as though elements of the editing process really saved the project itself after the production calamities. • The colouring of each of my own shots did assist the whole video towards blending in my shots with the stock footage, although most were quite clearly shot on a different camera altogether. • The cuts all landed on beats and had some elements of rhythm to them. The soundtrack was selected from Epidemic Sound and fit the overall tone of the advert-section of the product. • I believe that the sound design and backing track was probably the best performing section, pound for pound. It added another level to the video, making it more dynamic and giving it more weight and style. For example, part of the pouring beer sound was the sound of a flowing stream which not only sounded smooth, but also could be used to convey that to a certain point, alcohol can become hard to stop like a body of flowing water in nature. It also foreshadows the end of the video too: reflecting the river that the camera falls into. • The drunken effect (created using multiple copies of the same take and then slightly desynchronising them and changing the opacity of the top clip to create a wavy and odd visual similar to being drunken, giving a similar effect to seeing double) works very well and works better than the other way I had tried creating the same effect, using in-camera tricks. Evaluation
  • 30. Overall • I'd say that overall, my final product is disappointing. This is especially considering how promising my shot-list and storyboards were, and the potential I had created in my head for the project itself. • It's main flaw is the lack of internal shots that made up the majority of the shot-list, due to the lack of clearance for shooting within venues with my camera, and lack of injenuity regarding ways that I could have went around this obstacle. If I were to go back in time to the pre-production stage, I would call various bars and ask if I would be able to film B-roll for my student project, and if I got denied that access, I would work my way around it by at least filming within the venues with my phone. Both of these outcomes would have, most likely, been much better than what I settled with in reality. • I also think that parts of my pre-production weren't detailed enough and could've done with more content: the 'idea development' stage was very much lacking development itself. It was more of a rough guide of my vision, rather than a progression on what I had written down in my mind map. • My reflection from the production and also the editing stage should be much more detailed, particularly considering the problems that occurred and how I dealt with them. Evaluation