CONTENT: 1.)WHAT IS STUDIO PRODUCTION? 2.)S.T.U.D.I.O TOOLKIT ALL MENTIONED IN SHORT, SIMPLE AND UNDERSTANDABLE LANGUAGE.

1. STUDIO PRODUCTION
SMRITY SINHA
R20MAJ14
TV PRODUCTION

2. ABOUT STUDIO PRODUCTION-
• Studio production is when the
production is recorded and produced
inside a studio, or the controlled
environment, that can control
lighting and other technical features.
• The term ‘Studio Production’ is given
to the process of recording and
producing video within a fixed studio
environment.

3. S.T.U.D.I.O TOOLKIT
1. S – Set up
• The studio set has to be created
as it is just an empty shell until
the producer and director
communicate their vision to the
art team who can then start to
work their magic –constructing,
building, painting, and creating
the set.
• Studio productions often involve
large crews, with lots of
equipment to get ready.
• Studio productions can be
single-camera setups or multiple
camera setups

4. STUDIO FLOOR
• The studio floor is the actual stage on
which the actions that will be recorded
and viewed take place.
• It includes:
o decoration
o professional video camera
o microphones and speakers
o stage lighting rigs
o several video monitors for visual
feedback from the PCR
o a glass window between the PCR and
studio floor for direct visual contact is
often desired.

5. FLOOR MANAGER
• , In studio settings the floor is the main
production area where all the action takes
place, often on a stage.
• The floor manager is the person in charge
of the production "floor".
• He is the link between the director and
people on the floor, i.e. presenters, talent,
other staff and the audience.
• The floor manager normally wears an
earpiece and microphone to stay in
constant contact with the control room.

6. FUNCTIONS OF FLOOR MANAGER
• Before the show:
• Assisting with production planning and consulting on logistics.
• Ensuring all staging, furniture and props are ready before the show starts.
• Ensuring all equipment is in place and technical checks have been done.
• Briefing presenters and talent.
• Preparing the audience.
• Coordinating rehearsals.
• During the show:
• Relaying information between the control room, floor staff and talent.
• Providing cues, timing and other information to presenters and talent.
• Informing the director of any relevant off-camera action.
• Preparing for upcoming parts of the show.
• Maintaining control of the audience and ensuring they have been looked after.
• Overseeing safety issues on the floor.

7. 2.T-TALENT
• Talent refers to the presenter of a factual or
entertainment program, the news anchor, or the
actor in a sitcom or soap opera.
• They are the best-paid member of the studio
production.
• Talent is one of the most important ingredients for a
successful show of any genre.

8. 3. U- UNITY
• Studio productions rely on teamwork and
everyone has an essential role to play, in front of
and behind the screens – from the runner, the
most junior member of the production team, to
the executive producer.
• The departments working together are:
 organizers: consisting of a production
manager, production coordinator, and
production secretary – who will be in charge of
the logistics, ordering transport for the key talent
to get to the studio, and booking any required
accommodation. Call sheets will be sent out so
that everyone knows exactly what time to arrive
on set and how to get there.

9.  Editorial and creative team-
They are in charge of the
content of the show – what is
said/ done on-screen.Typically,
this includes the executive
producer, producer, director,
assistant producers,
researchers, and scriptwriters.
 The technical team members
are referred to as the ‘crew’.
• They are hired for shorter
periods that allow them enough
time to do their key studio roles
like:
• floor manager, camera, sound,
art department, costume,
postproduction.

10. 4. D-DIRECTOR
• The director’s role is all about communication, fast
decision- making and a clear vision.
• A studioTV director oversees the creative elements of
a production and guides the crew and on-screen talent.
• The director is typically brought on board after the
producer and, depending on the genre of the show, can
be involved from the pre-production stage through to
post-production.
• The director must have a thorough understanding of
the script and format of the show to bring the script to
life.
• Directors should be highly organized.
• A good director needs to be creative, efficient, an
excellent communicator and must be able to problem-
solve and stay calm under pressure.

11. 5. I- INNOVATION
• To know what is the unique selling point of ones idea.
• One must watch old episodes of serials, comedies, quiz shows and game shows,
and start thinking about how you can bring a fresh approach to something.
6. O- OBSTACLES
• On aTV show it is typically one of the jobs of the producer
to overcome obstacles.
• In production it’s essential to be a good problem-solver.