Editing concepts powerpoint
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This document discusses different cinematic techniques for transitioning between shots, including match on action where one shot shows a character reaching for something and the next shot shows what they reached for. It also describes parallel editing where two simultaneous storylines are cut between to create tension, as well as establishing shots that introduce a setting for viewers.
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Lesson 8&9 editing
The document discusses various editing techniques used in television dramas such as shot reverse shot, match on action, eyeline match, cutting and cross cutting. It provides examples of these techniques from a scene in the TV show "24" and analyzes how the editing creates tension and pace. Students are asked to evaluate the function of these editing devices and discuss whether editing in TV dramas constructs meaning about character relationships.
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Match on match action
Match on match editing involves cutting between two shots of the same scene from different angles to create a continuous narrative. The cuts are made at key matching points in the action, such as a person opening a door in one shot and exiting through it in another. This allows the scene to flow seamlessly between perspectives while maintaining continuity of movement and events. The document provides an example of match on match editing between three shots of a person walking out of a room through a door and down a corridor. The cuts are made precisely at the points where her hands contact the door and when she begins turning after exiting.
Match on match action
Match on match editing involves cutting between two shots of the same scene from different angles to create a continuous shot. The cuts are made at key matching points in the action, such as a person opening a door. This allows different perspectives while maintaining continuity of movement. An example describes cutting between three shots of a person walking out a door - when they touch the door, walk through, and begin turning in the hallway. Ensuring the cuts occur at the same point in the action makes it appear as a single long shot, rather than separate clips.
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Match on match editing involves cutting between two shots of the same scene from different angles to create a continuous narrative. The cuts are made at key matching points in the action, such as a person opening a door in one shot and exiting through it in another. This allows the scene to flow seamlessly between perspectives while maintaining continuity of movement and events. The document provides an example of match on match editing between three shots of a person walking out of a room through a door and down a corridor. The cuts are made precisely at the points where her hands contact the door and when she begins turning after exiting.
Match on match action
Match on match editing involves cutting between two shots of the same scene from different angles to create a continuous shot. The cuts are made at key matching points in the action, such as a person opening a door. This allows different perspectives while maintaining continuity of movement. An example describes cutting between three shots of a person walking out a door - when they touch the door, walk through, and begin turning in the hallway. Ensuring the cuts occur at the same point in the action makes it appear as a single long shot, rather than separate clips.
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This document analyzes the camera shots used in the film "Bitten". It describes various shots including low-angle shots of running characters to establish tension, close-ups of blood and wounds to generate mystery, and reaction shots of protagonists to develop characters and connect with the audience. The analysis examines how shots like these use genre conventions to create drama and suspense and develop the setting, characters, and story of a zombie thriller.
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This document defines and provides examples of different types of shots used to tell a narrative story through video, including eyelines shots, continuity shots, establishing shots, and shot reverse shots. Eyeline shots show what a character is looking at. Continuity shots piece together a narrative by showing related scenes in sequence. Establishing shots set the location. Shot reverse shots cut between two people conversing by showing one speaker then the other.
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Edit czzzzzz
Shot reverse shot is a technique used in conversations where the camera cuts between one character talking and their reaction, then cuts to the other character and back again. 180 degree rule is important for continuity where the camera must stay on one side of an imaginary line between characters to avoid jump cuts. Match on action cuts between a character reaching for something off screen to the next shot revealing what they reached for.
Edit c
Shot reverse shot is a technique used in conversations where the camera cuts between one character talking and their reaction, then cuts to the other character and back again. 180 degree rule is important for continuity where the camera must stay on one side of an imaginary line between characters to avoid jump cuts. Match on action cuts between a character reaching for something off screen to the next shot revealing what they reached for.
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This document discusses several important editing concepts used in film and television including:
1) Shot reverse shot is used in conversations to cut between characters as they talk and react to one another.
2) Matching involves cutting between shots where one object or action blends into another, such as steam blending into steam.
3) The 180 degree rule is important for continuity and prevents jump cuts by restricting filming to one side of an imaginary line around the action.
4) Match on action cuts between shots where a character reaches for something off screen to the object being reached for.
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The document discusses various editing techniques used in television dramas such as shot reverse shot, match on action, eyeline match, cutting and cross cutting. It provides examples of these techniques from a scene in the TV show "24" and analyzes how the editing creates tension and pace. Students are asked to evaluate the function of these editing devices and discuss whether editing in TV dramas constructs meaning about character relationships.
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This document defines and provides examples of different types of shots used to tell a narrative story through video, including eyelines shots, continuity shots, establishing shots, and shot reverse shots. Eyeline shots show what a character is looking at. Continuity shots piece together a narrative by showing related scenes in sequence. Establishing shots set the location. Shot reverse shots cut between two people conversing by showing one speaker then the other.
Tv web base drama task
This document defines and provides examples of different types of shots used to tell a narrative story through video, including eyelines shots, continuity shots, establishing shots, and shot reverse shots. Eyeline shots show what a character is looking at. Continuity shots piece together a narrative by showing related scenes in sequence. Establishing shots set the location. Shot reverse shots cut between two people conversing by showing one speaker then the other.
Editing in television drama 4
The document discusses various editing techniques used in television dramas such as crosscutting, shot reverse shot, match on action, and eyeline match. It provides examples of these techniques from a scene in the show "24" and analyzes how the editing constructs meaning about the relationship between characters by increasing tension. Students are asked to evaluate the function of editing devices used in the scene.
Editing
The document discusses editing techniques used in TV dramas such as cross cutting between scenes, shot reverse shot in conversations, and match cuts to show character movement. It provides examples of these techniques from a scene in the TV show "24" including cross cutting between people watching an interrogation through monitors, shot reverse shot between the characters, and match on action cuts during a tense moment. The editing constructs meaning about the escalating tension and hostility between the two characters being interrogated.
Editing in television drama
The document discusses editing techniques used in TV dramas such as cutting, cross cutting, shot reverse shot, match on action, and eyeline match. It provides examples of how these techniques are used in an interrogation scene from the show "24" to convey meaning and focus audience attention. Groups are asked to evaluate how the editing devices construct relationships between characters.
Pp
Yes, the use of editing in TV dramas does help construct meaning about relationships between characters. The different editing techniques like shot reverse shot, match on action, and eye line match are used to clearly show who is interacting with whom and emphasize the connections between characters. Editing allows the audience to understand the dynamics and power dynamics between characters by how their interactions are framed and cut together. Through editing, subtext and nuances in relationships can be revealed that might not otherwise come across just through the dialogue and acting alone. So editing plays a key role in how we interpret and understand the relationships that are central to the story.
Similar to Editing concepts powerpoint (11)
Editing concepts powerpoint
- 3. This is when one object blends into another with the shot following. An example of this is if steam from a kettle blend into steam to a train.
- 4. Match on action is when one shot is showing the character reaching for something off screen and the next shot shows what they’ve reached for. An example of this is when a person reaches for the door and the next shot show the door opening from a different angle.
- 5. This is when you have the character looks over at something off screen and the following shot shows what they’re looking at.
- 6. Another name for this is called Parallel Editing. This is when two different actions are taking place in the same time and the shot cuts from both scenes. A good example of this is if a child is playing with a ball and the ball rolls onto the road. Then the next shot would cut the careless driver on the phone. The next shot would cut the child running for the ball. The following show (increasingly getting faster in cuts to create tension) back to the driver being careless and so on till the both scenes join with the driver smashing into the child.
- 7. This shot is commonly used to introduce a setting. This is so the viewer recognised where the action is about to take place. Crane shots/aerial shots and long shots are frequently used as stabling shots.