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Applying Goodwin’s Theory




        DragonForce -
     ‘Heroes of Our Time’
1. ‘Music Videos Demonstrate Certain
            Genre Characteristics’
    Goodwin’s first point was that the genre of music decides
    certain aspects which get added. Within the ‘Power Metal’
    genre, there are a lot of similar aspects which generally get
    used, and many different aspects which depend on the
    theme of the song, such as:
•   Fantasy-themed, and mythological lyrics and scenes;
•   Close-ups of the fast guitar-play;
•    “Cold” lighting;
•   Long flowing locks of warrior hair;
•   Contradicts the stereotype of ‘Metal’ being Satanic music;
•   Fast-moving cameras;
•   Full band performances;
Fantasy-Themed, and Mythological
             Lyrics




 At the start of the music video, a ‘so far away’ (distant) futuristic-looking airbase is shown in
a mountainous terrain, similar to that of which the mystical dragon, which DragonForce
defeated, lives in. Then, at the end of the video, the airbase is shown once again as a group of
some form of futuristic space shuttles take-off and leaves the Earth’s atmosphere. These
things, obviously being fantasy, are conveying the fantasy aspect of ‘Power Metal’. This is one
of the many characteristics of the genre that makes ‘Power Metal’ so different, and unique.
The song writers’ ability to tell a fantasy story through the medium of musical lyrics and
instrumentals allows for individual ‘Power Metal’ songs to be completely different, rather
than using lyrical staples, like other genres.
Close-ups of Fast Guitar-play




 During the long, and extremely fast-paced, guitar solo, the video focuses on the
incomprehensibly fast guitar-play of Herman Li (mainly), and Sam Totman. Herman Li is
arguably the greatest guitarist of all time, and so the video makes sure to focus on his unique
play-style. Doing so gives the video more so of a “WOW-factor”, as viewers are often
mesmerised by the talent of this guitarist.
Long Flowing Locks of Warrior Hair




 In this shot, we see Z.P. Theart, and Sam Totman’s beautiful hair. As well as this, we see
 Herman Li’s locks, the best, and most electrifying flowing warrior locks of all-time. Amazing
 hair, like this, is almost a staple in ‘Power Metal’ metal.
Full-Band Performances




The entire band is often shown, performing, in ‘Power Metal’ music videos – this is
because, usually, every/most of the band members are so talented at their instrument that
they are all at a high level of significance. The director(s) often want to bring attention to the
skill of each member in the band, and reinforce the fact that the lead singer, and guitarist(s)
aren’t the only members in the band.
Contradicts the Stereotype of ‘Metal’
        being Satanic Music




 With images of what seems to be a patient undergoing medical treatment, and making a full
 recovery, the stereotype of ‘Metal’ being Satanic music which often revolves around death
 and despair, is contradicted. Whilst these images are being displayed, the singer, Z.P., is
 singing about conquering the forces of evil, et cetera.
“Cold” Lighting




Often, in ‘Power Metal’ music videos, the lighting is quite “cold”, with lighter shades of
colours being dominant, along with whites and blacks. Here, in ‘Heroes of Our Time’, we see
“cold” blue lighting, and colour correction. This colour might have been selected for the
purpose of giving the video a science-fiction atmosphere, as, at the end of the video; we see
a group of futuristic-looking spacecraft take-off and fly out of the Earth’s atmosphere.
Fast-Moving Cameras




The camera work throughout the video is generally quite fast-paced to match the fast-paced
music. Fast-paced camera movement is definitely another characteristic of ‘Power Metal’, as
‘Power Metal’ songs are generally fast-paced. Dollys, and cranes are used to achieve certain
angles and techniques.
2. ‘There is a link between the lyrics
           and the visuals’



During the course of the entire video, there is no specific moment at which the visuals
convey the intended implication of the song -- this particular band usually leave the viewers
and listeners to interpret the lyrics and visuals on their own, and, whilst other ‘Power Metal’
bands sometimes differ, generally, ‘Power Metal’ bands leave it all to interpretation.
Throughout this music video, the camera continuously swaps from focussing on the band
performing, to the first-person perspective of a, what seems to be, patient, surrounded by
what seem to be doctors and nurses, or scientists -- we recognise them as these titles due to
the white coats they are wearing. One of the white-coated who we see the most, is
female, and gets the closest to the camera. Although said female is fully dressed, the idea
and popular male fantasy of a female nurse is there. This is targeting a male audience.
However, Herman Li’s incredible finger speed and skills which were focussed on throughout
the video could be somewhat targeting a female audience.
3. ‘There is a link between the music
           and the visuals’




The incredibly fast-paced guitar-play throughout the video - especially during the guitar solo
- is represented by the futuristic-looking spacecraft that are seen in the video, taking-off and
flying out of the Earth’s atmosphere, as they are obviously very fast-moving. On top of that is
the evident fact that the camera showed a lot of close-ups of the guitars as the guitarists are
playing.
4. ‘The demands of the record label will include the
need for close-ups of the guitarists’ guitars as they play
          the fastest-paced parts of the song’




  This demand has evidently been met as throughout the solo, there are about 23 close-up
  shots of Herman and Sam’s guitars. This is to emphasise the skill level of both guitarists, and
  to sell more. The general public generally enjoy watching people demonstrate their talents,
  and guitar-playing talent is very respected by rockers, et cetera. So, Herman and Sam -
  however more so Herman - utilise their incredible guitar-playing talents as a selling point.
5. ‘The artist(s) may develop iconography
      that recurs across their work’




DragonForce definitely have their own style of music videos, in that they always show full-
band performances, and focus on the guitar-play with close-up shots of the guitars during the
solos. These aspects of their music videos are definitely associated with “a DragonForce
music video”.
6. ‘There is a frequent reference to the
          notion of “looking”’




 The notion of “looking” is made apparent by Z.P., the lead singer of DragonForce, looking at
 the camera a lot throughout the video. This somewhat connects the viewer(s) to the
 song, and the band, especially as the title of the song is ‘Heroes of Our Time’ -- implying that
 the viewer(s) is a hero of our time.
7. ‘There are often inter-textual references – mostly to
     film, other music artists, television, and popular
                          culture’




In the final shot of the video, there is almost an exact recreation of the shot in ‘Star Wars:
     Episode 1 - The Phantom Menace’, in which the Naboo Fighters take-off from Naboo. This is a
     very good example of an inter-textual reference used in this music video as it is easily
     recognisable to those who have watched ‘The Phantom Menace’.

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Applying Goodwin’s Theory to DragonForce 'Heroes of Our Time'

  • 1. Applying Goodwin’s Theory DragonForce - ‘Heroes of Our Time’
  • 2. 1. ‘Music Videos Demonstrate Certain Genre Characteristics’ Goodwin’s first point was that the genre of music decides certain aspects which get added. Within the ‘Power Metal’ genre, there are a lot of similar aspects which generally get used, and many different aspects which depend on the theme of the song, such as: • Fantasy-themed, and mythological lyrics and scenes; • Close-ups of the fast guitar-play; • “Cold” lighting; • Long flowing locks of warrior hair; • Contradicts the stereotype of ‘Metal’ being Satanic music; • Fast-moving cameras; • Full band performances;
  • 3. Fantasy-Themed, and Mythological Lyrics At the start of the music video, a ‘so far away’ (distant) futuristic-looking airbase is shown in a mountainous terrain, similar to that of which the mystical dragon, which DragonForce defeated, lives in. Then, at the end of the video, the airbase is shown once again as a group of some form of futuristic space shuttles take-off and leaves the Earth’s atmosphere. These things, obviously being fantasy, are conveying the fantasy aspect of ‘Power Metal’. This is one of the many characteristics of the genre that makes ‘Power Metal’ so different, and unique. The song writers’ ability to tell a fantasy story through the medium of musical lyrics and instrumentals allows for individual ‘Power Metal’ songs to be completely different, rather than using lyrical staples, like other genres.
  • 4. Close-ups of Fast Guitar-play During the long, and extremely fast-paced, guitar solo, the video focuses on the incomprehensibly fast guitar-play of Herman Li (mainly), and Sam Totman. Herman Li is arguably the greatest guitarist of all time, and so the video makes sure to focus on his unique play-style. Doing so gives the video more so of a “WOW-factor”, as viewers are often mesmerised by the talent of this guitarist.
  • 5. Long Flowing Locks of Warrior Hair In this shot, we see Z.P. Theart, and Sam Totman’s beautiful hair. As well as this, we see Herman Li’s locks, the best, and most electrifying flowing warrior locks of all-time. Amazing hair, like this, is almost a staple in ‘Power Metal’ metal.
  • 6. Full-Band Performances The entire band is often shown, performing, in ‘Power Metal’ music videos – this is because, usually, every/most of the band members are so talented at their instrument that they are all at a high level of significance. The director(s) often want to bring attention to the skill of each member in the band, and reinforce the fact that the lead singer, and guitarist(s) aren’t the only members in the band.
  • 7. Contradicts the Stereotype of ‘Metal’ being Satanic Music With images of what seems to be a patient undergoing medical treatment, and making a full recovery, the stereotype of ‘Metal’ being Satanic music which often revolves around death and despair, is contradicted. Whilst these images are being displayed, the singer, Z.P., is singing about conquering the forces of evil, et cetera.
  • 8. “Cold” Lighting Often, in ‘Power Metal’ music videos, the lighting is quite “cold”, with lighter shades of colours being dominant, along with whites and blacks. Here, in ‘Heroes of Our Time’, we see “cold” blue lighting, and colour correction. This colour might have been selected for the purpose of giving the video a science-fiction atmosphere, as, at the end of the video; we see a group of futuristic-looking spacecraft take-off and fly out of the Earth’s atmosphere.
  • 9. Fast-Moving Cameras The camera work throughout the video is generally quite fast-paced to match the fast-paced music. Fast-paced camera movement is definitely another characteristic of ‘Power Metal’, as ‘Power Metal’ songs are generally fast-paced. Dollys, and cranes are used to achieve certain angles and techniques.
  • 10. 2. ‘There is a link between the lyrics and the visuals’ During the course of the entire video, there is no specific moment at which the visuals convey the intended implication of the song -- this particular band usually leave the viewers and listeners to interpret the lyrics and visuals on their own, and, whilst other ‘Power Metal’ bands sometimes differ, generally, ‘Power Metal’ bands leave it all to interpretation. Throughout this music video, the camera continuously swaps from focussing on the band performing, to the first-person perspective of a, what seems to be, patient, surrounded by what seem to be doctors and nurses, or scientists -- we recognise them as these titles due to the white coats they are wearing. One of the white-coated who we see the most, is female, and gets the closest to the camera. Although said female is fully dressed, the idea and popular male fantasy of a female nurse is there. This is targeting a male audience. However, Herman Li’s incredible finger speed and skills which were focussed on throughout the video could be somewhat targeting a female audience.
  • 11. 3. ‘There is a link between the music and the visuals’ The incredibly fast-paced guitar-play throughout the video - especially during the guitar solo - is represented by the futuristic-looking spacecraft that are seen in the video, taking-off and flying out of the Earth’s atmosphere, as they are obviously very fast-moving. On top of that is the evident fact that the camera showed a lot of close-ups of the guitars as the guitarists are playing.
  • 12. 4. ‘The demands of the record label will include the need for close-ups of the guitarists’ guitars as they play the fastest-paced parts of the song’ This demand has evidently been met as throughout the solo, there are about 23 close-up shots of Herman and Sam’s guitars. This is to emphasise the skill level of both guitarists, and to sell more. The general public generally enjoy watching people demonstrate their talents, and guitar-playing talent is very respected by rockers, et cetera. So, Herman and Sam - however more so Herman - utilise their incredible guitar-playing talents as a selling point.
  • 13. 5. ‘The artist(s) may develop iconography that recurs across their work’ DragonForce definitely have their own style of music videos, in that they always show full- band performances, and focus on the guitar-play with close-up shots of the guitars during the solos. These aspects of their music videos are definitely associated with “a DragonForce music video”.
  • 14. 6. ‘There is a frequent reference to the notion of “looking”’ The notion of “looking” is made apparent by Z.P., the lead singer of DragonForce, looking at the camera a lot throughout the video. This somewhat connects the viewer(s) to the song, and the band, especially as the title of the song is ‘Heroes of Our Time’ -- implying that the viewer(s) is a hero of our time.
  • 15. 7. ‘There are often inter-textual references – mostly to film, other music artists, television, and popular culture’ In the final shot of the video, there is almost an exact recreation of the shot in ‘Star Wars: Episode 1 - The Phantom Menace’, in which the Naboo Fighters take-off from Naboo. This is a very good example of an inter-textual reference used in this music video as it is easily recognisable to those who have watched ‘The Phantom Menace’.