1. PreProduction
Lead Roles
Director
Producer
Screen Writer
Script Supervisor
Production Camera Art Department Hair &
&
Make-up
Lighting
Manager
Camera
Coordinator Electrical
Assistant
Grip
Location:Manager
Scout
Assistant
Director
Assistant Director
Set:Designer
Decorator
Set Dresser
Greensman
Set Buyer
Construction:Coordinator
Carpenter
Property:Props Master
Prop Maker
Weapon Master
Costume PostDepartment Production
Make-Up Artist Designer
Editorial:Supervisor
Supervisor Sound/Music
Hair Stylist
Costumer
Special &
Standby
Visual Effect
Artist Buyer
Cutter

2. Film Director
Film directors create an overall
vision through which a film
eventually becomes realized.
Realizing this vision includes
overseeing the artistic and
technical elements of film
production, as well as directing
the shooting timetable and
meeting deadlines. Requiring
skills of group leadership, as
well as the ability to maintain a
singular focus, an artistic eye
and excellent communication
skills.
Location
Manager
Art
Director
The location manager is a member of
the film crew responsible for the finding
and securing locations to be used,
obtaining fire, police and other
governmental permits, and coordinating
the logistics involved for the production.
Responsible for addressing the issues
that may arise due to the production's
impact on the community.
Cinematographer
A cinematographer or director of
photography (sometimes shortened
to DP or DOP) is the chief over the camera
and lighting crews working on the film.
Basically, cinematography means bringing
a story to life visually, working with the
film's director to capture the underlying
story in a way that will captivate the movie
audience. Bringing movement to
screenwriter's script requires more than
simply shooting photos or video of a
scene.
They are also responsible for achieving
artistic and technical decisions related to
the image.
An Art Director, works directly in collaboration with
the Set Decorator, especially Construction, Special
FX, Property, Transportation (graphics), and
Locations Departments . A large part of their duties
include the administrative aspects of the art
department; they‘re responsible for assigning tasks
to personnel such as the Art Department
Coordinator, and the Construction Coordinator,
keeping track of the art department budget and
scheduling

3. Hair Dresser
Hairdressers are briefed by Heads
of Department (either the Make-up
and Hair Designer, or the Chief
Hairdresser) who provide them with
detailed continuity notes for the
characters they create. They
prepare performers' scalp and skin
and create hairstyles to suit
production requirements. They
also work with wigs, hair pieces,
and hair extensions and may be
required to use chemical solutions,
and to administer hair and scalp
treatments as necessary.
Lead Special Effects Artist
A special effects supervisor (also referred to as
a special effects coordinator or SFX Supervisor) is
an individual who works on
a commercial, theatre, television or film set
creating special effects. Their responsibilities are
very much like those of an art director, production
designer or chief creative officer, though with a
particular focus on the computer-generated
imagery of their projects. Though they are primarily
responsible for directing and supervising the
creative and technical execution of visual effects
sequences, from concept to completion.
Costume Designer
A costume designer is a person who designs costumes for a film or stage production.
The role of the costume designer is to create the characters and balance the scenes
with texture and color. The costume designer works alongside the director,
scenic, lighting designer, sound designer, and other creative personnel. The costume
designer is responsible for all the clothing and costumes worn by the cast. They design
and plan construction of the garments down to the fabric, colours, and sizes.

4. Robert Edmond Jones (December 12, 1887 -
November 26, 1954)
An American scenic, lighting, and costume designer.
Credited for incorporating the new stagecraft into the
American drama. His sought to integrate the scenic
elements into the storytelling instead of having them
stand separate and indifferent from the play’s action.
His visual style, often referred to as simplified
realism, combined bold vivid use of color and simple,
yet dramatic, lighting.