2. OBLITERATION IS THE PROCESS OF WRITING OVER
TEXT WITH THE INTENTION
The text with the intention of hiding or destroying
the original information. Whether at the time the
document was created or at a later date,
obliteration made with the same ink used in the
original is virtually impossible to recover. If a
different ink was used to obliterate the text,
illumination with alternative light sources may show
differences in reflection or infrared luminescence,
which can be photographed. Similar techniques,
combined with handwriting analysis, are applied to
detect additive alterations.
3. Category of alteration, they noted as evidence:
1. The crowding, squeezing in or fitting of insertions
around other material.
2. Irregularities (i.e., inconsistencies) in slant,
pressure, and quality.
3. The occurrence of erasures, eradications, or
obliterations.
4. Irregularities (i.e., inconsistencies) in inks, writing
instruments, typing ribbons or machines.
5. The behaviour of lines intersecting with other lines,
folds, perforations, tears or holes in the paper.
6. The presence or absence of indentations in
subsequent pages.
7. Inconsistencies in alignments.
4. Category of fabrication:
1. Remarkable (i.e., unusual) consistency in writing
quality, ink, margins, spacing, arrangement, and
alignment.
2. The bleeding of ink strokes, purportedly of different
dates, into one another at intersections.
3. Variation in preternatural paper characteristics
between undisputed and disputed pages of the
same record.
4. Errors in the writing of dates in advance of their
occurrence.
5. The use and dating of forms in advance of their
dates of introduction.