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MUSIC VIDEOSConventions
Theorist: Andrew Goodwin
• A relationship between the lyrics and visuals (illustrating, amplifying
or contradicting the lyrics)
• A relationship between music and visuals
• Particular genres may have their own video style and iconography
• A demand from the record company for lots of close-ups of the main
artist
• Artist develops their own star iconography in and out of their videos
• Intertextual references
• Reference to voyeurism (screen within screen, binoculars, cameras…)
A relationship between the lyrics and visuals
(illustrating, amplifying or contradicting the lyrics)
A relationship between music and visuals
Particular genres may have their own video style
and iconography
Hip Hop/Rap
Female Pop!
Male Pop!
A demand from the record company for lots of
close-ups of the main artist
Reference to voyeurism (screen within screen,
binoculars, cameras…)
• The notion of looking or being looked at
• Women often subjected to voyeuristic treatment
• Sense of watching someone
• Laura Mulvey
Intertextual references
• Influences mainly from fashion, film and art photography
• Specific catwalk references
• Now video games to appeal to a younger demographic
Intertexuality in more detail
• Parody
• Pastiche
• Referencing
• Homage
Pastiche
• Pastiche is the imitation of a text’s features by
another text.
• It could be in the same style or feature similar motifs
or even be a copy of the original.
• Sometimes a pastiche copies the style from a period
in time.
Parody
• Parody is pretty much the
same but is a comic version
of the original.
• Parody often exaggerates
features of the original.
• Anything that takes itself
too seriously is up for
parody.
• Can be used to present a
viewpoint
Homage
• This is when the video pays tribute to another media text
Referencing
• This is when particular elements of the video borrow from other texts
• This could be a prop, costume, or hair style.
Intertextuality
• These four types of intertextuality do not have to exist exclusive of
one another
• A video can be a mix of any four
GUIDE
• Relationship between lyrics and visuals (illustrating, amplifying,
contradicting)
• Relationship between music and visuals (editing to the beat…)
• Similarity to advertising (close up shots)
• Star image development (how does the company sell the artist – look at
mise-en-scene and camera)
• Music video genres and their styles e.g. sweeping panning movements in
rock videos, low angle shots on performers in hip hop.
• Intertextuality
• links to other artists – how does this lend to their star power?
• Techniques such as green screen, screen within screen (voyeurism),
animation

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Mv conventions ts bm

  • 2. Theorist: Andrew Goodwin • A relationship between the lyrics and visuals (illustrating, amplifying or contradicting the lyrics) • A relationship between music and visuals • Particular genres may have their own video style and iconography • A demand from the record company for lots of close-ups of the main artist • Artist develops their own star iconography in and out of their videos • Intertextual references • Reference to voyeurism (screen within screen, binoculars, cameras…)
  • 3. A relationship between the lyrics and visuals (illustrating, amplifying or contradicting the lyrics)
  • 4.
  • 5. A relationship between music and visuals
  • 6. Particular genres may have their own video style and iconography
  • 10. A demand from the record company for lots of close-ups of the main artist
  • 11. Reference to voyeurism (screen within screen, binoculars, cameras…) • The notion of looking or being looked at • Women often subjected to voyeuristic treatment • Sense of watching someone • Laura Mulvey
  • 12. Intertextual references • Influences mainly from fashion, film and art photography • Specific catwalk references • Now video games to appeal to a younger demographic
  • 13. Intertexuality in more detail • Parody • Pastiche • Referencing • Homage
  • 14. Pastiche • Pastiche is the imitation of a text’s features by another text. • It could be in the same style or feature similar motifs or even be a copy of the original. • Sometimes a pastiche copies the style from a period in time.
  • 15. Parody • Parody is pretty much the same but is a comic version of the original. • Parody often exaggerates features of the original. • Anything that takes itself too seriously is up for parody. • Can be used to present a viewpoint
  • 16. Homage • This is when the video pays tribute to another media text
  • 17. Referencing • This is when particular elements of the video borrow from other texts • This could be a prop, costume, or hair style.
  • 18. Intertextuality • These four types of intertextuality do not have to exist exclusive of one another • A video can be a mix of any four
  • 19. GUIDE • Relationship between lyrics and visuals (illustrating, amplifying, contradicting) • Relationship between music and visuals (editing to the beat…) • Similarity to advertising (close up shots) • Star image development (how does the company sell the artist – look at mise-en-scene and camera) • Music video genres and their styles e.g. sweeping panning movements in rock videos, low angle shots on performers in hip hop. • Intertextuality • links to other artists – how does this lend to their star power? • Techniques such as green screen, screen within screen (voyeurism), animation