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Wander
The freedom to move and to travel has inspired many artists.
Sydney Carline and Peter Lanyon explored the soaring freedom
of flight creating these aerial images of the landscape beneath
them.
Sydney Carline Peter Lanyon
Complete a 30 minute wander and document your route on a map.
Repeat your route and complete the following tasks:
• Collect objects to photograph and draw from when you are back home
• Write a stream of consciousness for all or part of your route
• Photograph the horizon at different points
• Use a range of media to draw parts of your route: you must do this in situe NOT from photographs
Create a piece out of your sketchbook using your map as a base and the other work you did as inspiration.
Ruben Marroquin Nigel Peake Derek Lerner Helen Smith Chris Kenny
a : to move about without a fixed course, aim, or goal
b : to go idly about
This should take roughly 4 sketchbook pages
Francis Alys
Intervention
Create an artwork that:
• Challenges generally accepted behaviour in your local area
• Makes an impression on your environment, leaves a (legal) mark
• Uses public spaces as a performance space
Success Criteria:
Visit several locations and photograph
them, create drawings and plan.
Look at these artists…. Discuss their work
(Intentions, wider issues, technique)
Erwin Wurm Richard Long
Challenge:
William Kentridge’s drawings and animations engage with the recent political history of south
Africa, forming an individual and often ambiguous commentary on the struggle for liberation and
it’s consequences. Mark Wallinger’s State Britain was a reconstruction of Brian Haw’s protest
against the war in Iraq. Create a piece that questions and challenges social and political orders.
Research an issue and develop an out of sketchbook piece. Consider the approach and techniques used by the
artists in this slide and demonstrate all your planning in your sketchbook.
Signs
Bob & Roberta Smith Mark Titchner
Collage
Kennard & Phillips Barbara Krugar
Restricted
Consider the intentions behind Matthew Barney’s
Restrained Drawings and explore mark making as a
means of presenting an experience.
Create drawings whilst being inhibited in some way or
only draw as far as you can reach.
Tony Orrico
Trisha Brown
Weightless
The only place we can truly feel weightless is in water. The buoyancy allows us to drift both physically and mentally.
Observe the body in water. Draw and paint your observations paying particular attention to the distortion. Explore
the effect of liquids on images like Strembicki and Gill below.
David Hockney
Lorraine Shemesh Joseph Moncada
Stan StrembickiAlban Grosdidier Stephen GIll

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A level Fine Art, Art Exam 2018, Freedom & Limitations, Homework

  • 1. Wander The freedom to move and to travel has inspired many artists. Sydney Carline and Peter Lanyon explored the soaring freedom of flight creating these aerial images of the landscape beneath them. Sydney Carline Peter Lanyon Complete a 30 minute wander and document your route on a map. Repeat your route and complete the following tasks: • Collect objects to photograph and draw from when you are back home • Write a stream of consciousness for all or part of your route • Photograph the horizon at different points • Use a range of media to draw parts of your route: you must do this in situe NOT from photographs Create a piece out of your sketchbook using your map as a base and the other work you did as inspiration. Ruben Marroquin Nigel Peake Derek Lerner Helen Smith Chris Kenny a : to move about without a fixed course, aim, or goal b : to go idly about This should take roughly 4 sketchbook pages
  • 2. Francis Alys Intervention Create an artwork that: • Challenges generally accepted behaviour in your local area • Makes an impression on your environment, leaves a (legal) mark • Uses public spaces as a performance space Success Criteria: Visit several locations and photograph them, create drawings and plan. Look at these artists…. Discuss their work (Intentions, wider issues, technique) Erwin Wurm Richard Long
  • 3. Challenge: William Kentridge’s drawings and animations engage with the recent political history of south Africa, forming an individual and often ambiguous commentary on the struggle for liberation and it’s consequences. Mark Wallinger’s State Britain was a reconstruction of Brian Haw’s protest against the war in Iraq. Create a piece that questions and challenges social and political orders. Research an issue and develop an out of sketchbook piece. Consider the approach and techniques used by the artists in this slide and demonstrate all your planning in your sketchbook. Signs Bob & Roberta Smith Mark Titchner Collage Kennard & Phillips Barbara Krugar
  • 4. Restricted Consider the intentions behind Matthew Barney’s Restrained Drawings and explore mark making as a means of presenting an experience. Create drawings whilst being inhibited in some way or only draw as far as you can reach. Tony Orrico Trisha Brown
  • 5. Weightless The only place we can truly feel weightless is in water. The buoyancy allows us to drift both physically and mentally. Observe the body in water. Draw and paint your observations paying particular attention to the distortion. Explore the effect of liquids on images like Strembicki and Gill below. David Hockney Lorraine Shemesh Joseph Moncada Stan StrembickiAlban Grosdidier Stephen GIll