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MAKING THE
IMPORTANT
INTERESTING
SEYMOUR B. SANCHEZ – DOCUMENTARY FILMMAKING
WHAT IS A
GOOD
STORY?
More than being
informational
Adds value to the topic
COMMON
PROBLEMS IN
STORYTELLING
TIME IS FROZEN
CHARACTER IS MISSING
MEANINGLESS STORIES
RELEVANCE IS ASSUMED
STORYTELLING IS PREDICTABLE
LIMITED USE OF DIGITAL MEDIA
HOW TO FIX THESE PROBLEMS
Show
Show people
being active or
doing things.
Provide
Provide people
an interesting
dimension.
Explain
Explain why an
event is or isn’t
taking place
and why a
certain trend is
currently
happening.
Prove
Prove how the
story is
connected to
the bigger
picture or how
relevant it is.
Experiment
Experiment with
storytelling or
think of a
different way
to tell a story.
Enhance
Enhance the
story by making
use of the
internet.
HUMANIZING
THE STORY
PEOPLE – THE MOST INTERESTING CREATURES
ON EARTH
PEOPLE, IN TURN, ARE MOST INTERESTED IN
OTHER HUMAN BEINGS.
EMOTION CREATES A RELEVANCE OF SHARED
FEELINGS BETWEEN A CHARACTER AND THE
VIEWER, THUS COMMANDING ATTENTION.
GUIDE IN
WRITING SCRIPTSIMAGE SOUND
INFORMATION 70% 30%
EMOTION 30% 70%
BASIC RULES IN
DOCUMENTARY
SCRIPTWRITING
Visual medium – Write to video!
• Less words, less voice-over, much better.
• Use simple, short sentences.
• Before starting to shoot your film, ask
yourself “What is your point?”
Let the video speak.
BASIC RULES IN DOCUMENTARY SCRIPTWRITING
Avoid redundant
sequences/thoughts
Do not preempt soundbites.
Do not summarize what was already in the bite.
Avoid “radio announcer style” of voice-overs.
A documentary is a form
of discovery.
Let your audience discover their own emotions and
conclusions.
Be clear with continuity.
Scenes involving case studies should flow naturally.
Take note of the time, day, and clothes.
TOPIC VS.
TREATMENT
HOW A STORY IS TOLD IS MORE
IMPORTANT TO THE AUDIENCE THAN
WHAT IT IS ABOUT.
THE BEST STORY IS A WELL-TOLD TALE
ABOUT SOMETHING THE READER FEELS
IS RELEVANT OR SIGNIFICANT.
DESCRIBING VIDEOS
BE CREATIVE IN DESCRIBING
VIDEOS.
USE METAPHORS OR ONE
SENTENCE THAT SAYS IT ALL.
BASIC RULES IN DOCUMENTARY SCRIPTWRITING
Do not overuse
METAPHORS, avoid
cliches, and do not
spoonfeed emotions,
thoughts, and conclusions.
Bring it closer to your
audience – HUMAN
INTEREST. By the end of
the documentary, it has
to create an impact.
INTRODUCING A SOUNDBITE
DO NOT SUMMARIZE DO NOT PREEMPT
TREATMENT/STORYTELLING
STYLES
• Use of story "thread“
• Use of flashbacks
• Use of splitscreens
• Combination of different treatments
There are a million ways of telling and retelling a
story. Be CREATIVE. Be CLEAR. Find the most
effective way to present your elements.
STORYTELLING APPROACHES
Profile Explanatory
piece
Issues and
trend stories Investigative
Narrative
Descriptive/
Day in the life
Voices or
perspective
story
Visual story
PREPARING
FOR A
SHOOT
WHAT DO YOU NEED?
HOW DO YOU SCHEDULE
SHOOTS?
HOW DO YOU KNOW WHERE
TO SHOOT?
RESEARCH!
• The weather
• What the team should bring or wear to a shoot
• Directions, exact location, estimated travel time
• Facilities available and not available in the area
• Language barrier
• Cultural differences
• Permit from government agencies
• Permit for shoot locations
• Dangers that the group should prepare for
ACTUAL
SHOOTING
Basic shots
- Wide (establishing)
- Medium
- Close-up
- Extreme close-up
- Pan L-R or R-L
- Zoom in or out
- Tilt up or down
SHOOTING
TECHNIQUES
Tripod vs. handheld shots
Importance of shot
length
7-10 seconds rule for
establishing shot
Importance of having a steady hand
CAPTURING
AUDIO
IMPORTANCE OF
NATURAL SOUND
(NATSOT)
DIRECTING
SHOTS
WHEN DO YOU DIRECT
CASE STUDIES?
WHAT IS THE ROLE OF A
DIRECTOR IN SHOOTING
DOCUMENTARIES?

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Making the important interesting

  • 1. MAKING THE IMPORTANT INTERESTING SEYMOUR B. SANCHEZ – DOCUMENTARY FILMMAKING
  • 2. WHAT IS A GOOD STORY? More than being informational Adds value to the topic
  • 3. COMMON PROBLEMS IN STORYTELLING TIME IS FROZEN CHARACTER IS MISSING MEANINGLESS STORIES RELEVANCE IS ASSUMED STORYTELLING IS PREDICTABLE LIMITED USE OF DIGITAL MEDIA
  • 4. HOW TO FIX THESE PROBLEMS Show Show people being active or doing things. Provide Provide people an interesting dimension. Explain Explain why an event is or isn’t taking place and why a certain trend is currently happening. Prove Prove how the story is connected to the bigger picture or how relevant it is. Experiment Experiment with storytelling or think of a different way to tell a story. Enhance Enhance the story by making use of the internet.
  • 5. HUMANIZING THE STORY PEOPLE – THE MOST INTERESTING CREATURES ON EARTH PEOPLE, IN TURN, ARE MOST INTERESTED IN OTHER HUMAN BEINGS. EMOTION CREATES A RELEVANCE OF SHARED FEELINGS BETWEEN A CHARACTER AND THE VIEWER, THUS COMMANDING ATTENTION.
  • 6. GUIDE IN WRITING SCRIPTSIMAGE SOUND INFORMATION 70% 30% EMOTION 30% 70%
  • 7. BASIC RULES IN DOCUMENTARY SCRIPTWRITING Visual medium – Write to video! • Less words, less voice-over, much better. • Use simple, short sentences. • Before starting to shoot your film, ask yourself “What is your point?” Let the video speak.
  • 8. BASIC RULES IN DOCUMENTARY SCRIPTWRITING Avoid redundant sequences/thoughts Do not preempt soundbites. Do not summarize what was already in the bite. Avoid “radio announcer style” of voice-overs. A documentary is a form of discovery. Let your audience discover their own emotions and conclusions. Be clear with continuity. Scenes involving case studies should flow naturally. Take note of the time, day, and clothes.
  • 9. TOPIC VS. TREATMENT HOW A STORY IS TOLD IS MORE IMPORTANT TO THE AUDIENCE THAN WHAT IT IS ABOUT. THE BEST STORY IS A WELL-TOLD TALE ABOUT SOMETHING THE READER FEELS IS RELEVANT OR SIGNIFICANT.
  • 10. DESCRIBING VIDEOS BE CREATIVE IN DESCRIBING VIDEOS. USE METAPHORS OR ONE SENTENCE THAT SAYS IT ALL.
  • 11. BASIC RULES IN DOCUMENTARY SCRIPTWRITING Do not overuse METAPHORS, avoid cliches, and do not spoonfeed emotions, thoughts, and conclusions. Bring it closer to your audience – HUMAN INTEREST. By the end of the documentary, it has to create an impact.
  • 12. INTRODUCING A SOUNDBITE DO NOT SUMMARIZE DO NOT PREEMPT
  • 13. TREATMENT/STORYTELLING STYLES • Use of story "thread“ • Use of flashbacks • Use of splitscreens • Combination of different treatments There are a million ways of telling and retelling a story. Be CREATIVE. Be CLEAR. Find the most effective way to present your elements.
  • 14. STORYTELLING APPROACHES Profile Explanatory piece Issues and trend stories Investigative Narrative Descriptive/ Day in the life Voices or perspective story Visual story
  • 15. PREPARING FOR A SHOOT WHAT DO YOU NEED? HOW DO YOU SCHEDULE SHOOTS? HOW DO YOU KNOW WHERE TO SHOOT?
  • 16. RESEARCH! • The weather • What the team should bring or wear to a shoot • Directions, exact location, estimated travel time • Facilities available and not available in the area • Language barrier • Cultural differences • Permit from government agencies • Permit for shoot locations • Dangers that the group should prepare for
  • 17. ACTUAL SHOOTING Basic shots - Wide (establishing) - Medium - Close-up - Extreme close-up - Pan L-R or R-L - Zoom in or out - Tilt up or down
  • 18. SHOOTING TECHNIQUES Tripod vs. handheld shots Importance of shot length 7-10 seconds rule for establishing shot Importance of having a steady hand
  • 20. DIRECTING SHOTS WHEN DO YOU DIRECT CASE STUDIES? WHAT IS THE ROLE OF A DIRECTOR IN SHOOTING DOCUMENTARIES?