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
 A music video is a short film integrating a song and
imagery. They are mainly produced for artistic
purposes.
 Modern music videos are primarily made and used
as a marketing device intended to promote the sale
of music recordings.
 Product placement is also a way for record
companies and artist to generate income.
Purpose

 A sound film is a motion picture with synchronised
sound or sound technologically coupled to image, as
opposed to a silent film.
 Earliest form of ‘music video’.
 The primary steps in the commercialisation of sound
cinema were taken in the mid- to late 1920s (known as the
“talkies”).
 By the early 1930s, the talkies were a global phenomenon.
Helped to secure Hollywood’s position as one of the
world’s most powerful cultural/ commercial centers of
influence.
The ‘Talkies’ – Sound films

 They were eager to give their fans the fullest audio-
visual experience possible.
 They recorded promotional clips that could be
shown abroad.
 They also starred in two full-length films, which
featured some of their songs.
The Beatles

 Probably the most significant music video of the pre-
MTV era was Queen’s “Bohemian Rhapsody” which
debuted in 1975.
 The group were unable to perform on Top of the Pops
when the song reached the top of the charts.
Therefore they recorded the video to play in their
absence.
 They used several special effects and considered a
pioneer of music videos.
Queen

 Launched in 1981.
 The first video to air was The Buggles’ video – Video
Killed The Radio Star.
MTV

 The climate of publicity in exchange for great visuals was
established by Michael Jackson’s “Thriller” in 1983.
 Debuted on MTV as part of a deal between MTV and
Michael’s team and was played 3-5 times a day.
 This video acts as the origin story for what we recognise
as music videos for major artists today.
 High production value (cost over $500,000)
 Hollywood director
 Clear narrative
 In 2009, the video was inducted into the National Film
Registry of Congress for being “culturally, historically or
aesthetically” significant.
Michael Jackson

 Peter Gabriel’s 1986 video for his song
“Sledgehammer” won nine awards a the MTV music
awards in 1987.
 It is the most played clip in the history of the
channel.
 The video’s use of claymation, pixilation and stop
motion was considered avant-garde at the time.
Peter Gabriel

 MTV decided to take a chance on reality TV.
 They introduced growing numbers of reality TV
shows and started phasing out music shows.
 People started to become more interested in
narrative TV and less interested in music videos.
 1992-
Decline in MTV programming

 YouTube was created in 2005 and acquired by
Google in 2006. Vevo was born in 2009.
 Vevo meant record labels could actually make
money on their videos being streamed.
 Small ads often appear on the bottom of the video as
well as links to buy the music you’re listening to.
 The Vevo deal means it is easy to find music videos
for your favourite acts while YouTube still seems to
be growing in popularity.
 2005-
Resurgence of Music Videos

 In 2008 she released her single “Poker Face”.
 In 2010 she became the first artist with one billion
online views of her videos.
 Online views:
 “Poker Face” (374,606,128)
 “Just Dance” (272,941,674)
 “Bad Romance” (360,020,327)
 ^Add them up and you get just over one billion views.
Lady Gaga – Poker Face

 Beyoncé released this album with no prior warning,
but every song was accompanied by its own video,
all of which dropped on the same day as the album.
 The record was designed to be consumed as a
comprehensive audio/ visual piece from top to
bottom.
2013 – Beyoncé’s First Visual Album

 William’s song for the Despicable Me 2 soundtrack
“Happy” was accompanied by a Christian Marclay-
esque 24-hour-long video, which showed real people
dancing along to the hit for four minutes at a time.
 Each section was filmed in a single shot which meant
there was no chance for do-overs, creating a lovably
spontaneous end result.
 Williams performed his own hit on the hour, each
hour and it was displayed online in the format of a
clock that you can click on to access the time of day
the section was recorded at.
Pharrell Williams – 24 hour Video

 2010-2015
 Often the interactive videos had to be accessed via
their own websites.
 Examples
 Arcade Fire – “We Used to Wait”
(http://www.thewildernessdowntown.com/)
 Bob Dylan – “Like a Rolling Stone”
(http://video.bobdylan.com/desktop.html)
Interactive Music Videos Go Mainstream

 2015
 The Weeknd, Björk and U2 all gave us music videos
that harnessed elements of virtual reality.
 Björk held her video release in an art gallery and
handing out Oculus Rift headsets to watch the 360-
degree YouTube video on.
Virtual-Reality Music Videos

 2016
 This isn’t the first time that there has been high
numbers of Hollywood directors getting involved in
music videos (‘80s-’90s was a boom period).
 Music videos have found a level of prestige where
even established directors will try their hand at a
music video.
 Cultural parallel to TV’s growing prestige, where
more and more directors are giving TV the time of
day over movies.
Film Directors Get In On The Action

 Some videos aren’t necessarily the most technically
innovative, but their overall impact and sheer
dominance of the headlines in 2016 ushered in a tidal
change for the medium.
 For example…
 Beyoncé – “Lemonade”
 Kanye West – “Famous”
Music Videos Dominate the Headlines

 Nowadays music videos are created to promote the artist,
their song and in some cases certain products.
 Videos are easily accessible, with them being shown
online and on TV.
 Their purpose is mainly to engage the audience and
persuade them to buy their song.
 Additionally, there is an increasing number of new
techniques being used to create innovative videos. Almost
constructing something never seen before, therefore
making it more engaging.
 Some would argue that with the existence of music
applications such as spotify (making music readily
available) the videos have become less important.
Music Videos Today

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History of music videos

  • 1.
  • 2.   A music video is a short film integrating a song and imagery. They are mainly produced for artistic purposes.  Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings.  Product placement is also a way for record companies and artist to generate income. Purpose
  • 3.   A sound film is a motion picture with synchronised sound or sound technologically coupled to image, as opposed to a silent film.  Earliest form of ‘music video’.  The primary steps in the commercialisation of sound cinema were taken in the mid- to late 1920s (known as the “talkies”).  By the early 1930s, the talkies were a global phenomenon. Helped to secure Hollywood’s position as one of the world’s most powerful cultural/ commercial centers of influence. The ‘Talkies’ – Sound films
  • 4.   They were eager to give their fans the fullest audio- visual experience possible.  They recorded promotional clips that could be shown abroad.  They also starred in two full-length films, which featured some of their songs. The Beatles
  • 5.   Probably the most significant music video of the pre- MTV era was Queen’s “Bohemian Rhapsody” which debuted in 1975.  The group were unable to perform on Top of the Pops when the song reached the top of the charts. Therefore they recorded the video to play in their absence.  They used several special effects and considered a pioneer of music videos. Queen
  • 6.   Launched in 1981.  The first video to air was The Buggles’ video – Video Killed The Radio Star. MTV
  • 7.   The climate of publicity in exchange for great visuals was established by Michael Jackson’s “Thriller” in 1983.  Debuted on MTV as part of a deal between MTV and Michael’s team and was played 3-5 times a day.  This video acts as the origin story for what we recognise as music videos for major artists today.  High production value (cost over $500,000)  Hollywood director  Clear narrative  In 2009, the video was inducted into the National Film Registry of Congress for being “culturally, historically or aesthetically” significant. Michael Jackson
  • 8.   Peter Gabriel’s 1986 video for his song “Sledgehammer” won nine awards a the MTV music awards in 1987.  It is the most played clip in the history of the channel.  The video’s use of claymation, pixilation and stop motion was considered avant-garde at the time. Peter Gabriel
  • 9.   MTV decided to take a chance on reality TV.  They introduced growing numbers of reality TV shows and started phasing out music shows.  People started to become more interested in narrative TV and less interested in music videos.  1992- Decline in MTV programming
  • 10.   YouTube was created in 2005 and acquired by Google in 2006. Vevo was born in 2009.  Vevo meant record labels could actually make money on their videos being streamed.  Small ads often appear on the bottom of the video as well as links to buy the music you’re listening to.  The Vevo deal means it is easy to find music videos for your favourite acts while YouTube still seems to be growing in popularity.  2005- Resurgence of Music Videos
  • 11.   In 2008 she released her single “Poker Face”.  In 2010 she became the first artist with one billion online views of her videos.  Online views:  “Poker Face” (374,606,128)  “Just Dance” (272,941,674)  “Bad Romance” (360,020,327)  ^Add them up and you get just over one billion views. Lady Gaga – Poker Face
  • 12.   Beyoncé released this album with no prior warning, but every song was accompanied by its own video, all of which dropped on the same day as the album.  The record was designed to be consumed as a comprehensive audio/ visual piece from top to bottom. 2013 – Beyoncé’s First Visual Album
  • 13.   William’s song for the Despicable Me 2 soundtrack “Happy” was accompanied by a Christian Marclay- esque 24-hour-long video, which showed real people dancing along to the hit for four minutes at a time.  Each section was filmed in a single shot which meant there was no chance for do-overs, creating a lovably spontaneous end result.  Williams performed his own hit on the hour, each hour and it was displayed online in the format of a clock that you can click on to access the time of day the section was recorded at. Pharrell Williams – 24 hour Video
  • 14.   2010-2015  Often the interactive videos had to be accessed via their own websites.  Examples  Arcade Fire – “We Used to Wait” (http://www.thewildernessdowntown.com/)  Bob Dylan – “Like a Rolling Stone” (http://video.bobdylan.com/desktop.html) Interactive Music Videos Go Mainstream
  • 15.   2015  The Weeknd, Björk and U2 all gave us music videos that harnessed elements of virtual reality.  Björk held her video release in an art gallery and handing out Oculus Rift headsets to watch the 360- degree YouTube video on. Virtual-Reality Music Videos
  • 16.   2016  This isn’t the first time that there has been high numbers of Hollywood directors getting involved in music videos (‘80s-’90s was a boom period).  Music videos have found a level of prestige where even established directors will try their hand at a music video.  Cultural parallel to TV’s growing prestige, where more and more directors are giving TV the time of day over movies. Film Directors Get In On The Action
  • 17.   Some videos aren’t necessarily the most technically innovative, but their overall impact and sheer dominance of the headlines in 2016 ushered in a tidal change for the medium.  For example…  Beyoncé – “Lemonade”  Kanye West – “Famous” Music Videos Dominate the Headlines
  • 18.   Nowadays music videos are created to promote the artist, their song and in some cases certain products.  Videos are easily accessible, with them being shown online and on TV.  Their purpose is mainly to engage the audience and persuade them to buy their song.  Additionally, there is an increasing number of new techniques being used to create innovative videos. Almost constructing something never seen before, therefore making it more engaging.  Some would argue that with the existence of music applications such as spotify (making music readily available) the videos have become less important. Music Videos Today