Grade 10 MAPEH

2. Music of the 20th Century
Primitivistic Music
Overview
Russian Dance from “Petrouchka”
Bela Bartok
Duet for Pipes

3. Primitivism
Primitivistic music is tonal through the
asserting of one note as more important than the
others. New sounds are synthesized or combining
the various components into new whole from old
ones by juxtaposing or putting side by side the two
simple events to create a more complex new event.

4. Primitivism
Exoticism
through the use of materials
from other cultures
has links to:

5. Nationalism
through the use of materials
indigenous to specific countries
Primitivism
has links to:

6. through the use of materials
from European ethnic groups
Ethnicism
Primitivism
has links to:

7. through the use of materials
from European ethnic groups
Ethnicism
Primitivism
has links to:

8. BELA BARTOK
(1881–1945)

9. RUSSIAN DANCE FROM “PETROUCHKA”
(Excerpt)
Igor Stravinsky

10. BELA BARTOK
Bela Viktor Janos Bartok
Place of Birth:
Nagyszentmiklos, Hungary (now
Romania)
Date of Birth:
March 25, 1881,
He entered at Budapest Royal
Academy of Music in 1899.
Inspired by Richard Strauss’s Also
Sprach Zarathustra to write his first
nationalistic poem, Kossuth in 1903.

11. BELA BARTOK
Bela Viktor Janos Bartok
Place of Birth:
Nagyszentmiklos, Hungary (now
Romania)
Date of Birth:
March 25, 1881,
He entered at Budapest Royal
Academy of Music in 1899.
Inspired by Richard Strauss’s Also
Sprach Zarathustra to write his first
nationalistic poem, Kossuth in 1903.

12. BELA BARTOK
Bela Viktor Janos Bartok
Place of Birth:
Nagyszentmiklos, Hungary (now
Romania)
Date of Birth:
March 25, 1881,
He entered at Budapest Royal
Academy of Music in 1899.
Inspired by Richard Strauss’s Also
Sprach Zarathustra to write his first
nationalistic poem, Kossuth in 1903.

13. BELA BARTOK
In 1906, with his fellow
composer Kodaly, Bartok
published his first collection of 20
Hungarian folk songs.

14. BELA BARTOK
As a neo-classicist,
primitivist, and nationalist
composer, Bartok used Hungarian
folk themes and rhythms. He also
utilized changing meters and
strong syncopations. He admired
the musical styles of Liszt, Strauss,
Debussy, and Stravinsky.

15. BELA BARTOK
As a neo-classicist,
primitivist, and nationalist
composer, Bartok used Hungarian
folk themes and rhythms. He also
utilized changing meters and
strong syncopations. He admired
the musical styles of Liszt, Strauss,
Debussy, and Stravinsky.
Franz Liszt

16. BELA BARTOK
As a neo-classicist,
primitivist, and nationalist
composer, Bartok used Hungarian
folk themes and rhythms. He also
utilized changing meters and
strong syncopations. He admired
the musical styles of Liszt, Strauss,
Debussy, and Stravinsky.
Strauss

17. BELA BARTOK
As a neo-classicist,
primitivist, and nationalist
composer, Bartok used Hungarian
folk themes and rhythms. He also
utilized changing meters and
strong syncopations. He admired
the musical styles of Liszt, Strauss,
Debussy, and Stravinsky.Claude Debussy

18. BELA BARTOK
As a neo-classicist,
primitivist, and nationalist
composer, Bartok used Hungarian
folk themes and rhythms. He also
utilized changing meters and
strong syncopations. He admired
the musical styles of Liszt, Strauss,
Debussy, and Stravinsky.
Igor Stravinsky

19. BELA BARTOK
Bartok is most famous for his Six String
Quartets (1908–1938). It represents the greatest
achievement of his creative life, spanning a full 30
years for their completion.

20. BELA BARTOK
The Concerto for Orchestra (1943), features
the exceptional talents of its various soloists in an
intricately constructed piece.
The short and popular Allegro Barbaro (1911)
for solo piano is punctuated with swirling rhythms
and percussive chords.
Mikrokosmos (1926–1939), a set of six books,
introduced and familiarized the piano student with
contemporary harmony and rhythm.

21. BELA BARTOK
more or less 695 musical compositions
concerti
orchestral music
piano music
instrumental music dramatic music
choral music
songs

22. BELA BARTOK
Bartok to migrate to the United States, where
he died on September 26, 1945 in New York City,
USA.

23. DUET FOR PIPES
(Excerpt)
Bela Bartok

24. Music of the 20th Century
Primitivistic MusicGroup 2
Members:
John Adrian Adiaz
Mark Edward Orpia
Alyssa Casimiro
Arlene Corpuz
Overview
Russian Dance from “Petrouchka”
Bela Bartok
Duet for Pipes