2. Character Costumes #1
Spencer is depicted here as wearing blind glasses, this is a
key aspect of his character – whilst also evoking mystery due
to his disguised expressions. The lack of eyes / black eyes can
also be related to somewhat villainous appearances, this acts
as a method of foreshadowing which may hint the idea subtly
to the audience. The large hat upon his head also adds to his
shady nature, while the colour of the aforementioned items
all correspond to the black colour scheme. Spencer’s blind
cane is yet another piece of costumes design that lets the
audience know the character is visually impaired. The one
piece of clothing that is not black is the tie, which is a vibrant
purple and corresponds to the character’s in-universe colour
code. The bedraggled appearance of Anthony relates to the
fact he has not been seen for many years, with his location
and circumstances being unknown. His costume is consistent
with that shown in the flashback, hinting that he may indeed
be wearing the same general outfit. His character holds a
revolver, a connotation of his violent nature – whilst his
masculine beard adds to his imposing appearance. He is also
taller than Spencer, with his excessive facial hair partially
obscuring his true expressions – and therefore intentions.
3. Character Costumes #2
Pete the barman is shown to be dressed more casually than
the gang leaders he is presented alongside. This lines up with
his generally more cowardly and laid back nature, which is an
important point within the film’s narrative. His shirt is more
of a light colour in comparison to the other characters also,
who generally possess darker colour schemes. The pistol that
he holds is significantly smaller than the weapons carried by
Anthony and Benjamin, this is so that it can be hidden easily
behind his bar and within his unsuspecting items of clothing.
His relaxed posture and glass of gin within his hand suggests
a laid back lifestyle, with the character rarely going out of his
way to be of much assistance. Benjamin once again retains a
simplistic and somewhat sleek look, whilst bearing his silver
revolver – similar to that used by Anthony. His dark grey
waistcoat and white shirt provide a contrast in colour, whilst
this is complemented by his black shoes and trousers. The
lack of tie around his neck suggests a somewhat rogue
nature, as this is a more casual approach to a sensible design
of fashion. It is worth noting that the waistcoat worn by
Benjamin allegedly contains room for several items to be
stored within it, as displayed occasionally in the film itself.
4. Character Costumes #3
The character known only as “Old Man” is more of a
secondary character than the previously analysed four,
however his costume design is rather significant when it
comes to the film’s lore. It is important that the stereotypical
appearance of an elderly man is portrayed here too, so that
the audience have a clear understanding of the character.
Such elements include; the flat cap, glasses, tweed clothing
and lastly – the unsuspecting briefcase. Make-up will also be
a part of this character’s design, as the actor will have to be
aged in order to better represent the character of the old
man. This costume design will be used for the character’s
appearance early on in the film, as well as the post-credits
scene in which he is the central focus.
5. Props #1
The first prop shown is a hip flask labelled “Mr. Jack’s Root
Beer”, this item belongs to the character of Benjamin in the
film and is used to set up the character. The brand shown on
the flask has been previously established, whilst also being
present on it’s own bottle – making the root beer seem
genuine. The Old Man’s bag is held by him during his brief
appearances in the film, since this design stage – it has
evolved into more of a brief case than a bag. Staying with the
theme of the old man character, the “Vendetta” mask that he
reveals to be in the bag is depicted here. Hints of
intertextuality are present as the prop has been present in a
previously established production that takes place within the
same continuity.
6. Props #2
Anthony and Benjamin’s revolvers are almost identical, so
one is shown here that stands for them both. They are silver
in colour, with both not being in too good of a condition due
to their relative age – with Anthony’s being slightly more so.
These weapons contrast to that used by Pete, which is
smaller in size, making it easy to conceal .
7. Props #3
These sketches showcase the beverages that feature most
prominently in the production. Starting with “Mr. Jack’s Root
Beer”, this is referenced through Benjamin’s flask as well as
the product shown here. It is tinted black, giving the bottle a
dark overall colour scheme – with the skull label design
suggesting the drink itself is somewhat powerful. Next, the
“Bottle of Joe’s” or simply “Joe’s” as the label states, is the
most significant of the beverages displayed. It is this drink
that is a topic of discussion between the characters, due to
it’s controversial taste, which hints towards the quality of the
products served at Pete’s Bar. The final alcoholic beverage is
“Some Boi Gin”, being the more polished predecessor to the
popular present day “Some Boi Juice” range of products. The
label on this bottle reflects elements from the original
product that it is based off, making them aimed at an older
audience. All labels shown are based off similar real-life
counterparts, whilst also being completely custom made for
the requirements of the production.
8. Props #4
The first image represents the seven pairs of cufflinks that
belong to each of the gang leaders within the film. They are
simplistic in design, whilst also being subtly unique and
recognisable to anyone that they concern. The pocket watch
is used as a reference to the time throughout the film, this
belongs to Benjamin and is of an old classic design.
Newspaper clippings of significance to events that have taken
place concerning the gangs are placed across a board in
Pete’s bar. Each of these are custom made, referencing extra
bites of information that may be of interest to the audience,
acting as “Easter Eggs”. These are also weathered and torn
somewhat to indicate their age, this also fits the aesthetic of
the bar as a whole. The wallet is merely part of a throwaway
scene involving Spencer’s introduction and interactions with
Benjamin. It is of standard design, with the wallet’s black
leather relatively worn and the only item of significance
inside of it being the ID card belonging to the unknown
“Richard D. Swine” character, who was an unfortunate victim
of Spencer’s crimes.
9. Location
The primary location in which the film takes place is Pete’s
Bar. The actual filming location (a relatively local pub) has
been scouted and the illustration here is based off the initial
impressions given. The lights have been tested so that they
operate sufficiently enough to light the camera’s view to full
quality, whilst also maintaining the atmosphere of a vintage
bar. Space has been provided for the character of Pete to be
stationed behind the bar, which fits accordingly alongside the
beverages etc. Several tall chairs are present beside the bar,
as this is where the characters will be positioned for most
scenes. The “Poolini” painting is placed upon a wall off to the
right hand side of the bar, which fits the size and stability that
is required. This blends nicely with the old style of wallpaper
that decorates the walls, along with the general dark wooden
aesthetic that dawns the pub. Sufficient room is left for the
characters to walk around and interact with each other when
needed - most prominently conversing with Pete from behind
his bar.
