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ENTER 2018 Research Track Slide Number 1
Engaging Festival Audiences
through Social Media
(Research Note)
Christine M. Van Winkle
University of Manitoba, Canada
Christine.vanwinkle@umanitoba.ca
http://tourismandcommunity.com/mobile/
Jill Bueddefeld
University of Manitoba,
Canada
Elizabeth Halpenny
University of Alberta,
Canada
Kelly J. MacKay
Ryerson University,
Canada
ENTER 2018 Research Track Slide Number 2
Engaging Festival Audiences
through Social Media
(Research Note)
Thank you:
Student Research Assistants:
Jill Bueddefeld,
PhD Candidate
University of Manitoba
Geoff Fudurich,
MASc
Ryerson University
ENTER 2018 Research Track Slide Number 3
Introduction
 Global increase in social media adoption
 Penetration rates vary regionally
Social Media Platform Adoption
ENTER 2018 Research Track Slide Number 4
Introduction
 Social media to build relationships
Address customers needs
Enhance organizational
performance
Trainor, Andzulis, Rapp, and Agnihotri, 2014
 Customer orientation to build relationships
Jayachandran, Sharma, Kaufman, & Raman, 2005; Rapp et al, 2010;
Sashi, 2012
ENTER 2018 Research Track Slide Number 5
Introduction
 Understanding how customer orientation
and social media use are related can
provide insight into how organizations
meet their consumers’ needs
through online relationship
building.
ENTER 2018 Research Track Slide Number 6
Purpose
 provide insight into the current state of
social media use (and non-use) by festival
organizations, and to examine the
relationship between social media use and
customer orientation
(Jayachandran, Sharma, Kaufman, & Raman, 2005;
Trainor et al., 2014; Sashi, 2012).
ENTER 2018 Research Track Slide Number 7
Research Question
• How do festival organizations use social
media to engage attendees?
– To what extent is SM used from firm-centric
approach of pushing messages (grounded in G-
D logic) vs a relationship building approach
grounded in S-D logic approach?
– Does an organization’s relationship
building approach affect when and how
SM is used?
ENTER 2018 Research Track Slide Number 8
Method
• Online survey
• Comprehensive list of Canadian and
American Festivals (N= 2390)
• E-mail contact and initial follow-up
• Final follow-up through IFEA membership
ENTER 2018 Research Track Slide Number 9
Results
446 Festival administrators responded
(17.6% response rate)
senior administers (43%)
marketing specialists (15%)
producers and event management staff (9%)
and other staff/volunteers (12%).
ENTER 2018 Research Track Slide Number 10
Results
On Average Festivals were:
25 years years old
7.3 days long
76% of Festivals run by non-profit organizations
the majority hosted at a single site (62%) and
attracting a regional audience (48%)
ENTER 2018 Research Track Slide Number 11
Results
 Most Festivals were:
Music (27.9%) or other (35.8%)
ENTER 2018 Research Track Slide Number 12
Results
Social Media Management
ENTER 2018 Research Track Slide Number 13
Results
Social Media Management
ENTER 2018 Research Track Slide Number 14
Results
Most Used Platforms
24%
32%
ENTER 2018 Research Track Slide Number 15
Results
Frequency of Social Media Posting
ENTER 2018 Research Track Slide Number 16
Results
Social Media Engagement (Sashi, 2012)
ENTER 2018 Research Track Slide Number 17
Results
Customer Relationship Orientation (Jayachandran et al., 2005)
Please indicate to what extent you agree to disagree with
the following statements by selecting the response that
best describes your festival. N Mdn IQR
In our organization retaining attendees is considered to
be a top priority
358 7 1
Our employees are encouraged to focus on relationships
with attendees
315 6 2
Our volunteers are encouraged to focus on relationships
with attendees
342 6 2
In our organization relationships with attendees are
considered valuable assets
351 7 1
Our senior management emphasizes the importance of
attendee relationships
339 6 2
ENTER 2018 Research Track Slide Number 18
Results
• There was a significant positive relationship
between the number of social media
platforms used and customer orientation
(rs(302) = .121, p = .032).
• There was also a relationship between
customer orientation and the amount of
posting to social media during certain
periods.
ENTER 2018 Research Track Slide Number 19
Results
• greater posting the week before the
festival (rs(302) = -.220, p = .000) and the
week after the festival (rs(301) = -.127, p = .
028) were associated with a stronger
customer orientation.
ENTER 2018 Research Track Slide Number 20
ENTER 2018 Research Track Slide Number 21
Discussion
• Social media posting before and during
festival
• Need to consider the multi-phase
experience Clawson & Knetch, 2013
• Staffing may be a key issue
• Social-media automation may be
appropriate
ENTER 2018 Research Track Slide Number 22
Discussion
Facilitating Social Media Engagement
ENTER 2018 Research Track Slide Number 23
Conclusion
• Social media strategy should be considered
to alleviate demands on staff
• Next steps
– Explore factors affecting customer relationship
orientation
• What factors affect whether SM is used as a form of
CRM to enhance Customer Engagement
– Examine outcomes of customer relationship
orientation
ENTER 2018 Research Track Slide Number 24
ReferencesClawson, M., & Knetsch, J. L. (2013). Economics of Outdoor Recreation. Routledge.
Government of Canada, Industry Canada (2008). State of Logistics: The Canadian Report 2008 - Canadian Logistics
Industry [Reports: Statistical Reports]. Retrieved April 8, 2015, from
http://www.ic.gc.ca/eic/site/dsib-logi.nsf/eng/h_pj00458.html
Hudson, S. & Hudson, R. (2013). Engaging with customers using social media: A case study of music festivals. International
Journal of Festival and Event Management. 4(3), 206-223.
Jayachandran, S., Sharma, S., Kaufman, P., & Raman, P. (2005). The role of relational information processes and
technology use in customer relationship management. Journal of Marketing, 69(4), 177–192.
McIntyre, K.E., 2014. The Evolution of Social Media from 1969 to 2013: A Change in Competition and a Trend Toward
Complementary, Niche Sites. The Journal of Social Media in Society, 3(2).
Rapp, A., Trainor, K.J., Agnihotri, R. (2010). Performance implications of customer-linking capabilities: Examining the
complementary role of customer orientation and CRM technology. Journal of Business Research. 63. 1229-1236.
Sashi, C. M. (2012). Customer engagement, buyer-seller relationships, and social media. Management Decision, 50(2),
253–272. https://doi.org/10.1108/00251741211203551
Trainor, K. J., Andzulis, J. (Mick), Rapp, A., & Agnihotri, R. (2014). Social media technology usage and customer
relationship performance: A capabilities-based examination of social CRM. Journal of Business Research, 67(6), 1201–
1208. https://doi.org/10.1016/j.jbusres.2013.05.002
McIntyre, K.E., 2014. The Evolution of Social Media from 1969 to 2013: A Change in Competition and a Trend Toward
Complementary, Niche Sites. The Journal of Social Media in Society, 3(2).
Nickerson, N. P. & Kerr, P. (2014). Snapshots: An introduction to tourism. Scarborough (6th edition), ON: Prentice-Hall.
We Are Social. (2017). Digital in 2017: Global Overview. Retrieved September 5, 2017, from
https://wearesocial.com/special-reports/digital-in-2017-global-overview
Van Winkle, C. M., & Comer, A. (2011). Festivals and information technology: Stages of diffusion of innovation. Canadian
Congress on Leisure Research; St. Catherine’s, Ontario.
PLAN: Creating a social media strategy
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Engaging Festival Audiences through Social Media (Research Note)

  • 1. ENTER 2018 Research Track Slide Number 1 Engaging Festival Audiences through Social Media (Research Note) Christine M. Van Winkle University of Manitoba, Canada Christine.vanwinkle@umanitoba.ca http://tourismandcommunity.com/mobile/ Jill Bueddefeld University of Manitoba, Canada Elizabeth Halpenny University of Alberta, Canada Kelly J. MacKay Ryerson University, Canada
  • 2. ENTER 2018 Research Track Slide Number 2 Engaging Festival Audiences through Social Media (Research Note) Thank you: Student Research Assistants: Jill Bueddefeld, PhD Candidate University of Manitoba Geoff Fudurich, MASc Ryerson University
  • 3. ENTER 2018 Research Track Slide Number 3 Introduction  Global increase in social media adoption  Penetration rates vary regionally Social Media Platform Adoption
  • 4. ENTER 2018 Research Track Slide Number 4 Introduction  Social media to build relationships Address customers needs Enhance organizational performance Trainor, Andzulis, Rapp, and Agnihotri, 2014  Customer orientation to build relationships Jayachandran, Sharma, Kaufman, & Raman, 2005; Rapp et al, 2010; Sashi, 2012
  • 5. ENTER 2018 Research Track Slide Number 5 Introduction  Understanding how customer orientation and social media use are related can provide insight into how organizations meet their consumers’ needs through online relationship building.
  • 6. ENTER 2018 Research Track Slide Number 6 Purpose  provide insight into the current state of social media use (and non-use) by festival organizations, and to examine the relationship between social media use and customer orientation (Jayachandran, Sharma, Kaufman, & Raman, 2005; Trainor et al., 2014; Sashi, 2012).
  • 7. ENTER 2018 Research Track Slide Number 7 Research Question • How do festival organizations use social media to engage attendees? – To what extent is SM used from firm-centric approach of pushing messages (grounded in G- D logic) vs a relationship building approach grounded in S-D logic approach? – Does an organization’s relationship building approach affect when and how SM is used?
  • 8. ENTER 2018 Research Track Slide Number 8 Method • Online survey • Comprehensive list of Canadian and American Festivals (N= 2390) • E-mail contact and initial follow-up • Final follow-up through IFEA membership
  • 9. ENTER 2018 Research Track Slide Number 9 Results 446 Festival administrators responded (17.6% response rate) senior administers (43%) marketing specialists (15%) producers and event management staff (9%) and other staff/volunteers (12%).
  • 10. ENTER 2018 Research Track Slide Number 10 Results On Average Festivals were: 25 years years old 7.3 days long 76% of Festivals run by non-profit organizations the majority hosted at a single site (62%) and attracting a regional audience (48%)
  • 11. ENTER 2018 Research Track Slide Number 11 Results  Most Festivals were: Music (27.9%) or other (35.8%)
  • 12. ENTER 2018 Research Track Slide Number 12 Results Social Media Management
  • 13. ENTER 2018 Research Track Slide Number 13 Results Social Media Management
  • 14. ENTER 2018 Research Track Slide Number 14 Results Most Used Platforms 24% 32%
  • 15. ENTER 2018 Research Track Slide Number 15 Results Frequency of Social Media Posting
  • 16. ENTER 2018 Research Track Slide Number 16 Results Social Media Engagement (Sashi, 2012)
  • 17. ENTER 2018 Research Track Slide Number 17 Results Customer Relationship Orientation (Jayachandran et al., 2005) Please indicate to what extent you agree to disagree with the following statements by selecting the response that best describes your festival. N Mdn IQR In our organization retaining attendees is considered to be a top priority 358 7 1 Our employees are encouraged to focus on relationships with attendees 315 6 2 Our volunteers are encouraged to focus on relationships with attendees 342 6 2 In our organization relationships with attendees are considered valuable assets 351 7 1 Our senior management emphasizes the importance of attendee relationships 339 6 2
  • 18. ENTER 2018 Research Track Slide Number 18 Results • There was a significant positive relationship between the number of social media platforms used and customer orientation (rs(302) = .121, p = .032). • There was also a relationship between customer orientation and the amount of posting to social media during certain periods.
  • 19. ENTER 2018 Research Track Slide Number 19 Results • greater posting the week before the festival (rs(302) = -.220, p = .000) and the week after the festival (rs(301) = -.127, p = . 028) were associated with a stronger customer orientation.
  • 20. ENTER 2018 Research Track Slide Number 20
  • 21. ENTER 2018 Research Track Slide Number 21 Discussion • Social media posting before and during festival • Need to consider the multi-phase experience Clawson & Knetch, 2013 • Staffing may be a key issue • Social-media automation may be appropriate
  • 22. ENTER 2018 Research Track Slide Number 22 Discussion Facilitating Social Media Engagement
  • 23. ENTER 2018 Research Track Slide Number 23 Conclusion • Social media strategy should be considered to alleviate demands on staff • Next steps – Explore factors affecting customer relationship orientation • What factors affect whether SM is used as a form of CRM to enhance Customer Engagement – Examine outcomes of customer relationship orientation
  • 24. ENTER 2018 Research Track Slide Number 24 ReferencesClawson, M., & Knetsch, J. L. (2013). Economics of Outdoor Recreation. Routledge. Government of Canada, Industry Canada (2008). State of Logistics: The Canadian Report 2008 - Canadian Logistics Industry [Reports: Statistical Reports]. Retrieved April 8, 2015, from http://www.ic.gc.ca/eic/site/dsib-logi.nsf/eng/h_pj00458.html Hudson, S. & Hudson, R. (2013). Engaging with customers using social media: A case study of music festivals. International Journal of Festival and Event Management. 4(3), 206-223. Jayachandran, S., Sharma, S., Kaufman, P., & Raman, P. (2005). The role of relational information processes and technology use in customer relationship management. Journal of Marketing, 69(4), 177–192. McIntyre, K.E., 2014. The Evolution of Social Media from 1969 to 2013: A Change in Competition and a Trend Toward Complementary, Niche Sites. The Journal of Social Media in Society, 3(2). Rapp, A., Trainor, K.J., Agnihotri, R. (2010). Performance implications of customer-linking capabilities: Examining the complementary role of customer orientation and CRM technology. Journal of Business Research. 63. 1229-1236. Sashi, C. M. (2012). Customer engagement, buyer-seller relationships, and social media. Management Decision, 50(2), 253–272. https://doi.org/10.1108/00251741211203551 Trainor, K. J., Andzulis, J. (Mick), Rapp, A., & Agnihotri, R. (2014). Social media technology usage and customer relationship performance: A capabilities-based examination of social CRM. Journal of Business Research, 67(6), 1201– 1208. https://doi.org/10.1016/j.jbusres.2013.05.002 McIntyre, K.E., 2014. The Evolution of Social Media from 1969 to 2013: A Change in Competition and a Trend Toward Complementary, Niche Sites. The Journal of Social Media in Society, 3(2). Nickerson, N. P. & Kerr, P. (2014). Snapshots: An introduction to tourism. Scarborough (6th edition), ON: Prentice-Hall. We Are Social. (2017). Digital in 2017: Global Overview. Retrieved September 5, 2017, from https://wearesocial.com/special-reports/digital-in-2017-global-overview Van Winkle, C. M., & Comer, A. (2011). Festivals and information technology: Stages of diffusion of innovation. Canadian Congress on Leisure Research; St. Catherine’s, Ontario.
  • 25. PLAN: Creating a social media strategy
  • 33. RelatingtoyourAudienceThroughSocialmedia *This is not an endorsement but rather a sampling of products available AUTOMATE: Tools Ordered by Ease of Use Cost Scheduling Reciprocity Analytics Custo mize Hootsuite 228-1200+/year ✓ ✓ ✓ ✓ Dlvr.it Free-1800/year ✓ - ✓ - Buffer.com Free – 1200+/year ✓ ✓ ✓ - IFTTT.com Free ✓ ✓ ✓ ✓
  • 34. RelatingtoyourAudienceThroughSocialmedia *This is not an endorsement but rather a sampling of products available ANALYZE: Tools

Editor's Notes

  1. 2.6 billion social media users globally
  2. This aligns with what we saw when we looked at the posting activities of 4 canadian festival Platforms use different algorithms to populate news feeds. Facebook previous used a timeline but have made it more complicated. Interaction matters in many of the algorythsms used.
  3. Notably, the amount of posting the week during the festival (rs(299) = -.054, p = .356) and the rest of the year (rs(302) = -.111, p = .053) were not related to customer orientation. Note that a greater amount of posting was coded at 1 where as no posting was coded as 6.
  4. Identify your social media goals align with overall organization missions and your marketing strategy Unique to the social media space Goal, inform, persuade and remind. Users Content Networks Engagement Reciprocity Analytics and analysis Ad capability
  5. Identify your social media goals align with overall organization missions and your marketing strategy Unique to the social media space Goal, inform, persuade and remind. Users Content Networks Engagement Reciprocity Analytics and analysis Ad capability
  6. Identify your social media goals align with overall organization missions and your marketing strategy Unique to the social media space Goal, inform, persuade and remind. Users Content Networks Engagement Reciprocity Analytics and analysis Ad capability
  7. Identify your social media goals align with overall organization missions and your marketing strategy Unique to the social media space Goal, inform, persuade and remind. Users Content Networks Engagement Reciprocity Analytics and analysis Ad capability
  8. Identify your social media goals align with overall organization missions and your marketing strategy Unique to the social media space Goal, inform, persuade and remind. Users Content Networks Engagement Reciprocity Analytics and analysis Ad capability
  9. Identify your social media goals align with overall organization missions and your marketing strategy Unique to the social media space Goal, inform, persuade and remind. Users Content Networks Engagement Reciprocity Analytics and analysis Ad capability
  10. Identify your social media goals align with overall organization missions and your marketing strategy Unique to the social media space Goal, inform, persuade and remind. Users Content Networks Engagement Reciprocity Analytics and analysis Ad capability
  11. Identify your social media goals align with overall organization missions and your marketing strategy Unique to the social media space Goal, inform, persuade and remind. Users Content Networks Engagement Reciprocity Analytics and analysis Ad capability
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