SlideShare a Scribd company logo
1 of 31
PHILIPPINE
POPULAR MUSIC
The one thing that comes to mind when we think of
contemporary Philippine music is the type commonly
termed as Original Philippine Music, or OPM for short. It
was originally used to refer only to Philippine pop songs,
particularly ballads, such as those popular after the
collapse of its predecessor, the Manila sound, in the late
1970s up until the present.
In the 1960s to 1970s, Nora Aunor, Pilita Corales, Eddie
Peregrina, Victor Wood, Asin, APO Hiking Society and
others were highly popular OPM singers. In the 1970s to
1980s, the major commercial Philippine pop music artists
were Claire Dela Fuente, Didith Reyes, Rico Puno, Ryan
Cayabyab, Basil Valdez, Celeste Legaspi, Hajji Alesandro,
Rey Valera, Freddie Aguilar, Imelda Papin, Eva Eugenio,
Nonoy Zuniga and many others.
ORIGINAL PILIPINO MUSIC (OPM)
The 1980s to 1990s are also regarded as the
golden era of Philippine
ballads. Among the classics that emerged were
those created by:
Ryan Cayabyab (Kay Ganda ng Ating Musika,
Kahit Ika’y Panaginip Lang)
George Canseco (Kapantay ay Langit,
Kastilyong Buhangin, Tubig at Langis)
Willie Cruz (Sana’y Wala Nang Wakas,
Bituing Walang Ningning)
Jose Mari Chan (Beautiful Girl, Please Be
Careful With My Heart, Constant Change)
Gary Valenciano (Sana Maulit Muli)
Ryan Cayabyab
Gary Valenciano
George Canseco
Most of these compositions made use of Western-type
melody and harmony, while expressing uniquely Filipino
emotions in movingly poetic lyrics. These came to be known
as OPM, and were popularized by solo artists like Pilita
Corales, Nora Aunor, Basil Valdez, Celeste Legaspi, Hajji
Alejandro, Leah Navarro, Sharon Cuneta, Martin Nievera,
Gary Valenciano, ZsaZsa Padilla, Regine Velasquez, and
Ogie Alcasid.
At the start, OPM was centered in Manila, where Tagalog and English are the dominant
languages. However, other ethno-linguistic groups such as the Visayan, Bikol,
Kapampangan, and Ilocano also began to sing and record their songs in their native
dialects.
Between the 1980s and 1990s, OPM was led by artists such as Martin Nievera, Gary
Valenciano, Lea Salonga, Regine Velasquez, Sharon Cuneta, Vina Morales, Raymond
Lauchengco, Francis Magalona, Pops Fernandez, José Mari Chan, Dingdong Avanzado,
Janno Gibbs, Ogie Alcasid, Joey Albert, Manilyn Reynes, among many others.
In the 1990s, the famous solo artists and
bands included The Eraserheads, Smokey
Mountain, Donna Cruz, Jessa Zaragoza, Ariel
Rivera, Southborder, Afterimage, Andrew
E., Jaya, Rivermaya, Parokya ni Edgar, among
many others. Underground bands emerged
and along with them were their perceptions
of idealism and self-expression.
More recently, OPM stars have included Yeng
Constantino, Sarah Geronimo, Aisa
Seguerra, and international singers Arnel
Pineda (of the international rock group,
Journey),
Charice Pempengco, and others.
Sarah Geronimo
Charice Pempengco
Arnel Pineda
PHILIPPINE POPULAR MUSIC
Pop music in the Philippines started as an adaptation or
translation, if not complete
imitation, of Western hits. It started with Bobby
Gonzales’ Hahabol-habol (Hot
Pursuit), a local version of the rock and roll songs of the
1950s, and Rico Puno’s Luneta, a local adaptation of The
Way We Were. This immediately clicked with the youth
and
eventually gained wide acceptance even among the
“burgis”
(bourgeois or elite) crowd.
Rico J. Puno
Among the proponents of the Manila Sound were the Hotdog,
Cinderella, The Rainmakers,
and the Apo Hiking Society. After waning briefly in the 1990’s, this sound
regained
The start of the “Manila Sound” in the mid-1970s
gave rise to songs using a colloquial
language called Taglish, a combination of Tagalog
and English. These Filipino lyrics sung
to pop melodies resulted in highly singable songs
with contemporary appeal.
Among the proponents of the Manila Sound were
the Hotdog, Cinderella, The Rainmakers,
and the Apo Hiking Society. After waning briefly in
the 1990’s, this sound regained
popularity in recent years with remakes of the
1970’s originals by contemporary rock
Bands.
Hotdog
Apo Hiking Society
PHILIPPINE JAZZ
Philippine musicians have also been inspired by jazz
music. Among them are jazz
pianist and recording artist Boy Katindig, who comes
from the well-known clan of
musicians that includes jazz piano legend Romy
Katindig and saxophonist Eddie Katindig.
The Katindig family pioneered Latin jazz in Manila.
Other notable Filipino jazz musicians include Lito
Molina, Angel Peña, Emil Mijares, and
internationally known jazz pianist Bobby Enriquez
Lito Molina and the Jazz Friends
PHILIPPINE ALTERNATIVE FOLK MUSIC
The Philippines also saw the rise of alternative folk music
which was different from the traditional and popular
form. This new form combined ethnic instrumentation
with electronic accompaniment, while presenting themes
or issues of society and the environment. Some of the
Filipino composers who championed this style were Joey
Ayala, Grace Nono, and Edru Abraham of Kontragapi
(“Kontemporaryong Gamelan Pilipino”).
Among other Filipino composers
whose styles ranged from folk to
semi-ethnic were
Freddie Aguilar, best known for his
song Anak; Yoyoy Villame,
composer of Magellan;
Florante, composer of Ako’y Isang
Pinoy; and Gary Granada,
composer of Ka Bayani.
Freddie Aguilar
PHILIPPINE ROCK
The year 1973 saw the birth of Philippine or
“Pinoy” rock music which successfully merged
the rock beat with Filipino lyrics. This new sound
was introduced by the legendary Juan de la Cruz Band
(with their song Ang Himig Natin) which had for its
members Joey “Pepe” Smith, Wally Gonzales, and
the originator of Jeproks, Mike Hanopol, who later
became a major symbol of Pinoy rock.
Other early exponents of Pinoy rock included the band
Maria Cafra; Sampaguita, the
female rocker; and folk-rock singer Heber Bartolome
and his Banyuhay band, whose
songs expressed strong messages of nationalism.
Juan Dela Cruz Band
Continuing this legacy of Pinoy rock
today are vocal groups
and bands that include River Maya,
The Dawn, True Faith,
The Eraserheads, Wolfgang,
Bamboo, Parokya ni Edgar, Hale,
Sandwich, SugarFree, Sponge
Cola,and others.
Bamboo
Parokya ni Edgar
PINOY RAP
In the Philippines, rap was also made popular by such
composers and performers as
Francis Magalona (Mga Kababayan Ko and Watawat) and
Andrew E (Humanap Ka
ng Pangit).
Francis Magalona was born on October 4, 1964 and died on
March 6, 2009. He is also known as FrancisM, “Master
Rapper,” and “The Man From Manila.” He was a Filipino
rapper, songwriter, producer, actor, director, television
host,
and photographer. He is often hailed as the “King of Pinoy
Rap” and is considered a legend in the Philippine music
community.
Francis Magalona
With the success of his earliest albums, Magalona was the
first Filipino rapper to cross over to the mainstream. He is
also credited for having pioneered the merging of rap
with Pinoy rock, becoming a
significant influence on artists in that genre as well. He
was later awarded a posthumous
Presidential Medal of Merit “for his musical and artistic
brilliance, his deep faith in the
Filipino, and his sense of national pride that continue to
inspire us.”
POP MUSIC COLLABORATIONS
Philippine pop artists have also collaborated with classical artists and orchestras in a
number of their recordings and concerts. Some of the concerts of Martin Nievera, Gary
Valenciano, Regine Velazquez, Lea Salonga, and Sharon Cuneta have featured the
Philippine Philharmonic Orchestra, the ABS-CBN Orchestra, and the Manila Philharmonic
Orchestra in performances at the Cultural Center of the Philippines (CCP) and the
Philippine International Convention Center (PICC), both known venues for classical
music,
as well as at the Araneta Coliseum and Folk Arts Theater (FAT). Classical musicians have
also performed in malls and other commercial venues to popularize classical music,
popular
music, and OPM.
SUMMARY:
From theater tunes to rock and roll, pop, standards, hip hop, rap, and contemporary
ballads—whether in the West, in the Philippines, or anywhere else in the world—these all
provided a rich and diverse musical background in the development of Philippine
contemporary music. The development of Philippine music was also influenced by the
history of the country—from its pre-Spanish roots, through the Spanish and American
periods, up to the present. It has since evolved to have its own rich and distinct identity
QUIZ TIME!
1. What does OPM mean?
a. Original Palawan Music
b. Original Philippine Mathematics
c. Original Philippine Music
d. None of the above
2.It was originally used to refer only to Philippine pop
songs, particularly ballads, such as those popular after
the collapse of its predecessor, the Manila sound, in
the late 1970s up until the present.
a.OPM c.Pop songs
b.Music d.Manila sound
3. Who composed the songs Beautiful girl,
Please be careful with my heart, constant
change?
a.Gary Valenciano c.Ryan Cayabyab
b.Jose Mari Chan d.Willie Cruz
4. At the start, OPM was centered in ______,
where Tagalog and English are the dominant
languages.
a.Palawan c.Manila
b.Bicol d.none of the above
5. The start of the “Manila Sound” in the mid-1970s
gave rise to songs using a colloquial
language called ______, a combination of Tagalog
and English.
a.TagEng c.Taglish
b.TagFil d.Tagalish
6. The Philippines also saw the rise of
alternative folk ____ which was different
from the traditional and popular form.
a.Dance c. song
b. Jazz d.Music
7. “Anak” is a song composed by _______.
a.Francis Magalona c.Jose Mari Chan
b.Freddie Aguilar d.Willie Revillame
8. The year 1973 saw the birth of Philippine or
“Pinoy” rock music which successfully merged
the rock beat with ______ lyrics.
a.British c.Korean
b.American d.Filipino
9. Who composed the song “Humanap ka ng
pangit”?
a.Freddie Aguilar c.Garry Vallenciano
b.Francis Magalona d.Andrew E.
10. With the success of his earliest albums,
Magalona was the first Filipino rapper to cross over
to the mainstream. Fancis Magalona was one of the
composers and performers of
a.OPM c.Pinoy Rap
b.Philippine Jazz d.Philippine Rock
Answer Key:
1.C 6.D
2.A 7.B
3.B 8.D
4.C 9.D
5.C 10.C
OPM.pptx

More Related Content

What's hot

Ballet in the philippines
Ballet in the philippinesBallet in the philippines
Ballet in the philippineskimberlyquirol
 
Contemporary philippine music
Contemporary philippine musicContemporary philippine music
Contemporary philippine musicMartinGeraldine
 
Philippine Popular Music
Philippine Popular MusicPhilippine Popular Music
Philippine Popular MusicErica Gonzales
 
PHILIPPINE POP MUSIC
PHILIPPINE POP MUSICPHILIPPINE POP MUSIC
PHILIPPINE POP MUSICAngelito Ladra
 
Musical plays GRADE 10 QUARTER 4
Musical plays GRADE 10 QUARTER 4Musical plays GRADE 10 QUARTER 4
Musical plays GRADE 10 QUARTER 4Sharmaine Gonzales
 
CONTEMPORARY PHILIPPINE MUSIC
CONTEMPORARY 
PHILIPPINE MUSICCONTEMPORARY 
PHILIPPINE MUSIC
CONTEMPORARY PHILIPPINE MUSICPpanyang_143
 
Group 1 Philippine Popular Music
Group 1 Philippine Popular MusicGroup 1 Philippine Popular Music
Group 1 Philippine Popular MusicAlvin Parcon
 
Afro American Latin American & Pop Music
Afro American Latin American & Pop MusicAfro American Latin American & Pop Music
Afro American Latin American & Pop MusicJ.C. Escoto
 
Contemporary Philippine composers
Contemporary Philippine composersContemporary Philippine composers
Contemporary Philippine composersEllie Urbana
 
Music 10 lesson #1 philippine contemporary composers
Music 10 lesson #1 philippine contemporary composersMusic 10 lesson #1 philippine contemporary composers
Music 10 lesson #1 philippine contemporary composersEdessa Tolentino Torres
 
ARTS (Contemporary Philippine Art: #Photography)
ARTS (Contemporary Philippine Art: #Photography)ARTS (Contemporary Philippine Art: #Photography)
ARTS (Contemporary Philippine Art: #Photography)Darwin Catindoy
 
Dance in the Philippines during Modern Period
Dance in the Philippines during Modern PeriodDance in the Philippines during Modern Period
Dance in the Philippines during Modern PeriodChristian - Park
 
Multimedia forms music10-q4
Multimedia forms  music10-q4Multimedia forms  music10-q4
Multimedia forms music10-q4Brenda Catalya
 
Quarter III. MEDIA-BASED ARTS IN THE PHILIPPINES
Quarter III. MEDIA-BASED ARTS IN THE PHILIPPINESQuarter III. MEDIA-BASED ARTS IN THE PHILIPPINES
Quarter III. MEDIA-BASED ARTS IN THE PHILIPPINESHard Naulugna
 
Music 10 lesson #1 latin american music
Music 10 lesson #1 latin american musicMusic 10 lesson #1 latin american music
Music 10 lesson #1 latin american musicEdessa Tolentino Torres
 

What's hot (20)

Ballet in the philippines
Ballet in the philippinesBallet in the philippines
Ballet in the philippines
 
Contemporary philippine music
Contemporary philippine musicContemporary philippine music
Contemporary philippine music
 
Philippine Popular Music
Philippine Popular MusicPhilippine Popular Music
Philippine Popular Music
 
PHILIPPINE POP MUSIC
PHILIPPINE POP MUSICPHILIPPINE POP MUSIC
PHILIPPINE POP MUSIC
 
Musical plays GRADE 10 QUARTER 4
Musical plays GRADE 10 QUARTER 4Musical plays GRADE 10 QUARTER 4
Musical plays GRADE 10 QUARTER 4
 
CONTEMPORARY PHILIPPINE MUSIC
CONTEMPORARY 
PHILIPPINE MUSICCONTEMPORARY 
PHILIPPINE MUSIC
CONTEMPORARY PHILIPPINE MUSIC
 
Group 1 Philippine Popular Music
Group 1 Philippine Popular MusicGroup 1 Philippine Popular Music
Group 1 Philippine Popular Music
 
Hip hop
Hip hopHip hop
Hip hop
 
Afro American Latin American & Pop Music
Afro American Latin American & Pop MusicAfro American Latin American & Pop Music
Afro American Latin American & Pop Music
 
Contemporary Philippine composers
Contemporary Philippine composersContemporary Philippine composers
Contemporary Philippine composers
 
Music 10 lesson #1 philippine contemporary composers
Music 10 lesson #1 philippine contemporary composersMusic 10 lesson #1 philippine contemporary composers
Music 10 lesson #1 philippine contemporary composers
 
Grade 10 arts q3&q4
Grade 10 arts q3&q4Grade 10 arts q3&q4
Grade 10 arts q3&q4
 
Festival Dances-Grade 9
Festival Dances-Grade 9Festival Dances-Grade 9
Festival Dances-Grade 9
 
Grade 10 arts q3 for ntot luzon
Grade 10 arts q3 for ntot   luzonGrade 10 arts q3 for ntot   luzon
Grade 10 arts q3 for ntot luzon
 
ARTS (Contemporary Philippine Art: #Photography)
ARTS (Contemporary Philippine Art: #Photography)ARTS (Contemporary Philippine Art: #Photography)
ARTS (Contemporary Philippine Art: #Photography)
 
Philippine Contemporary Music
Philippine Contemporary MusicPhilippine Contemporary Music
Philippine Contemporary Music
 
Dance in the Philippines during Modern Period
Dance in the Philippines during Modern PeriodDance in the Philippines during Modern Period
Dance in the Philippines during Modern Period
 
Multimedia forms music10-q4
Multimedia forms  music10-q4Multimedia forms  music10-q4
Multimedia forms music10-q4
 
Quarter III. MEDIA-BASED ARTS IN THE PHILIPPINES
Quarter III. MEDIA-BASED ARTS IN THE PHILIPPINESQuarter III. MEDIA-BASED ARTS IN THE PHILIPPINES
Quarter III. MEDIA-BASED ARTS IN THE PHILIPPINES
 
Music 10 lesson #1 latin american music
Music 10 lesson #1 latin american musicMusic 10 lesson #1 latin american music
Music 10 lesson #1 latin american music
 

Similar to OPM.pptx

LESSON5_PHILIPPINEPOPMUSIC.pptx
LESSON5_PHILIPPINEPOPMUSIC.pptxLESSON5_PHILIPPINEPOPMUSIC.pptx
LESSON5_PHILIPPINEPOPMUSIC.pptxzeth111
 
Cayetano arellano high school group5
Cayetano arellano high school group5Cayetano arellano high school group5
Cayetano arellano high school group5lovelypitiquen29
 
Contemp Performing Arts.pptx
Contemp Performing Arts.pptxContemp Performing Arts.pptx
Contemp Performing Arts.pptxTiny G.
 
Mapeh
MapehMapeh
MapehJaphryn
 
PHILIPPINE POP MUSIC IN THE DIFFERENT PERIOD.pptx
PHILIPPINE POP MUSIC IN THE DIFFERENT PERIOD.pptxPHILIPPINE POP MUSIC IN THE DIFFERENT PERIOD.pptx
PHILIPPINE POP MUSIC IN THE DIFFERENT PERIOD.pptxrperiarce
 
CONTEMPORARY-ART-PRESENTATION.pdf
CONTEMPORARY-ART-PRESENTATION.pdfCONTEMPORARY-ART-PRESENTATION.pdf
CONTEMPORARY-ART-PRESENTATION.pdfAlexaArsenio
 
music_Q2_Philippine_Music.pptx
music_Q2_Philippine_Music.pptxmusic_Q2_Philippine_Music.pptx
music_Q2_Philippine_Music.pptxLBJCruz
 
GAS2_MATTIAS.pptx
GAS2_MATTIAS.pptxGAS2_MATTIAS.pptx
GAS2_MATTIAS.pptxEdward Acabal
 
Forms and Styles of Philippine Music
Forms and Styles of Philippine MusicForms and Styles of Philippine Music
Forms and Styles of Philippine MusicCharise Ducay
 
Forms and Styles of Philippine Music.pptx
Forms and Styles of Philippine Music.pptxForms and Styles of Philippine Music.pptx
Forms and Styles of Philippine Music.pptxAroumaRaza1
 
Filipino hiphop presentation
Filipino hiphop presentationFilipino hiphop presentation
Filipino hiphop presentationElaine Lee
 
10-FINAL-MAPEH-MUSIC10-Q2-M-1-WEEK-1.pdf
10-FINAL-MAPEH-MUSIC10-Q2-M-1-WEEK-1.pdf10-FINAL-MAPEH-MUSIC10-Q2-M-1-WEEK-1.pdf
10-FINAL-MAPEH-MUSIC10-Q2-M-1-WEEK-1.pdfJasminFlores34
 
GRADE 10- PHILIPPINE TRADITIONAL COMPOSERS.pptx
GRADE 10- PHILIPPINE TRADITIONAL COMPOSERS.pptxGRADE 10- PHILIPPINE TRADITIONAL COMPOSERS.pptx
GRADE 10- PHILIPPINE TRADITIONAL COMPOSERS.pptxChester Pacas
 
grade10-philippinetraditionalcomposers-230205121706-dc98619e.pdf
grade10-philippinetraditionalcomposers-230205121706-dc98619e.pdfgrade10-philippinetraditionalcomposers-230205121706-dc98619e.pdf
grade10-philippinetraditionalcomposers-230205121706-dc98619e.pdfpvy57h6jxn
 
CORE13_MUSIC.pptx
CORE13_MUSIC.pptxCORE13_MUSIC.pptx
CORE13_MUSIC.pptxLemonTreeAU
 
Exploring the Evolution of Secular Music in the Philippines.pptx
Exploring the Evolution of Secular Music in the Philippines.pptxExploring the Evolution of Secular Music in the Philippines.pptx
Exploring the Evolution of Secular Music in the Philippines.pptxfernandopajar1
 
Solo and Choral music
Solo and Choral musicSolo and Choral music
Solo and Choral musicLimu Betil
 

Similar to OPM.pptx (20)

LESSON5_PHILIPPINEPOPMUSIC.pptx
LESSON5_PHILIPPINEPOPMUSIC.pptxLESSON5_PHILIPPINEPOPMUSIC.pptx
LESSON5_PHILIPPINEPOPMUSIC.pptx
 
Cayetano arellano high school group5
Cayetano arellano high school group5Cayetano arellano high school group5
Cayetano arellano high school group5
 
Contemp Performing Arts.pptx
Contemp Performing Arts.pptxContemp Performing Arts.pptx
Contemp Performing Arts.pptx
 
Mapeh
MapehMapeh
Mapeh
 
PHILIPPINE POP MUSIC IN THE DIFFERENT PERIOD.pptx
PHILIPPINE POP MUSIC IN THE DIFFERENT PERIOD.pptxPHILIPPINE POP MUSIC IN THE DIFFERENT PERIOD.pptx
PHILIPPINE POP MUSIC IN THE DIFFERENT PERIOD.pptx
 
Mapeh 10 curie - group 4
Mapeh 10   curie - group 4Mapeh 10   curie - group 4
Mapeh 10 curie - group 4
 
CONTEMPORARY-ART-PRESENTATION.pdf
CONTEMPORARY-ART-PRESENTATION.pdfCONTEMPORARY-ART-PRESENTATION.pdf
CONTEMPORARY-ART-PRESENTATION.pdf
 
music_Q2_Philippine_Music.pptx
music_Q2_Philippine_Music.pptxmusic_Q2_Philippine_Music.pptx
music_Q2_Philippine_Music.pptx
 
Musika
MusikaMusika
Musika
 
GAS2_MATTIAS.pptx
GAS2_MATTIAS.pptxGAS2_MATTIAS.pptx
GAS2_MATTIAS.pptx
 
Forms and Styles of Philippine Music
Forms and Styles of Philippine MusicForms and Styles of Philippine Music
Forms and Styles of Philippine Music
 
Forms and Styles of Philippine Music.pptx
Forms and Styles of Philippine Music.pptxForms and Styles of Philippine Music.pptx
Forms and Styles of Philippine Music.pptx
 
Filipino hiphop presentation
Filipino hiphop presentationFilipino hiphop presentation
Filipino hiphop presentation
 
10-FINAL-MAPEH-MUSIC10-Q2-M-1-WEEK-1.pdf
10-FINAL-MAPEH-MUSIC10-Q2-M-1-WEEK-1.pdf10-FINAL-MAPEH-MUSIC10-Q2-M-1-WEEK-1.pdf
10-FINAL-MAPEH-MUSIC10-Q2-M-1-WEEK-1.pdf
 
GRADE 10- PHILIPPINE TRADITIONAL COMPOSERS.pptx
GRADE 10- PHILIPPINE TRADITIONAL COMPOSERS.pptxGRADE 10- PHILIPPINE TRADITIONAL COMPOSERS.pptx
GRADE 10- PHILIPPINE TRADITIONAL COMPOSERS.pptx
 
grade10-philippinetraditionalcomposers-230205121706-dc98619e.pdf
grade10-philippinetraditionalcomposers-230205121706-dc98619e.pdfgrade10-philippinetraditionalcomposers-230205121706-dc98619e.pdf
grade10-philippinetraditionalcomposers-230205121706-dc98619e.pdf
 
CORE13_MUSIC.pptx
CORE13_MUSIC.pptxCORE13_MUSIC.pptx
CORE13_MUSIC.pptx
 
Exploring the Evolution of Secular Music in the Philippines.pptx
Exploring the Evolution of Secular Music in the Philippines.pptxExploring the Evolution of Secular Music in the Philippines.pptx
Exploring the Evolution of Secular Music in the Philippines.pptx
 
Rock and Roll and Reggaeton
Rock and Roll and Reggaeton Rock and Roll and Reggaeton
Rock and Roll and Reggaeton
 
Solo and Choral music
Solo and Choral musicSolo and Choral music
Solo and Choral music
 

More from EVANGELINELLAVAN

PHYSICAL EDUCATION 10 q3.pptx
PHYSICAL EDUCATION 10 q3.pptxPHYSICAL EDUCATION 10 q3.pptx
PHYSICAL EDUCATION 10 q3.pptxEVANGELINELLAVAN
 
Group - 4 mapeh.pptx
Group - 4 mapeh.pptxGroup - 4 mapeh.pptx
Group - 4 mapeh.pptxEVANGELINELLAVAN
 
MAPEH-MALARIA-AND-TB-PRESENTATION.pptx
MAPEH-MALARIA-AND-TB-PRESENTATION.pptxMAPEH-MALARIA-AND-TB-PRESENTATION.pptx
MAPEH-MALARIA-AND-TB-PRESENTATION.pptxEVANGELINELLAVAN
 
361712222-HEALTH-2ND-QUARTER-Health-Trends-Issues-And-Concerns.pptx
361712222-HEALTH-2ND-QUARTER-Health-Trends-Issues-And-Concerns.pptx361712222-HEALTH-2ND-QUARTER-Health-Trends-Issues-And-Concerns.pptx
361712222-HEALTH-2ND-QUARTER-Health-Trends-Issues-And-Concerns.pptxEVANGELINELLAVAN
 
POPULAR-MUSIC-brylle.pptx
POPULAR-MUSIC-brylle.pptxPOPULAR-MUSIC-brylle.pptx
POPULAR-MUSIC-brylle.pptxEVANGELINELLAVAN
 
orca_share_media1672703151975_7015825521141518622.pdf
orca_share_media1672703151975_7015825521141518622.pdforca_share_media1672703151975_7015825521141518622.pdf
orca_share_media1672703151975_7015825521141518622.pdfEVANGELINELLAVAN
 
Complementary-and-Alternative-Medicine (1).pptx
Complementary-and-Alternative-Medicine (1).pptxComplementary-and-Alternative-Medicine (1).pptx
Complementary-and-Alternative-Medicine (1).pptxEVANGELINELLAVAN
 
Vulnerable Groups.pptx
Vulnerable Groups.pptxVulnerable Groups.pptx
Vulnerable Groups.pptxEVANGELINELLAVAN
 
code of ethics lac.pptx
code of ethics  lac.pptxcode of ethics  lac.pptx
code of ethics lac.pptxEVANGELINELLAVAN
 
7 ASPECTS OF WELL BEING.pptx
7 ASPECTS OF WELL BEING.pptx7 ASPECTS OF WELL BEING.pptx
7 ASPECTS OF WELL BEING.pptxEVANGELINELLAVAN
 
The Effect of Rising Fuel to all.pptx
The Effect of Rising Fuel to all.pptxThe Effect of Rising Fuel to all.pptx
The Effect of Rising Fuel to all.pptxEVANGELINELLAVAN
 
1ST-HPTA-MEETING-OF-10-MACAPAGAL-Sept.-3-2022.pptx
1ST-HPTA-MEETING-OF-10-MACAPAGAL-Sept.-3-2022.pptx1ST-HPTA-MEETING-OF-10-MACAPAGAL-Sept.-3-2022.pptx
1ST-HPTA-MEETING-OF-10-MACAPAGAL-Sept.-3-2022.pptxEVANGELINELLAVAN
 
LAC TOPIC assessment.pptx
LAC TOPIC assessment.pptxLAC TOPIC assessment.pptx
LAC TOPIC assessment.pptxEVANGELINELLAVAN
 

More from EVANGELINELLAVAN (16)

PHYSICAL EDUCATION 10 q3.pptx
PHYSICAL EDUCATION 10 q3.pptxPHYSICAL EDUCATION 10 q3.pptx
PHYSICAL EDUCATION 10 q3.pptx
 
Group - 4 mapeh.pptx
Group - 4 mapeh.pptxGroup - 4 mapeh.pptx
Group - 4 mapeh.pptx
 
MAPEH-MALARIA-AND-TB-PRESENTATION.pptx
MAPEH-MALARIA-AND-TB-PRESENTATION.pptxMAPEH-MALARIA-AND-TB-PRESENTATION.pptx
MAPEH-MALARIA-AND-TB-PRESENTATION.pptx
 
GAVI.pptx
GAVI.pptxGAVI.pptx
GAVI.pptx
 
361712222-HEALTH-2ND-QUARTER-Health-Trends-Issues-And-Concerns.pptx
361712222-HEALTH-2ND-QUARTER-Health-Trends-Issues-And-Concerns.pptx361712222-HEALTH-2ND-QUARTER-Health-Trends-Issues-And-Concerns.pptx
361712222-HEALTH-2ND-QUARTER-Health-Trends-Issues-And-Concerns.pptx
 
Presentation.pptx
Presentation.pptxPresentation.pptx
Presentation.pptx
 
POPULAR-MUSIC-brylle.pptx
POPULAR-MUSIC-brylle.pptxPOPULAR-MUSIC-brylle.pptx
POPULAR-MUSIC-brylle.pptx
 
orca_share_media1672703151975_7015825521141518622.pdf
orca_share_media1672703151975_7015825521141518622.pdforca_share_media1672703151975_7015825521141518622.pdf
orca_share_media1672703151975_7015825521141518622.pdf
 
Complementary-and-Alternative-Medicine (1).pptx
Complementary-and-Alternative-Medicine (1).pptxComplementary-and-Alternative-Medicine (1).pptx
Complementary-and-Alternative-Medicine (1).pptx
 
Vulnerable Groups.pptx
Vulnerable Groups.pptxVulnerable Groups.pptx
Vulnerable Groups.pptx
 
code of ethics lac.pptx
code of ethics  lac.pptxcode of ethics  lac.pptx
code of ethics lac.pptx
 
7 ASPECTS OF WELL BEING.pptx
7 ASPECTS OF WELL BEING.pptx7 ASPECTS OF WELL BEING.pptx
7 ASPECTS OF WELL BEING.pptx
 
1ST PART.pptx
1ST PART.pptx1ST PART.pptx
1ST PART.pptx
 
The Effect of Rising Fuel to all.pptx
The Effect of Rising Fuel to all.pptxThe Effect of Rising Fuel to all.pptx
The Effect of Rising Fuel to all.pptx
 
1ST-HPTA-MEETING-OF-10-MACAPAGAL-Sept.-3-2022.pptx
1ST-HPTA-MEETING-OF-10-MACAPAGAL-Sept.-3-2022.pptx1ST-HPTA-MEETING-OF-10-MACAPAGAL-Sept.-3-2022.pptx
1ST-HPTA-MEETING-OF-10-MACAPAGAL-Sept.-3-2022.pptx
 
LAC TOPIC assessment.pptx
LAC TOPIC assessment.pptxLAC TOPIC assessment.pptx
LAC TOPIC assessment.pptx
 

Recently uploaded

Introduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher EducationIntroduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher Educationpboyjonauth
 
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️9953056974 Low Rate Call Girls In Saket, Delhi NCR
 
Hybridoma Technology ( Production , Purification , and Application )
Hybridoma Technology  ( Production , Purification , and Application  ) Hybridoma Technology  ( Production , Purification , and Application  )
Hybridoma Technology ( Production , Purification , and Application ) Sakshi Ghasle
 
Proudly South Africa powerpoint Thorisha.pptx
Proudly South Africa powerpoint Thorisha.pptxProudly South Africa powerpoint Thorisha.pptx
Proudly South Africa powerpoint Thorisha.pptxthorishapillay1
 
Mastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionMastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionSafetyChain Software
 
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions  for the students and aspirants of Chemistry12th.pptxOrganic Name Reactions  for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions for the students and aspirants of Chemistry12th.pptxVS Mahajan Coaching Centre
 
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTiammrhaywood
 
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdfssuser54595a
 
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdfEnzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdfSumit Tiwari
 
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...Marc Dusseiller Dusjagr
 
internship ppt on smartinternz platform as salesforce developer
internship ppt on smartinternz platform as salesforce developerinternship ppt on smartinternz platform as salesforce developer
internship ppt on smartinternz platform as salesforce developerunnathinaik
 
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxSOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxiammrhaywood
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)eniolaolutunde
 
भारत-रोम व्यापार.pptx, Indo-Roman Trade,
भारत-रोम व्यापार.pptx, Indo-Roman Trade,भारत-रोम व्यापार.pptx, Indo-Roman Trade,
भारत-रोम व्यापार.pptx, Indo-Roman Trade,Virag Sontakke
 
_Math 4-Q4 Week 5.pptx Steps in Collecting Data
_Math 4-Q4 Week 5.pptx Steps in Collecting Data_Math 4-Q4 Week 5.pptx Steps in Collecting Data
_Math 4-Q4 Week 5.pptx Steps in Collecting DataJhengPantaleon
 
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdfBASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdfSoniaTolstoy
 
The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13Steve Thomason
 
Class 11 Legal Studies Ch-1 Concept of State .pdf
Class 11 Legal Studies Ch-1 Concept of State .pdfClass 11 Legal Studies Ch-1 Concept of State .pdf
Class 11 Legal Studies Ch-1 Concept of State .pdfakmcokerachita
 
A Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformA Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformChameera Dedduwage
 

Recently uploaded (20)

Introduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher EducationIntroduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher Education
 
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
 
TataKelola dan KamSiber Kecerdasan Buatan v022.pdf
TataKelola dan KamSiber Kecerdasan Buatan v022.pdfTataKelola dan KamSiber Kecerdasan Buatan v022.pdf
TataKelola dan KamSiber Kecerdasan Buatan v022.pdf
 
Hybridoma Technology ( Production , Purification , and Application )
Hybridoma Technology  ( Production , Purification , and Application  ) Hybridoma Technology  ( Production , Purification , and Application  )
Hybridoma Technology ( Production , Purification , and Application )
 
Proudly South Africa powerpoint Thorisha.pptx
Proudly South Africa powerpoint Thorisha.pptxProudly South Africa powerpoint Thorisha.pptx
Proudly South Africa powerpoint Thorisha.pptx
 
Mastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory InspectionMastering the Unannounced Regulatory Inspection
Mastering the Unannounced Regulatory Inspection
 
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions  for the students and aspirants of Chemistry12th.pptxOrganic Name Reactions  for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
 
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
 
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
 
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdfEnzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
 
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
 
internship ppt on smartinternz platform as salesforce developer
internship ppt on smartinternz platform as salesforce developerinternship ppt on smartinternz platform as salesforce developer
internship ppt on smartinternz platform as salesforce developer
 
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxSOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)
 
भारत-रोम व्यापार.pptx, Indo-Roman Trade,
भारत-रोम व्यापार.pptx, Indo-Roman Trade,भारत-रोम व्यापार.pptx, Indo-Roman Trade,
भारत-रोम व्यापार.pptx, Indo-Roman Trade,
 
_Math 4-Q4 Week 5.pptx Steps in Collecting Data
_Math 4-Q4 Week 5.pptx Steps in Collecting Data_Math 4-Q4 Week 5.pptx Steps in Collecting Data
_Math 4-Q4 Week 5.pptx Steps in Collecting Data
 
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdfBASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
 
The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13
 
Class 11 Legal Studies Ch-1 Concept of State .pdf
Class 11 Legal Studies Ch-1 Concept of State .pdfClass 11 Legal Studies Ch-1 Concept of State .pdf
Class 11 Legal Studies Ch-1 Concept of State .pdf
 
A Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformA Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy Reform
 

OPM.pptx

  • 2. The one thing that comes to mind when we think of contemporary Philippine music is the type commonly termed as Original Philippine Music, or OPM for short. It was originally used to refer only to Philippine pop songs, particularly ballads, such as those popular after the collapse of its predecessor, the Manila sound, in the late 1970s up until the present.
  • 3. In the 1960s to 1970s, Nora Aunor, Pilita Corales, Eddie Peregrina, Victor Wood, Asin, APO Hiking Society and others were highly popular OPM singers. In the 1970s to 1980s, the major commercial Philippine pop music artists were Claire Dela Fuente, Didith Reyes, Rico Puno, Ryan Cayabyab, Basil Valdez, Celeste Legaspi, Hajji Alesandro, Rey Valera, Freddie Aguilar, Imelda Papin, Eva Eugenio, Nonoy Zuniga and many others.
  • 4. ORIGINAL PILIPINO MUSIC (OPM) The 1980s to 1990s are also regarded as the golden era of Philippine ballads. Among the classics that emerged were those created by: Ryan Cayabyab (Kay Ganda ng Ating Musika, Kahit Ika’y Panaginip Lang) George Canseco (Kapantay ay Langit, Kastilyong Buhangin, Tubig at Langis) Willie Cruz (Sana’y Wala Nang Wakas, Bituing Walang Ningning) Jose Mari Chan (Beautiful Girl, Please Be Careful With My Heart, Constant Change) Gary Valenciano (Sana Maulit Muli) Ryan Cayabyab Gary Valenciano George Canseco
  • 5. Most of these compositions made use of Western-type melody and harmony, while expressing uniquely Filipino emotions in movingly poetic lyrics. These came to be known as OPM, and were popularized by solo artists like Pilita Corales, Nora Aunor, Basil Valdez, Celeste Legaspi, Hajji Alejandro, Leah Navarro, Sharon Cuneta, Martin Nievera, Gary Valenciano, ZsaZsa Padilla, Regine Velasquez, and Ogie Alcasid.
  • 6. At the start, OPM was centered in Manila, where Tagalog and English are the dominant languages. However, other ethno-linguistic groups such as the Visayan, Bikol, Kapampangan, and Ilocano also began to sing and record their songs in their native dialects. Between the 1980s and 1990s, OPM was led by artists such as Martin Nievera, Gary Valenciano, Lea Salonga, Regine Velasquez, Sharon Cuneta, Vina Morales, Raymond Lauchengco, Francis Magalona, Pops Fernandez, JosĂ© Mari Chan, Dingdong Avanzado, Janno Gibbs, Ogie Alcasid, Joey Albert, Manilyn Reynes, among many others.
  • 7. In the 1990s, the famous solo artists and bands included The Eraserheads, Smokey Mountain, Donna Cruz, Jessa Zaragoza, Ariel Rivera, Southborder, Afterimage, Andrew E., Jaya, Rivermaya, Parokya ni Edgar, among many others. Underground bands emerged and along with them were their perceptions of idealism and self-expression. More recently, OPM stars have included Yeng Constantino, Sarah Geronimo, Aisa Seguerra, and international singers Arnel Pineda (of the international rock group, Journey), Charice Pempengco, and others. Sarah Geronimo Charice Pempengco Arnel Pineda
  • 8. PHILIPPINE POPULAR MUSIC Pop music in the Philippines started as an adaptation or translation, if not complete imitation, of Western hits. It started with Bobby Gonzales’ Hahabol-habol (Hot Pursuit), a local version of the rock and roll songs of the 1950s, and Rico Puno’s Luneta, a local adaptation of The Way We Were. This immediately clicked with the youth and eventually gained wide acceptance even among the “burgis” (bourgeois or elite) crowd. Rico J. Puno
  • 9. Among the proponents of the Manila Sound were the Hotdog, Cinderella, The Rainmakers, and the Apo Hiking Society. After waning briefly in the 1990’s, this sound regained The start of the “Manila Sound” in the mid-1970s gave rise to songs using a colloquial language called Taglish, a combination of Tagalog and English. These Filipino lyrics sung to pop melodies resulted in highly singable songs with contemporary appeal. Among the proponents of the Manila Sound were the Hotdog, Cinderella, The Rainmakers, and the Apo Hiking Society. After waning briefly in the 1990’s, this sound regained popularity in recent years with remakes of the 1970’s originals by contemporary rock Bands. Hotdog Apo Hiking Society
  • 10. PHILIPPINE JAZZ Philippine musicians have also been inspired by jazz music. Among them are jazz pianist and recording artist Boy Katindig, who comes from the well-known clan of musicians that includes jazz piano legend Romy Katindig and saxophonist Eddie Katindig. The Katindig family pioneered Latin jazz in Manila. Other notable Filipino jazz musicians include Lito Molina, Angel Peña, Emil Mijares, and internationally known jazz pianist Bobby Enriquez Lito Molina and the Jazz Friends
  • 11. PHILIPPINE ALTERNATIVE FOLK MUSIC The Philippines also saw the rise of alternative folk music which was different from the traditional and popular form. This new form combined ethnic instrumentation with electronic accompaniment, while presenting themes or issues of society and the environment. Some of the Filipino composers who championed this style were Joey Ayala, Grace Nono, and Edru Abraham of Kontragapi (“Kontemporaryong Gamelan Pilipino”).
  • 12. Among other Filipino composers whose styles ranged from folk to semi-ethnic were Freddie Aguilar, best known for his song Anak; Yoyoy Villame, composer of Magellan; Florante, composer of Ako’y Isang Pinoy; and Gary Granada, composer of Ka Bayani. Freddie Aguilar
  • 13. PHILIPPINE ROCK The year 1973 saw the birth of Philippine or “Pinoy” rock music which successfully merged the rock beat with Filipino lyrics. This new sound was introduced by the legendary Juan de la Cruz Band (with their song Ang Himig Natin) which had for its members Joey “Pepe” Smith, Wally Gonzales, and the originator of Jeproks, Mike Hanopol, who later became a major symbol of Pinoy rock. Other early exponents of Pinoy rock included the band Maria Cafra; Sampaguita, the female rocker; and folk-rock singer Heber Bartolome and his Banyuhay band, whose songs expressed strong messages of nationalism. Juan Dela Cruz Band
  • 14. Continuing this legacy of Pinoy rock today are vocal groups and bands that include River Maya, The Dawn, True Faith, The Eraserheads, Wolfgang, Bamboo, Parokya ni Edgar, Hale, Sandwich, SugarFree, Sponge Cola,and others. Bamboo Parokya ni Edgar
  • 15. PINOY RAP In the Philippines, rap was also made popular by such composers and performers as Francis Magalona (Mga Kababayan Ko and Watawat) and Andrew E (Humanap Ka ng Pangit). Francis Magalona was born on October 4, 1964 and died on March 6, 2009. He is also known as FrancisM, “Master Rapper,” and “The Man From Manila.” He was a Filipino rapper, songwriter, producer, actor, director, television host, and photographer. He is often hailed as the “King of Pinoy Rap” and is considered a legend in the Philippine music community. Francis Magalona
  • 16. With the success of his earliest albums, Magalona was the first Filipino rapper to cross over to the mainstream. He is also credited for having pioneered the merging of rap with Pinoy rock, becoming a significant influence on artists in that genre as well. He was later awarded a posthumous Presidential Medal of Merit “for his musical and artistic brilliance, his deep faith in the Filipino, and his sense of national pride that continue to inspire us.”
  • 17. POP MUSIC COLLABORATIONS Philippine pop artists have also collaborated with classical artists and orchestras in a number of their recordings and concerts. Some of the concerts of Martin Nievera, Gary Valenciano, Regine Velazquez, Lea Salonga, and Sharon Cuneta have featured the Philippine Philharmonic Orchestra, the ABS-CBN Orchestra, and the Manila Philharmonic Orchestra in performances at the Cultural Center of the Philippines (CCP) and the Philippine International Convention Center (PICC), both known venues for classical music, as well as at the Araneta Coliseum and Folk Arts Theater (FAT). Classical musicians have also performed in malls and other commercial venues to popularize classical music, popular music, and OPM.
  • 18. SUMMARY: From theater tunes to rock and roll, pop, standards, hip hop, rap, and contemporary ballads—whether in the West, in the Philippines, or anywhere else in the world—these all provided a rich and diverse musical background in the development of Philippine contemporary music. The development of Philippine music was also influenced by the history of the country—from its pre-Spanish roots, through the Spanish and American periods, up to the present. It has since evolved to have its own rich and distinct identity
  • 20. 1. What does OPM mean? a. Original Palawan Music b. Original Philippine Mathematics c. Original Philippine Music d. None of the above
  • 21. 2.It was originally used to refer only to Philippine pop songs, particularly ballads, such as those popular after the collapse of its predecessor, the Manila sound, in the late 1970s up until the present. a.OPM c.Pop songs b.Music d.Manila sound
  • 22. 3. Who composed the songs Beautiful girl, Please be careful with my heart, constant change? a.Gary Valenciano c.Ryan Cayabyab b.Jose Mari Chan d.Willie Cruz
  • 23. 4. At the start, OPM was centered in ______, where Tagalog and English are the dominant languages. a.Palawan c.Manila b.Bicol d.none of the above
  • 24. 5. The start of the “Manila Sound” in the mid-1970s gave rise to songs using a colloquial language called ______, a combination of Tagalog and English. a.TagEng c.Taglish b.TagFil d.Tagalish
  • 25. 6. The Philippines also saw the rise of alternative folk ____ which was different from the traditional and popular form. a.Dance c. song b. Jazz d.Music
  • 26. 7. “Anak” is a song composed by _______. a.Francis Magalona c.Jose Mari Chan b.Freddie Aguilar d.Willie Revillame
  • 27. 8. The year 1973 saw the birth of Philippine or “Pinoy” rock music which successfully merged the rock beat with ______ lyrics. a.British c.Korean b.American d.Filipino
  • 28. 9. Who composed the song “Humanap ka ng pangit”? a.Freddie Aguilar c.Garry Vallenciano b.Francis Magalona d.Andrew E.
  • 29. 10. With the success of his earliest albums, Magalona was the first Filipino rapper to cross over to the mainstream. Fancis Magalona was one of the composers and performers of a.OPM c.Pinoy Rap b.Philippine Jazz d.Philippine Rock
  • 30. Answer Key: 1.C 6.D 2.A 7.B 3.B 8.D 4.C 9.D 5.C 10.C