The present presentation tells the clear knowledge about the Paribhasa Prakaran mentioned in the text of Rasa ratna sammuchya for the rasa Shashtra scholars to go further deep into the rasa karma to attain deh vaad and lauha vaad from rasa
2. • Shree Somdeva in his book Rasendra
chudamani has mentioned the
definition , the same way it has been
mentioned here.
3. • Importance – before starting the
procedures mentioned in Rasa
shastra text,
• The scholar should understand the
technical terminology with applied
aspect. So, he could not face any
difficulties in the study.
4. Dhanwantari Bhaga –
When a Physician prepares a formulation
for curing the diseases of his patients himself,
then in exchange of this free effort he can take
some part from the prepared medicines for
kindness purpose.
5. Sr. No. Formulations Part Ref.
1. Rasausadhi,
Medicated ghrita
and Taila
½ part R.R.S. 8/2
2. Avaleha 1/8 part R.R.S. 8/2
3. Modaka, Paak 1/7 part R.R.S. 8/2
4. Goli, Churna, Vataka 1/7 part R.R.S. 8/2
5. Bhasma 1/7 part R.R.S. 8/2
6. • Rudra Bhaga – when a Physician
bought medicines from the traders or
shopkeepers for himself or patients, he is
pursued specific commission i.e. 1/11
part of the medicines from the traders.
This part is known as Rudra bhaga.
7. Kajjali - when purified mercury is
triturated with other purified metals and
sulphur etc. drugs without adding any
liquids till the mixture becomes
Sushlakshana (fine form ) and Kajjalabha
(black color ), it is called kajjali.
8. Rasa Pank – when purified mercury is
triturated with any dhatu by adding liquid
then it is called Rasapank.
सद्रवा मर्दिता सैव रसपंक
इर्त स्म्रत:
9. Navneetpisthi – when 1.5 maasha of Pure
Parad is triturated with 12 times of
Gandhak in clear hot sunlight then it gets
the form of like butter (makhan ) this is
called Navneetpisthi.
10. • Rasa-pisthi – when suddha Parada and
suddha Gandhaka are triturated with
milk in a mortar the mixture is
transformed into pisthi form. This is
called Rasapisthi.
11. Patanpisthi – when purified mercury is triturated
with 1/4th part of Swarna dhatu and then again with
equal amount of Suddha Gandhak then this pisthi
formed is called Patana pisthi, it should be used by
permission of our guru in the urdh, adha and teeryak
patan of parada , the parada procured in this
manner is of very high quality.
12. • Swarntaryo kristi – when pure parad and gandhak
, other dhatu alongwith swarn or rajat is converted
into bhasma form , and then again by many ways
the swarn or rajat is regained from these bhasma ,
they are called as swarnkristi or taarkristi.
• ***“kristi – to attract something”
13. • Kristi Lakshana – when good quality of
swarnkristi is added to swarn dhatu and
there is no change in its color , this
uttam kristi is used to make beej which
dose proper ranjan in parada.
14. • Varloha – when equal amount of
teekhnaloha and copper are melted
and dipped in the mixture of gandhak
mixed Lakuch liquid, by repeating this
process the mishraloha obtained is
called Mishraloha.
15. • Hem rakti – when the varloha is mixed in swarn , the
swarn becomes red in color, this red color swarn is
called hem rakti.
• When this hem rakti is mixed in melted swarn dhatu
then the swarn color becomes more shining , this
hem rakti can change the color of Silver (Rajat) and
also makes the all type beej of good quality.
16. Chandra dal/Anal dal – with the help of bhamsibhoot
parada, Baddh parada or by any dhatu , when any
dhatu is converted into shweta varna, then it is called
chandradal and if it is converted into yellow (Peeta
varn) then it is called anal dal.
17. • By applying Abhas sanskara to badh
Parada or any other Dhatu , we get
any siddh dhatu that , if gets shweta
varn then it is called sita dal or
chandra dal, and if it becomes of
peet varn then it is called peet dal or
anal dal.
18. • Sulbhnagam – by incinerating Swarn makshik with copper its
bhasma is formed , and again from this bhasma the copper is re-
obtained by Uthapan samskara.. In this way repeat the same
process 10 times by making the bhasma and again by Uthapan
samskara regain the copper back to its form.
• Similarly, the process is repeated with Naga (Lead),
• Thereafter take the suddh Tamra and Naga in 2 pal amount equally
and make its bhasma with Neelanjana and again regain its form by
Uthapan , repeat the process 7 times , in this way the Mishra- loha
obtained is called Sulbh Naga.
19. • Qualities of Sulbh Naga Guna –
– The Parada siddh with this Sulbhnaga tablet when
given to patient get rid of his Prameha in a month.
– Similarly in this way if tablet of Siddh Parada with
Sulbhnaga is given to a person for 1 year and also
follows the dietics than he can get rid of Vali - Palita
and his eyesight becomes like that of Eagle , his body
will become healthy and full of Teja and will get all
comforts of life.
20. • Pinjari – mixing of one dhatu with another
dhatu and then this mixed dhatu is kept in
Moosha and put in high intensity fire so that
it melts, after that this melted dhatu is
poured in any liquid media after this if the
obtained dhatu is shiny, white in color or
yellowish then it is said to be Pinjari.
21. • Chandra Arkam – when 16 part Chandi and
12 part Tamra are taken together and melted
then the obtained Dhatu is called Chandra
Arkam.
22. • Nirvapan / Nirvahana –
The process in which the materials are to
be heated to red hot (Tapta) and quenching in
prescribed liquid media is known as Nirvapa.
This is also known as Snapan and Nisechan.
Eg:- tamra sodhan, lauha sodhan
23. • This Nirvapan is part and parcel of Nirvahan.
• The difference between the Avapa and Nirvapa is the solid
materials will be added to molten materials in the former
and in later case the red hot solid materials will be
dipped/immersed in liquids.
• In RRS, the term Nirvapa has been used in connection with
making the alloy or incorporation of Bija (gold, silver etc.)
into mercury during Garbh Druti.
24. • Here in this reference it is mentioned that
Nirvapa is process of incorporation of metal
by melting, by means of blow pipe, into
another metal while smelting. However it is
different from that of the earlier process as
in this process there will be unification of
the final product
– where as in earlier one the materials are
being heated to red hot (800ºC) and
plunging/quenching in the liquids and no
unification is achieved except
cooling/tampering.
25. • Beeja lakshana – due to the process like
Nirvapana, the metals which attain different
colour, softness, and having capability for
performing specific sanskara, such metals are
called as Beeja.
26. Taadnam – in a two mixed Lauha Dhatu the
process of vapourising any one lauha Dhatu
with help of Vanknaal is called Taadnam, e.g.-
to remove one metal form other like bronze
(Kanshya).
27. Dhanyabhra lakshanam – make powder of Abhraka
and equal amount of paddy put in thick cloth wrap
it tightly and dip in Kanji for 24 hours and next by
rubbing the pottali dipped in Kanji the fine particles
of Dhanyaabhraka comes out from the cloth wash
them and dry the extra water we’ll get
Dhanyabhraka.
28.
29. • Satva – with help of Kshar varg, Amla varg and
Dravan varg any dhatu when triturated and
subjected to high intensity heat by keeping in
moosha we get the main constituent of Dhatu
that is called Satva.
30. Ek kolisak – when the Kosthi is filled fully with
cow dung up to top in a mountain shape and
thereafter the fire is lit so when the cow dung’s
are left till the neck of moosha then this fire is
called Ek kolisak praman.
31. • Different uses of Kokil –
• For satvapatan – Mahua and Khadir wood is
used
• For General Heating – wood of bamboo
• For swedan – wood of Badar
32. Hingulakristh rasa – triturate hingula with adhrak
juice and the apply it on the base part of
Vidhyadhar yantra, then after properly doing
sandhi bandhan the yantra is put to fire after the
swang sheeta of yantra open the Naad and collect
the Parad from the upper surface, this obtained
parad is called Hingulakristh rasa.
33. • Ghoshakristh Tamra – take kanshya (Bronze) in a
crucible and by adding little little of Hartal to it do
Dhaman karma with Vank Naal, in this way the tin
will get vaporized and we’ll get only Tamra this
obtained dhatu is called Ghosakristh Tamra
34. Varnagam – when Teekhna lauha and Neelanjan
are taken together in a crucible and put to fire in
high intensity again and again then the so
obtained dhatu is very soft , black in color and
easily meltable this obatined mishra dhatu is
called Varnagam.
35. • Uthapan – when any dhatu is subjected to bhasm
form then the process of regaining the dhatu to
its original form back is called uthapan.
• Dhaalan – when to any melted substance any
melted dhatu or any other substance is added the
process is called Dhaalan.
36. Naagsambhut Chapal – take 30pal of Naag and make it
into fine churna and then triturate it Arka dugha , then
place in a sharav samputa and put in gajaputa fire, after
swangsheet take the remaining naag and again repeat the
same process till only 1 tola of Naag is left , thereafter this
1 tola of naag when put to 1000 puta no change in amount
is observed , this obtained dhatu is called Naag sambhut
chapal.
37. • Vang sambhut Chapal – this is obtained the same
way Naag sambhut chapal is obtained. The effect
of this Vang sambhut chapal is that when it is
rubbed in hands and if parad is hold in hands then
it get baddh. In this way Baddh parad is good for
Dhatu vaad conversion of low dhatu to high
dhatu. And it should not be used for Rasayan
karma and internal medicine use.
38. Dhauta – when the fecal matter of
earthworm is washed again and again in
water then the obtained black color churn is
called Dhauta.
39. • Dwand – by mardan and dhaman when 2 dhatu
are mixed then it is called Dwand, eg:- kanshya
• Anuvarn/suvarnak – when any amount is added
more then the amount required in any dhatu
then it is called Anuvarn.
40. Bhanjani – when the increased amount of flame of
fire is decreased by sprinkling of water, mud etc
then this process is called Bhanjani.
Patangi – with help of any ausadh or its kalka when
any lauha or Chandi is converted into gold color
then it is called patangi.
41. • Chullika – when the patangi color after remaining for some
days gets fade away then this is called Chullika.
• Patangiraga - with the help of kalka when any dhatu is
converted into gold color and after many days by doing
dhaman or by any other means the patangi color is removed
in this way so obtained color is called patangi raga.
42. Avaapa – by the help of heat when any dhatu is
melted and mixed in another dhatu the process
is called Avaapa , it’s synonym's are prativap and
achhadan. Eg:- naag, vang
43. • Abhishek – e.g. shodhana of Puti loha.
• Nirvapa – when the red hot material is dipped into
the prescribed liquid media for specific time it is
called nirvapa and snapan.
44. Shuddhavarta – when metallic ore is kept in
moosha and heated strongly in Kosthi, at the time
of separation of satva, the flame gradually
becomes white. That stage of flame is known as
suddhavarta.
45. • Beejavarta – when any metal or material is
melted during heating the specific color of that
particular material is observed in a flame, that
melting stage of material is known as Bijavarta.
46. Swangasheet and Bahirsheeta – if the vessel or
Samputa is allowed to cool of its own without
taking from the fire place, it is known as
Swangsheeta.
If samputa is taken out from the fireplace for self-
cooling it is known as bahirsheeta.
47. Conclusion -
• So we conclude that this topic on
paribhasa prakaran give us an
enthusiastic knowledge to enter into the
field of Rasa sashtra and get deeper into
the further steps to achieve lauhavad and
dehvad from parad, further other typical
classical methods of making rasa
asausadhies indicated in various diseases.