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Technology: Late 1800s
The Whip: Mansion Exterior
The Whip: Mansion Interior
The Whip: Train Crash
Hydraulic Ramps at Drury Lane Theatre
Electric Bridge at Drury Lane Theatre
The Great Ruby: Balloon Scene
More Balloon
Sins of Society: Ship Scene
Sins of Society: Church Scene
Naturalism
“slice of life”
“fourth wall” realism
photorealism
Emile Zola
Zola: A Love Episode
CHAPTER I.
The night-lamp with a bluish shade was burning on the
chimney-piece, behind a book, whose shadows plunged more
than half the chamber in darkness. There was a quiet gleam
of light cutting across the round table and the couch,
streaming over the heavy folds of the velvet curtains, and
imparting an azure hue to the mirror of the rosewood
wardrobe placed between the two windows. The quiet
simplicity of the room, the blue tints on the hangings, furniture,
and carpet, served at this hour of night to invest everything
with the delightful vagueness of cloudland. Facing the
windows, and within sweep of the shadow, loomed the velvet-
curtained bed, a black mass, relieved only by the white of the
sheets. With hands crossed on her bosom, and breathing
lightly, lay Helene, asleep—mother and widow alike
personified by the quiet unrestraint of her attitude.
Theatre Antoine
Andre Antoine
Antoine’s Staging of Zola’s La Terre (1900)
Otto Brahm
& Freie Buhne
Gerhardt Hauptmann
Hauptmann
& The Weavers
The Weavers
The Weavers
August Strindberg
Miss Julie
Recent Production of A Dream Play
College Production of Ghost Sonata
Strindberg: Pelican
Too Cool Not to Include
Arthur Schnitzler
Schnitzler & La Ronde
David Hare’sThe Blue Room
David Belasco
Belasco’s
The Golden Girl of
the West 1905
Belasco’s Staging of
The Return of Peter Grimm 1907
The Independent Theatre Movement
Le Theatre Libre
Le Theatre Libre
and
Toulouse
Lautrec
Théâtre du Grand Guignol: Blood, Guts, & Nudity
"At one performance, six people
passed out when an actress,
whose eyeball was just gouged
out, re-entered the stage,
revealing a gooey, blood-
encrusted hole in her skull.
Backstage, the actors
themselves calculated their
success according to the
evening's faintings. During one
play that ended with a realistic
blood transfusion, a record was
set: fifteen playgoers had lost
consciousness. Between
sketches, the cobble-stoned
alley outside the theatre was
frequented by hyperventilating
couples and vomiting
individuals."
Vieux Columbier
Vieux Columbier
Vieux Columbier
Jouvet as
Aguecheek in
Twelfth Night
Program for
Thomas Otway’s
Venice Preserved
Vuilliard Play (Sets by Maurice Denis)
Early Departures
from Realism
Symbolism
Art-for-Art’s Sake
Constructivism and
Biomechanics
Symbolism:
Stephane Mallarme
Maurice Maeterlinck
Maeterlinck’s Blue Swan in Moscow 1908
Modern Production of Maeterlinck’s Les Aveugles
Glyndebourne’s
Production of Pelleas
and Melisande
Oscar Wilde: Art-for-Art’s Sake
Oscar Wilde
Original Earnest 1895
Original Earnest 1895
Wilde in and as
Salome
J. M. Barrie and Peter Pan
Finkelstein’s Design for Peter Pan
George Bernard Shaw
Shaw’s Man and Superman
Drew’s Arms and the Man
Gilbert & Sullivan: Operetta
Patience, The Mikado, The Pirates of Penzance
Yeoman of the Guard, Savoy Theatre
William Poel’s Measure for Measure 1893
Harley Granville Barker
Barker’s Midsummer
Barker’s
Midsummer
Barker’s Midsummer
Poel as God in
Everyman
Beerbohm Tree’s Midsummer
Alfred Jarry
Jarry’s Ubu Roi
Theatre l’Oeuvre’s Ubu
Benjamin Franklin Wedekind
University of Waterloo’s Spring Awakening
University of Waterloo’s Spring Awakening
Spring Awakening at U Mass
Spring Awakening
at Virginia Tech
Wedekind’s Lulu
Germany 1988
Max Reinhardt
Reinhardt’s Midsummer
Reinhardt’s Everyman
Reinhardt’s A Servant of Two Masters (1926)
Reinhardt’s The Miracle
Reinhardt: Page from a Regiebuch
Meyerhold as Pierrot
Meyerhold (Photo from Arrest)
Meyerhold’s
The Dawns 1920
Model for a Meyerhold Production
Biomechanics and Acting
Meyerhold’s Staging of The Bedbugs
Costumes for The Bedbugs
Meyerhold’s Design for The Magnificent Cuckoo
Meyerhold’s Cuckoo
Constructivist Costumes for Zangesi
Non-Realistic Designers
Adolphe Appia
Gordon Craig
Robert Edmund Jones
Adolphe Appia
Appia’s Design for Parcifal
Appia’s Tristan and Isolde 1896
Appia’s “Rhythmic Spaces”
More “Rhythmic Spaces”
More “Rhythmic Spaces”
Gordon Craig
Craig’s Hamlet
Craig’s Macbeth
Craig’s Scene
Craig Designs
Craig’s Sketch
of Macbeth
Craig and
Ubermarionettes
Craig’s
Hamlet 1909
Craig’s Hamlet at MAT
A Craig Stage Design
Robert Edmund Jones’ Macbeth

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Late 1800s and Departures from Realism