1. Focu
on thought p
and INNOVATIV
to the problems th
world of today and the f
poverty and post-disaster
and rehabilitation. Be one
CHARACTER & VIRTUE and d
INTENTION OF THE WHOLE
only a designer but also an “ACTIV
in the development process.” De
beauty of drawings but unders
build for function, purpose and
its PEOPLES. Create architec
intention to evoke EMOTION &
from the built form. Learn from
of the PAST & REFORM
satisfied, it is the proces
the architecture of
is no PURE fo
one that
Architecture Portfolio 2015
DANA GRAUNKE

2. I am active in both architecture and life!
Experience has allowed me to observe and experiment
with all forms of user engagement; from the essentials
of designing and detailing to the reality of the build and
promotion. I love to find ways to interact with the users and
understand their goals not just with the project but the roots
of the decision they make.
CONCEPT DETAILS CONSTRUCTION PROMOTION
Fo c u s
on thought provoking
and INNOVATIVE solutions
to the problems that face the world of
today and the future, such as poverty and post-
disaster construction and rehabilitation. Be one
of strong CHARACTER & VIRTUE and design with
the INTENTION OF THE WHOLE. Become not only a
designer but also an “ACTIVE PARTNER in the development
process.” Design not for beauty of drawings but understanding
and build for function, purpose and relations to its PEOPLES.
Create architecture with the intention to evoke EMOTION &
MEANING from the built form. Learn from architecture of
the PAST & REFORM it until I am satisfied, it is the process
of finding the architecture of ME. There is no PURE
form, only one that the architect saw as her IDEA of
philosophy,itisofthelivedandlivingexperiences...
A R C H I T E C T U R E
I S
L I F E
I WILL...

3. 7 SOLAR DECATHLON 2015
9 - Haiku House
13- Solar Shed
15 - Indigo Pine
17 CHARLESTON CONNECTION
23 BREEZE
27 CEADARBURG CREEKWALK
29 JW SPEAKER
EDUCATIONAL WORK
PROFESSIONAL WORK
OTHER WORKS & DRAWINGS

4. pg. 7
FEBRU
ARY
2014
Acceptanceinto
SD
2015
JAN
U
ARY
2014
TheShed
Clemson University’s Solar Decathlon project brings together an
active team of students and faculty from Architecture, Engineering,
and Social Sciences, to collaborate on the design, construction
and promotion of a prototypical, three bedroom, 1,000 sqft, low
environmental impact, net-zero, solar house that is cost-effective in
today’s market and comfortable under South Carolina’s climate.
We are focused on stitching together innovative building methods,
southern personality and local products into a home for a southern
family.
From the beginning of the Solar Decathlon 2015 Proposal, Indigo
Pine has made this its mission and this is just a glimpse at the path
of our team...
.
Solar Decathlon 2015
AU
G
U
ST
2013
H
aikuH
ouse
FinalBuild
Irvine,C
A
SEPTEM
BER
2013
Bi-Ventrical
N
O
VEM
BER
2013
ProposalSubm
ittal
N
O
VEM
BER
2014
System
s+C
om
m
unications
O
C
TO
BER
2013
Tripto
2013
SD
APRIL
2014
M
assingStudy
TO
D
AY!
BotanicalG
ardensBuild
C
lem
son,SC

5. pg. 9
Haiku House
With no knowledge of the future linkage between this project and
Clemson Universitys desire to enter into the Solar Decathlon 2015
competition, the first semester graduate studio jumped into a
design project that distilled and developed the ideals of a home for
a Southern family, these concepts later became the roots of the
Indigo Pine home and team.
Utilizing both Haiku and Kirigami forms, simple yet descriptive
and experiential in nature, the notion of family and the home was
expressed to the core. All excess was removed giving a pure idea
when beginning the design. The original design, located in Clemson,
South Carolina, is focused on a typical expanding family of the
South. The home is:
3 Bedrooms - 2 Bathrooms - 1,200 sqft
EXPERIENTIAL BOUNDARY
Walls produce a boundary through mass
creating a NATURAL division between the
Public & Private spaces.
FLOW DIAGRAM
Users and natural ventilation flow through
the public areas of the house, pairing with
nature to LIVE BEYOND THE WALLS.
CROSS DIAGRAM
To move from the bedroom modules to the main
gathering area, users pass through heavy set walls.
TENSION pushes users into the main space.
A HOUSE IS A HOME
Rely on the known,
still open to the unknown.
My house is my home.
Wall of tradition,
roof all about protection.
My house is my home.
Privacy desired,
a community needed.
My house is my home.
Meaning of a house,
description of a person.
This house is my home.
FRONT ENTRY BI-VENTRICAL
Approaching the home, one is greeted by a water feature supplied by the rain water collection
systems and stored for future use. This allows users to see the home’s strategies in use.
Site Plan

6. pg. 11 STRUCTURAL SEQUENCE
Footing & Joist
Subflooring & Access
Core Wall
Finished with Stacked Stone by
Eldorado stone with mesh backing and
plaster adhesive.
SIP Panel Installation
Finished with sealant and rainscreen.
See Climate-Shield Rain Screen Wall
Detail.
Rafters
Steel rafters supported on W
section beam set within wall. Top
Flange supports main corridor roof
while lower flange supports Master
Bedroom roof.
Roofing
Inset gutter system to allow for
invisible removal and water pooling
prevention. See roof Detail
description.
As a modern version of the dogtrot home, the main corridor
stretching though the center of the home is focused on creating
a comfortable environment that is sensitive to the community
at large as well as the family within. This gathering space opens
to the outdoors, extending the home out to the community and
providing relief to occupants during warm southern summers
through natural ventilation.
Light from collective,
ventricles of family.
Reflection of self.
Two hearts of the home emerge within the kitchen and living
rooms as families gather around to hear about the day with
dinner on the stove; spending some quality time during cool
evenings surrounding the fire.
FLOOR PLAN
With heavy stone walls dividing the public to the private, users are focused on the use of main corridors.
Flanking the public areas, the two wings of the house contain bedrooms, bathrooms and utility areas.
Dining Room
Children’s
Rooms
Children’s
RoomsKitchen
Master
Suite
Living Room
Laundry
Mech.
Room
Concrete
Footing Detail
Fireplace

7. pg. 13
The Solar Shed
Collaboration: Indigo Pine Family & Volunteers
As a participatory precedent for Solar Decathlon 2015, the vertical
“Solar D” studio focused first on the transformation of a simple
shed model into a transportable structure that accommodates the
users in an educational and experiential capacity. In the end, this
project becomes more than a space; it becomes a destination.
This participatory precedent allowed for learning by experience;
focusing us on the issues that we were to face in construction and
development of the solar home, as well as opening our eyes to areas
of potential innovation.
CONSTRUCTION DOCUMENTS
At the start of the construction documents, the
shed design was stripped down to the framing
and broken into manageable piece to allow for
prefabrication at the build site, then transportation
to the final site. The modules were determined by
size, weight and final height locations. The southern
elements were built as modules as well and added
after the framing installation at the site. http://clemsonsolardteam.wix.com/theshed
SOUTHERN CHARM
To create a usable, community friendly destination, we saw both
educational and southern elements as integral aspects to the design. To
promote continual use, five versatile elements were added to the design:
planters, counter top, bench, chalkboards as well as a porch swing all
designed to interact with the users.

8. Designed and built to be taken apart, this model showed all of the layers that go into the building of Indigo Pine. The backside
of the model shows into the interior of the home as well as the ZIP panel system and Sim[PLY] structural system. pg. 15
Indigo Pine
Collaboration: Indigo Pine Family & Clemson University
As an ongoing project that challenges students and faculty to
corroboratively develop a small home design from conceptual to
the built environment, the Solar Decathlon provides a wide range of
experiences.
As designers of Indigo Pine, we design for the southern family using
already existing networks and readily available materials to produce
an environmental and cost conscious home. To do this, we have
developed a puzzle like structural system, Sim[PLY], that can be
produced anywhere one can find a CNC machine.
EXTERIOR MODEL
FLOOR PLAN & CABINETRY
With the Sim[PLY] structural system as the
shell of the home, the interior is left open
with no structural partitions. The highlighted
orange elements above represent the
cabinetry system that, like the structure,
is produced with cut files and a CNC
machine. These elements of the home are
pre-fabricated into manageable modules
and reassembled within the home for the
competition. The bathroom in the home is
built into the design as a contained cabinet
section to provide privacy.
SOCIAL MEDIA & OUTREACH
Beyond just the design of the home, Indigo Pine is focused on reaching and
teaching about living sustainably as well as our homes design and strategies. We
drive to have visitors imagine what life would be like in our home. Through several
media outlets, we are working on connecting elements of our home, design and
knowledge of sustainability to things the users can easily relate to.
Website:
www.IndigoPine.com
Social Media Accounts: Facebook, Instagram + Twitter
Clemson University Solar Decathlon
@ClemsonSolarD
F L O O R P L A N

9. pg. 17
Charleston Connection
Collaboration: Kaylee Ross
Castle Pinckney, located on Shutes’ Folly Island in South Carolina,
is named on the National Registry of Historic Places. Despite this, it
has been under recognized as a historic landmark and has seen little
development and preservation since its erection in the 1800’s.
Designed to develop a connection to the past as well as a beacon
for the future of Charleston, the Charleston Connection is for
individuals and small groups interested in learning and experiencing
the ecology present on land and within the surrounding waters.
WELCOME PAVILION
Welcoming visitors to the site, the pavilion is located offshore in
response to the fragility of the site and core ideas formed from knowledge of preservation and sustainability.

10. pg. 19
(1)
(2)
(6) (4)
(3)
(5)
To Castle
To Dock
1800’s 1980’s 2013
The delicate island has been continuously faced with the trouble
of erosion, pushing the design to focus on developing a light
presence on the site during construction and future visitations.
EROSION DIAGRAM
To protect the delicate ecosystem on the site, the buildings
and platforms are raised up to advance educational experiences
without disruption of the surroundings.
WELCOME PAVILION FINAL MODEL
(1) Viewing Platform
(2) Outdoor Gallery
(3) Indoor Gallery
(4) Bathrooms
(5) Conference Room
(6) Utility Room
FLOOR PLAN
From the end of the dock one walks towards the castle passing through the welcome pavilion, surrounded by local artwork. On the left you
see school children overlooking the city of Charleston as others pass by to experience the rich history and beautiful ecosystem the island has to offer.

11. With minimal impact on the site being a key concern, the
structures are designed to be self sustaining with on site
production of electricity, water collection and waste processing.
To accommodate the needs of electricity, water and waste, the
design started with focusing on the roof of the welcome pavilion
that funnels water to a enclosed basin for later use. Spheral solar
panels produce the needed electricity while dually acting as a
shading devices for users of the board walk. These solar panels
allow for maximum sun intake throughout the day as compared
to traditional solar panels. The MullToa 60 compost toilet by
EthoEtic processes waste with minimal energy and maintenance.
Dark wood rain screen
Rain screen clip
Protective membrane
SIP panel
Gypsum Board
Wall DetailGlulam ConnectionRailing Detail
CONSTRUCTION DETAIL RENDER
BOARDWALK SHADING & SOLAR CELLS
The screens along the boardwalk path play an important role not only in energy
production, but in making connections back to the city of Charleston. While walking
along the boardwalk from the dock to the belvedere, people’s views are forced in
certain directions by the transitions of materials; opaque plexiglass to solar collecting
screens. Spheral solar technology allows for mostly transparent solar panels while
gaining a greater sun input than traditional solar panels.
WATER COLLECTION DIAGRAM

12. pg. 23
Breeze
Collaboration: Lauren Kenner
With advanced technologies becoming more readily accessible,
digitally manufactured designs have become one of experimentation
and exploration. Though many different processes of digital
manufacturing exist, our experimentation utilized the additive
process of 3-D printing in the development of a curtain system as
a decorative light filter. With the wide range of current materials
and the single step process, wastes of production, materials and
time were minimized. Although each individual element in the
system is very rigid, the connection of pieces is soft and flexible in
appearance.
The design of the form is dependent on the decisions made in
respect to:
CUBE PRO 3-D
With the personal sized 3-D printers having only minimal space to produce
a product, the curtain panels are feasible on a small scale only through the
use of expansion. This alleviates the need for post printing assembly.
Organic vs. Flat Printed Design
&
Single Piece vs. Sliding Link
If using the whole bed of the printer for a 68”
long curtain, the print will fold over itself a
minimum of 6 times.
3-D PRINTING IN
The expansion of this example occurs not only in the way of unfolding but
also by sliding links that took the width of the panel from 9.6” to 18”.
9.5”
18”
32”
68”
10.6”
9.56”
9.56”

13. By sending out the design to production facilities
with large print volume and faster printing speeds,
the curtain panels can utilize the same expansion
method with greater design flexibility.
WHAT WAS THIS... CAN NOW BE THIS...
Through the use of large scale printing, the need for folding within the
print bed is eliminated. By doing this, the designs can be more flexible.
While small scale printers are readily available for personal use,
they often come with sizable limits. Advancing technologies have
brought about larger and more powerful systems, minimizing
those limits and allowing for a greater variance in the designs.
These printers are more effective with the use of material
than those of the personal 3-D computers by eliminating the
multiple layers of support material and reducing the layers that
the design must stack by spreading out on a single plane.
With a width around 5 times larger than a personal sized printers
such as the Cube Pro, Big Rep One 3-D printer has a printing
dimension around 43” x 42” x 42”.
By utilizing this larger print bed, one does not need to utilize
the folding method within the design to get the full length of a
traditional curtain panel. Through the expansion methods, one
can print the entire curtain without folding.
LARGE SCALE PRINT RENDERING

14. pg. 27
Summer Internship -The Kubala Washatko Architects
Under construction
Three consecutive summers were focused on developing a creekwalk
along the main streets of downtown Cedarburg, Wisconsin. The first
summer I focused on the revitalization and development of city site
plans, looking at the addition and adjustment of new and renovated
structures near the creek way. From the new site plan the 3-D
model began to evolve. The second and third summers consisted of
design work focused on creating a design proposal for the middle
section of the creekwalk. The design includes several types of spaces
focusing on a variety of users, promoting use of the spaces while
maintaining an environment that is consistent with the feel of the
community. The main desire is to develope a secondary “Main
Street” to accommodate visitors during the festival season.
Ceadarburg Creekwalk
SITE PLAN
HISTORIC MILL MODEL
The historic mill and Columbia Rd. bridge were the first of the surrounding structures to be modeled along with
the addition of the creakwalk form. This section of the creekwalk is complete and the other sections are under development.

15. Samples
Desk
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2
3
4
Internship
Working at J.W. Speaker led me to a deep understanding of the
delicate balance between safety, workflow, costs and space
efficiency. Being a factory setting, these key concepts were
consistently woven through all projects and processes.
Initially, I spearheaded documentation of existing layout and work
station light levels; to develop a thorough understanding of how to
improve upon the work environment. The use of problem solving
skills was at the heart of each project that I took part in and every
solution had to be reviewed at both a macro and a micro scale to
check for continuity at the factory and cellular level.
J.W. Speaker
SPACE SAVINGS
With a goal of freeing up 20% of grey space within the Whitney facility for future
growth, cell designs were re-arranged to free up a center aisle from which materials
would be dropped off at the back of the cell, minimizing the impact of deliveries on
the productivity and interference in workflow. By arranging the cells with a common
flow, they became more condensed, utilizing only the needed space for that particular
job. Above is an electrical drop plan with gray spaces highlighted in orange.
PRODUCTION DIAGRAMS
Many times the documentation provided to the line workers in a factory is relatively complicated and directly from the
Engineer’s desk. Diagrams such as those below were created to demonstrate the production process
of a set of parts clearly so they could be quickly understood enhancing productivity.
COLLABORATION
It was important to facilitate collaboration with other teams
within the company to achieve the best workable solutions.
Many times the teams knew little on design and had
difficulties visualizing spacial areas; we developed tools that
made it easier for them to visualize allowing for effective
collaboration.

16. pg. 31
SAMPLES OF OTHERS - BUBBLES WITH DE-
SCRIPTION

17. pg. 33
LAWTON AVE. DEVELOPMENT | 2015
Built from a set of construction documents, this digital
model was created for promotional purposes of the
upcoming residential project. These provided viewers
with the ability to imagine the site and provide evidence
of community beinifit with the revitalization of the site.
SketchUp
A SITE | 2012
Charrette graphics are focused on creating a mood
Another charrette graphics drawing based in Indiana,
was based off an existing aerial image. The drawing was
quickly produced to represent the possibilities of the
site without hour and hours of drawing.
Pens, Markers & Colored Pencils
Ide[ALE] | 2014
Ide[ALE] looks at re-purposing wine and beer bottles
through design to create elegant, clean and simple
lighting fixtures that not only see the bottle as a
part but integral to the design with endless design
opportunities.
Pecan Wood & Recycled Wine and Beer Bottles
Additional Works
TOP ARCHITECTURE | 2014
Water color is very expressive form of sketching that
can represent loosely an environment or design with
elegance. This is a water color drawing of the roof
structure of Lee III on Clemson University’s Campus.
Pencil Sketch & Watercolor
NIGHTLIFE | 2012
Charrette graphics are focused on creating a mood
through quick sketchy drawings and layers of trace for
a final quick rendering that focuses on the environment
and experience instead of details. This is a charrette of a
restaurant design in Indiana.
Markers & Colored Pencils
DRAWING GROUP | 2012
Drawing buildings is important for architecture, but
understanding how to sketch a person challenges us
to express a living thing, one that changes, fluctuates,
even as we are sketching. This was a quick sketch of our
drawing group on Clemson University in the Quad.
Charcoal Pencil