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Realising Potential through
Cultural Value
Measurement
There is growing evidence for the use of the
arts in rural revitalisation, economic
stimulation, and capacity building
Adams and Goldbard, 2002; Boon and Plastow, 2004;
Mills and Brown, 2004; Brennan-Horleyet al., 2007
The regions suffer the fate of
disengagement…and exploitation
that sees a loss of permanent
population and a lack of
commitment to long term vision.
John Sanderson, 2014
Small rural communities will need
to “create” a new future
embracing change and adopting
new forms of innovation if they
are to survive or prosper.
Keller, 2000
A Balanced Scorecard
What does this mean for decision-makers?
Activity
Strategy &
Policy
Objectives
Outcomes
Resources
Economic Social Cultural Civic Environmental
Economic
Employment prospect
Individual economic benefit
Innovation
Visitor growth
Economic Social
Equality
Recognition
Relationships
Bonding social capital
Bridging social capital
Freedom
Economic Social Cultural
Quality
Stimulation
Enrichment
Insight
Appreciation
Belonging
Economic Social Cultural Civic
Community belonging
Citizenship
Membership
Participation
Positive future
Collaboration
Economic Social Cultural Civic Environmental
Sense of place
Local character
Awareness
Natural connection
Self
Public Peer
Goals
Expectations
Cultural
Policy Framework
Economic Development and Activation
Arts, Culture and Heritage
Business Support and Sponsorship
CP18.1 Arts and Culture
CP18.8 Provision of Sponsorship and Donations
EXAMPLE
DIRECTORATE:
ACTIVITY AREAS:
POLICIES:
Cultural
Policy Framework – City of Perth
Economic Development and Activation
Arts, Culture and Heritage
Business Support and Sponsorship
CP18.1 Arts and Culture
CP18.8 Provision of Sponsorship and Donation
EXAMPLE
DIRECTORATE:
ACTIVITY AREAS:
POLICIES:
• Increase place activation and tourism
within the City of Perth
• Provide an economic benefit to local
businesses
• Enhance social wellbeing and
provoke engagement in cultural and
community life
• Raise the profile of the City as a
destination for business,
entertainment and culture
OBJECTIVES
OBJECTIVE
Relationships “It helped me to develop stronger relationships”
Freedom “It made me feel safe and welcome”
Belonging “It helped me feel part of a community”
Participation “It encouraged me to participate in activities in
the community”
Domain Outcome Statement
Enhance social wellbeing and provoke engagement in
cultural and community life.
OBJECTIVE
Unique “It helped me appreciate the place’s
characteristics”
Growth “It appealed to new audiences”
Local Impact “It is important for the local area”
Data Facts • Number of public places activated
• Total Visitation
• % Unique Visitation
• % International & Interstate Visitation
Domain Outcome Statement
Increase place activation and tourism
within the City of Perth
Cairns
Indigenous
Art Fair (CIAF)
DIMENSIONS
Local Impact
It's important that it's happening here
Connection
It helped me to feel connected to people in
the community
Meaning
It moved and inspired me
Respect
It gave me greater respect for cultural
diversity
…
INSIGHT
• Considered to be ‘locally
impactful’ across all evaluators
• Strong consistency in regards to
‘captivation’
• Relevance considered
comparatively weak by all public
0%
20%
40%
60%
80%
100%
Self - before
Peer - before
Public - after
SURVEYS COMPLETED
200
DIMENSIONS
8
Telstra Perth
Fashion
Festival
SURVEYS COMPLETED
1,055
DIMENSIONS
13
• 23 venues activated
• 2% Interstate/International
visitors
• Visitor expenditure impact:
$1.8 million
• 72% of visitor expenditure
undertaken in Perth CBD
INSIGHT
The majority of attendees think it’s contributing
to Perth’s creative vibrancy, cultural life and
civic pride.
Most attendees don’t go to cultural events often
and 84% agree that the Festival has increased
their appetite for cultural experiences.
Thankyou
Michael Chappell
michael.chappell@culturecounts.cc

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Realising Potential through Cultural Value Measurement - SEGRA spotlight presentation

Editor's Notes

  1. Cultural activities play an important role within regional communities Arts and culture can improve community vibrancy, connectedness and resilience They help us to connect with others and our place, better understand ourselves and the world around us, They encourage us to participate, innovate and create and they provide instrumental benefits to our personal and collective well-being The value case for investing in these activities relies on the measurement of value and at Culture Counts we notice that the approach to measurement in the sector is lagging behind Leading cultural organisations globally are using Culture Counts to generate the evidence needed to realise potential, clearly communicate impact, attract investment, and grow audiences
  2. *Supporting arts can have positive flow on effects to capacity building
  3. * But – regions often “lose out” as they lack the capacity ($, infrastructure, social, livability) to attract and retain significant social capital
  4. Historically, arts and cultural organisations have counted only outputs (number of arts products created, event participants or tickets sold) as metrics of success The measure of financial and some economic impacts of funded arts activity is becoming more common but the strongest parts of the value case receive the least attention We believe that presenting a comprehensive value picture is the best way to ensure ongoing public and private investor support for the arts Regional needs to think long-term and invest in the future – creative ecologies
  5. The Balanced Scorecard prepared by Pracsys and Culture Counts is the product of a partnerships between an urban economics frim Pracsys and Culture Counts, a performance evaluation company that has developed, tested and implemented an innovative new system for measuring intrinsic value. The approach is harmonised with the Framework for Cultural Development Planning developed by CDN which establishes five domains of public policy and activity. Measureable cultural outcomes across these domains were endorsed by the National Local Government Cultural Forum and Australia Council.
  6. But society increasingly requires objective assessment of value and governments are increasingly required to demonstrate value of their activity and investment for the communities they serve Agencies supported by public funds are also receiving greater demands to demonstrate their value by measuring the impact of the work they lead or support So how do those funding and delivering arts and cultural programs, events and activities measure and communicate their impact?
  7. Equip the regions with better ammunition with which to lobby for support Align strategy and policy objectives directly with activity
  8. Standardised metrics are harmonised with major policy frameworks and objectives frameworks in each funding environment
  9. Utilising Culture Counts as a survey tool we collected insights from over 200 attendees across 8 quality metrics including: Local Impact Connection Meaning Respect These dimensions were selected by the client (Arts Qld &CIAF) from the 15 available Survey took approximately 2-3 minutes
  10. Utilising Culture Counts as a survey tool we collected insights from over 1,000 public attendees, participants and key stakeholders across 13 dimensions: Interestingly we found that: * Events exceeded expectations of local impact, connection and creativity * Events didn’t meet expectations of authenticity and excellence * There wasn’t a significant difference between the experience of attendees at ticketed and free events * Self-evaluators were more positive than other stakeholders about the Festival’s cultural impact
  11. Measuring and communicating cultural value allows regional communities to: Realise potential, Compare, Communicate and Grow.