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STUDYING COMPOSITION IN 
IMAGES 
EMI LY CAPON
WHAT IS COMPOSITION? 
• Composition is a way of guiding the viewer’s eye towards the 
most important elements of an image. A good composition 
can help make a great representation of the dullest objects 
and subjects in the plainest of environments. 
• On the other hand, a bad composition can ruin a photograph 
completely, despite how interesting the subject may be. A 
poorly judged composition is also not something you can 
usually fix, unlike simple and common exposure or white 
balance errors. Cropping can sometimes save an image, but 
only when tighter framing and removal of certain portions of 
the image is the correct solution. That is why giving your 
choice of composition plenty of thought before capturing an 
image is a step of utmost importance.
CREATING A GOOD COMPOSITION 
• Focal length, angle at which you choose to position your camera 
relative to your subject also greatly affects composition. For 
example, choosing a wider scaled image will blur the background 
and foreground, effectively lessening the importance of objects 
placed in there. It will also be more often than in more noticeable 
corner shading which will help keep viewer’s eye inside the frame 
for longer. On the other hand, closing down the shot will bring more 
objects into focus which, in turn, may result in better image balance. 
How so? Well, “sharper”, more in-focus objects may attract more 
attention than a blurry shape, but not always. An experienced 
photographer will use all the available means to achieve the desired 
result. Simple shapes, tones, shadows, highlights, colours are all 
strong elements of composition.
AN EXAMPLE OF STUDYING A 
COMPOSITION.
AN EXAMPLE OF STUDYING A 
COMPOSITION. 
Despite the fact that part of a wall showing in the foreground 
is completely out of focus, it is the most vivid part of the 
photograph as well as being quite bright. For this reason, it 
attracts our attention much more than the main subject (man 
with the tea cup and his dog hiding in shadows). The bright 
yellow rectangle is the first thing you see when you glance at 
the photograph. A good and obvious way to fix this would be 
to reduce the vividness and luminance of the yellow colour.
RULES 
• Photo composition doesn’t have to be complicated. 
There are all sorts of theories about the ‘Rule of Thirds’ 
and more complex ‘Golden Mean’. 
• Simplify the scene 
• Fill the frame 
• Aspect ratio 
• Avoid the middle 
• Leading lines 
• Use diagonals 
• Backgrounds 
• Creative with colours
RULE OF THIRDS 
• Imagine that your image is divided into 9 equal segments 
by 2 vertical and 2 horizontal lines. The rule of thirds 
says that you should position the most important 
elements in your scene along these lines, or at the points 
where they intersect
LEADING LINES 
• When we look at a photo our eye 
is naturally drawn along lines. By 
thinking about how you place 
lines in your composition, you can 
affect the way we view the image, 
pulling us into the picture, towards 
the subject, or on a journey 
"through" the scene. There are 
many different types of line - 
straight, diagonal, curvy, zigzag, 
radial etc - and each can be used 
to enhance our photo's 
composition.
VIEWPOINT 
• Before photographing your subject, take time to think 
about where you will shoot it from. Our viewpoint has a 
massive impact on the composition of our photo, and as 
a result it can greatly affect the message that the shot 
conveys. Rather than just shooting from eye level, 
consider photographing from high above, down at 
ground level, from the side, from the back, from a long 
way away, from very close up, and so on
BACKGROUND 
• The human eye is excellent at distinguishing between 
different elements in a scene, whereas a camera has a 
tendency to flatten the foreground and background, and 
this can often ruin an otherwise great photo. Thankfully 
this problem is usually easy to overcome at the time of 
shooting - look around for a plain and background and 
compose your shot so that it doesn't distract or detract 
from the subject.

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Studying composition

  • 1. STUDYING COMPOSITION IN IMAGES EMI LY CAPON
  • 2. WHAT IS COMPOSITION? • Composition is a way of guiding the viewer’s eye towards the most important elements of an image. A good composition can help make a great representation of the dullest objects and subjects in the plainest of environments. • On the other hand, a bad composition can ruin a photograph completely, despite how interesting the subject may be. A poorly judged composition is also not something you can usually fix, unlike simple and common exposure or white balance errors. Cropping can sometimes save an image, but only when tighter framing and removal of certain portions of the image is the correct solution. That is why giving your choice of composition plenty of thought before capturing an image is a step of utmost importance.
  • 3. CREATING A GOOD COMPOSITION • Focal length, angle at which you choose to position your camera relative to your subject also greatly affects composition. For example, choosing a wider scaled image will blur the background and foreground, effectively lessening the importance of objects placed in there. It will also be more often than in more noticeable corner shading which will help keep viewer’s eye inside the frame for longer. On the other hand, closing down the shot will bring more objects into focus which, in turn, may result in better image balance. How so? Well, “sharper”, more in-focus objects may attract more attention than a blurry shape, but not always. An experienced photographer will use all the available means to achieve the desired result. Simple shapes, tones, shadows, highlights, colours are all strong elements of composition.
  • 4. AN EXAMPLE OF STUDYING A COMPOSITION.
  • 5. AN EXAMPLE OF STUDYING A COMPOSITION. Despite the fact that part of a wall showing in the foreground is completely out of focus, it is the most vivid part of the photograph as well as being quite bright. For this reason, it attracts our attention much more than the main subject (man with the tea cup and his dog hiding in shadows). The bright yellow rectangle is the first thing you see when you glance at the photograph. A good and obvious way to fix this would be to reduce the vividness and luminance of the yellow colour.
  • 6. RULES • Photo composition doesn’t have to be complicated. There are all sorts of theories about the ‘Rule of Thirds’ and more complex ‘Golden Mean’. • Simplify the scene • Fill the frame • Aspect ratio • Avoid the middle • Leading lines • Use diagonals • Backgrounds • Creative with colours
  • 7. RULE OF THIRDS • Imagine that your image is divided into 9 equal segments by 2 vertical and 2 horizontal lines. The rule of thirds says that you should position the most important elements in your scene along these lines, or at the points where they intersect
  • 8. LEADING LINES • When we look at a photo our eye is naturally drawn along lines. By thinking about how you place lines in your composition, you can affect the way we view the image, pulling us into the picture, towards the subject, or on a journey "through" the scene. There are many different types of line - straight, diagonal, curvy, zigzag, radial etc - and each can be used to enhance our photo's composition.
  • 9. VIEWPOINT • Before photographing your subject, take time to think about where you will shoot it from. Our viewpoint has a massive impact on the composition of our photo, and as a result it can greatly affect the message that the shot conveys. Rather than just shooting from eye level, consider photographing from high above, down at ground level, from the side, from the back, from a long way away, from very close up, and so on
  • 10. BACKGROUND • The human eye is excellent at distinguishing between different elements in a scene, whereas a camera has a tendency to flatten the foreground and background, and this can often ruin an otherwise great photo. Thankfully this problem is usually easy to overcome at the time of shooting - look around for a plain and background and compose your shot so that it doesn't distract or detract from the subject.