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P o r t f o l i o
B y . A s h l e y B l a k e
613 Oakcrest Avenue | Linwood, NJ 08221
	 (609)287-9715 | aeblake@syr.edu
Summary of Qualifications
Strong customer service skills in a retail setting
Knowledge of office practices and procedures
Strong attention to detail, great math skills and enjoys working as a team.
Excellent organizational and communication skills
Proven to prioritize and handle multiple tasks in a challenging environment.
Education and Training
Syracuse University, Syracuse, NY
College of VPA 	
Major: Environmental & Interior Design January 2015 – May 2017
	 Architecture 				 August 2013 – December 2014
GPA: 3.7
Mainland Regional High School, Linwood, NJ
Class of 2013
Class Rank: 39 out of 377
Weighted GPA: 4.610
Unweighted GPA: 3.847
Skills Summary
	
Microsoft Office (Word, Excel, PowerPoint)
Adobe Sweep (InDesign, Illustrator, Photoshop, Premiere, Audition, After Effects)
AutoCAD
Revit
Rhinoceros
SketchUp
Employment Experience
Dawson Design Associates, Seattle, WA May 2016- August 2016
	Intern
		 Working in Photoshop and Autocad in Hospitality Design
Surf Mall, Ocean City, NJ		 May 2011- August 2015
	 Manager of Henna department
		 Monitoring inventory, assisting customers, working register
		 Henna tattoos, hair wraps, feathers, airbrush
Christine’s Italian Bakery, Northfield, N August 2012- October 2012
	 Baking Assistant
Fortune Travel Inc., EHT, NJ			 May 2010- August 2010
	 Receptionist / Filing clerk
R E S U M E
P a r t I
Tools Of Trade
Architecture Undergrade. yr 1
Syracuse University
Tools of Trade discusses the overlap of Digital Representation in Architecture. This project explores the technical parts of an erector set. Each
part of the erector set is drawn to scale in auto-cad, then manipulated in Rhino to form new relations between parts. The drawings to the left
show the process and exploration of parts in the erector set, while enhancing first year’s understanding of Architectural Tools within studio.
Project #2 Parts Drawings
Ashley Blake
Professor Louie, TA Son
Arc 182 Spring 2014
Project #2 Parts Drawings
Ashley Blake
Professor Louie, TA Son
Arc 182 Spring 2014
Project #2 Patent Drawings
Ashley Blake
Professor Louie, TA Son
Arc 182 Spring 2014
Project #2 Patent Drawings
Ashley Blake
Professor Louie, TA Son
Arc 182 Spring 2014
Project #5 Figural Projections
Ashley Blake
Professor Jonathan Louie, TA: Sangburn Son
Arc 182 Spring 2014
Project #5 Figural Projections
Ashley Blake
Professor Jonathan Louie, TA: Sangburn Son
Arc 182 Spring 2014
P a r t I I
M o d e r n P o s e r
O i l P a s t e l
L e a t h e r
O i l o n C a n v a s
C a t c h i n g B u t t e r f l i e s
O i l o n C a n v a s
E m o t i v e
O i l o n C a n v a s
T h i n g s y o u d o n t n e e d
O i l o n C a n v a s
M o t h e r N a t u r e
O i l o n C a n v a s
P a p e r
p a s t e l o n p a p e r
F l a m m e r
O i l o n C a n v a s
I n c e p t i o n
O i l o n C a n v a s
F l o w e r s
O i l o n C a n v a s
O b j e c t s t u d y
O i l o n C a n v a s
P a r t I I I
Multi-Generational Living
Environmental Interior Design. yr 2
Syracuse University
Multi-Generational Living explores how universal and sustainable design can change the lifespand of a household by understanding the
needs of the modern family. This urban warehouse can fit up to ten family members while accomidationg the needs of all profiled residents.
This project helped second years prioritize floor planning and the use of materials, while creating a safe and livable space.
Universal Design
All Universal Design on first floor
Ada Compliant Bathrooms are located in the
Grandparent’s room, Uncle and Aunt’s room, and
hallway bathroom.
Handicap showers with shower seats located in
Grandparent’s room and Uncle and Aunt’s room.
Shorter bar table addition for height variations.
Reachable cabinets in kitchen
Reachable appliances in kitchen
Sustainability
Biophilia Hypothesis- The biophilia hypothesis suggests
that there is an instinctive bond between human beings
and other living systems.
The main hallway entrance is accompanied with a wall
installation of shelving storage and planters.
Introducing a sunroom filled with plants the plants
absorb sunlight and create an instinctive bond.
2nd Floor Plan 1st Floor Plan
Exploded Axon
P a r t I V
NYT Market Place
Environmental Interior Design. yr 3
Syracuse University
What if the New York Times building was repurposed to be a self sustained sky tower. Keeping the intended concept of translucency and
transcendence. The bottom extension of the NYT Buidling is transformed into an agricultural hub for local farmers to invent a new style of a
stop and go food market.
Inspiration
Exploded Axon
EXTERIOR AGRICULTURE
The growing process of
vertical agriculture in the
market place is exposed to
create transparency.
TRANSLUCENT PANNELS
Translucent pannels gives
a new interpretation of
opacity.
LED LIGHTING
LED lighting is embedded
between the glass pannel
and the exposed roots of
the vertical agriculture.
GLASS
Glass has the ability to
translate reflectivity while
exposing the light
installation.
Ceiling Installation
Section Cuts
P a r t v
Reinterpretting the void
Environmental Interior Design. yr 3
Syracuse University
Studying foreign films, our third year project explores using a movies emotive qualities and contextualizing them into a lobby instulation.
Creating this installation improved on photoshop, 3-D modeling, and graphic layout experience.
2:17:24
2:17:20
2:17:19
2:17:16
2:17:12
2:17:09
2:17:01
2:16:52
2:16:38
2:16:09
2:15:53
2:15:43
2:15:34
2:09:53
2:09:52
2:09:51
2:09:51
2:09:49
2:09:47
2:09:44
2:09:43
2:09:40
2:09:38
2:09:37
2:09:37
2:09:36
2:03:34
2:03:30
2:03:26
2:03:24
2:03:23
2:03:21
2:03:18
2:03:14
2:03:12
2:03:11
2:03:07
2:03:07
2:03:03
1:59:14
1:59:11
1:59:09
1:59:07
1:59:05
1:59:02
1:59:01
1:59:00
1:58:59
1:58:58
1:58:56
1:58:55
1:36:18
1:36:18
1:36:13
1:36:11
1:36:11
1:36:10
1:36:07
1:36:07
1:36:05
1:36:02
1:35:54
1:35:48
1:35:36
1:13:27
1:13:22
1:13:18
1:13:14
1:13:06
1:13:04
1:12:58
1:12:57
1:12:46
1:12:44
1:12:39
1:12:37
Hallucination
Negative Space
Texture
Self-Criticism
Mute
Striking
Routine
Tinted
Luminous
Anxiety
Radial
Constricted
Memory
Positive Space
Background
Adventure
Translucent
Bringht
Dividing the film into six emotive qualities developed a color sequence and created spatial conditions that would later inspire the
design of the final form. Each section is described by an emotion that was prevalent in the sequence, then analyzed by
architectural words that match the space.
Hallucination
Negative Space
Texture
Self-Criticism
Mute
Striking
Routine
Tinted
Luminous
Anxiety
Radial
Constricted
Memory
Positive Space
Background
Adventure
Translucent
Bringht
Hallucination takes
form on an interactive
tessellation that is
projectesd onto the
east wall. The
tessellation is a
compilation of the
recorded motion within
the warehouse lobby.
Self-Criticism is
depicted through a
null in design. The
blank area and
spotlights exhibit
introspective
reflection.
Routine is reflected
in the control of the
convex curve.
Anxiety is exhibited
through radial design.
As you move in the
installation the room
encloses.
Memory is described
through the repetition
of the design.
Adventure is the final
destination. At the
end of the installation
a camera is set in the
west wall, which
records all motion
within the warehouse
lobby and reflected
back onto the east wall.
Light Diagram
Scale 1’0”= 3/16”
Elevation
”
m
”
Exploded Axonometric
Floor
Lighting
Installation
Floor Plan
Scale 1’0”= 3/16”
Exploded Axonometric
Floor
Lighting
Installation
Assembly Diagram
AMaterial: Acrylic

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Ashley Blake Portfolio - Interior Designer Resume

  • 1. P o r t f o l i o B y . A s h l e y B l a k e
  • 2. 613 Oakcrest Avenue | Linwood, NJ 08221 (609)287-9715 | aeblake@syr.edu Summary of Qualifications Strong customer service skills in a retail setting Knowledge of office practices and procedures Strong attention to detail, great math skills and enjoys working as a team. Excellent organizational and communication skills Proven to prioritize and handle multiple tasks in a challenging environment. Education and Training Syracuse University, Syracuse, NY College of VPA Major: Environmental & Interior Design January 2015 – May 2017 Architecture August 2013 – December 2014 GPA: 3.7 Mainland Regional High School, Linwood, NJ Class of 2013 Class Rank: 39 out of 377 Weighted GPA: 4.610 Unweighted GPA: 3.847 Skills Summary Microsoft Office (Word, Excel, PowerPoint) Adobe Sweep (InDesign, Illustrator, Photoshop, Premiere, Audition, After Effects) AutoCAD Revit Rhinoceros SketchUp Employment Experience Dawson Design Associates, Seattle, WA May 2016- August 2016 Intern Working in Photoshop and Autocad in Hospitality Design Surf Mall, Ocean City, NJ May 2011- August 2015 Manager of Henna department Monitoring inventory, assisting customers, working register Henna tattoos, hair wraps, feathers, airbrush Christine’s Italian Bakery, Northfield, N August 2012- October 2012 Baking Assistant Fortune Travel Inc., EHT, NJ May 2010- August 2010 Receptionist / Filing clerk R E S U M E
  • 3. P a r t I Tools Of Trade Architecture Undergrade. yr 1 Syracuse University Tools of Trade discusses the overlap of Digital Representation in Architecture. This project explores the technical parts of an erector set. Each part of the erector set is drawn to scale in auto-cad, then manipulated in Rhino to form new relations between parts. The drawings to the left show the process and exploration of parts in the erector set, while enhancing first year’s understanding of Architectural Tools within studio.
  • 4. Project #2 Parts Drawings Ashley Blake Professor Louie, TA Son Arc 182 Spring 2014 Project #2 Parts Drawings Ashley Blake Professor Louie, TA Son Arc 182 Spring 2014 Project #2 Patent Drawings Ashley Blake Professor Louie, TA Son Arc 182 Spring 2014 Project #2 Patent Drawings Ashley Blake Professor Louie, TA Son Arc 182 Spring 2014 Project #5 Figural Projections Ashley Blake Professor Jonathan Louie, TA: Sangburn Son Arc 182 Spring 2014 Project #5 Figural Projections Ashley Blake Professor Jonathan Louie, TA: Sangburn Son Arc 182 Spring 2014
  • 5. P a r t I I
  • 6. M o d e r n P o s e r O i l P a s t e l L e a t h e r O i l o n C a n v a s
  • 7. C a t c h i n g B u t t e r f l i e s O i l o n C a n v a s E m o t i v e O i l o n C a n v a s
  • 8. T h i n g s y o u d o n t n e e d O i l o n C a n v a s M o t h e r N a t u r e O i l o n C a n v a s
  • 9. P a p e r p a s t e l o n p a p e r F l a m m e r O i l o n C a n v a s
  • 10. I n c e p t i o n O i l o n C a n v a s F l o w e r s O i l o n C a n v a s O b j e c t s t u d y O i l o n C a n v a s
  • 11. P a r t I I I Multi-Generational Living Environmental Interior Design. yr 2 Syracuse University Multi-Generational Living explores how universal and sustainable design can change the lifespand of a household by understanding the needs of the modern family. This urban warehouse can fit up to ten family members while accomidationg the needs of all profiled residents. This project helped second years prioritize floor planning and the use of materials, while creating a safe and livable space.
  • 12. Universal Design All Universal Design on first floor Ada Compliant Bathrooms are located in the Grandparent’s room, Uncle and Aunt’s room, and hallway bathroom. Handicap showers with shower seats located in Grandparent’s room and Uncle and Aunt’s room. Shorter bar table addition for height variations. Reachable cabinets in kitchen Reachable appliances in kitchen Sustainability Biophilia Hypothesis- The biophilia hypothesis suggests that there is an instinctive bond between human beings and other living systems. The main hallway entrance is accompanied with a wall installation of shelving storage and planters. Introducing a sunroom filled with plants the plants absorb sunlight and create an instinctive bond. 2nd Floor Plan 1st Floor Plan Exploded Axon
  • 13. P a r t I V NYT Market Place Environmental Interior Design. yr 3 Syracuse University What if the New York Times building was repurposed to be a self sustained sky tower. Keeping the intended concept of translucency and transcendence. The bottom extension of the NYT Buidling is transformed into an agricultural hub for local farmers to invent a new style of a stop and go food market.
  • 15. EXTERIOR AGRICULTURE The growing process of vertical agriculture in the market place is exposed to create transparency. TRANSLUCENT PANNELS Translucent pannels gives a new interpretation of opacity. LED LIGHTING LED lighting is embedded between the glass pannel and the exposed roots of the vertical agriculture. GLASS Glass has the ability to translate reflectivity while exposing the light installation. Ceiling Installation Section Cuts
  • 16. P a r t v Reinterpretting the void Environmental Interior Design. yr 3 Syracuse University Studying foreign films, our third year project explores using a movies emotive qualities and contextualizing them into a lobby instulation. Creating this installation improved on photoshop, 3-D modeling, and graphic layout experience.
  • 17.
  • 18. 2:17:24 2:17:20 2:17:19 2:17:16 2:17:12 2:17:09 2:17:01 2:16:52 2:16:38 2:16:09 2:15:53 2:15:43 2:15:34 2:09:53 2:09:52 2:09:51 2:09:51 2:09:49 2:09:47 2:09:44 2:09:43 2:09:40 2:09:38 2:09:37 2:09:37 2:09:36 2:03:34 2:03:30 2:03:26 2:03:24 2:03:23 2:03:21 2:03:18 2:03:14 2:03:12 2:03:11 2:03:07 2:03:07 2:03:03 1:59:14 1:59:11 1:59:09 1:59:07 1:59:05 1:59:02 1:59:01 1:59:00 1:58:59 1:58:58 1:58:56 1:58:55 1:36:18 1:36:18 1:36:13 1:36:11 1:36:11 1:36:10 1:36:07 1:36:07 1:36:05 1:36:02 1:35:54 1:35:48 1:35:36 1:13:27 1:13:22 1:13:18 1:13:14 1:13:06 1:13:04 1:12:58 1:12:57 1:12:46 1:12:44 1:12:39 1:12:37 Hallucination Negative Space Texture Self-Criticism Mute Striking Routine Tinted Luminous Anxiety Radial Constricted Memory Positive Space Background Adventure Translucent Bringht Dividing the film into six emotive qualities developed a color sequence and created spatial conditions that would later inspire the design of the final form. Each section is described by an emotion that was prevalent in the sequence, then analyzed by architectural words that match the space.
  • 19. Hallucination Negative Space Texture Self-Criticism Mute Striking Routine Tinted Luminous Anxiety Radial Constricted Memory Positive Space Background Adventure Translucent Bringht Hallucination takes form on an interactive tessellation that is projectesd onto the east wall. The tessellation is a compilation of the recorded motion within the warehouse lobby. Self-Criticism is depicted through a null in design. The blank area and spotlights exhibit introspective reflection. Routine is reflected in the control of the convex curve. Anxiety is exhibited through radial design. As you move in the installation the room encloses. Memory is described through the repetition of the design. Adventure is the final destination. At the end of the installation a camera is set in the west wall, which records all motion within the warehouse lobby and reflected back onto the east wall. Light Diagram Scale 1’0”= 3/16” Elevation
  • 20. ” m ” Exploded Axonometric Floor Lighting Installation Floor Plan Scale 1’0”= 3/16” Exploded Axonometric Floor Lighting Installation Assembly Diagram AMaterial: Acrylic