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DESIGN FUTURES:
Combining Design Thinking and Maker
Education in elementary education across
Europe
Annemiek Veldhuis
Aakash Johry
Tilde Bekker
Ina Conkic
Emer Beamer
Georgia Safouri
Ioanna Gaferi
Silvia Remotti
Madalina Bouros
PATT38 2021
Introduction
Maker Education
Design Thinking
(Design Based Learning)
Aim
PATT38 2021
(Thijs et al., 2014)
(Harel & Papert, 1991)
Introduction
Maker Education
Design Thinking
(Design Based Learning)
Definitions
PATT38 2021
(Kröper et al. 2001)
Introduction
Maker Education
Design Thinking
(Design Based Learning)
Definitions
PATT38 2021
(Lundberg & Rasmussen, 2018)
Maker Education
Design Thinking
(Design Based Learning)
+
PATT38 2021
Introduction
Aim
(Martinez & Stager, 2013)
(Smith et al, 2015)
1. What are the challenges of implementing a
formal DT and ME program for students 8 to 12 in
different socio-culteral contexts?
PATT38 2021
Research Questions
Introduction
PATT38 2021
Core-beliefs
Introduction
Be-greifbarkeit
Imagineering
Self-efficacy
(Katterfeldt & Schelhowe, 2015)
PATT38 2021
Core-beliefs
Introduction
Be-greifbarkeit: To make connections between the abstract and
concrete (Maker Education).
(Katterfeldt & Schelhowe, 2015)
PATT38 2021
Core-beliefs
Introduction
Be-greifbarkeit: To make connections between the abstract and
concrete (Maker Education).
Imagineering: To invent and create yet unknown products that relate to
personal life worlds (Design Thinking).
(Katterfeldt & Schelhowe, 2015)
PATT38 2021
Core-beliefs
Introduction
Be-greifbarkeit: To make connections between the abstract and
concrete (Maker Education).
Imagineering: To invent and create yet unknown products that relate to
personal life worlds (Design Thinking).
Self-efficacy: To gain the confidence to contribute to the world.
“The personal belief of having the power to produce desired effects
(Bandura & Locke, 2003; p. 87) which has a positive effect on motivation
and performance (Bandura, 1997).”
(Katterfeldt & Schelhowe, 2015)
1. What are the challenges of implementing a
formal DT and ME program for students 8 to 12 in
different socio-culteral contexts?
2. What is the impact of a formal DT and ME
program on these student’s collaboration and
creativity self-efficacy?
PATT38 2021
Research Questions
Introduction
Design Requirements
Multi-stakeholder perspective
Student
Teacher
Parent
School board
School associations
Policy makers
Design Requirements
Multi-stakeholder perspective
Student
Teacher
Parent
School board
School associations
Policy makers
Design Requirements
41 teachers
Semi-structured Interviews
Teachers
• Training for teachers
• Support reflective learning in students
• Both students and teachers need to develop 21st century skills
• Special attention to field research, making, and presenting
Design Requirements
Teachers
Design Requirements
41 teachers
Semi-structured Interviews
Teachers
• Training for teachers
• Support reflective learning in students
• Both students and teachers need to develop 21st century skills
• Special attention to field research, making, and presenting
Design Requirements
Students
34 students
Workshop:
- Current curriculum
- Positive experiences
- Preferences for a new curriculum
Design Requirements
Students
34 students
Workshop:
- Current curriculum
- Positive experiences
- Preferences for a new curriculum
- Interactive activities, such as games.
- Collaboration
- Activities outside the classroom
- Focus on making with both simple making
materials combined with more complex
technologies
Design
PATT38 2021
Design
PATT38 2021
Curriculum structuur
9 LESSONS
45 MINUTES
LESSON
STRUCTURE
Game (optional)
Learningactivity (1 or 2)
Reflection (at school or as homework)
(55 minutes with the game)
1
2
3
Design
Structure
PATT38 2021
Design
Design Process
PATT38 2021
Design
Design Process
PATT38 2021
Clean Energy No Poverty
PATT38 2021
Design
Themes
PATT38 2021
Design
Design Process
PATT38 2021
Design
Design Process
PATT38 2021
Design
Design Process
PATT38 2021
Design
Design Process
PATT38 2021
Design
Design Process
Maker kit
Worksheets
Presentations
PATT38 2021
Design
Tools
Design
PATT38 2021
Design
PATT38 2021
(Biesta, 2008; Biesta, 2010)
PATT38 2021
Design
Assessment
PATT38 2021
Design
Assessment
REFLECTION
WORKSHEET
(Gibbs, 1988)
PATT38 2021
Design
Assessment
REFLECTION
WORKSHEET
COMPETENCY-
ASSESSMENT
(Pierce et al., 2000)
REFLECTION
WORKSHEET
COMPETENCY-
ASSESSMENT
RUBRICS
PATT38 2021
Design
Assessment
REFLECTION
WORKSHEET
COMPETENCY-
ASSESSMENT
RUBRICS FEEDBACK
PATT38 2021
Design
Assessment
REFLECTION
WORKSHEET
COMPETENCY-
ASSESSMENT
COMPETENCY-
ASSESSMENT
RUBRICS FEEDBACK
PATT38 2021
Design
Assessment
REFLECTION
WORKSHEET REFLECTION
LOGBOOK
COMPETENCY-
ASSESSMENT
COMPETENCY-
ASSESSMENT
RUBRICS FEEDBACK
PATT38 2021
Design
Assessment
(Rolfe, 2013)
Design
PATT38 2021
Design
Competency assessment
PATT38 2021
Design
Self-reflection
Theoretical underpinning
PATT38 2021
Design Process
(Nessler, 2018)
PATT38 2021
Theoretical underpinning
Design Process
PATT38 2021
Theoretical underpinning
Curricular Spiderweb
(Van den Akker, 2013)
PATT38 2021
Theoretical underpinning
Curricular Spiderweb
(Van den Akker, 2013)
(Veldhuis et al., 2021)
Learning objective
What should the students know /
do / feel?
Learning activities
How will the
students learn?
Assessment activities
How will the achievement of the
learning objectives be measured?
PATT38 2021
Theoretical underpinning
Constructive Alignment
(Biggs, 1996)
PATT38 2021
Theoretical underpinning
DT and ME Curriculum Blueprint
(Veldhuis et al., 2021)
Study
30 elementary school teachers
700 students (approx.) aged 8 - 12
Participants
PATT38 2021
Study
Triangulated Mixed-methods study
Study Design
PATT38 2021
Study
Teacher:
• Experience
• Challenges of implementation
Variables
PATT38 2021
Study
Teacher:
• Experience
Questionnaire
Difficulty
Enjoyment
Focus Group
• Challenges of implementation
Diary
Focus Group
Research instruments
PATT38 2021
Study
Student:
• Experience
• Impact on collaboration and
creativity self-efficacy
Variables
PATT38 2021
Study
Student:
• Experience
Questionnaire
difficulty
enjoyment
clarity
content with learning
Interviews
• Impact on collaboration and
creativity self-efficacy
Creative self-efficacy Scale
(Beghetto, 2006)
Teamwork scale for youth
(Lower et al., 2015)
Interviews
PATT38 2021
Research instruments
Preliminary Results
“It is really impressive that children
desire a change, and they are eager
to try to make it happen, at least, at
the ideation level. So, our role here
was to strengthen and support their
imagination.” (Teacher 3, RO)
“The students started taking actions
fast - for example, they turned down
the lights and unplugged electronics
in the household.” (Teacher 1, NL)
PATT38 2021
Preliminary Results
Experience: Impact
“The topic of energy was a bit difficult
for some students - they were more
used to recycling and we had to spend
more time with them to explain [the
topic].” (Teacher 2, RO)
“…specifically defining the problem -
they all worked on the energy [topic]
and [the] kids had a hard time to say
what the problem was since they did
not have a good understanding of
fossil fuels.” (Teacher 2, NL)
PATT38 2021
Preliminary Results
Difficulties: Topic
“I really liked the ‘We research’ and ‘We
make’ phases - those where the ones in
which the kids had the best time. And
we even got feedback from parents
who liked to be interviewed by their
kids.” (Teacher 3, RO)
“The process was really nice, the way
the project was structured. I was able to
include it in some of the other classes:
we let the students fill in their journals
during communication [class].”
(Teacher 4, RO)
PATT38 2021
Preliminary Results
Experience: connections
Future work
Data analysis
Quantitative analysis:
ANOVA
Descriptive statistics
Qualitative analysis:
Thematic analysis
Future work
Follow-up project
Enable teachers to create their own
Design Thinking and Maker
Education projects based upon the
Design Futures method.
Enable teachers to embed learning
goals from their national curriculum
within these projects.
PATT38 2021
www.designfutures.eu
Combining Design Thinking and Maker
Education in elementary education across
Europe
Annemiek Veldhuis, Aakash Johry, Tilde Bekker, Ina Conkic, Emer
Beamer, Georgia Safouri, Ioanna Gaferi, Silvia Remotti, Madalina
Bouros

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PATT38 - DESIGN FUTURES: Combining Design Thinking and Maker Education in elementary education across Europe

Editor's Notes

  1. Thank you so much, Noora. My name is Annemiek Veldhuis, I am from Eindhoven University of Technology. Today I will present the research that we are doing within the Design Futures project, an European project that is aimed to combine Design Thinking and Maker Education in elementary education.
  2. So why do we want to implement DT and ME education in elementary education? Because these pedagogical processes can support students with developing the necessary skills to thrive in the complex context of the 21st century. They nurture 21st-century skills through creative, making processes. So through these processes, students are enabled to discover knowledge, instead of receiving it passively.
  3. Design Thinking in education, also known as Design-based Learning) is a step-based process that aims to help students with dealing with complex problems through supporting critical problem understanding and the creation of various solutions.
  4. ME is a type of project-based learning where students learn new technical concepts and skills through the production of physical objects.
  5. And these pedagogies can be combined as they both involve ideating, creating, and reflecting on experience. By introducing them in early childhood education, we hope that students can develop their creative, collaborative, and making skills. However, there are still few implementations of DT and ME in formal, elementary education.
  6. Therefore, we set out to find what the challenges are of implementing these pedagogies in elementary education in different socio-cultural contexts,
  7. Moreover, we take inspiration from the core beliefs of the TechKreativ workshops by the The “Digital Media in Education” research group of the Universität Bremen: Be-greifbarkeit, Imagineering and self-efficacy.
  8. Begreifbarkeit refers to making connections between the abstract and concrete through tangibility and body interaction. We have chosen electronic circuits through analogue electronics to be the abstract concept to become begreifbar.
  9. Imagineering refers to inventing and creating yet unknown products that relate to the personal life worlds. We aim to brigde the gap between the educational context and the outside world by having students try to solve a problem that society is currently facing. For this we selected the UN’s Sustainable development goals, These are broad enough, so the students are able to define their own sub-problem within the topic and because they are so general, they are relevant to the students’ own community.
  10. Lastly, in constructionist understanding of education, the experience of self-efficacy is the basis for personal development. It refers to the students’ personal belief of having the power to produce desired effects. The impact of Design Thinking and Maker Education activities on the students’ self-efficacy is therefore a core indicator of its success.
  11. Therefore, our second question revolves around the impact is of these pedagogies on the students’ collaboration and creativity self-efficacy.
  12. To find answers to these questions we designed an educational program, the Design Futures program. And we tested it with elementary schools in 4 European countries: Greece, Romania, Italy and the Netherlands.
  13. When designing an educational program, you have to take stakeholders at different levels into account.
  14. To get design requirements, we gathered the perspectives from three levels: school board, teachers, and students.
  15. We interviewed 41 teachers over the 4 countries. First we found that we needed to provide training for teachers
  16. The level of acquaintance and experience with DT and ME differs a lot across the countries. The teachers in the Netherlands have more experience as these methods have been given more attention by policy makers. While Italy and Greece have centralized education systems and thus they don’t have much flexibility for adopting new practices.
  17. The teachers also expressed the need for reflective learning in students, the development of 21st century skills in both teachers and students, and special attention to field research, making and presenting as those seems to be the most challenging for students.
  18. To gain insights from the student perspective we hosted workshops with 34 students. The workshop consisted out of three parts: getting insight in the students’ experience of the current curriculum, their positive experiences, and preferences for a new curriculum.
  19. In all countries student’s mention that they want to include more interactive activities in their curriculum and they mentioned to prefer or have positive experiences with collaborative work. All students mentioned that they would prefer to have activities outside of the classroom and they want to focus on making with a preference for both simple making materials combined with more complex technologies
  20. Based on these requirements, we designed the Design Futures program. The main components of the program are: the lessonplan, a teacher’s training workshop and manual, a student reflection booklet and other assessment materials.
  21. The lessonplan consists out of step-by-step guidelines for implementing the program.
  22. The program consists out of 9 lessons of 45 to 55 minutes.
  23. It takes the students through a process of 6 designphases.
  24. In the first lesson, they get a design brief and get accainted with the technology that they will us: in this case, electronic components.
  25. The two themes that were selected for this pilot are Clean Energy and No Poverty
  26. While working in teams the students research the topic and they define a sub-problem.
  27. Which they try to solve through design.
  28. The students use the basic electronic components in the creation of a mock-up of their design,
  29. which they then evaluate
  30. and present to their peers.
  31. Tools that are provided to the teachers are: premade presentations, premade worksheets and a maker kit, which includes the various basic electronic components.
  32. Before the pilot, teachers are trained through a workshop. They are given a training manual with the theoretical background, and they can find training videos on the projects’ website.
  33. Because often, what is valued in education is to a large part determined by what is measured. So we also provide the teacher with assessment materials.
  34. These materials can be used for the teacher to assess themselves, assess the students or for the students to evaluate themselves.
  35. We provide self-reflection materials based on Gibbs’ reflective model for teachers,
  36. And competency assessment tools based on Pierce et al’s competencies for facilitators.
  37. Moreover, we support summative assessment through an assessment rubrics that assesses the students’ final prototype, reflections and end-presentation,
  38. And we support formative assessment through a guide with feedback prompts for every project phase related to different learning levels.
  39. The student's self-assessment is based on ipsative assessment, which is supported through competency self-assessment
  40. and self-reflection based on Rolfe’s 3 question model.
  41. This self-assessment is done in a reflection booklet
  42. The students evaluate themselves based on four competencies: collaboration, research, creativity and making.
  43. The students reflect on their learning after key lessons and at the end of the project.
  44. We took a theory inspired approach to designing this program. First for the design process, we took the double diamond model as starting point. The diverging and converging elements of this model represent different thinking modes.
  45. Divergent Thinking: is a way of thinking that focuses on the exploration of different alternatives. It encourages students to explore options and be open to new input. Convergent Thinking: is a mindset that focuses on the evaluation and selection of the best alternatives, in order to move forward and make progress in the design process. These two ways of thinking are therefore the building blocks of the entire process and are alternated to help students move from problem to solution in a structured way.
  46. On which we based our design process. In this diagram, you can see how the double diamond is embedded within the process.
  47. A tool that we used to reflect on the internal consistency and balance of the various components of the educational program is the Curricular Spiderweb. It consists out of 10 components that are integral to curriculum design.
  48. We found that in other DT and ME practices the stated Aims and Objectives, Learning activities, and Assessment Activities often weren’t connected and learning objectives were only occasionally assessed. To be able to create a consistent program that can be implemented in a formal educational setting each component of the program needs to be balanced and aligned with each other.
  49. The theory of constructive alignment therefore states that a deliberate alignment between the planning of learning activities, the learning outcomes, and the way these learning outcomes are assessed needs to be made.
  50. Learning objectives are statements that quantifiably specify what students will know or be able to do as a result of a learning activity. When defining these learning objectives, the growth of the students’ development needs to be taken into account. We used the Bloom Taxonomy to provide a systematic way of describing how a student’s performance grows in complexity when mastering
  51. The teaching methods we choose need to engage students in activities that are likely to require them to perform in the way nominated in the curriculum objectives.
  52. In deciding the assessment tasks, it is necessary to judge the extent to which they embody the target performances of understanding, and how well they lend themselves to evaluating individual student performances. As Design Thinking and Maker Education activities are full of change and only few methods for assessment of Design Thinking/Maker Education processes are know, we decided to look at multiple forms of assessment.
  53. We focused on three types of assessment: Summative assessment, which is mainly used to compare students and report progress through tests or assessment rubrics. Formative assessment which can be rsed to gain insight into learners' knowledge and skills to guide instruction. And ipsative assessment which can be used to activate students to become owners of their learning. Through, for example competency self-assessment or self-reflection.
  54. To assure this alignment we took these aspects together to compose the DT and ME Curriculum Blueprint, which we used underlying framework for constructing our educational program.
  55. We implemented the program in the 4 countries.
  56. 30 elementary school teachers are involved and approximately 700 students ages 8 to 12.
  57. To answer our research questions, we have taken a triangulated mixed-method approach. And we collect data from both the teacher and the student perspective.
  58. For the teacher, we look at their experience and the challenges they faced when implementing the program.
  59. To do that, we gather data through questionnaires, an implementation diary and focus groups with the teachers per country.
  60. For the students, we are interested in their experience and the impact of the program on their collaboration and creativity self-efficacy
  61. For these we use questionnaires with scales for difficulty, enjoyment, clarity, and contentless with learning, post-program interviews and pre- and post program self-efficacy scales to gather data.
  62. We are still gathering data as COVID has delayed our study. However, I would like to share some preliminary insights with you. But first, I have some students who want to share their work with you.
  63. This is data from the student experience questionnaire of one school. Surprisingly, students enjoyed the we learn phase the most. But this might be the novelty effect.
  64. The first reflections from the teachers that we have received showed that they have seen that their students became more aware of the societal problems around them which altered their behavior.
  65. However, the topic was difficult for the students. In order for a design project to work with children, the topic has to be something that is close to their experiences.
  66. The teachers did enjoy the process. Some of them could connect parts of it to other courses, others connected it with the environment outside of school.
  67. For future work, we are of course waiting for all the data to come in so we will be able to do the entire data analysis.
  68. Lastly, we are looking to create a follow up project in which we aim to enable teachers to create their own DT and ME projects based upon the Design Futures method and enable them to embed learning goals from their national curriculum within these projects.
  69. Thank you for listening. You can follow the progress of the project on our website on which you can also download all the designed materials.