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Theatre in Victorian England
“It was only in the theatre that I lived.”
(Oscar Wilde)
Context
• 1800- Two theaters
• 1809- John Kemble
• 1843- Licensing
• 1843- Building
• 1843- West End
1808-1810
Talent and
Technology
• Actions
• Visuals
• Melodrama
• Lighting
• Hydraulics
• John Ruskin
1877
Dramatists
• Difficult
• Shakespeare
• “Real” artists?
• Money & class
• Dickens
• Legislation
• Realism
• Naturalism
• Modernism 1838
Oscar Wilde
• Lady
Windermere’s Fan
• A Woman of No
Importance
• An Ideal Husband
• The Importance
of Being Earnest
St. James Theatre, 1896
Lady
Windermere’s
Fan
• “A Play About
a Good
Woman”
• 20 Feb. 1892
• Comedy
• $845,833
A Woman of No
Importance
• 19 April 1893
• Haymarket
Theatre
• Herbert Beerbohm
Tree
An Ideal
Husband
• 3 Jan. 1895
• Haymarket
Theatre
• Lewis Waller
• Success until
April
The
Importance
of Being
Earnest
• St. James’ Theatre
• Allan Aynesworth
• Evelyn Millard
• Irene Vanbrugh
• George Alexander
• Actor manager of
St. James
14February1895
Programs
Works Cited
• Auerbach, Nina. “Before the Curtain.” The Cambridge Companion to
Victorian and Edwardian Theatre, Edited by Kerry Powell, Cambridge
University Press, 2004, pp. 3-14.
• Bratton, Jack. “Theater in the 19th Century.” British Library,
www.bl.uk/romantics-and-victorians/articles/19th-century-theatre,
Accessed 6 October 2016.
• “The Importance of Being Earnest: The First Stage Production, 1895.”
Victoria and Albert Museum, www.vam.ac.uk/content/articles/t/the-
importance-of-being-earnest-first-stage-production. Accessed 6 October
2016.
• Wilde, Oscar. The Picture of Dorian Gray. Dover, 1993.
• Newey, Katherine and Jeffery Richards. “John Ruskin at the Theatre.”
John Ruskin and the Victorian Theatre, Palgrave Macmillan, 2010, 1-18.

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Theatre in Victorian England: Oscar Wilde and the Rise of Realism

  • 1. Theatre in Victorian England “It was only in the theatre that I lived.” (Oscar Wilde)
  • 2. Context • 1800- Two theaters • 1809- John Kemble • 1843- Licensing • 1843- Building • 1843- West End 1808-1810
  • 3. Talent and Technology • Actions • Visuals • Melodrama • Lighting • Hydraulics • John Ruskin 1877
  • 4. Dramatists • Difficult • Shakespeare • “Real” artists? • Money & class • Dickens • Legislation • Realism • Naturalism • Modernism 1838
  • 5. Oscar Wilde • Lady Windermere’s Fan • A Woman of No Importance • An Ideal Husband • The Importance of Being Earnest
  • 7. Lady Windermere’s Fan • “A Play About a Good Woman” • 20 Feb. 1892 • Comedy • $845,833
  • 8. A Woman of No Importance • 19 April 1893 • Haymarket Theatre • Herbert Beerbohm Tree
  • 9. An Ideal Husband • 3 Jan. 1895 • Haymarket Theatre • Lewis Waller • Success until April
  • 10. The Importance of Being Earnest • St. James’ Theatre • Allan Aynesworth • Evelyn Millard • Irene Vanbrugh • George Alexander • Actor manager of St. James 14February1895
  • 12. Works Cited • Auerbach, Nina. “Before the Curtain.” The Cambridge Companion to Victorian and Edwardian Theatre, Edited by Kerry Powell, Cambridge University Press, 2004, pp. 3-14. • Bratton, Jack. “Theater in the 19th Century.” British Library, www.bl.uk/romantics-and-victorians/articles/19th-century-theatre, Accessed 6 October 2016. • “The Importance of Being Earnest: The First Stage Production, 1895.” Victoria and Albert Museum, www.vam.ac.uk/content/articles/t/the- importance-of-being-earnest-first-stage-production. Accessed 6 October 2016. • Wilde, Oscar. The Picture of Dorian Gray. Dover, 1993. • Newey, Katherine and Jeffery Richards. “John Ruskin at the Theatre.” John Ruskin and the Victorian Theatre, Palgrave Macmillan, 2010, 1-18.

Editor's Notes

  1. Covent Garden and Drury Lane
  2. 1892, 1893, 1895, 1895
  3. St James’ Theater
  4. Lewis Waller as sir robert chiltern
  5. First night of the show Prince of Wales was present– Edward VII Allan Aynesworth- Algernon Evelyn Millard- Cecily Irene Vanbrugh- Gwendolyn Fairfax George Alexander- Jack One of the best actor managers Made St. James theater one of the most successful theaters in london “Curtain Raiser” began at 8:30. One act play
  6. 1909 he put Wilde’s name back on the playbill