Adam's At Home & Auction Guide

ADAM’S
Est.1887
AT HOME | AUCTION
JUNE 30TH 2019

How to buy at Adam’s
Viewing
Viewing is the first step. You can browse our cata-
logues online and viewing the electronic flip cata-
logue is a great way to get a feel for what is on offer.
The online catalogues also frequently provide ad-
ditional imagery or information. Alternatively, you
can subscribe to our posted fully illustrated cata-
logues which will be delivered to your home in the
old fashioned way.
Catalogue Descriptions
All lots are described to provide information on
their age, materials of construction and method of
decoration. The description may also provide infor-
mation on the history or provenance of the item.
Estimates
All lots carry estimates in a range of values. Esti-
mates are in Euro and reflect the anticipated price
and are related to prices for comparable lots sold
previously.
Condition Reports
These reports are additional to the information
provided in the catalogue. They provide a service
for buyers who cannot attend a viewing in person,
providing guidance on a lot’s condition.
Catalogue Subscriptions
Why not have our catalogue delivered directly to your
home, we offer a range of subscription options
Bidding
There are many ways that Adam’s can facilitate your
bidding. Each method requires registration. This can
be done online by creating a ‘My Adam’s’ account on
our website, or by registering directly through our
office in person or over the telephone. If you have
not previously registered to bid, legislation requires
that you provide photographic identification by way
of Passport or Driving Licence. Buyers premium of
25% inclusive of VAT is payable on the hammer
price of all successful bids at auction.
Bidding Live
Our online bidding service allows you to see and
hear the auction in progress from the comfort of
your home or office. By registering online you can
take part, all you have to do is click to bid.
Telephone Bidding
This connects you directly to a member of the Ad-
am’s team in the auction room, who will guide you
through the process of live telephone bidding. The
team member will relay the bidding back and forth
and bid on your behalf.
Written Bids
If you cannot attend the auction or use one of the
methods outlined earlier, you may leave a written
commission bid. A written bid is a maximum figure
which you would be prepared to bid. These bids are
executed by the auction clerk on your behalf. The
bidding follows the bids in the room or online until
such time as you are successful or your bid is over-
taken. The clerk will purchase the lot at the lowest
possible price, subject to any reserve and interest
from other bidders up to your maximum bid.
You can now leave absentee bids through our web
site by registering for a “My Adam’s” account.
For more information or advice on leaving com-
mission bids contact a member of our team at 01
6760261.
What happens next
If you are successful with your bid, you will receive a
proforma invoice for your purchase post auction with
full instructions regarding payment & collection. Our
web site is updated with the full auction results.
Payment
The accounts department is open between
10.00am – 1.00pm & 2.00pm - 5.00pm,
Monday to Friday.
Your proforma invoice details our accepted methods
of payment, including links to secure on-line payments
through our web site.
Collection
You can collect your lot(s) from our Salerooms be-
tween the hours of 10.00am – 1.00pm & 2.00pm –
5.00pm Monday to Friday upon receipt of payment.
Please note uncollected lot(s) within 2 days of the
auction date may be subject to storage and han-
dling charges, so we would therefore recommend
that you make prompt arrangements to pay & col-
lect
Shipping
Adams outsource shipping to recommended third
parties. Your proforma invoice includes a link to rec-
ommended shippers who will be happy to quote for
your requirements.
We are here to help. Should you have any queries,
please do not hesitate to contact us by telephone
+353-1-6760261 or by e-mail info@adams.ie

GENERAL TERMS & CONDITIONS OF BUSINESS
The Auctioneer carries on business on the following terms and conditions and on such other terms or conditions as may be
expressly agreed with the Auctioneer or set out in any relevant Catalogue. Conditions 12-21 relate mainly to buyers and con-
ditions 22-32 relate mainly to sellers. Words and phrases with special meanings are defined in condition 1. Buyers and sellers
are requested to read carefully the Cataloguing Practice and Catalogue Explanation contained in condition 2.
DEFINITIONS
1. In these conditions the following words and expressions
shall have the following meanings:
Auctioneer - James Adam and Sons trading as Adam’s.
Auctioneer’s Commission - The commission payable to the
Auctioneer by the buyer and seller as specified in conditions
13 and 25.
Catalogue - Any advertisement, brochure, estimate, price or
other publication.
Forgery - A Lot which was made with the intention of deceiv-
ing with regard to authorship, culture, source, origin, date,
age or period and which is not shown to be such in the de-
scription therefore in the Catalogue and the market value for
which at the date of the auction was substantially less than
it would have been had the Lot been in accordance with the
Catalogue description.
Hammer Price - The price at which a Lot is knocked down by
the Auctioneer to the buyer.
Lot - Any item which is deposited with the Auctioneer with a
view to its sale at auction and, in particular, the item or items
described against any Lot number in any Catalogue.
Proceeds of Sale - The net amount due to the seller being
the Hammer Price of the Lot after deducting the Auctioneer’s
Commission thereon under condition 25 the seller’s contri-
bution towards insurance under condition 26, such VAT as is
chargeable and any other amounts due by the seller to the
Auctioneer in whatever capacity howsoever arising.
Registration Form or Register - The registration form (or, in
the case of persons who have previously attended at auc-
tions held by the Auctioneer and completed registration
forms, the register maintained by the Auctioneer which is
compiled from such registration forms) to be completed and
signed by each prospective buyer or, where the Auctioneer
has acknowledged pursuant to condition 12 that a bidder is
acting as agent on behalf of a named principal, each such
bidder prior to the commencement of an auction.
Sale Order Form - The sale order form to be completed and
signed by each seller prior to the commencement of an auc-
tion.
Total Amount Due - The Hammer Price of the Lot sold, the
Auctioneer’s Commission due thereon under condition 13,
such VAT as is chargeable and any additional interest, ex-
penses or charges due hereunder.
V.A.T. - Value Added Tax.
Cataloguing Practice & Catalogue Explanations
2. Terms used in Catalogues have the following meanings
and the Cataloguing Practice is as follows:
The first name or names and surname of the artist - In the
opinion of the Auctioneer a work by the artist.
The initials of the first name(s) and the surname of the art-
ist - In the opinion of the Auctioneer a work of the period of
the artist and which may be in whole or in part the work of
the artist.
The surname only of the artist - In the opinion of the Auc-
tioneer a work of the school or by one of the followers of the
artist or in his style.
The surname of the artist preceded by ‘after’ - In the opinion
of the Auctioneer a copy of the work of the artist.
Signed/Dated/Inscribed - In the opinion of tile Auctioneer the
work has been signed/dated/inscribed by the artist.
With Signature/With date/With inscription’- In the opinion of
the Auctioneer the work has been signed/dated/inscribed by a
person other than the artist.
Attributed to - In the opinion of the Auctioneer, probably a
work of the artist.
Studio of/Workshop of - In the opinion of the Auctioneer a
work executed in the studio of the artist and possibly under
his supervision.
Circle of - In the opinion of the Auctioneer a work of the period
of the artist and showing his influence.
Follower of - In the opinion of the Auctioneer a work executed
in the artist’s style yet not necessarily by a pupil.
Manner of - in the opinion of the Auctioneer a work executed
in artist’s style but of a later date.
None of the terms above are appropriate but in the Auction-
eer’s opinion the work is a work by the artist named.
GENERAL CONDITIONS
Auctioneer Acting as Agent
3. The Auctioneer is selling as agent for the seller unless it is
specifically stated to the contrary. The Auctioneer as agent for
the seller is not responsible for any default by the seller or
the buyer. The auctioneer reserves the right to bid on behalf
of the seller.
Auctioneer Bidding on behalf of Buyer
4. It is suggested that the interests of prospective buyers are
best protected and served by the buyers attending at an auc-
tion. However, the Auctioneer will, if instructed, execute bids
on behalf of a prospective buyer. Neither the Auctioneer nor
its employees, servants or agents shall be responsible for any
neglect or default in executing bids or failing to execute bids.
Admission to Auctions
5. The Auctioneer shall have the right exercisable in its abso-
lute discretion to refuse admission to its premises or atten-
dance at its auctions by any person.
Acceptance of Bids
6. The Auctioneer shall have the right exercisable in its abso-
lute discretion to refuse any bids, advance the bidding in any
manner it may decide, withdraw or divide any Lot, combine
any two or more Lots and, in the case of a dispute, to put any
Lot up for auction again.
Indemnities
7. Any indemnity given under these conditions shall extend to
all actions, proceedings, claims, demands, costs and expenses
whatever and howsoever incurred or suffered by the person
entitled to the benefit of the indemnity and the Auctioneer de-
clares itself to be a trustee of the benefit of every such indem-
nity for its employees, servants or agents to the extent that
such indemnity is expressed to be for their benefit.

Representations in Catalogues
8. Representations or statements made by the Auctioneer
in any Catalogue as to contribution, authorship, genuine-
ness, source, origin, date, age, provenance, condition or
estimated selling price or value is a statement of opinion
only. Neither the Auctioneer nor its employees, servants
or agents shall be responsible for the accuracy of any such
opinions. Every person interested in a Lot must exercise
and rely on their own judgment and opinion as to such
matters.
9. The headings of the conditions herein contained are
inserted for convenience of reference only and are not
intended to be part of, or to effect, the meaning or inter-
pretation thereof.
Governing Law
10. These conditions shall be governed by and construed
in accordance with Irish Law.
Notices
11. Any notice or other communication required to be
given by the Auctioneer hereunder to a buyer or a seller
shall, where required, be in writing and shall be sufficiently
given if delivered by hand or sent by post to, in the case of
the buyer, the address of the buyer specified in the Regis-
tration Form or Register, and in the case of the seller, the
address of the seller specified in the Sale Order Form or to
such other address as the buyer or seller (as appropriate)
may notify the Auctioneer in writing. Every notice or com-
munication given in accordance with this condition shall be
deemed to have been received if delivered by hand on the
day and time of delivery and if delivered by post three (3)
business days after posting.
CONDITIONS WHICH MAINLY CONCERN THE BUYER
The Buyer
12. The buyer shall be the highest bidder acceptable to the
Auctioneer who buys at the Hammer Price. Any dispute
which may arise with regard to bidding or the acceptance
of bids shall be settled by the Auctioneer. Every bidder
shall be deemed to act as principal unless the Auctioneer
has prior to the auction, acknowledged in writing that a
bidder is acting as agent on behalf of a named principal.
The Commission
13. The buyer shall pay the Auctioneer a commission at the
rate of 25% of the Hammer Price inclusive of VAT at the
applicable rate on all individual lots.
Payment
14. Unless credit terms have been agreed with the Auction-
eer before the auction the buyer of a Lot shall pay to the
Auctioneer within one (2) days from the date of the auction
the Total Amount Due. Notwithstanding this, the Auction-
eer may, in its sole discretion, require a buyer to pay a de-
posit of 25% of the Total Amount Due at the conclusion of
the auction.
The Auctioneer may apply any payments received by a
buyer towards any sums owing from that buyer to the
Auctioneer on any account whatever regardless of any di-
rections of the buyer or his agent in that regard whether
express or implied.
The Auctioneer shall only accept payment from success-
ful bidders in cash, draft in Euro or by the bidder’s own
cheque drawn on an Irish bank account vouched to the
satisfaction of the Auctioneer. Cheques drawn by third
parties, whether in the Auctioneer’s favour or requiring en-
dorsement, shall not be accepted. We also accept payment
by credit card, Visa & Mastercard.
American Expess is subject to 3.9% administration charge
on the total amount due. We also accept debit card pay-
ments by way of Laser, with no surcharge, however the
cardholder in person can only make the payment.
Reservation of Title
15. Notwithstanding delivery or passing of risk to the buyer
the ownership of a Lot shall not pass to the buyer until he
has paid to the Auctioneer the Total Amount Due.
Collection of Purchases
16. The buyer shall at his own expense collect the Lot pur-
chased not later than seven (2) days after the date of the
auction but (unless credit terms have been agreed with the
Auctioneer pursuant to condition 14) not before payment
to the
Auctioneer of the Total Amount Due.
The buyer shall be responsible for any removal, storage
and insurance charges in respect of any Lot which is not
taken away within seven (2) days after the date of the auc-
tion.
The purchased Lot shall be at the buyer’s risk in all respects
from the earlier of the time of collection or the expiry of (2)
days from the date of the auction. Neither the Auctioneer
nor its employees, servants or agents shall thereafter be li-
able for any loss or damage of any kind howsoever caused
while a purchased Lot remains in its custody or control af-
ter such time
Packaging and Handling of Purchased Lots
17. Purchased Lots may be packed and handled by the
Auctioneer, its employees, servants or agents. Where this
is done it is undertaken solely as a courtesy to buyers and
at the discretion of the Auctioneer. Under no circumstanc-
es shall the Auctioneer, its employees, servants or agents
be liable for damage of any kind and howsoever caused to
glass or frames nor shall the Auctioneer be liable for the
errors or omissions of, or for any damage caused by, any
packers or shippers which the Auctioneer has recommend-
ed.
Non-Payment or Failure to Collect Purchased Lots
18. If a buyer fails to pay for and/or collect any purchased
Lot by the dates herein specified for payment and collec-
tion the Auctioneer shall, in its absolute discretion and
without prejudice to any other rights or remedies it may
have, be entitled to exercise one or more of the following
rights or remedies without further notice to the buyer:
(a) To issue court proceedings for damages for breach of
contract;
(b) To rescind the sale of that Lot or any other Lots sold to
the buyer whether at that or at any other auction;
(c) To resell the Lot or cause it to be resold whether by
public auction or private sale. In the event that there is a
deficiency between the Total Amount Due by the buyer
and the amount received by the Auctioneer on such resale
after deduction of any necessary expenses the difference
shall be paid to the Auctioneer by the buyer. Any surplus
arising shall belong to the seller;
(d) To store (whether at the Auctioneer’s premises or else-
where) and insure the purchased Lot at the expense of the
buyer;
(e) To charge interest on the Total Amount Due at the rate
of 2% over and above the base rate from time to time of
Bank of Ireland or if there be no such rate, the nearest
equivalent thereto as determined by the Auctioneer in its

absolute discretion from the date on which payment is due here-
under to the date of actual payment;
(f) To retain that Lot or any other Lot purchased by the buyer
whether
at the same or any other auction and release same to the buyer
only after payment to the Auctioneer of the Total Amount Due;
(g) To apply any sums which the Auctioneer received in respect
of Lots being sold by the buyer towards settlement of the Total
Amount Due.
(h) To exercise a lien on any property of the buyer in the posses-
sion of the Auctioneer or whatever reason.
Liability of Auctioneer and Seller
19. Prior to auction ample opportunity is given for the inspec-
tion of the Lots on sale and each buyer by making a bid ac-
knowledges that he has, by exercising and relying on his own
judgment, satisfied himself as to the physical condition, age and
Catalogue description of each Lot (including but not restricted to
whether the Lot is damaged or has been repaired or restored).
All Lots are sold with all faults and imperfections and errors of
description. None of the seller, the Auctioneer nor any of their
employees, servants or agents shall be responsible for any er-
ror of description or for the condition or authenticity of any Lot.
No warranty whatsoever is given by the seller or Auctioneer
or by any of their employees, servants or agents in respect of
any Lot and any condition or warranty express, or implied by
statute or otherwise is hereby specifically excluded.Forgeries
20. Any amount paid by a buyer in respect of a Lot which, if it is
proved within three (3) years of the date of the auction at which it
was purchased, to have been a Forgery shall be refunded to the
seller subject to the provisions hereof, provided that:
(a) The Lot has been returned by the buyer to the Auctioneer
within three (3) years of the date of the auction in the same con-
dition in which it was at the time of the auction together with
evidence proving that it is a Forgery, the number of the Lot and
the date of the auction at which it was purchased;
(b) The Auctioneer is satisfied that the Lot is a Forgery and that
the buyer has and is able to transfer good and marketable title to
the Lot free from any third party claims;
FURTHER PROVIDED THAT the buyer shall have no rights here-
under if:
(i) The description of the Lot in the Catalogue at the time of the
auction was in accordance with the then generally accepted opin-
ion of scholars or experts or fairly indicated that there was a con-
flict of such opinion;
(ii) The only method of establishing at the time of the auction in
question that the Lot was a Forgery would have been by means
of scientific processes which were not generally accepted for use
until after the date of the auction or which were unreasonably
expensive or impractical.
The buyer’s sole entitlement under this condition is to a refund
of the actual amount paid by him in respect of the Lot. Under no
circumstances shall the Auctioneer be liable for any damage, loss
(including consequential, indirect or economic loss) or expense
suffered or incurred by the buyer by reason of the Lot being a
Forgery.
The benefit of this condition shall be solely and exclusively for the
buyer and shall not be assignable. The buyer shall for the pur-
pose of this condition be the person to whom the original invoice
in respect of the sale of the Lot is made.
Photographs
21. The buyer authorises the Auctioneer at any time to make use
of any photographs or illustrations of the Lot purchased by the
buyer for such purposes as the Auctioneer may require.
22. New VAT Regulations
22a) All lots are sold within the Auctioneer’s VAT margin scheme.
Revenue Regulations require that the buyers premium must be
invoiced at a rate which is inclusive of VAT. This VAT is not recov-
erable by any VAT registered buyer.

IMPORTANT INFORMATION FOR PURCHASERS
1. ESTIMATES AND RESERVES
These are shown below each lot in this sale.All amounts shown are in Euro. The figures shown are provided merely as a guide
to prospective purchasers.They are approximate prices which are expected,are not definitive and are subject to revision.
Reserves,if any,will not be any higher than the lower estimate.
2. PADDLE BIDDING
All intending purchasers must register for a paddle number before the auction. Please allow time for registration. Potential
purchasers are recommended to register on viewing days.
3. PAYMENT, DELIVERY AND PURCHASERS PREMIUM
Under no circumstances will delivery of purchases be given whilst the auction is in progress.
All purchases must be paid for and removed from the premises not later thanWednesday 5th July 2019 at the purchaser’s risk and
expense.After this time all uncollected lots will be removed to commercial storage and additional charges will apply.
Auctioneers commission on purchases is charged at the rate of 25% (inclusive ofVAT). Terms: Strictly cash, bankers draft or
cheque drawn on an Irish bank. Cheques will take a minimum of five workings days to clear the bank, unless they have been
vouched to our satisfaction prior to the sale, or you have a previous cheque payment history withAdam’s. Purchasers wishing to
pay by credit card (Visa & MasterCard) may do so,however,it should be noted that payment via American Express is subject to an
administrativefeeof3.65%ontheinvoicetotal.Debitcardsincludinglasercardpaymentsarenotsubjecttoasurcharge,thereare
however daily limits on Laser card payments.BankTransfer details on request.Please ensure all bank charges are paid in addition
to the invoice total,in order to avoid delays in the release of items.
Goods will only be released upon clearance through the bank of all monies due. Artists Resale Rights (Droit de Suite) is not
payable by purchasers.
4. VAT REGULATIONS
All lots are sold within the auctioneers VAT margin scheme. Revenue Regulations require that the buyers premium must be
invoiced at a rate which is inclusive of VAT. This is not recoverable by any VAT registered buyer.
5. CONDITION
It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot.Whilst we make certain observations
on the lot,which are intended to be as helpful as possible,references in the condition report to damage or restoration are for
guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative.The absence of
such a reference does not imply that an item is free from defects or restoration,nor does a reference to particular defects imply
the absence of any others.The condition report is an expression of opinion only and must not be treated as a statement of fact.
Please ensure that condition report requests are submitted before 12 noon on Saturday 14thApril as we cannot guarantee that
they will be dealt with after this time.
6. ABSENTEE BIDS
We are happy to execute absentee or written bids for bidders who are unable to attend and can arrange for bidding to be
conducted by telephone. However,these services are subject to special conditions (see conditions of sale in this catalogue). All
arrangements for absentee and telephone bidding must be made before 5pm on the day prior to sale.Cancellation of bids must
be confirmed before this time and cannot be guaranteed after the auction as commenced.
Bidding by telephone may be booked on lots with a minimum estimate of €500.Early booking is advisable as availability of lines
cannot be guaranteed.
7. LOTS MADE OF / CONTAINING ANTIQUE IVORY AND/ OR CORAL
Bidders should be advised that importation regulations of several countries, including the US, prohibits the importation of
ivory and that of coral, or any goods containing same.ThereforeAdams advises prospective purchasers who intend to ship
lots containing either ivory or coral to another country to familiarise themselves with the relevant importation regulations
prior to bidding. Adams will not be responsible for shipping items herein and the onus will be on the buyer to organise
shipping at their own behest.
LOTS MADE OF / CONTAINING ANTIQUE IVORY AND/ OR CORAL ARE INDICATED BY THE
FOLLOWING SYMBOL ‘*’ &’**’
8. ALL LOTS ARE BEING SOLD UNDER THE CONDITIONS OF SALE AS PRINTED IN THIS
CATALOGUE AND ON DISPLAY IN THE SALEROOMS.

Claire-Laurence Mestrallet
ASSOCIATE DIRECTOR
claire@adams.ie
Brian Coyle FSCSI FRICS
CHAIRMAN
James O’Halloran BA FSCSI FRICS
MANAGING DIRECTOR
j.ohalloran@adams.ie
Stuart Cole MSCSI MRICS
DIRECTOR
s.cole@adams.ie
Amy McNamara BA MA
FINE ART DEPARTMENT
amymcnamara@adams.ie
Eamon O’Connor BA
DIRECTOR
e.oconnor@adams.ie
Adam Pearson BA
FINE ART DEPARTMENT
a.pearson@adams.ie
Helena Carlyle BA
ADMINISTRATOR
h.carlyle@adams.ie
Niamh Corcoran BA
FINE ART DEPARTMENT
niamh@adams.ie
Ronan Flanagan
FINE ART DEPARTMENT
r.flanagan@adams.ie
Nick Nicholson
CONSULTANT
n.nicholson@adams.ie
Nicholas Gore-Grimes
ASSOCIATE DIRECTOR
nicholas@adams.ie
CONTACTS

9
AUCTION
Sunday 30th June 2019 at 11.30am
VENUE
Adam’s Salerooms,
26 St. Stephen’s Green,
Dublin D02 X665,
Ireland
ADAM’S
Est.1887
26 St. Stephen’s Green
Dublin D02 X665
Tel +353 1 6760261
info@adams.ie
www.adams.ie
SALE VIEWING
JUNE 26TH
- JUNE 29TH

Wednesday 26th
June 10:00am - 5:00pm
Thursday 27th
June 10:00am - 7:00pm
Friday 28th
June 10:00am - 5:00pm
Saturday 29th
June 11:00am - 5:00pm
PRSA REGISTRATION NO. #001959

10
At Home 30th
June 2019
BROWSE-BID-BUY
WWW.ADAMS.IE

11
1
A VICTORIAN SILVER SWING HANDLE BASKET IN THE ROCOCO TASTE,
Sheffield c.1854, mark of James & Nathaniel Creswick, of shaped circular form, the pierced wavy scroll rim
enclosing a shallow panelled bowl, decorated with six oval cartouches in high relief containing engraved
floral design, interposed with scrolling acanthus leaves, with cast rocaille handle and raised on pedestal
foot (c.29 troy ozs). 31cm diameter
€ 600 - 800

12
At Home 30th
June 2019
2
A PAIR OF GEORGE IV SILVER OPEN
SALT CELLARS,
London c.1826, Robert Garrard II , of cir-
cular form, with everted gadrooned wavy
rims, and gilded bowls, the plain bodies,
each raised on shell capped scroll feet,
with blue glass liners,8.5cm diameter,
5.5cm high; together with a pair of salt
spoons, London c.1864 (c.15 troy ozs in
all, excluding liners).
€ 400 - 600
3
AN IRISH SILVER TWIN HANDLE
PORRINGER,
Dublin c.1825, marker’s mark possibly that
of James Scott (marks rubbed), of compress
circular form, the body with cartouches to
each side containing crests, enclosed with-
in scroll borders, the entire with repoussé,
chased and engraved floral decoration,
applied with acanthus wrapped handles,
raised on four paw feet (c.15 troy ozs).
21cm wide over handles, 11cm tall
€ 400 - 600
4
A GEORGE III IRISH SILVER SAUCE
BOAT,
Dublin, lacking date mark, maker’s mark
possibly that of John Walker (rubbed), of
helmet form, with wavy rim and applied
s-scroll handle, the body with repoussé
decoration, raised on stylised shell capped
hoof feet (c.6 troy ozs). 16cm wide over
handle and spout
€ 250 - 350

13
6
A PAIR OF LATE VICTORIAN SILVER CANDLESTICKS,
Sheffield c.1900, mark of Walker & Hall, in the form of Corinthian columns, raised on stepped square
weighted bases, decorated with bands of fish scale pattern. 27.5cm high
€ 600 - 800
5
A SILVER DISH RING,
London c.1913, mark of James Parkes, of waisted circular form, the pierced body with vacant cartouches.
and decorated in the rococo taste with exotic birds, fitted with blue glass liner (c.16 troy ozs, excl. liner).
20cm diameter, 7.5cm high
€ 600 - 800

14
At Home 30th
June 2019
7
A MATCHED SET OF SIX IRISH VICTORIAN
SILVER FIDDLE PATTERN DESSERT SPOONS,
Dublin c.1858 (5), Dublin c.1849 (1), mark of John
Smyth, crested (c.9 troy ozs) (6)
€150 - 200
8
A COLLECTION OF SIX IRISH GEORGIAN
FIDDLE PATTERN SILVER DINNER FORKS,
Dublin, of various dates and makers ranging from
(c.1797 - c.1837) (c.12 troy ozs all in) (6)
€ 180 - 220
9
A WILLIAM IV IRISH SILVER FIDDLE PATTERN
SERVING SPOON,
Dublin c.1835, mark of Christopher Cummins, with
rat tail bowl, crested (c.4 troy ozs). 33cm long
€ 120 - 180
10
A PAIR OF WILLIAM IV IRISH SILVER DOUBLE
THREADED FIDDLE PATTERN SERVING SPOONS,
Dublin c.1835, mark of Philip Weekes, crested (c.10 troy
ozs in all). 30.5cm long
€ 250 - 350

15
11
A COLLECTION OF FOUR GEORGE III IRISH
SILVER BRIGHT CUT DESSERT SPOONS,
Dublin c.1800, maker’s mark rubbed, of slightly
different sizes, but with the same bright cut
decoration (c.3.5 troy ozs all in)
€ 60 - 100
12
A SET OF SIX GEORGE III IRISH OLD ENGLISH
PATTERN DESSERT SPOONS,
Dublin (date letters rubbed), mark of Michael
Keating, the tapered handles with feather edged en-
graving, terminating with vacant scroll
cartouches (c.4 troy ozs all in) (6)
€ 250 - 350
13
A SET OF FIVE VICTORIAN IRISH SILVER
FIDDLE PATTERN TEASPOON,
Dublin c.1868, mark of Samuel le Bas, with rat tail
bowls (c.4 troy ozs all in) (5)
€ 60 - 100
14
A SET OF TEN IRISH VICTORIAN SILVER
FIDDLE PATTERN TEASPOONS,
Dublin c.1865 mark of John Shields, crested (c.8 troy ozs
all in) (10)
€ 120 - 140

16
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15
A GEORGE III SILVER CREAM JUG,
London c.1793, mark of Henry Chawner, with gilt
bowl, of helmet form, with reeded handle, and
neo-classical style bright-cut engraved decoration,
with crests to each side contained within wreath
cartouches, raised on stepped pedestal base (c.6
troy ozs). 15cm wide over handle and spout, 14cm
high
€ 500 - 700
16
A LATE 19TH CENTURY SILVER DISH RING,
London c.1894, mark of Thomas Bradbury & Sons,
of waisted circular form, the pierced fluted body with
central band decorated with pierced geometric pat-
ter and cross motifs, fitted with blue glass liner (c.15
troy ozs excl. liner). 22cm diameter, 10cm high
€ 500 - 700
17
A SILVER MONTIETH BOWL,
Birmingham c.1909, maker’s mark rubbed, the
wavy raised cast scroll rim, above fluted bowl, with
vacant cartouches to each side, enclosed within a
fish scale and scroll frame, raised on spreading ga-
droon rimmed foot (c.21 troy ozs). 19cm diameter,
15cm high
€ 300 - 500

17
18
A VICTORIAN SILVER FOUR PIECE TEA & COFFEE SERVICE,
London c.1872, mark of Goldsmith Alliance Ltd., comprising: teapot, coffee pot, sugar bowl and cream
jug, each of circular form, decorated with a band of cushion diamond shaped lozenges, and profusely
decorated with floral and geometric design (c.66 troy ozs in all). Coffee pot 13cm high
€ 1,000 - 1,500

18
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June 2019
19
A GEORGE II IRISH SILVER HOOK HANDLE BASTINGSPOON,
Dublin c.1785, maker’s mark of Joseph Cullen, the tapered hook handle
terminating in initials ‘AB’ (c.3.5 troy ounces). 29cm long
€ 300 - 500
20
A PAIR GEORGE III SILVER BASTING SPOONS,
London c.1783, mark of Richard Crossley, of plain design, with tapered
handles (c.6 troy ozs all in). 30cm long
€ 500 - 700
21
A SILVER GEORGE III POULTRY SKEWER,
London c.1742, mark of ‘R.C’, with loop handle and contemporary crest, (c.2 troy ozs). 27.5cm
€ 100 - 150

19
22
AN EDWARDIAN OAK CANTEEN CHEST OF SILVER FIDDLE PATTERN FLATWARE,
COMPRISING:
- 12 dinner spoons, Dublin c.1837, mark of Philip Weekes (6); Dublin c.1814,
mark of Richard Sawyer (4); Dublin c.1836, mark of JB (2)
- 12 dessert spoons, Dublin c.1864, mark of John Shiels
- 12 dinner forks, Dublin, of various dates and makers
- 12 dessert forks, Dublin, of various dates and makers
- 12 teaspoons, Dublin c.1837, mark of Josiah Lowe (11) and Philip Weekes (1)
- 12 silver handle dinner knives, Sheffield c.2008, with steel blades
- 12 silver handle dessert knives, Sheffield c.2008, with steel blades
(c.97 troy ozs, excl. knives)
the chest of rectangular form, with recessed brass carrying handles, twin cupboard doors enclosing
three graduated drawers with fitted felt lined interior. 27cm high, 50cm wide, 40cm deep
€ 1,500 - 2,000

20
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June 2019
23
A VICTORIAN SILVER FRAMED DRESSING
TABLE MIRROR,
London c.1898, mark of William Comyns & Sons, the
bevelled heart shaped plate, enclosed within a heav-
ily embossed, chased and pierced repoussé deco-
rated frame with cherubs and animals. 29 x 24cm
€ 150 - 200
24
A VICTORIAN SILVER RING BOX IN THE FORM
OF A MINIATURE DRESSING TABLE,
London (date mark rubbed), mark of William Comyns
& Sons, the shaped rectangular top with scroll foli-
ate rim and embossed decoration depicting cherub
heads, above a single frieze drawer, raised on acan-
thus capped slender supports (c.12 troy ozs includ-
ing velvet lined drawer interior). 15 x 9 x 8cm high
€ 150 - 250
25
AN IRISH GEORGE III SILVER GOBLET,
Dublin c.1786, mark of Michael Homer, with sim-
ple engraved decoration of floral and foliate swags,
raised on spreading foot with reeded rim (c.7 troy
ozs). 16.5cm tall
€ 200 - 300
26
AN IRISH VICTORIAN SILVER CHRISTENING
MUG,
Dublin c.1845, mark of Robert W Smith, with reeded
rim and acanthus wrapped c-scroll handle, the body
with repoussé, chased and engraved foliate decora-
tion, raised on cast wavy skirt and four scroll feet (c.6
troy ozs). 13cm wide over handle
€ 150 - 200

21
27
A GEORGE III IRISH SILVER SAUCE BOAT,
Dublin lacking date mark, maker’s mark of Matthew West, of helmet form, with punched rim, the body
with chased and embossed decoration depicting rural scene with figures, raised on shell capped hoof
supports, with applied c-scroll handle, 18cm wide over handle and spout; together with another Irish
silver sauce boat, of helmet form, Dublin c.1906, mark of Weirs & Sons, the body decorated with chased
and embossed swags, with applied acanthus wrapped c-scroll handle, raised on stylised shell capped
hoof feet, 18cm wide over handle and spout. (c.12 troy ozs all in) (2)
€ 600 - 800
28
A LARGE SILVER CAKE STAND,
Sheffield c.1956, mark of Viner’s Ltd., having twin
handles, with cast and pierced grape and vine leaf
border, enclosing a plain circular reserve, raised on
circular pedestal foot (c.44 troy ozs). 38 cm in diam-
eter, 9 cm tall
€ 600 - 800
29
A GEORGE III IRISH SILVER SUGAR BOWL,
Dublin, date mark rubbed, with beaded outturned rim,
the body embossed and chased with pastoral scenes of
a cow grazing and man and woman dancing and playing
music, raised on shell capped legs and hoof feet (c.6
troy ozs). 14cm diameter
€ 500 - 800

35
A SET OF SIX VICTORIAN IRISH SILVER
Dublin c.1851, mark of John Smyth, with rat tail
bowls; together with a pair of Victorian Irish silver
fiddle pattern dessert spoons, Dublin c.1838, rat
tail bowls (c.6 troy ozs in all) (8)
€ 100 - 200
34
A SET OF SIX GEORGE IV IRISH SILVER
Dublin c.1836, mark of James Brady, stamped with
retailer’s mark ‘NEILL’, with rat tail bowl; togeth-
er with another example, Dublin c. 1837, mark of
Christopher Cummins (c.6 troy ozs) (7)
€ 100 - 200
30
A MATCHED SET OF SIX IRISH GEORGE III SILVER
FIDDLE PATTERN DINNER FORKS,
Dublin c.1811, mark of Richard Whitford (4)
Dublin c.1816, mark of Samuel Neville (1)
Dublin c.1819, mark of James England (1)
(c.9 troy ozs)
€ 150 - 200
31
A SET OF SIX OLD ENGLISH PATTERN SILVER
DINNER FORKS,
London c.1855, mark of Chawner & Co., the ta-
pered handles with beaded decoration (c.13 troy
ozs) (6)
€ 200 - 300
33
A COLLECTION OF SIX IRISH SILVER FIDDLE
PATTERN TEASPOONS,
Dublin c.1855, mark of Tudor & Whitford (4),
Dublin c.1831, mark of Samuel Neville (2),
each with rat tail bowl, crested (c.5 troy ozs)
€ 80 - 120
32
A SET OF SIX IRISH WILLIAM IV SILVER
Dublin c.1831, mark of James Brady, with rat tail
bowls (c.4 troy ozs all in) (6)
€ 80 - 120

23
41
TWO GEORGE III IRISH SILVER SUGAR TONGS,
Dublin, lacking date mark, maker’s mark of John Power
& John Dalrymple (respectively), each with scallop shell
bowls and bright-cut decoration (c.2.5 troy ozs).
14.5cm long & 18cm long
€ 300 - 500
38
A WILLIAM IV FIDDLE PATTERN FISH SERVER,
London c.1835, mark of Morris Cadman, with
shaped pierced blade, (c.6 troy ozs). 31cm long
€ 100 - 200
39
A VICTORIAN PLAIN FIDDLE-PATTERN SOUP
LADLE,
London c.1864, maker’s mark rubbed, engraved with
initial ‘B’, (c.10 troy ozs). 35cm
€ 200 - 300
40
THREE BRIGHT-CUT SILVER SUGAR TONGS OF SIMILAR DESIGN,
London c.1804, mark of Peter, Ann & William Bateman;
London, no date letter, probably that of John Hunt;
London, c.1832, makers mark rubbed
(c.2.5 troy ozs in all)
Each c.15cm long
€ 600 - 800
36
A PAIR OF IRISH PROVINCIAL OR COLONIAL
PLAIN FIDDLE PATTERN SERVING SPOONS,
stamped ‘STERLING’, c.1810, each with contempo-
rary monograms, (c.6 troy ozs). Each 25cm
€ 250 - 350
37
A PAIR OF GEORGE III HANOVERIAN PATTERN
SERVING SPOONS,
London c.1772, later crests, mark partially rubbed
but probably that of George Smith IV, (c.9 troy ozs).
Each 30cm long
€ 250 - 350

24
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42
A LARGE SILVER SALVER,
London c.1902, mark of Walter & Charles Sissons, of shaped circular form, the plain reserve enclosed
by a raised pie crust rim interposed with scallop shells, raised on four scroll feet (c.52 troy ozs). 41cm
diameter
€ 800 - 1,200
43
A MATCH FOUR PIECE SILVER TEA SERVICE,
comprising: a teapot, hot water pot on stand, sugar bowl and cream jug, the hot water pot Chester
c.1923, the other pieces Birmingham c.1923, all baring mark of Jones & Crompton, each of oblong form
and with demi-fluted decoration, the teapot and waterpot with ebon handles and finials, the sugar
bowl and creamer with reeded angled handles (c.65 troy ozs including handles) (4)
€ 800 - 1,200

44
A LARGE AND HEAVY IRISH CELTIC REVIVAL SILVER MONTEITH BOWL,
Dublin c.1912, mark of West & Son, of octagonal form, the six panels with exterior applied Celtic
decoration, the central panels with vacant cartouche, having twin cast handles, raised on pierced
interwoven skirt and four feet (c.95 troy ozs). 46cm wide over handles, 18cm high
€ 1,500 - 2,000
25

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June 2019
45
AN IRISH GEORGE III ELLIPTICAL SWING
HANDLE SUGAR BOWL,
Dublin 1790, mark of Matthew West, with bright-
cut chevron border, the body with a contemporary
monogram, raised on a foot, (c. 9 troy ozs). 17cm
wide
€ 600 - 800
46
A GEORGE III NEO-CLASSICAL CREAM JUG,
London 1792, with beaded rim, on square pedes-
tal foot, and another London 1778, mark possibly
of Benjamin Bickerton, with serrated rim and scroll
handle raised on foot, (c.8 troy ozs all in). Each 12cm;
11cm high
€ 250 - 350
47
A GEORGIAN REVIVAL URN-SHAPED
MILK JUG,
Birmingham 1920, mark of A & J Zimmerman Ltd,
with loop handle and beaded rim, on square base,
and a navette shaped swing handled sugar bowl,
to match, London 1916, mark of Wakely & Wheel-
er, (c.11 troy ozs all in). The jug 16cm high, the bowl
11cm wide
€ 120 - 180
48
A SMALL ENGRAVED VICTORIAN
CHRISTENING JUG,
Sheffield, 1880, mark of William Hutton & Sons, on
foot with loop handle in its original leather presenta-
tion case, (c. 3 troy ozs). 10cm high
€ 100 - 150

27
49
A SILVER FRAMED DRESSING TABLE MIRROR,
Chester c.1916, mark of James Deakin & Sons, the
shaped rectangular bevelled glass plate enclosed by a
heavily embossed chased and pierced repoussé deco-
rated frame. 43cm high x 32cm wide
€ 300 - 500
51
A LATE 19TH CENTURY / EARLY 20TH CENTURY SILVER STANDISH,
Birmingham c.1910, maker’s mark rubbed, of shaped rectangular form, with gadrooned
boarder, fitted with central oval pot, and two silver mounted cut glass ink pots, raised on
claw and ball feet (c.21 troy ozs); 25 cm long, 8 cm high
together with an Edwardian silver and ivory letter opener, London c.1902 (2)*
€ 350 - 450
50
A VICTORIAN SILVER FRAMED DRESSING
TABLE MIRROR,
Birmingham c.1897, maker’s mark rubbed, the rect-
angular bevelled glass plate enclosed by a heavily
embossed, chased and pierced repousse decorated
frame. 46cm high x 32cm wide
€ 300 - 500

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June 2019
58
A SET OF SIX VICTORIAN IRISH FIDDLE
PATTERN SILVER DESSERT SPOONS,
Dublin c.1857, mark of John Smyth (c.6 troy ozs all
in) (6)
€ 100 - 200
55
A SET OF SIX GEORGE III IRISH FIDDLE PATTERN
SILVER DESSERT SPOONS,
Dublin c.1816, mark of Richard Whitford, and stamped
with retailer mark ‘M.WEST’, with rat tail bowls (c.5 troy
ozs all in) (6)
€ 100 - 200
56
A SET OF SIX IRISH VICTORIAN SILVER
TEASPOONS,
Dublin (lacking date letter), mark of John Shields,
the pointed handles with bright cut decoration (c.3
troy ozs) (6)
€ 60 - 80
57
A COLLECTION OF TEN IRISH GEORGIAN SILVER
FIDDLE PATTERN DESSERT FORKS,
of various dates and makers (c.12 troy ozs)
€ 180 - 220
53
AN IRISH GEORGE III POINT HANDLE SILVER
SAUCE LADLES,
Dublin (lacking date letter), mark of John Shields, crest-
ed. 19.5cm long
€ 50 - 80
54
A VICTORIAN IRISH SILVER SAUCE LADLE,
Dublin c.1841, mark of Christopher Cummins (c.3.5
troy ozs). c.18.5cm long
€ 40 - 60

64
THREE GEORGE III IRISH SILVER BRIGHT-CUT
SUGAR NIPS,
Dublin, lacking date mark, maker’s mark of Thomas William
son, John Stoyte & John Power (respectively) (c.15.5 troy ozs)
€ 450 - 550
61
A COLLECTION OF FIVE IRISH SILVER FIDDLE
PATTERN EGG SPOONS,
Dublin c.1813, mark of James Keating;
together with three George III Irish point handle mus-
tard spoons, Dublin (no date mark), mark of John Pow-
er (c.2 troy ozs all in) (8)
€ 30 - 50
62
A PAIR OF WILLIAM IV IRISH SILVER FIDDLE
PATTERN SAUCE LADLES,
Dublin c.1830, mark of J Brady;
together with another pair of fiddle pattern sauce ladles
London c.1824, mark of John William Blake, crested (c.8 tro
ozs) (4)
€ 120 - 160
63
TWO GEORGE III IRISH SILVER SUGAR TONGS,
Dublin, lacking date mark, maker’s mark of John Pow-
er & William Law (respectively), each with scallop shell
bowls and bright-cut decoration (c.2.5 troy ozs). 16cm
long
€ 300 - 500
59
A SET OF SEVEN AMERICAN STERLING
SILVER SOUP SPOONS BY AMERICAN
MODERNIST SILVERSMITH ALLAN ADLER,
in the ‘Sunset Pattern’, with hand hammered bowls
and tapered handles (c.13 troy ozs)
€ 500 - 800
60
A SET OF SIX AMERICAN STERLING SILVER
BUTTER KNIVES BY AMERICAN MODERNIST
SILVERSMITH ALLAN ADLER,
in the ‘Sunset Pattern’, with tapered handles (c.5.5 troy ozs)
€ 400 - 700

30
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June 2019
65
TWO GEORGE III IRISH SILVER SUGAR NIPS,
Dublin (lacking date mark), maker’s mark of
Benjamin Tait, each with scallop shell bowls and
bright-cut decoration (c.3 troy ozs in all). c.16cm
long (2)
€ 300 - 500
67
A PAIR OF IRISH PROVINCIAL SILVER SALT SPOONS,
Limerick c.1785, mark of Thomas Burke, with bright-cut dec-
oration. 10cm long
€ 600 - 800
66
AN IRISH PROVINCIAL SILVER SAUCE BOAT, Cork
c.1770, mark of Carden Terry, stamped ‘STER-
LING’, of helmet form, with punched rim and
applied acanthus wrapped c-scroll handle, raised
on shell capped legs and hoof feet (c.6 troy ozs).
17cm wide over handle and spout
€ 600 - 800

31
68
A PAIR OF IRISH SILVER GILT NOVELTY TAPER CANDLESTICKS,
Dublin c.1926, maker’s mark of W.A.F., each lobed sconce supported by a jester, raised on domed base
(c.18.5 troy ozs). 14.5cm high
€ 500 - 700
68A
AN IRISH SILVER MUFFINEER IN THE FORM OF A
ROUND TOWER,
Dublin c.1905, maker’s mark of D.M, the cylindrical body
with brickwork decoration (c.14 troy ozs). 30cm tall
€ 1,500 - 2,000

32
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June 2019
69
A CANTEEN OF MODERN SILVER CUTLERY,
Sheffield c.1978, mark of Cooper Brothers & Sons, comprising a twelve place setting of kings pattern table
knives and forks; dessert knives and forks; soup spoons; dessert spoons; teaspoons; fish knives and forks;
4 serving spoons; a three piece carving set, (c.191 troy ozs excluding knives and carving set with stainless
steel blades). (115 pieces)
€ 3,000 - 5,000
70
A SET OF 23 GEORGIAN IRISH KINGS PATTERN
SILVER HANDLED TABLE KNIVES,
of large proportions, with steel blades. 28.5cm long
€ 700 - 1,000

33
72
A LARGE COLLECTION OF SILVER FLATWARE, COMPRISING:
- 12 Irish Georgian silver fiddle pattern dessert spoons, of various dates and makers, four spoons with rat tail
bowls
- 12 Irish Georgian silver fiddle pattern table spoons, Dublin, of various dates and makers, four spoons with
rat tail bowls
- 12 Irish Georgian silver dinner forks, Dublin, of various dates and makers, 7 of which date to c.1814 with
mark of John Power
- 12 Irish silver dessert forks, of various dates and makers
- 12 modern silver fiddle pattern dinner knives, Sheffield c.1998, with steel blades
- 12 modern silver fiddle pattern dessert knives, Sheffield c.1998, with steel blades
(c.87 troy ozs excl. knives) (72 pieces)
€ 2,000 - 3,000

34
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74
AN IRISH GEORGE IV SILVER THREE-PIECE TEA SERVICE, OF LARGE PROPORTIONS,
Dublin c.1828, mark of Edward Power, each piece of compressed circular form, with gadrooned outturned
rim, central reeded girdle, and applied acanthus wrapped c-scroll handle, raised on four acanthus leaf
capped paw feet, the teapot with ebon finial and ivory insulators (c.58.5 troy ozs). 32cm wide over handle
and spout*
€ 1,000 - 1,500
73
A VICTORIAN SILVER HOT WATER KETTLE
AND BURNER, LONDON C.1895,
by Henry Stratford, of classical design with walnut
handle and ebon finial, the baluster body with
partial fluting and floral cast rim, the stand on
reeded scrolls, supports and stand feet (c.56 ozs
in all). 27cm high
€ 700 - 900

35
76
AN IRISH GEORGE IV THREE PIECE TEA SERVICE,
Dublin c.1822, mark of Edward Crofton, comprising teapot, cream jug and sugar bowl, each of large
proportions and of compressed circular form, profusely embossed and chased with floral and foliate
decoration, the teapot with cast floral finial and spout in the form of a bird head and human mask, each
piece with cast handle in the form of caryatids, raised on shell capped claw and ball feet (c.71 troy ozs).
Teapot 29cm wide over handle and spout, sugar bowl 21cm wide over handles, cream jug 18cm wide
overhandle and spout
€ 1,200 - 1,800
75
A PAIR OF GEORGE III OVAL SALVERS,
London 1802, mark of Thomas Robins, with reeded rims, the centres crested, each on four reeded tub
feet, (c.23ozs in total). Each 23cm wide
€ 800 - 1,200

36
79
A PROVINCIAL SCOTTISH TABLESPOON IN
THE OLD ENGLISH PATTERN,
Aberdeen c.1774, maker’s mark probably that of
James Law. 21cm long
€ 200 - 300
80
A SET OF EIGHT DANISH SILVER GILT AND
COLOURED ENAMEL COFFEE SPOONS
€ 200 - 300
81
A SET OF SIX AUSTRIAN .800 STANDARD
SILVER HANDLED DINNER KNIVES AND
FORKS, WITH STEEL PRONGS AND BLADES.
(12)
€ 120 - 140
77
A GEORGE III IRISH SILVER SAUCE LADLE,
Dublin c.1814, maker’s mark possibly that of Jon-
athan Pasley, the pointed handle with bright-cut
decoration and scallop bowl (c.1 troy oz). 16cm long
€ 120 - 180
78
A SET OF SIX IRISH HANOVERIAN
TABLESPOONS,
Dublin c.1749, maker’s mark of John Craig, crested
(c.12.5 troy ozs in all)
€ 400 - 600

37
85
A NEAR PAIR OF 19TH CENTURY SILVER
OPEN SALT CELLARS, IN THE ROCOCO
TASTE,
one London c.1843, the other London c.1836, both
with maker’s mark of Benjamin Smith III, of baluster
form, with gilt interior bowl and cast scroll everted
rim, raised on floral and rocaille pedestal feet (c.10
troy ozs). 9.5cm diameter, 6.5cm high
€ 200 - 400
86
A CELTIC REVIVAL SILVER SALVER,
Dublin c.1970, mark of Royal Irish Silver Co., of
circular form, the plain reserve enclosed within a
pierced border of interlocking Celtic pattern, raised
on three cast scroll feet in the form of entwined
Celtic creatures (25.5 troy ozs). 29.5cm wide
€ 400 - 600
83
A SET OF FOUR VICTORIAN SILVER OPEN
SALT CELLAR,
London c.1840, mark of Edward, Edward Jnr, John
& William Barnard, of wavy baluster form, with gilt
interior and everted rim, raised on four cast acan-
thus leaf scroll support (c.16 troy ozs). 9cm diame-
ter, 6cm high
€ 350 - 450
84
A GEORGE V SILVER SALVER,
London c.1910, mark of Jay Richard Attenborough
Co. Ltd., of shaped circular form, the central re-
serve engraved with scroll, foliate and floral deco-
ration, enclosed within a raised pie crust boarder
interspersed with shell motifs, raised on three cast
scroll feet (c.28 troy ozs). 32.5cm wide
€ 400 - 600

38
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June 2019
87
A GEORGE II TAPERING COFFEE POT,
London c.1741, makers marks probably that of
John Pollock, the flat domed lid with pineapple
finial, scrolling acanthus embellished spout on
skirt base, the whole with Georgian-style chasing
with central armorial cartouches wooden handle,
(c.29.5 ozs all in). 25cm high
€ 600 - 1,000
88
A COLONIAL INDIAN SILVER TWO HANDLE
TROPHY CUP AND COVER,
Calcutta c.1900, with applied s-scroll handles, embossed
and chased floral decoration, gilded bowl, the base with
outset foliate skirt, above spreading foot, with inscriptions
to each side ‘”Lorrie”, Green Meadow, 1946’ and
‘Presented by Mr Gomer Charles’ (c.47 troy ozs). 25cm wide
across handles, 34.5cm high
€ 700 - 1,000

39
89
A SILVER DISH RING OF LARGE PROPORTIONS,
Sheffield c.1912, maker’s mark of Walker & Hall, of circular waisted form, with pierced scroll decoration,
fitted with blue glass liner (c.28 troy ozs). 13cm high x 25.5cm diameter
€ 600 - 800

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June 2019
90
A GEORGE III IRISH SILVER BUTTER DISH IN
THE FORM OF A SCALLOP SHELL,
Dublin c.1812, maker’s mark rubbed (c.4 troy ozs).
15cm long, 12cm wide
€ 150 - 250
91
A SILVER LOBED BOWL,
Birmingham c.1913, with triple scroll handles on
integrated bun feet, (c.5 troy ozs). 15cm wide
€ 80 - 120
92
A GEORGE III SILVER MUSTARD POT,
London c.1805, maker’s mark of Alice & George Burrows II, of plain rectangular baluster form, with
hinged lid and reeded angled handle, the pot with gadrooned rim, with gilt interior, raised on ball feet,
with blue glass liner; together with mustard spoon (c.4.5 troy ozs). 8.5cm wide, 6.5cm high
€ 80 - 120

41
95
A MODERN IRISH SILVER FIVE PIECE
CONDIMENT SET,
Dublin c.2003, mark of Michael D. Hillar, comprising
two open salt cellars and blue glass liners, two salt
spoons and pepper shaker, decorated with abstract
monastery pattern, in fitted cased (c.7 troy ozs)
€ 100 - 120
94
A PAIR OF EDWARDIAN SMALL DESK
CANDLESTICKS,
Birmingham c.1904, mark of IS Greenberg & Co.,
the shafts embossed with ribbon-tied pendants
on square bases (loaded). Each 12cm high
€ 80 - 120
93
A LATE 19TH CENTURY COMPOSED SILVER CONDIMENT SET,
London c.1895 & c.1896, marks of Henry Wilkinson & Co. and Charles Edwards (respectively), comprising four
open salt cellars, salt and pepper shakers and mustard pot, having gilt bowls and blue glass liners, and four
silver salt spoons and one silver mustard spoon;
together with a collection of six Victorian silver open salt cellars and spoons, London c.1880, mark of Walter
& John Barnard, of compressed circular form, with gilt bowls, raised on bun feet, and contained within a fitted
case (c.18 troy ozs all in, excl. liners)
€ 280 - 320

42
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June 2019
98
A COLLECTION OF THREE 19TH CENTURY SILVER MINIATURE TANKARDS OF
GRADUATED SIZES,
the smallest example: London c.1802, mark of Robert Hennell
the medium example: London c.1810, mark of Peter & William Bateman
the largest example: London c.1860, mark of Henry John Lias & Sons,
each of circular tapered form, with two bands of reeded decoration, with different style handles
(c.10 troy ozs in all). Largest 8cm tall
€ 150 - 200
96
A GEORGE III IRISH SILVER SAUCE BOAT,
Dublin c.1808, maker’s mark rubbed, of shaped
rectangular form, with bright-cut decoration,
and angled handle (c.7 troy ozs). 16cm wide over
handle and spout
€ 120 - 180
97
AN IRISH SILVER TEAPOT,
Dublin c.1955, mark of West & Sons, of shaped
rectangular form, the hinged lid with ebon finial,
and ebon angled handle, the body with fine ga-
droon decoration, raised on ball feet (c.21 troy
ozs incl. handle and finial). 15 x 28 cm
€ 200 - 300

43
99
A VICTORIAN CASED SILVER
COMMUNION SET, LONDON C.1898,
mark of Blunt, Wray & Co. comprising a
miniature chalice, paten, oil vessel
(c.6 troy ozs)
€ 80 - 120
100
A SET OF FOUR SILVER DECANTER
LABELS,
with scallop and foliate boarders;
together with another example of
diamond form (5)
€ 40 - 60
101
A GEORGE V SILVER CIGAR BOX,
London c.1928, maker’s mark rubbed, of plain
rectangular form, the hinged engine turned lid
opening to reveal a timber lined interior. 20.5 x
15.5 x 10.5cm high
€ 100 - 200

102
A VICTORIAN SILVER MOUNTED ENGRAVED
GLASS CLARET JUG,
London c.1882, maker’s mark of Edward Hutton, the
hinged lid with thumb piece, the silver mounts with
bead decoration, the glass decorated with engraved
bands of Greek key, and star-cut base. 24.5cm high
€ 500 - 700
103
A GEORGE III SILVER COFFEE POT,
London c.1783, mark probably of Benjamin Mount-
igue (partially rubbed), of baluster form, the entire
embossed and chased with foliate decoration and
ribbon tied swags, with domed hinged lid, applied
with timbers scroll handle, raised on a stepped circu-
lar base, (c.27 troy ozs). 33cm high
€ 250 - 350
104
AN IRISH GEORGE III SILVER CARD TRAY,
Dublin (lacking date letter) mark of John Moore, of
shaped circular form, with raised pie crust and scal-
lop rim, the plain reserve engraved with crest, raised
on three scroll feet (c.8 troy ozs). 18.5cm diameter
€ 500 - 800
105
A PAIR OF VICTORIAN SILVER OPEN SALT
CELLARS,
London c.1875, maker’s mark of Edward Charles
Brown, each of circular form with wavy everted egg and
dart rims, the bodies embossed and chased with flo-
ral decoration, with crested reserves and gilt interiors,
raised on three shield capped legs and triform feet (c.6
troy ozs in all). c.9cm diameter
€ 300 - 500

45
105A
A SUITE OF GEORGE III URN SHAPED CASTORS AND COVERS,
London 1770, mark of Daniel & James Mince (on body and cover), with strigal finials and milled
rims, raised on foot, engraved with monogram, (c.14.5ozs). The pair 17.5 x 15cm high. (3)
€400 - 700
106
A SILVER FOUR-PIECE TEA AND COFFEE SERVICE,
Birmingham c.1970, mark of Frank Hawker Ltd., the coffee pot of lobed baluster form, the teapot
of lobed squashed melon form, both with hinged lid and fluted finial and c-scroll handle, all four
pieces with scallop rims and with embossed and chased floral decoration, raised on four splayed
feet (c.92 troy ozs all in). Coffee pot 24cm high
€ 1,400 - 1,800

109
A CHINESE SILVER MOUNTED
GLASS DECANTER AND STOPPER,
12.5 cm wide and 26 cm tall
€ 200 - 400
110
A 19TH CENTURY INDIAN SILVER QUAICH,
Calcutta, of typical form (c.6 troy ozs). 16.5cm wide
over handles
€ 100 - 150
107
A SILVER MOUNTED GLASS SALAD BOWL,
Sheffield c.1913, mark of William Hutton & Sons
Ltd., of compressed circular form, with star-cut
base; together with a set of silver salad servers,
Sheffield c.1912. (3)
€ 120 - 180
108
A PAIR OF HEXAGONAL PIERCED BON-BON
DISHES,
Birmingham c.1914, each on three open-scrolled
feet, (c.5 troy ozs). Each 11cm wide
€ 80 - 120

47
111
A SILVER SEVEN BAR TOAST RACK,
Birmingham c.1915, mark of James Woods & Sons
with raised loop handle and arched divisions on
four ball feet; together with an Irish Celtic revival
cram jug, Dublin c.1969, of tapering ovoid design
with banded rim, (c.14 troy ozs all in). (2)
€ 200 - 300
114
A MATCHED FIVE PIECE SILVER CONDIMENT SET,
London c.1927 and London c.1928, mark of Goldsmith &
Silversmith Co. Ltd., comprising a sugar bowl, open salt
cellar, salt and pepper shakers and mustard pot, each
with wavy gadrooned rim, with blue glass liners, raised
on lion mask capped paw feet (c. 27 troy ozs all in). Sugar
Bowl 15cm diameter, shakers c.11cm high
€ 400 - 600
112
TWO SILVER MOUNTED SWING HANDLE CUT
GLASS BISCUIT BARREL,
Birmingham c.1912 & c.1923, mark of John Grinsell &
Sons, of cylindrical form, one with spherical silver finial,
the other with an ivory finial, one the facetted glass body,
with star-cut bases. 13cm high x 13.5cm wide; 11cm
high x 12cm wide*
€ 300 - 500
113
A GEORGE IV OVAL BRIGHT CUT MUSTARD POT,
London c.1824, mark of Robert Hennell, with pierced
neo-classical decoration, scroll handle and thumb piece,
with original blue glass liner, (c.4.5ozs). 11cm wide
€ 300 - 400

117
A PLAIN TWO-HANDLED TROPHY CUP,
Birmingham c.1926, mark of ‘J.C Ltd.’ on tall
knobbed stem and circular domed base, (c.14 troy
ozs). 25cm high
€ 200 - 300
116
A PAIR OF IRISH SILVER SAUCEBOATS IN THE GEORGIAN STYLE,
Dublin c.1970, mark of Royal Irish Silver Co., each of helmet form with wavy rims, and applied acanthus
wrapped c-scroll handles, the bodies decorated with repoussé, chased and engraved foliate and scroll motifs,
raised on human mask capped shell feet (c.14.5 troy ozs all in). 16.5 cm x 9 cm, 8 cm high
€ 300 - 500
115
AN IRISH GEORGE IV SILVER WAITER,
Dublin c.1827, mark of Edward Crofton, of shaped cir-
cular form, with raised pie crust gadrooned rim, the
reserve engraved with Bishop’s mitre crest and initials
‘EK’, raised on three hipped paw feet (c.6.5 troy ozs).
12cm diameter
€ 200 - 400

49
118
A FRENCH SILVER ROSE WATER SPRINKLER,
19th century baluster/pear shape, together with a cased Art
Nouveau silver seal, circa 1900, a small ring chest and a French
white medal medallion
€ 200 - 400
121
A PLAIN VICTORIAN SILVER OVOID SHAPED CUP,
London c.1839, mark of John Welby, engraved with a
crest and motto, raised on a hexagonal base, (c.8 troy
ozs). 14.5cm high
€ 100 - 150
119
A GROUP OF SILVER ITEMS
comprising of a pair of scallop-shaped butter dishes and an Edwardian silver wine funnel and
stand, a two-handled trophy cup and a silver easel-backed photograph frame. (5)
€ 250 - 350

123
A LARGE OLD SHEFFIELD PLATED TWO
HANDLED SERVING TRAY,
of rectangular form with foliate cast, rim and
handles, the centre engraved around a vacant
cartouche, supported on short-scrolled feet,
80cm wide across handles
€ 200 - 300
124
A SILVER CANDLESTICK CONVERTED TO TABLE LAMP,
Sheffield, date mark rubbed but probably c.1905, with eight panel sides, tapering stem
and spreading platform base (weighted), 33cm high;
together with pair of handsome plated candlesticks by Mappin & Webb (3)
€ 200 - 300
122
A WHITE METAL STIRRUP CUP,
20th century, with gilded interior, the base modelled
as a hound’s head. 13cm; together with a smaller ex-
ample, with a fox’s head. 7cm
€ 80 - 120

128
A MISCELLANEOUS COLLECTION OF SILVER
PLATED AND WHITE METAL ITEMS,
INCLUDING:
- a large twin handle Monteith bowl
- a model of a pineapple
- flatware etc.
€ 50 - 80
127
A PAIR OF SILVER PLATED
CANDLESTICKS IN THE
NEO-CLASSICAL STYLE;
together with another similar pair in the
form of stylised classical columns. 32cm
high; 31cm high
€ 200 - 300
125
A COLLECTION OF SILVER PLATED ITEMS,
INCLUDING:
- four silver plated wine coasters with cast vine and
grape decoration
- two silver plated wine coasters with fluted
decoration
- a pair of candlesticks, etc
€ 150 - 250

129
A VICTORIAN CUT GLASS CLARET JUGS,
the glass engraved with fern sprays, and star cut base,
with putti and bacchic silver plated mounts, the hinged
lid with finial in the form of a seated figure. Each 28cm
high.
€ 30 - 50
130
A LARGE OLD SHEFFIELD PLATED TURKEY
DISH AND COVER,
with Robert Cadman & Co. bell mark, the cover with
cast foliate handle, both crested with rampant bull.
Dish 60cm wide, cover 56cm wide
€ 200 - 300
131
A COLLECTION OF SIX SMALL SILVER &
WHITE METAL SUGAR NIPS
€ 60 - 80
132
A COLLECTION OF THREE SILVER CASED POCKET WATCHES, 19TH CENTURY,
comprising two open-face examples, together with a large hunter watch (3)
€ 200 - 300

53
133
A GROUP OF THREE FRENCH SILVER CASED
LADIES POCKET WATCHES, 19TH CENTURY
€ 300 - 500
134
A ROLEX PENDANT ‘NURSES’ WATCH
€ 300 - 400
135
A COLLECTION OF THREE FRENCH
LADY’S POCKET WATCHES,
19TH CENTURY
€ 300 - 500
136
A COLLECTION OF THREE SILVER
CASED POCKET WATCHES,
19TH CENTURY
(two open-faced)
€ 200 - 400

54
138
A GROUP OF JEWELLERY,
comprising two gold bar brooches within their fitted case, a pair of gold and mother-of-pearl shirt
buttons within their fitted case, a gold Celtic brooch, a gold flower brooch set with seed pearls, a gold
bar brooch set with a central sapphire within a surround of seed pearls, a 9K gold wedding band with
engraved decorations throughout ring size Q, a plain 18K gold wedding band ring size R, a gold ring
decorated with a central knot decoration ring size N, a signet ring set with a bloodstone plaque at the
centre in 18K gold ring size T½, a plain openwork ring, ring size P, 6 loose charms, a 9K gold pendant
and a garnet and cultured pearl pendant on chain
€ 600 - 800
137
A GOLD NECKLACE WITH BRACELET EN SUITE,
both composed of flat curb-links in 9K gold, necklace length 53cm, bracelet length 21.8cm
€ 500 - 700

55
141
AN IRISH 18K GOLD HALF-HUNTER POCKET WATCH BY HOPKINS & HOPKINS DUBLIN,
the white enamel dial with Roman numeral hour markers and black sword hands, seconds subsidiary
dial with Arabic numerals, the outer case also with Roman numeral hour markers, 5.5cm diameter
€ 700 - 1,000
139
TWO GOLD FULL SOVEREIGNS,
dating to 1888 and 1910
€ 400 - 600
140
A GROUP OF THREE GOLD FULL SOVEREIGN
COINS SET ON PENDANT AND CHAIN,
dating to 1905, 1927 with mint marks for South Africa
and 1978
€ 650 - 850

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142
A GOLD DRESS RING,
composed of textured gold flowerheads and but-
terflies, stamped 24K gold, ring size N
€ 300 - 500
144
A DIAMOND CLUSTER RING,
set throughout with old European-cut diamonds, yel-
low metal unmarked and untested, ring size M
€ 300 - 500
145
A GROUP OF THREE GOLD BRACELET,
one bangle of wavy shape with engraving throughout in
9K gold inner diameter 7.5cm, another bracelet set with
three colour gold links throughout in 9K gold, length
18.2cm, one bracelet composed of rounded links in 9K
gold, length 18.5cm
€ 300 - 500
143
A GROUP OF 9K GOLD JEWELLERY,
including four necklaces and three bracelets of
fancy-links, approx. total gross weight 62.85g
€550 - 750

57
146
A CORAL PENDANT WITH A PAIR OF EARRINGS
EN SUITE,
the oval-shaped cabochon coral corallium rubrum set
with a 14K gold bale, together with a pair of earrings en
suite, pendant length (including bale) 5.5cm, earrings
length 2.6cm**
148
A CORAL NECKLACE,
composed of three rows of graduated coral beads to a gold metal
clasp, length longest row approximately 40cm, shorted row ap-
proximately 36cm**
€ 500 - 700
147
A CORAL BRACELET,
the hinged bangle composed of round coral cab-
ochons throughout on white metal, together with
two coral elementals mounted in 18K gold**
€ 300 - 500

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149
A GROUP OF EARSTUDS,
two pairs of diamonds ear studs, one pair of ear stud
with green stones and two mismatched diamonds studs
€ 500 - 700
150
TWO DIAMOND HALF ETERNITY RINGS,
one set with a single row of brilliant-cut diamonds at the
front, mounted in 18K gold, ring size P; the second ring
set with a double row of round brilliant-cut diamonds to
the front, mounted in 18K gold, ring size N¾
€ 500 - 700
151
A SAPPHIRE AND DIAMOND BRACELET
TOGETHER WITH A RING OF SIMILAR STYLE,
the bracelet set throughout with round brilliant-cut diamonds accented
with circular-cut sapphires, mounted in 18K gold, length 19cm; togeth-
er with a ring of similar style, ring size N½
€ 700 - 900
151A
A SAPPHIRE AND DIAMOND RING,
composed of three circular-cut sapphires accented with circu-
lar-cut diamonds, mounted in 9K gold, ring size O½
€ 400 - 600

59
152
A SAPPHIRE AND DIAMOND BRACELET,
set throughout with circular-cut sapphires and diamonds, mounted in 14K gold, length 17.8cm
€ 600 - 800
153
A SAPPHIRE AND DIAMOND DRESS RING,
the oval-shaped sapphire weighing approximately 6.50cts between round
brilliant-cut diamond shoulders, mounted in 18K gold, ring size N
€ 1,200 - 1,800
154
A SAPPHIRE AND DIAMOND CLUSTER RING,
the central round brilliant-cut diamond within a six-claw and star-shaped
collet setting, to a border of of six circular-cut sapphires, mounted in 18K
gold, diamond approximately 0.50ct, ring size O
€ 700 - 900

60
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155
A CONTINENTAL 18K GOLD LADY’S POCKET
WATCH;
together with a Victorian open-faced watch (2)
€ 250 - 350
156
AN 18K GOLD HALF-HUNTER POCKET WATCH,
19TH CENTURY,
by Benson, London
€ 500 - 700
157
A CONTINENTAL 14K FALL CASE POCKET
WATCH;
together with two further gold plated watches (3)
€ 500 - 700
158
AN 18K GOLD LADY’S POCKET WATCH,
19TH CENTURY,
Half hunter
€ 250 - 400

61
159
A STAINLESS STEEL AND GOLD QUARTZ
WRISTWATCH BY EBEL,
the white dial signed “Ebel”, with Roman numeral
hour markers, seconds subsidiary dial, and Arabic
numeral date marker, contained within a yellow
gold frame, to a stainless steel and gold bracelet
strap, length approx. 16cm
€ 400 - 600
160
AN 18K GOLD LADY’S MANUAL WRISTWATCH
BY JAGER LE COULTRE,
the rectangular silver-coloured dial with baton mark-
ers and sword hands, polished case and 15K gold
fancy-link bracelet, numbered on reverse of the case,
case in 18K gold, Swiss assay marks on case, length
16.5cm, case 2.5cm
€ 500 - 700
161
A LADY’S GOLD MANUAL WIND
WRISTWATCH BY OMEGA,
the round-shaped champagne dial with baton
markers for hours, black steel sword hands, to a
mesh-link bracelet, case and bracelet in 18K gold,
length 16.4cm
€ 500 - 700
162
A GOLD MANUAL WIND BRACELET CIRCA 1960,
the champagne dial with gilt baton markers, sword
blackened hands, to a 9K gold mesh bracelet and tiger’s
eye crown, length 16.4cm
€ 300 - 500

62
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163
A CULTURED PEARL NECKLACE,
the long row of round cultured pearls of white tint,
length approximately 78cm
€ 300 - 500
164
AN EARLY 20TH CENTURY PENDANT,
designed as a flower set throughout with old single and rose-cut
diamonds and two cultured pearls, one pearl deficient, in silver and
gold, length 3.4cm
€ 300 - 400
165
A CULTURED PEARL AND DIAMOND RING,
the cultured pearl set between two brilliant-cut diamond shoul-
ders, mounted in 18K gold, ring size H
€ 300 - 500

63
166
A DIAMOND SINGLE-STONE RING,
the central brilliant-cut diamond weighing approximately 1.30cts within a single-cut
diamond surround and shoulders, white metal unmarked and untested, ring size V
€ 2,500 - 3,500
167
A DIAMOND BANGLE,
the hinged bracelet set with a line of channel-set baguette-cut diamonds at the
front, between a border of brilliant-cut diamonds, mounted in 18K gold, diamonds
approximately 3.00cts total, inner diameter approximately 5.8cm
€ 1,200 - 1,800

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168
A DIAMOND HALF ETERNITY RING,
composed of seven central brilliant-cut diamonds
within collet-setting, mounted in 18K gold, dia-
monds approximately 0.60ct total, ring size L½
€ 500 - 700
169
A FIVE-STONE DIAMOND RING,
composed of five graduated old-cut diamonds,
mounted in 18K gold and platinum, ring size P
€ 400 - 600
170
A PAIR OF DIAMOND EAR STUDS,
each composed of a matrix of four single-cut di-
amonds within a square 18K gold mount, length
0.6cm
€ 400 - 600
171
A DIAMOND DRESS RING,
set with a central brilliant-cut diamonds accented
with baguette-cut diamond shoulders, mounted in
18K gold, ring size K½
€ 400 - 600

65
172
A DIAMOND SINGLE-STONE RING,
the European brilliant-cut diamond weighing approximately 1.70cts within a
multiple claw setting between rose-cut diamond shoulders, mounted in plat-
inum, ring size S
€ 1,800 - 2,200
173
A SAPPHIRE AND DIAMOND RING,
the oval-shaped sapphire within a four-claw setting and between two ba-
guette-cut diamonds shoulders, white metal unmarked and untested, ring
size P
€ 700 - 900
174
the central round brilliant-cut diamond weighing approximately 0.70ct be-
tween similarly-cut diamonds, remaining diamonds approximately 0.65ct to-
tal, ring size V
€ 1,000 - 1,500

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176
AN OPAL AND DIAMOND RING,
of cross-over design, each cluster set with an oval-shaped cabo-
chon opal within a surround of old single-cut diamonds, mounted
in 18K gold, diamonds approximately 0.80ct total, ring size O
€ 800 - 1,200
175
A SUITE OF OPAL AND GOLD JEWELLERY,
comprising bracelet and cluster ring, the bracelet composed of a series of oval-shaped
opal cabochons, mounted in 14K gold, length 19.5cm, the ring with a central oval-shaped
opal cabochon within a four-claw setting, to a surround of circular-cut opal cabochons,
mounted in 14K gold, ring size Q
€ 600 - 800
177
AN OPAL AND DIAMOND PENDANT,
of geometric design, the collet-set square-shaped opal flanked
above and below by three graduating rows of circular-cut diamonds,
length 5cm including bale
€ 500 - 700

67
179
A PAIR OF DIAMOND AND COLOURED DIAMOND PENDENT EARRINGS,
each designed as a row of collet-set round brilliant-cut diamonds of brown tint,
within a surround of similarly-cut diamonds, mounted in gold, length 4.8cm
€800 - 1,200
Please note that the coloured diamonds have not been tested for natural colour
178
A DIAMOND PENDANT ON CHAIN,
the round brilliant-cut diamond weighing approximately 0.60ct, within a
four-claw setting, suspending from a fancy-link chain, mounted in gold,
length approx. 52cm
€ 600 - 800

68
180
A 14K GOLD ALBERT CHAIN,
the curb-link chain suspending a typical T-bar pendant, length 38cm, total
gross weight approximately 60.1g; together with a 9K gold Celtic cross pen-
dant, length 5cm, total gross weight approximately 10.6g. (2)
€ 500 - 700
181
A SAPPHIRE AND DIAMOND GYPSY RING,
set with a central oval-shaped sapphire between two round brilliant-cut dia-
monds, mounted in 18K gold, ring size M
€ 600 - 800
180A
set at the centre with two brilliant-cut diamonds, mounted in 14K gold, ring
size P½
€600 - 800

69
182
A DIAMOND CROSS-OVER RING,
each cluster composed of an old brilliant-cut diamond within
a nine-claw spiral setting, to a border of circular-cut diamonds,
mounted in 18K gold, ring size O½
€ 400 - 600
184
A DIAMOND RING,
set to the front with a heart-shaped diamond between four brilliant-cut diamonds,
mounted in 18K tri-coloured gold, ring size Q½
€ 1,000 - 1,500
183
A DIAMOND RING,
the central collet-set brilliant-cut diamond weighing approximately 0.45ct, between
similarly cut diamond shoulders within claw setting, white metal unmarked and un-
tested, ring size O
€ 800 - 1,000

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185
composed of a 9K gold chain suspending various charms, a ruby and diamond cluster ring size L, an
18K gold wedding band within fitted case ring size M, a thin 22K gold wedding band ring size M, a 19th
century brooch designed as a Scottish Terrier set throughout with old and rose-cut diamonds in silver
and gold length 2.5cm and a set of enamelled shirt buttons within fitted case
€ 500 - 700
186
A GARNET AND MOONSTONE BROOCH,
the central cabochon garnet within a surround of seedpearls and between two similarly shaped moon-
stones to further seed pearl accents on each terminal, mounted in gold, length 4.7cm
€ 200 - 300

71
187
composed of a shell cameo pendant/brooch mounted in 9K gold length 3.7cm, a brooch set with
a blue cabochon chalcedony within a 9K gold frame length 4.3cm, A 9K gold gate-link bracelet with
heart-shaped padlock, another bracelet in 9K gold of similar design and a pair of 9K gold earrings
with openwork decoration length 4.7cm
€ 700 - 900

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188
A GOLD FANCY-LINK NECKLACE,
the rope-twist chain necklace tested as 14K gold, length 52cm,
total gross weight approximately 46.97g
€ 600 - 1,000
189
A BANGLE,
set at the centre with seven circular-cut colourless stones, inner diameter 6cm
€ 300 - 500
190
TWO MOURNING SEED PEARL BROOCHES,
together with a seed pearl brooch and a gold wish bone brooch within its case
€ 350 - 450

73
191
AN AMETHYST RING WITH A PAIR OF EARRINGS EN SUITE,
the ring set with an oval-shaped amethyst to a plain gold hoop, ring size I½;
Together with a pair of earrings of similar style length 4.2cm
€ 600 - 800
192
A PAIR OF GEMSET HOOP EARRINGS,
set at the front with baguette-cut blue, pink and
yellow stones, mounted in 18K gold, signed Le Gi,
length 3.1cm
€ 300 - 500
193
A PAIR OF GOLD AND TURQUOISE EARRINGS,
each of round-shaped lower mount set with cabochon
turquoise accents and ropetwist decorations suspend-
ing from similar-style surmounts, length 4.8cm
€ 300 - 500

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194
A DIAMOND AND ENAMEL BRACELET,
set at the centre with a fancy-shaped plaque deco-
rated with blue enamel accented with round brilliant
and rose-cut diamonds, length 18.6cm
€ 400 - 600
197
A DIAMOND AND GARNET DRESS RING,
composed of three oval-shaped garnets, each to a
four-claw setting, with circular-cut diamond high-
lights, ring size M
€ 300 - 500
196
A COCKTAIL RING,
of bombé shape, set with a series of circular-cut
green stones to a pierced gold filigree-work mount,
mounted in 9K gold, ring size H
€ 400 - 600
195
AN EMERALD AND DIAMOND PENDANT ON
CHAIN,
composed of a line of channet-set princess-cut dia-
monds each interspersed with square-cut emeralds,
suspending from an 18K gold chain, pendant length
2.4cm
€ 400 - 600

75
201
A 19TH CENTURY PINK AND WHITE GROUND
DESSERT SERVICE,
comprising:
- 18 side plates
- 5 shallow comports
- 3 teacups and saucers
- 3 further floral painted pink ground tea cups
- 6 saucers and six small side plates
(43)
€ 300 - 500
200
A VICTORIAN GREEN AND WHITE COMPOSITE
‘ROCKINGHAM’ STYLE PART DESSERT
SERVICE,
comprising:
- 1 large centre bowl on stand
- 3 tazzas, a small bowl and cover
- 5 serving dishes
- 16 side plates
- 3 shallow comports
- 6 similar dessert plates
(35)
€ 300 - 500

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202
AFTER HANS MEMLING
The St John Altarpiece
Triptych, 42cm high x 28cm wide (closed), 55cm
wide (when open)
With label verso Lockhart Collection, ‘Framed by Rev.
John Benkassel, Balduinstein, in oak from Dillhansen,
Germany, June 1921’
€100 – 200
204
A PAINTED PORCELAIN CENTRE-PIECE IN THE
FORM OF LEMONS,
on waisted fluted circular stand. 44cm high
€ 300 - 500
205
AN LATE 19TH CENTURY ENGLISH
CHINOISERIE VASE,
of baluster form, decorated with Chinese figures in
traditional dress and auspicious emblems. 24cm
high
€80 - 100

77
206
A CONTINENTAL PAINTED PORCELAIN
PLAQUE,
of oval shape, decorated with a portrait of a young
woman in costume, against a gilded background and
contained in a cast and pierced frame. 60 x 42cm
overall
€ 500 - 800
207
A PAIR OF LATE 19TH CENTURY SPODE
CHINOISERIE TWO HANDLED POTS AND
COVERS,
each of bulbous ovoid form, decorated with transfer
printed polychrome and parcel gilt depicting pheas-
ants and flowers, against a black ground. 23.5cm
high, 24cm wide over handles
€200 – 400
208
A RUSSIAN HOT CHOCOLATE CUP AND
COVER ON STAND,
19th Century, Gardner Factory Moscow, of ta-
pering cylindrical form, with single gilt handle
and slightly domed cover with stylised knop fin-
ial , decorated bands filled with interlaced mo-
tifs in green, gilt and claret tones, factory mark
to base, 13cm high
€ 300 - 500

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209
A RUSSIAN ‘GARDNER’ PORCELAIN FIGURE OF
BRIDE WITH HER DOWRY,
Moscow 19th century, dressed in matte blue over-
coat with cerise headscarf and leaf patterned hat,
carrying a roll of linen under her left arm, standing
on a squared gilt edged base, painted with ‘No. 2, 3’,
underglazed blue factory mark, 18cm high
€ 1,000 - 1,500
210
A COACHMAN,
Moscow, 19th century, modelled standing with
hands on hips, wearing a cerise ‘fuchsia’ hat and
blue overcoat, on a squared gilt base, incised digit
‘2’, with painted ‘No. 2, 57’ underglazed blue factory
mark, 20cm high
€ 1,000 - 1,500

79
211
A PEASANT WOMAN,
Moscow 19th century, with a chequered headscarf
and blue sarafan, carrying a basket of berries over
her left shoulder, standing on squared plinth base,
painted with ‘No.3, 57, underglazed blue factory
mark, 18.5cm high
€ 1,000 - 1,500
212
A GLAZIER,
Moscow 19th century, modelled as a bearded man
with a box of window panes in his right hand, wearing
a black top hat, a matte blue coat and white apron,
standing on a gilt edged circular base, with incised
mark, and blue underglaze factory mark, 19cm high
€ 1,000 - 1,500

80
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June 2019
213
A RUSSIAN ‘GARDNER’ PORCELAIN FIGURE
OF A YOUNG WOMAN CARRYING A BASKET,
Moscow 19th century, with matte blue dress and
white painted apron, wearing a gilded Kokoshnik,
standing on a circular naturalistic base, factory mark
in underglaze blue, inscribed with digits 2, 19cm high
€ 1,000 - 1,500
214
A WOODCUTTER,
Moscow, 19th century, standing balancing an axe
under his left arm, wearing a stove pipe hat and a
red and white overthrow with striped blue trousers,
sharpening his blade with a cuttlestone, standing on
a circular gilt edged base, incised digits, inscribed
‘No.57’, with underglaze blue factory mark, 18cm
high
€ 1,000 - 1,500

81
215
A CHEESEMONGER,
Moscow, 19th century, holding a cheese wheel in
his right hand, wearing a pink chequered throw and
apron, with blue striped trousers and standing on
squared gilt edge base, with underglazed blue facto-
ry mark, 18cm high
€ 1,000 - 1,500
216
A YARD KEEPER,
Moscow, 19th century, with white apron and green
overcoat, holding a broom in his right hand, a key
suspended from his belt, balanced on a gilt edge
square base, factory mark in underglaze blue, in-
scribed with digits ‘57’, 17cm high
€ 1,000 - 1,500

82
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June 2019
217
A WOODCUTTER,
Moscow, 19th century, standing bare foot, balancing an
axe under his left arm, wearing a stove pipe hat and a red
and white overthrow with striped red trousers, sharpen-
ing his blade (now missing) with a cuttlestone, standing
on a circular gilt edged base, incised with digit 4 and un-
derglaze blue factory mark, 18cm high
€ 1,000 - 1,500
218
A RUSSIAN ‘GARDNER’ PORCELAIN FIGURE OF A
WOODCUTTER WITH WHEEL BARROW,
Moscow, modelled in blue garb with cerise hat, pushing a
wheel barrow and axe, the timber stack with a detachable
cover, supported on mound, factory mark to base, deco-
rators mark ‘15’, impressed with numerals ‘14’, 21cm high
€ 1,000 - 1,500

83
219
A RUSSIAN ‘GARDNER’ PORCELAIN FIGURE OF DANCING PEASANT,
Moscow, modelled balanced on one leg, his hat raised in his left hand and standing on a squared
mound base, the base with factory stamp, decorators mark 16 and impressed with numerals 25,
22cm high
€ 800 - 1,200

84
221
AN ENGLISH CHINOISERIE DECORATED
BRACKET CLOCK,
by Elliott, London, 20th Century, retailed by Weir & Son,
Dublin, the red ‘lacquer’ case with arched top and brass
swing handle, over glazed panel door enclosing gilt met-
al dial with silvered chapter ring, Roman numerals and
three winding aperatures, on outset base. 39cm high
€ 200 - 300
222
A BURR-WALNUT BRACKET CLOCK,
18/19TH CENTURY, of rectangular form, the domed top
surmounted with a bronze figure, white enamel, bun
feet
€ 800 - 1,200
223
A 19TH CENTURY BOULLE WRITING/VISITORS
BOOK WITH FITTED BOX,
each of rectangular form. 29cm x 22cm
€ 150 - 200

85
224
P.J. MENE
(FOALS) ACCOLADE
Bronzed group, 32cm high
€ 800 - 1,200
225
COLLECTION OF TEN JEAN VERNON BRONZE
MEDALLIONS
€ 200 - 300
226
A 19TH CENTURY BOULLE RECTANGULAR
POSTAL SCALES, WITH A SET OF WEIGHTS,
engraved with postal rate guidelines. 12cm high, 26cm
wide
€ 150 - 200

86
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227
A PLAIN CIRCULAR BRASS BUCKET,
with iron swing handle. 44cm wide over handles
€ 100 - 150
228
A LARGE BRASS CIRCULAR JARDINIERE,
of baluster form, with stylised mask and ring handles.
46cm wide over handles
€ 300 - 400
229
A LATE GEORGIAN BRASS RAIL FENDER,
of bowed design with four urn finials over a frieze with spindle supports. c.49cm wide
€ 200 - 300
230
A 19TH CENTURY CURB FENDER,
with pierced foliate frieze, raised on fluted bun feet.
€ 150 - 250

87
231
A 19TH CENTURY ALABSTER URN ON STAND,
of circular form, carved with fruiting grape vines and en-
twined handles, raised on panelled hexagonal pedestal.
144cm high
€ 600 - 1,000
232
AN EDWARDIAN BRASS AND FROSTED
GLASS CEILING LIGHT,
with domed corona and suspension hook, the bowl
with inverted finial and cast brass rim; together with
another frosted glass bowl.
€ 300 - 400
233
A SET OF FOUR OPAQUE GLASS CEILING
LIGHTS,
of inverted domed shape, the moulded shade hung
from gilt metal suspension ring (4)
€ 200 - 400

88
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June 2019
235
A GEORGE III MAHOGANY CIRCULAR SUPPER
TABLE, with cavetto snap-top raised on turned
centre pillar and tripod supports with pad feet.
85.5cm diameter
€ 150 - 250
236
A GEORGE IV MAHOGANY RECTANGULAR
SARCOPHAGUS SHAPED CELLARETTE,
the flat domed lid enclosing a compartmented inte-
rior, with gadroon rims and raised on paw feet. 68
x 46cm
€ 600 - 1,000
237
A 19TH CENTURY PIERCED BRASS CURB FENDER,
trellis work frieze between rope twist borders, the sides with
companion stands fitted with shovel, brush, poker and tongs.
€ 600 - 800

89
239
AN IRISH MAHOGNAY REGENCY DRUM TABLE,
of circular form, the top inset with tooled leather scriver,
above a frieze of six drawer fronts, each applied with brass
ring handles on a turned centre column and channelled
downswept legs. 136cm diameter
€ 800 - 1,200
238
LARGE VICTORIAN OVERMANTLE MIRROR,
c.1870, of shaped rectangular form with arched top crested with a classical urn, above bevelled com-
partmented plates, with outset shelves, on an ebonised base. 202cm high
€ 800 - 1,200

90
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June 2019
240
A FRENCH 19TH CENTURY BOULLE AND MARBLE TOP SIDE CABINET,
19th century, of rectangular shape fitted with rouge marble above an ebonised body with twin cup-
board doors, decorated with raised oval inlay panels, shelved interior and outset plinth base, 110cm
high, 128cm wide, 32cm deep
€ 2,000 - 3,000

91
241
A FRENCH EBONISED BOULLE AND GILT METAL
BONHEUR DE JOUR,
19th century, the arched superstructure with urn finials above twin panel doors enclosing compartment-
ed stationary shelves, and two short drawers fitted with pull out inkstand, over a single drawer frieze on
cabriole legs. 142cm high, 82cm wide
€ 1,500 - 2,000

92
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June 2019
242
A PAIR OF 19TH CENTURY EBON AND RED BOULLE TALL DISPLAY CABINETS,
each with plain rectangular top above a row of applied brass acanthus leaves, above glazed
panelled doors, enclosing a shelved velvet lined interior, the sides decorated with applied brass
mounts depicting a mythical female, raised on bracket base. 132cm high, 79cm wide, 37cm deep
€3,000 - 5,000

93
243
A 19TH CENTURY EBONISED & BOULLE SERPENTINE CREDENZA,
the central panel door flanked by two glazed doors, decorated with gilt metal ormo-
lu egg and dart rim and masked corbels mounts throughout, raised on plinth base.
211cm wide x 121cm high x 55cm deep
€ 800 - 1,200

94
245
ITALIAN SCHOOL,19TH CENTURY
The Prodigal Son
Triptych, engraving, 21.5 x 54cm
€ 500 - 700
244
AN EBONISED AND CHINOISERIE DECORATED
TILT-TOP OCCASIONAL TABLE, 19TH CENTURY
of circular form, decorated in gilt, depicting an immor-
tal with stag and attendant in mountain landscape, on
turned centre column and triangular platform base.
79cm deep, 80cm high
€ 600 - 800

95
246
A FRENCH EBONISED AND BOULLEWORK CENTRE TABLE,
19th century, of shaped oval form, with glass covered top, inlaid with central
oval medallion and intricate scrollwork, edged with egg and dart gilt metal rim
and raised masked cabriole legs. Each 73cm high, 149cm long, 88cm wide
€ 2,000 - 4,000

96
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June 2019
247
A 19TH CENTURY SWISS ROSEWOOD AND MARQUETRY INLAID MUSIC BOX,
the rectangular case opening to reveal the glass covered single brass cylinder with twelve airs, and three bells
with butterfly hammers. 47cm wide, 27cm deep, 22cm high
€800 – 1,200
248
A 19TH CENTURY MAP OF ITALY, R. SCOTT,
drawn and engraved for Thomsons, New General Atlas,
Edinburgh, 1814, with smaller map of Island of Elba,
Engraving, handcoloured, 59 x 49cm
€200 - 300
249
F. FLANAGAN (20TH CENTURY)
Cellists Trio
Oil on canvas, 39 x 28.5cm
Signed ‘F. Flanagan’
€200 - 400

97
250
A CHINESE EBONISED AND BRASS STRONG
CHEST, of rectangular form, the hinged lid opening
to reveal a two-tiered interior, the lid fitted with brass
hinge in the form of a lotus flower, raised on bracket
base. 25cm high, 43cm wide, 26cm deep
€ 200 - 300
251
AN EBONISED AND CHINOISERIE
DECORATED COFFEE TABLE,
of rectangular form, decorated with figures in a
garden landscape, on outset cabriole legs.
112cm wide, 58cm deep, 53cm high
€ 400 - 600
252
A JAPANESE LACQUER CABINET ON STAND,
late 19th century, the upper section decorated with
peacocks and stylizes flowers, applied with strapwork
mounts and enclosing an arrangement of short draw-
ers, over a single long drawer, the stand with cabriole
legs and scroll feet. 123cm high, 68cm wide, 45cm deep
€ 400 - 600

98
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June 2019
257
A JAPANESE CLOISONNE ENAMEL CHARGER,
20th century, of shallow circular form , decorated
with waxwings and jay-birds amongst peonies, set
against a cellular white ground. 38.5cm diameter
€ 100 - 200
255
A SUMIDA GAWA VASE,
the wavy rim and body decorated with polychrome glaz-
ing, and applied Japanese figures. 22cm high
€60 – 80
256
A JAPANESE TWO-HANDLED BRONZE URN,
c.1900, with chilong handles and body decorated with
songbirds on flowering branches, supported on a fixed
stand, 33cm high
€ 200 - 300

99
258
A PAIR OF CHINESE FAMILLE ROSE
TURQUOISE GROUND JARS AND COVERS,
each of circular form, painted with cartouche shaped panels filled with boys in a
garden setting, with shou medallions surrounded by bats in iron red, each 12.5cm
diameter, 13cm high
€ 150 - 250
259
A SOUTH EAST ASIAN BLUE AND WHITE DISH,
17th century; together with a Chinese blue and white bowl
€ 200 - 400
260
A JAPANESE SATSUMA EARTHENWARE
KORO AND COVER,
c.1900, of globular form, the dome cover surmounted with
animal finial and side handles painted with birds and foliate
panels on scroll legs. 36cm high
€ 200 - 400

100
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June 2019
261
A SET OF SIX REGENCY ROSEWOOD
FRAMED DINING CHAIRS,
with bowed panelled top rails, and scroll splat
with inset brass rosettes, with upholstered drop-
in seats, on reeded sabre legs
€ 400 - 600
262
A 19TH CENTURY MAHOGANY NEST OF
THREE TABLES,
of rectangular form, raised on trestle supports.
70cm high x 57cm wide x 38cm deep
€ 200 - 300
263
A FRENCH WALNUT SIDE CABINET, OF
RECTANGULAR FORM,
with moulded top above two short drawers and cup-
board section, on outset plinth base and bun feet.
132cm wide x 97cm high
€ 300 - 500

101
264
A SATINWOOD, PAINTED AND GILT WALL MIRROR,
19th century, of upright rectangular form, the frame applied with eight circular
rosettes, inlaid with ribbon tied swags and en grisaille. 163 cm high
€ 1,000 - 1,500

102
At Home 30th
June 2019
265
A GEORGE IV MAHOGANY TWIN PEDESTAL SIDEBOARD,
c.1825, with bowfront centre section supported by upright pedestals, crossbanded and
filled with cast brass handles above cupboard section on short turned legs, 113cm high
€ 800 - 1,200

103
266
A FINE MARQUETRY AND ORMOLU MOUNTED CREDENZA, 19th century, of breakfront
rectangular form, with angled corners and with central cupboard door and between glazed panel doors
with pleated curtains, fluted pilasters, plinth base and ebonised bun feet. 116cm high, 198cm wide,
52cm deep
€ 3,000 - 5,000

104
At Home 30th
June 2019
267
A GEORGE IV BOWFRONT CHEST OF
DRAWERS,
with shaped rectangular top, above two short
and three long drawers, with brass loop
handles, raised on splayed bracket feer.
107cm high, 107cm wide, 53cm deep
€ 400 - 600
268
AN EDWARDIAN OAK AND BRASS
MOUNTED JOCKEY SCALES,
fitted with upholstered seat and brass count-
er scales, with brass side handles and carved
frieze with leafy roundels on early twist supports.
124cm wide, 81cm high
€ 800 - 1,200

105
269
A REGENCY ROSEWOOD AND BRASS INLAID SIDE CABINET,
c.1820, of rectangular form, with raised back centred with a mirror plate, flanked by twin
cupboard compartments, the base with angels corners and long frieze drawer above
twin brass grill doors, shelved interior on leafy globular feet. 143cm high, 102cm wide
€ 3,000- 4,000

106
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June 2019
270
A GEORGE III MAHOGANY RECTANGULAR
BLANKET CHEST, the top with moulded rim,
brass locking plate and side drop handles, raised
on spiral turned legs. 122 x 60cm x 81.5cm high
€ 800 - 1,200
271
A GEORGE III MAHOGANY RECTANGULAR
PLAIN DOUBLE DROP LEAF PEMBROKE
TABLE, fitted single frieze drawer with pierced
brass attire and raised on square supports. 81cm
long
€ 150 - 250
272
A NEST OF MAHOGANY TRIO TABLES,
19th century, each of graduated rectangular size,
with figured panel tops and tressel side supports on
sleigh feet. The largest 75cm high, 49cm wide
€ 300 - 500

107
273
AN IRISH GILTWOOD AND GESSO
OVERMANTEL MIRROR, CIRCA 1830,
of rectangular form, the plane glass plate enclosed
by rope twist border columns headed by rosettes to
the upper corners. 74cm high, 157cm wide
€ 600 - 800
274
A LARGE GEORGE III MAHOGANY
HUNT TABLE,
extending to oval form, with twin drop leaves and
moulded rim, on shell capped cabriole legs and pad
feet. 239cm long, 143cm wide, 75cm high
€ 1,500 - 2,000

108
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June 2019
275
A STAINED WOOD FRAMED CHILD’S
ARMCHAIR,
with ladder back and sugán style woven seat, raised
on turned column legs and stretchers. 57cm high
€ 60 - 100
276
A GEORGE III WINGBACK ARMCHAIR,
upholstered in a cream floral fabric without scrolling
arms, supported on squared tapering legs and brass
casters.
€ 600 - 800

109
279
A LARGE PROVINICAL OAK AND FRUITWOOD,
CIRCULAR CENTRE TABLE,
18th century, solid panel top (modern) supported on a
hexagonal base, with turned column legs and bun feet,
joined by a solid stretcher. Top 213cm diameter, base
151cm diameter
€ 700 - 1,000
278
A JACOBEAN STAINED OAK SETTEE,
of rectangular form, the crest rail carved with
scroll work, centred with initials WA and dated
1683, with five panel back and solid armrests,
the seat with hinged top above a compartment
with carved fascia. 119cm wide x 121cm high
€500 - 800

110
At Home 30th
June 2019
280
AN EDWARDIAN MAHOGANY AND
SATINWOOD CROSSBANDED CURIO TABLE,
of hexagonal compact form, with glazed hinged top
opening to reveal a red velvet interior, above frieze
panels, and sabre legs decorated with boxwood
stringing, joined by raised undertier. 41.5cm wide,
77cm high
€ 150 - 250
281
A VICTORIAN MAHOGANY SUTHERLAND TABLE,
c.1870, extending to rectangular form, the drop leaf
panels with rounded corners supported on gate leg
action and trellis end supports with brass toecaps and
castors. 74cm high x 91cm wide
€ 300 - 400
282
A GEORGIAN STYLE MAHOGANY HUNT TABLE,
19th century, the solid panel top extending to oval form
and supported on gate leg action. 71.5 x 182 x 117.5
(width when side wings are unfolded)
€ 500 - 700

111
284
A FRENCH KINGWOOD MARQUETRY
AND GILT METAL MOUNTED OCCASIONAL
TABLE, 19th century, of shaped rectangular form,
quarter veneered and inlaid with floral group,
above a conforming undertier and splayed legs.
56cm wide
€ 250 - 350
285
A GEORGE III MAHOGANY AND SATINWOOD
CROSSBANDED AND INLAID CELLARETTE,
of rectangular shape with cast brass side handles
and hinged cover, the top and front with oval inlay
on fitted stand and tapering legs. 46cm wide, 60cm
high, 30cm deep
€ 600 - 800
286
A PAIR OF FRENCH KINGWOOD,
MARQUETRY AND MARBLE TOP
BEDSIDE CABINETS,
with brass gallery tops above a single cup-
board door, quarter veneered and inlaid
with a group of summer flowers on short
cabriole legs. 60cm wide, 100cm high, 41cm
deep
€ 600 - 800

At Home 30th
June 2019
287
A SMALL COLLECTION OF STAFFORDSHIRE
POTTERY AND OTHER MODELS OF DOGS,
including St. Bernard, Greyhound, Standard Poodle,
Pug, Spaniel etc. (7)
€ 300 - 400
288
A COLLECTION OF BLUE AND WHITE
WEDGEWOOD,
comprising a Royal Christmas edition, together with
a collection of blue and white plates in the Oriental
taste, transfer printed with landscape scenes; and
a commemoration plate of the 50th Anniversary of
Queen Elizabeth’s Coronation.
€ 200 - 300
289
A COLLECTION OF WEDGEWOOD, in green and
cream tones, each with transfer printed rims, and
floral boarders in high relief, some examples deco-
rated with landscapes in the central reserves
€ 150 - 250
290
A LARGE GREEN GLAZED CERAMIC JARDINIERE,
20th Century, of baluster form, with lobed rim, with im-
pressed foliate decoration. Height 29cm, Width across
top 40cm
€400 – 600

113
292
AFTER CH. LEVY ‘LA PAIX’ AND AFTER CH.
PERRON ‘LE TRAVAIL’ (WORK AND PEACE)
BRONZED SPELTER FIGURAL LAMPS,
one on a circular plinth base; 102cm high; 90cm
high
€ 300 - 500
294
A CLOISONNE AND MOTHER OF PEARL INLAID
SPILL VASE,
with outturned rim and narrow neck, the body deco-
rated with mother of pearl inlay depicting a naturalistic
flowering branch, raised on circular base. 23cm high
€100 – 200
293
A DECORATIVER SPELTER MODEL OF A
STAG, standing with raised fore paw, with
returning glance, applied with scattered gilt
stars, 72 cm high
€ 300 - 500

114
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June 2019
295
A BRIDGEWOOD & SON LUSTREWARE BOWL
ON STAND,
19th century, following a design by William de Morgan,
opaque porcelain mark, 25cmn diameter, 13.5cm high
€ 2,000 - 4,000
296
A LALIQUE ‘CEYLAN’ GLASS VASE,
of circular tapering form with lipped rim, iridescent
tones moulded in relief with pairs of birds perched
amongst foliate branches, incised mark ‘R. Lalique,
FRANCE’ and ‘no.905’, 24.5cm high
€ 2,000 - 3,000

115
297
A VICTORIAN GILTWOOD AND UPHOLSTERED
SETEE,
c.1870, in the French style, with oval padded and
stuffed seat, covered in floral damask, with scroll
work side supports and turned fluted legs and end-
ing with porcelain castors.
€ 400 - 600
298
A LOUIS QUINZE STYLE KINGWOOD VITREEN,
with arched top and swan neck pediment above a
single glazed door, raised on cabriole legs, the entire
decorated with gilt cast mounts. 82 x 201cm high
€ 1,000 - 1,500

At Home 30th
June 2019
299
AFTER GEORGE MORLAND
Farmyard Scenes
A pair, coloured mezzotints, 46 x 61cm
Contained in gilded frames
€ 80 - 120
300
AFTER BROCAS
‘College Green’ and ‘Essex Bridge’
Coloured aquatints. (2)
€ 200 - 300
301
ATTRIBUTED TO PETER DE WINT (O.W.S)
Pastural landscape
Watercolour, 16 x 19cm
With Gerald M. Norman Gallery Label verso
€250 – 350
302
ATTRIBUTED TO SIR JOHN CRAMPTON
(1805 - 1886)
Sailing in stormy waters
With Gerald M Norman Gallery label verso
€200 – 300
299
300
301
302

117
303
ATTRIBUTED HERCULES BRABAZON
(1821 - 1906)
Round towner by lakeside
Pastel, 14 x 22cm
Signed indistinctly
€300 – 400
304
DUTCH SCHOOL (19TH CENTURY)
Cavaliers on horseback
Oil on canvas, 21 x 24cm; together with
English School, (19th century)
Boat Builders Yard
Oil on panel, 16 x 28cm
(2)
€200 – 300
303
304304

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June 2019
307
T. BURFORD AFTER TENIERS (18TH CENTURY)
The Thoughtful Shepherd
Reverse print laid on glass, 19 x 25cm; together with
English School
Sea scene
Sepia and wash 14 x 22cm
(2)
€100 – 200
308
MANNER OF SELINA CRAMPTON
At Lough Dan, September
Inscribed with title
€150 – 200
309
CIRCLE OF GEORGE CHINNERY (1774-1852)
Studies of cattle and figures
Pencil on paper, Each 56 x 15cm
€ 500 - 700
310
19TH CENTURY SCHOOL
Figures in a landscape with town in
distant background
Oil on board
€ 300 - 500
310309
308

119
311
ROBERT PONSBY STAPLES
Mrs Simmons
Charcoal and chalk, 36 x 20cm
Signed and inscribed
€ 600 - 800
312
ALEXANDER WILLIAMS RHA,
On the Dodder, Dublin,
Oil on board, 25 x 34cm
With label verso
€ 300 - 500
313
ATTRIBUTED TO JOHN MOYER HEATHCOTE
Lord Wicklow’s Shelton Abbey; Hill of Howth
Watercolours over pencil, each 26 x 39cm
(2)
€ 300 - 500
311
312
313

315
A 20TH CENTURY CAUCASIAN RUG,
the central reserve composed of rows of multi-co-
loured lozenges, each containing an individual geo-
metric design, enclosed within geometric border
and guard stripes. 160 x 110cm
€ 300 - 500
316
A 19TH CENTURY KUBA RUG,
the central reserve with typical star motif, against a
blue ground containing geometric motifs, enclosed
within beige geometric floral boarder and guard
stripes . 155 x 110cm
€ 300 - 500
317
A CAUCASIAN RED GROUND WOOL RUG,
the large rectangular field centred with a lozenge
shaped medallion and spandrels, woven with addi-
tional animals and geometric motifs, within multiple
narrow borders. 270cm x 162cm
€ 300 - 400
318
A LARGE AFGHAN RED GROUND WOOL CARPET,
the rectangular field filled with a repeating geometric
motif enclosed by multiple outer borders and patterned
fringes.
335 x 256cm
€ 400 - 600

319
A LARGE PERSIAN WOOL
CARPET 20TH CENTURY,
woven in red, navy and cream tones with the
centre field filled with oval lozenges, honey
comb and florets, contained within multiple
broad and narrow boarders, 460 x 370 cm
€ 1,500 - 2,000
320
A NORTH INDIAN ‘PRISON RUG’,
c.1960, woven into the ‘Persian Garden’ pattern, of rect-
angular form with compartmented panels, fitted with
flower sprays, deer groups and geometric panels, con-
tained within floral and claret red borders. 275 x 186cm
€ 500 - 800
321
A PERSIAN RED GROUND WOOL CARPET,
the all over pattern filled with foliate designs in an open
landscape and contained within multiple borders.
Approx 456 x 325cm
€ 500 - 800

122
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June 2019
322
A FINE FRENCH TULIPWOOD AND MARQUETRY FOLD OVER GAMES TABLE,
MID-19TH CENTURY,
of rectangular form, the fold out top enclosing a baise lined interior over a frieze deco-
rated with floral groups in exotic woods set against an ebonised ground separated by
ormolu divisions and supported on slender curvilinear legs
€ 1,500 - 2,000

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