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Semantic and Syntactic




      Olivya Simone
Semantic and Syntactic

Semantic is concerned with what communicates the audience with what's on
screen such as location, costume, lighting, body
language, editing, transitions, speed/pace, actors, props and sounds.


Syntactic focuses on the relationship between these fundamentals and the
structure of the narrative – What we expect to happen.
Semantic

My chosen genre to analyse is Horror. For my genre research, I analysed Scream 4 and Grave
 Encounters. The opening scene on both of these trailers introduce the characters, as a group
   or singular. This is so the audience can witness the characters before something terrifying
 occurs. The locations of Scream alternates from the homes of the victims to different isolated
 areas, however, Grave Encounters is based in one isolated area. Different camera shots are
used and merged together making the scenes have a fast pace, creating suspense. During the
 chase and murder scenes, dramatic, orchestral music used to create anticipation. The props
  used in Scream are used throughout the whole movie and even in the sequels, which are a
                   large butchers knife, the ‘ghost face’ mask and a telephone.
Syntactic

    The Syntactic approach in a genre shows several different generic events, taking
   from all sectors of the film. This usually starts by introducing the characters to the
    audience, in a group or singular. Once the characters have been witnessed, the
trailer shows a number of deaths, to create a intense atmosphere. These deaths can
occur forty, fifty minutes apart in the film itself, but take place at the same time in the
     trailer, making it seem more interesting. Trailers also contain numerous shock
  scenes, additional killings, false scares and suspicion. The death of antagonists is
  never shown in the trailer, as it would give away the ending, therefore keeping the
     curiosity from the viewers and making them want to see the film. Deaths to the
   antagonists don’t always take place, leaving a cliff hanger and possibly a sequel.
     Selected shots and sequences including in the trailer don’t necessarily occur in
                                     chronological order.

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Semantic and Syntactic Analysis

  • 1. Semantic and Syntactic Olivya Simone
  • 2. Semantic and Syntactic Semantic is concerned with what communicates the audience with what's on screen such as location, costume, lighting, body language, editing, transitions, speed/pace, actors, props and sounds. Syntactic focuses on the relationship between these fundamentals and the structure of the narrative – What we expect to happen.
  • 3. Semantic My chosen genre to analyse is Horror. For my genre research, I analysed Scream 4 and Grave Encounters. The opening scene on both of these trailers introduce the characters, as a group or singular. This is so the audience can witness the characters before something terrifying occurs. The locations of Scream alternates from the homes of the victims to different isolated areas, however, Grave Encounters is based in one isolated area. Different camera shots are used and merged together making the scenes have a fast pace, creating suspense. During the chase and murder scenes, dramatic, orchestral music used to create anticipation. The props used in Scream are used throughout the whole movie and even in the sequels, which are a large butchers knife, the ‘ghost face’ mask and a telephone.
  • 4. Syntactic The Syntactic approach in a genre shows several different generic events, taking from all sectors of the film. This usually starts by introducing the characters to the audience, in a group or singular. Once the characters have been witnessed, the trailer shows a number of deaths, to create a intense atmosphere. These deaths can occur forty, fifty minutes apart in the film itself, but take place at the same time in the trailer, making it seem more interesting. Trailers also contain numerous shock scenes, additional killings, false scares and suspicion. The death of antagonists is never shown in the trailer, as it would give away the ending, therefore keeping the curiosity from the viewers and making them want to see the film. Deaths to the antagonists don’t always take place, leaving a cliff hanger and possibly a sequel. Selected shots and sequences including in the trailer don’t necessarily occur in chronological order.