58. Contrapposto
The body demonstrates consistent
contrapposto-an Italian term that
means counterpose. It is used in the
visual arts to describe a human figure
standing with most of its weight on
one foot so that its shoulders and arms
twist off-axis from the hips and legs.
59. Proportion
The body demonstrates solid
proportional logic hands, heads, legs,
feet, torso, all seem unified and
belonging to the same figure.
60. Proportion
The body demonstrates solid
proportional logic hands, heads, legs,
feet, torso, all seem unified and
belonging to the same figure.
61. Composition
Your composition is structured to
create unity-it seems intentional and
well balanced rather than hap-hazard
and accidental. The figure is well
situated within the rectangle/square
and all space is unified.
62. Composition
Your composition is structured to
create unity-it seems intentional and
well balanced rather than hap-hazard
and accidental. The figure is well
situated within the rectangle/square
and all space is unified.
63. Chiaroscuro:
You are able to use light and dark
value (highlight and shadow) to create
the illusion of volume and form.
Additionally, you are able to accurately
indicate an understanding of human
anatomy and muscle through the
careful observation of the model and
render this accurately
64. Chiaroscuro:
You are able to use light and dark
value (highlight and shadow) to create
the illusion of volume and form.
Additionally, you are able to accurately
indicate an understanding of human
anatomy and muscle through the
careful observation of the model and
render this accurately
65. Chiaroscuro:
You are able to use light and dark
value (highlight and shadow) to create
the illusion of volume and form.
Additionally, you are able to accurately
indicate an understanding of human
anatomy and muscle through the
careful observation of the model and
render this accurately
66. Space
Your work shows an understanding of
the space and context that surrounds
the figure and you are able to provide
a convincing window into the
perceived reality.
67. Foreshortening
You can show the body convincingly
from a variety of angles including
oblique and foreshortened points of
view.
68. Foreshortening
You can show the body convincingly
from a variety of angles including
oblique and foreshortened points of
view.
69. Foreshortening
You can show the body convincingly
from a variety of angles including
oblique and foreshortened points of
view.