Impressionism and post-impressionism

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Impressionism & Post-impressionism

Picasso, Les Demoiselles d ’Avignon (1907)

Claude Monet, Impression: Soleil Levant , 1872

Chevreul (1786-1889) The Law of Simultaneous Colour Contrast , 1839 Principles of Harmony and Contrast of Colours and their Applications to the Arts , 1855 Hermann von Helmholtz (1821-1894) On the Relation of Optics to Painting & Handbook of Physiological Optics in 1867. Ogden N. Rood (1831-1902) Modern Chromatics, with Applications to Art and Industry, 1879, not translated into French until 1881.

Georges Seurat, La Seine a la Grande Jatte (1888)

Claude Monet, Effet d'automne à Argenteuil , 1873

Andr é Derain, Le Phare de Collioure , 1905

Edgar Degas, Princess Pauline von Metternich , 1865

Seminar

Manet, Un Bar aux Folies-Berg ère , 1882

Caspar David Friedrich Wanderer above the Mists 1818

Gustave Caillebotte Young Man at a Window 1875

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Chapter Eighteen Toward the Modern Era: 1870-1914 Culture and Values Cunningham and Reich and Fichner-Rathus, 8th Ed. * Belle époqueGrowing frustration, restlessnessEconomic disparity, resentmentPopulation growthCapitalism vs. SocialismLoss of religious securityMigration to the United StatesThe Women’s MovementThe right to voteNietzsche’s Übermensch, “will to power” The Birth of the Modern Era * The Visual ArtsAcademic ArtFrom Realism Toward ImpressionismÉdouard Manet (1832-1883)Le Déjeuner sur l’Herbe (1863)A Bar at the Folies-Bergére (1882)Olympia (1863-1865)Break from traditionView of the artist * 18.4 Édouard Manet, Le Déjeuner sur l’Herbe, 1863 * 18.4 Édouard Manet, Le Déjeuner sur l’Herbe, 1863. Oil on canvas, 7´3⁄8˝ x 8´103⁄8˝ (2.15 x 2.7 m). Musée d’Orsay, Paris, France//Giraudon/The Bridgeman Art Library 18.5 Édouard Manet, A Bar at the Folies-Bergère, 1882 * 18.5 Édouard Manet, A Bar at the Folies-Bergère, 1882. Oil on canvas, c. 37˝ x 51˝ (.95 x 1.3 m). Courtauld Institute and Galleries, London, UK/© SuperStock, Inc./SuperStock 18.7 Edouard Manet, Olympia, 1863-1865 The Visual Arts ImpressionismRealism of light, color Fidelity to visual perception, “innocent eye”Devotion to naturalismStrongly influenced by Japanese printsClaude Monet (1840-1926)Impression: Sunrise (1872)Nympheas (Water lilies, water study, morning (1914-1918) * 18.10 Claude Monet, Impression, Sunrise, 1872 * 18.10 Claude Monet, Impression, Sunrise, 1872. Oil on canvas, 191⁄2˝ x 141⁄2˝ (50 x 62 cm). © Musée Marmottan, Paris, France//Giraudon/The Bridgeman Art Library 18.12 Claude Monet, Nymphéas (Water lilies, water study, morning (1914-1918) The Visual Arts ImpressionismPierre Auguste Renoir (1841-1919)Beauty of the world, happy activityLe Moulin de la Galette (1876)Berthe Morisot (1841-1895)Young Girl by the Window (1878)Edgar Degas (1834-1917)Intimate moments as universal experiencePsychological penetration“Keyhole visions” * 18.13 Pierre Auguste Renoir, Le Moulin de la Galette, 1876 * 18.13 (Pierre) Auguste Renoir, Le Moulin de la Galette, 1876. Oil on canvas, c. 51˝ x 68˝ (129. 5 x 172. 7 cm). Musée d’Orsay, Paris, France//Réunion des Musées Nationaux/Art Resource, NY 18.14 Berthe Morisot, Young Girl by the Window, 1878 18.15 Edgar Degas, The Rehearsal (Adagio), 1877 The Visual Arts American ExpatriatesMary Cassatt (1844-1926)Influenced by Manet, photography, and Japanese printsJames Abbott McNeill WhistlerInfluenced by Courbet and Japanese printsAmericans in AmericaThomas Eakins (1844-1916)Historical events * 18.17 Mary Cassatt, The Boating Party, 1893-1894 18.18 James Abbott McNeill Whistler, Arrangement in Grey and Black, No. 1, 1871 18.19 Thomas Eakins, The Gross Clinic, 1875 The Visual Arts Post-ImpressionismRejection of ImpressionismPersonal artistic stylesHenri de Toulouse-Lautrec (1864-1901)Georges Pierre Seraut (1859-1891) * The Visual Arts Post-Impressio ...

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Impressionism and post-impressionism

1. Impressionism & Post-impressionism

2.

3. Picasso, Les Demoiselles d ’Avignon (1907)

4. Claude Monet, Impression: Soleil Levant , 1872

5. Chevreul (1786-1889) The Law of Simultaneous Colour Contrast , 1839 Principles of Harmony and Contrast of Colours and their Applications to the Arts , 1855 Hermann von Helmholtz (1821-1894) On the Relation of Optics to Painting & Handbook of Physiological Optics in 1867. Ogden N. Rood (1831-1902) Modern Chromatics, with Applications to Art and Industry, 1879, not translated into French until 1881.

6.

7.

8.

9.

10. Georges Seurat, La Seine a la Grande Jatte (1888)

11. Claude Monet, Effet d'automne à Argenteuil , 1873

12. Andr é Derain, Le Phare de Collioure , 1905

13. Edgar Degas, Princess Pauline von Metternich , 1865

15. Manet, Un Bar aux Folies-Berg ère , 1882

16.

17. Caspar David Friedrich Wanderer above the Mists 1818

18. Gustave Caillebotte Young Man at a Window 1875