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COLOR & TYPOGRAPHY SARAH FUNK COM 585 2008.2.26
WHAT IS TYPOGRAPHY? This video explains the basics.
Visual interfaces should: ,[object Object],[object Object],[object Object],[object Object],[object Object],FROM COOPER:
Rousseau’s steps for  successful design ,[object Object],[object Object],[object Object],[object Object]
Color contrast vs.  type size ,[object Object]
Hello. Can you read me?
This is a lot harder to read.   Hello. Can you read me?
Sans serifs  vs.  serifs
Sans-serifs ,[object Object],[object Object]
Serifs ,[object Object],[object Object],[object Object]
Typography + Images ,[object Object],[object Object]
Visual noise & clutter ,[object Object],[object Object],FROM COOPER: Example >> Microsoft packaging
Bonus article David, C. & Richards, A. (2005).  Decorative Color as a Rhetorical Enhancement on the World Wide Web.  Technical Communication Quarterly. 14(1) 31-48. Our reaction to color in art, design and our general surroundings can be described as emotional, rhetorical and psychological. Modern computer monitors are able to display 16 million colors along with the seemingly never-ending supply of information provided through the internet. Designers are using established color theory to elicit emotion-laden reactions from the electronic media audience.   The article's accompanying website.
-FIN- SARAH FUNK COM 585 2008.2.26

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Color&Type

  • 1. COLOR & TYPOGRAPHY SARAH FUNK COM 585 2008.2.26
  • 2. WHAT IS TYPOGRAPHY? This video explains the basics.
  • 3.
  • 4.
  • 5.
  • 6. Hello. Can you read me?
  • 7. This is a lot harder to read. Hello. Can you read me?
  • 8. Sans serifs vs. serifs
  • 9.
  • 10.
  • 11.
  • 12.
  • 13. Bonus article David, C. & Richards, A. (2005). Decorative Color as a Rhetorical Enhancement on the World Wide Web. Technical Communication Quarterly. 14(1) 31-48. Our reaction to color in art, design and our general surroundings can be described as emotional, rhetorical and psychological. Modern computer monitors are able to display 16 million colors along with the seemingly never-ending supply of information provided through the internet. Designers are using established color theory to elicit emotion-laden reactions from the electronic media audience. The article's accompanying website.
  • 14. -FIN- SARAH FUNK COM 585 2008.2.26