Isea malina the hard humanities in the anthropocene ss
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Isea malina the hard humanities in the anthropocene ss

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roger malina panel presentation at isea 2012 on Hard Humanities in the Anthropocene

roger malina panel presentation at isea 2012 on Hard Humanities in the Anthropocene

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Isea malina the hard humanities in the anthropocene ss Isea malina the hard humanities in the anthropocene ss Presentation Transcript

  • The Hard Humanities And SociallyRobust Science in the Anthropocene Roger F Malina UT Dallas
  • The Anthropocene• “informal” geologic chronological term that serves to mark the evidence and extent of human activities that have had a significant global impact on the Earths ecosystems.•• With an impact sufficiently extensive as to be detectable in the geological record.
  • Hard Humanities• Transforming human societies so that they are sustainable requires massive “cultural innovation”• The hard humanities are the approaches needed to bring about systemic cultural innovation.• This is the first time that we are faced with designing our culture rather than evolving it.
  • Towards « socially robust science « ?  • Helga Nowotny, President European • . Research Council:• « ..Society is moving into a position where it is increasingly able to communicate its wishes, desires and fears to Science »• Harold Vasselin artist in residence at the Provence Climate Change Observatory
  • Mechanisms for Socially Robust Science• Open Observatory Manifesto•• The RIGHT to the data taken about you.•• The DUTY to contribute open data about your context and environment
  • • Open Observatories: .• Coupling Common Sense to Common Science• Micro-Science o Micro Science is to the Italian Science Foundation What Micro Credit is to the World Bank• Making science intimate o Owning data about your own environment o Science creating communities own their knowledge o o• Science- Art Projects and Art-Science Projects • Art driven use of scientific methods and instruments • Science driven development of cultural artifacts
  • We are becoming a data taking culture Calm Technologies/Distributed Sensing/Locative Media• Weiner 1991 Xerox Parc• Eg Eric Paulos, Intel• www.urban-atmospheres.net/ CitizenScience• active participation in basic scientific data gathering• richer, finer-grain data sets for modeling• mobile phone for grassroots participation in government and policy making• Trash Truck project
  • Citizen’s Science• Environment 2.0• FutureEverything Festival• Drew Hemment, UK•• Bubbles: Meteorological Office project with artists and children• Bio-Tagging: Urban Ecology and Artists
  • People’s Science • Bharat Gyan Vigyan Samiti: Indian People’s Science Networks • Brazil Digital Culture projects • Sergipe « Human Project » o Humbi Umbi in Brazil • Srishti School, Bangalore • Ubiquitous micro science producing communities • Open Hardware • Hacker Culture, Bricolabs • • OPEN OBSERVATORIES
  • Participatory Mapping • Congo Participatory• Click to edit Mapping Project Master text • Buckminster Fuller styles Challenge award Second level finalist 2011 Third level • Empowers local forest Fourth level communities to use Fifth level cutting edge technologies to map their lands and resources • Use this evidence as advocacy and
  • Boulder USA, Community Gardens Community Mapping
  • GRASSROOTS MAPPING• http://grassrootsmapping.org• • Click to edit Master• MIT MEDIA LAB text styles• Design Ecology Group Second level• Center for Future Civic Media Third level Fourth level• Fifth level• Jeff Warren • Click to edit Master• text styles• Example of COMMUNITY Second level REMOTE SENSING Third level Fourth level Fifth level 12
  • Leonardo Lovely Weather Residencies SOFTDAY: Marbh ChriosMusical Performances from Ocean Dead Zones
  • DATA• Data is Power• Become a data taking culture• “Occupy” Big Data• Citizen Science• Arts and Humanities on the front lines of cultural innovation• The Hard Humanities• Socially Robust Science