Video Vortex Presentation
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This document discusses glitch art and noise artifacts in media. It argues that glitches interrupt the static notion of transmitting information through encoding/decoding errors, other noise, and feedback. The document advocates exploiting these glitches and noise artifacts as a way to challenge genres, interfaces, and expectations. Finally, it presents glitch art as a form of critical trans-media aesthetics that can show a medium in a ruined or accidental state and critique its inherent politics.
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Video Vortex Presentation
- 2. Celluloid -> Cathode -> Plasma -> LCD 2. Len Lye. A Colour Box , 1937. 4. Cory Arcangel. Panasonic TH42PV60EH PLasma Screen Burn , 2007. 5. webcrash2800 . %SCR2 , May 16, 2009 3. Goto80 and Rosa Menkman. Eastern Fire Swim , 2007. 1. The dominant, continuing search for a noiseless channel has been, and will always be no more than a regrettable, ill-fated dogma.
- 4. There are three instances when the static notion of transmitting information is interrupted. These interruptions result in noise artifacts: Encoding / decoding (compression), Glitch (other noise) and Feedback 3. Get away from the established action scripts and join the avant-garde of the unknown. Become a nomad of noise artifacts!
- 5. 7. RyBN performing Monochrome , (Cimatics Festival, Brussels: 28 November 2008) 8. Still from registration of Botborg performance at TransAcoustic, Auckland, New Zealand, December 2005. < http://www.botborg.com/index.php?go=imageslive > 3 May 2009. 9. Beflix. Glitch (12) . 2001-2005, re-colored 2007. Fuji Crystal Archive prints from hi-res digital images < http://www.beflix.com/works/glitch.php?id=121 > 1 May 2009. Exploit compressions, feedback and glitches! Noise artifact in the arts
- 6. 10. Screenshot of Goto80 and Autoboy. HT Gold. 2008. Videogame for Commodore 64. Challenge actors (artist, tools [hard/software], input and public) and perspectives (genres, interfaces and expectations)! 4. Use the glitch as an exoskeleton of progress.
- 9. 6. The ambiguous contingency of glitch depends on its constantly mutating materiality. 13. Notendo. 2001. Circuitbent Nes Console. 14. no-carrier. GlitchNES. March 2009. 15. Rosa Menkman. Romscape. July 2008. 10. Screenshot of Goto80 and Autoboy. HT Gold. 2008. Videogame for Commodore 64.
- 10. 7. Glitch artifacts are critical trans-media aesthetics. * Shows a medium in a critical state (ruined, unwanted, not recognized, accidental and horrendous state), a state of hypetrophy. * Criticize the inherent politics of the medium (genre, interface norms and expectations) 16. Libeskind, Daniel. Jewish Museum Berlin (Blitz or Between the Lines). 1989-1999.
- 11. 17. Menkman, Rosa and Extraboy. Radio Dada, 2008. 8. Translate acousmatic noise and soundscapes into acousmatic video and videoscapes to create conceptual synesthesia.
- 13. 19. Friedrich, Caspar David. The wanderer above the sea of fog. 1818. Oil on canvas, 98 × 74 cm. Hamburg: Kunsthalle. 10. Study what is outside of knowledge: Glitch studies Theory is just what you can get away with!
- 14. Rosa Menkman Email: [email_address] Homepage: http://rosa-menkman.blogspot.com 2