SlideShare a Scribd company logo
1 of 17
Download to read offline
Rosa Menkman
  Gene siskel
30 september
      2010
       Manifesto: http://rosa-menkman.blogspot.com/2010/02/glitch-studies-manifesto.html!
Vernacular: http://rosa-menkman.blogspot.com/2010/08/vernacular-of-file-formats-2-workshop.html
Get away from the established action scripts and join the avant-
garde of the unknown. Become a nomad of noise artifacts!!

                                      feedback!




             software that is used to encode and decode the information!

    There are three instances when the static notion of transmitting information is
               interrupted. These interruptions result in noise artifacts:

      Encoding / decoding (compression), Glitch (other noise) and Feedback 

noise artifacts!




7. RyBN performing Monochrome, (Cimatics   8. Still from registration of Botborg performance at   9. Beflix. Glitch (12). 2001-2005, re-colored 2007.
  Festival, Brussels: 28 November 2008)      TransAcoustic, Auckland, New Zealand, December         Fuji Crystal Archive prints from hi-res digital
                                             2005.                                                  images <http://www.beflix.com/works/glitch.php?
                                            <http://www.botborg.com/index.php?                      id=121> 1 May 2009.
                                             go=imageslive> 3 May 2009.




   Exploit compressions, feedback and glitches!
The dominant, continuing search for a noiseless channel has been,
and will always be no more than a regrettable, ill-fated dogma.!




2. Len Lye. A Colour Box, 1937.                                         3. Nam June Paik, Magnet TV, 1965




4. Cory Arcangel. Panasonic TH42PV60EH Plasma Screen Burn, 2007.        5. webcrash2800. %SCR2, May 16, 2009
Dispute the operating templates of creative practice. Fight genres
and expectations! !




6. 5VOLTCORE. output screen 172. 2005. (circuitbend computer)!
Glitches vs Glitch art!




10. Serial Cosign. Broken Mac Screenshot. 2008. Screenshot.            11. Beflix. Glitch (12). 2001-2005, re-colored 2007.
<http://www.flickr.com/photos/serial_consign/sets/72157605952462193/   Fuji Crystal Archive prints from hi-res digital images
> 1 May 2009.                                                          <http://www.beflix.com/works/glitch.php?id=121>
Employ bends and breaks as a metaphor for différance. Use the
glitch as an exoskeleton for progress.!
glitch alike!
Programmed glitch art!




  12. Still from Jodi. UNTITLED GAME: E1M1AP. 1996.    13. Still from Jodi. UNTITLED GAME: Ctrl-F6. 1996.
  Videogame Mod Executable.<http://www.untitled-       Videogame Mod Executable.<http://www.untitled-
  game.org/download.html>                              game.org/download.html>




Challenge the materiality (input and hard/software) and interpretation (genres, interfaces and expectations)!
Rejoice the critical trans-media aesthetics of glitch artifacts. !

* Glitches can show any medium in a critical state (ruined, unwanted, not recognized,
accidental and horrendous state); a state of hypetrophy.!
Then we see the exoskeleton of the “Vernacular of File Formats”!

* Glitches can be used to criticize the inherent politics of the medium (genre, interface
norms and expectations)!




          23. Libeskind, Daniel. Jewish Museum Berlin (Blitz or Between the Lines). 1989-1999.
Realize that the gospel of (progressive) glitch art also tells about
new standards implemented by corruption.!




15. Takeshi Murata. Monster Movie, 2005.   16. Nabil Elderkin
                                           KANYE WEST "Welcome To Heartbreak"
                                           Directed by Nabil, 2009
                                           Vimeo Video
                                           http://vimeo.com/3256023
From Artifact to Filter.!




17. noteNdo. 2001. Circuitbent Nes Console.   18. no-carrier. GlitchNES. March 2009.




19. Rosa Menkman. Romscape. July 2008.        20. Dan Winckler, Anton Marini. OPEN EMU. Jan. 2009.plugin for Quartz Composer.<http://
                                              openemu.sourceforge.net/>
Glitches and filters are inevitably connected!




21. Title Credits America’s Next top Model. 2009.   22. Title Credits America’s Next top Model. 2010.




Cool vs Hot glitches!
Force the audience to voyage the acousmatic videoscape!




      24. Menkman, Rosa and Extraboy. Radio Dada, 2008.
Speak the totalitarian language of disintegration!




                                                                                        Text	

                                                                                         Text	

                                                                                          Text	

                                                                                           Text	

                                                                                            Text	

                                                                                             Text	



                                                  25. Jodi. <$BlogTitle$>. 2006-2007. webpage.




Glitchspeak (opposing ʻNewspeakʼ: Orwell, 1984), is not just a new form, but an
exoskeleton of progress, a new generative form.!
Just like Foucault stated that there can be no reason without madness, Gombrich wrote that order does not exist without chaos and Virilio described that there is no technological progression
without its inherent accident, I am of the opinion that flow cannot be understood without interruption or functioning without glitching. This is why there is a need for glitch studies.!
Employ Glitchspeak (as opposed to Newspeak) and study what is outside !
of knowledge. Glitch theory is what you can just get away with!!




26. Friedrich, Caspar David. The wanderer above the sea of fog. 1818. Oil on canvas, 98 × 74 cm. Hamburg: Kunsthalle.
Rosa Menkman

       rmenkman@gmail.com

http://rosa-menkman.blogspot.com

More Related Content

Similar to Gene siskel

Storytelling January 6 2010
Storytelling January 6 2010Storytelling January 6 2010
Storytelling January 6 2010Hanson Hosein
 
KhK winter semester 2018: Screenology block
KhK winter semester 2018: Screenology blockKhK winter semester 2018: Screenology block
KhK winter semester 2018: Screenology blockRosa ɯǝukɯɐn
 
The Web is Flat
The Web is FlatThe Web is Flat
The Web is Flatsndrspk
 
Science Fiction and Design
Science Fiction and DesignScience Fiction and Design
Science Fiction and DesignAkseli Anttila
 
Science Fiction and Design Practice
Science Fiction and Design PracticeScience Fiction and Design Practice
Science Fiction and Design PracticeAkseli Anttila
 
Cave To Cloud: the post-image / ESAD, Amiens
Cave To Cloud: the post-image / ESAD, AmiensCave To Cloud: the post-image / ESAD, Amiens
Cave To Cloud: the post-image / ESAD, AmiensErik Adigard
 
Assignment #3 amendolara & gorosito
Assignment #3   amendolara & gorositoAssignment #3   amendolara & gorosito
Assignment #3 amendolara & gorositoAnnyaM
 
Science Fiction and Design - Aalto Media Lab March 2017
Science Fiction and Design - Aalto Media Lab March 2017Science Fiction and Design - Aalto Media Lab March 2017
Science Fiction and Design - Aalto Media Lab March 2017Akseli Anttila
 
7046 animation fred_dbfinal (1)
7046 animation fred_dbfinal (1)7046 animation fred_dbfinal (1)
7046 animation fred_dbfinal (1)Jamie Miller-Reape
 
A Brief History of New Media Art
A Brief History of New Media ArtA Brief History of New Media Art
A Brief History of New Media ArtMatt Nish-Lapidus
 
Mac309 Cult of Mac
Mac309 Cult of MacMac309 Cult of Mac
Mac309 Cult of MacRob Jewitt
 
History of F#, and the ML family of languages.
History of F#, and the ML family of languages. History of F#, and the ML family of languages.
History of F#, and the ML family of languages. Rachel Reese
 
Joseph DeLappe Selected Works 1996-2010
Joseph DeLappe Selected Works 1996-2010Joseph DeLappe Selected Works 1996-2010
Joseph DeLappe Selected Works 1996-2010Joseph DeLappe
 
Storytelling, play and code
Storytelling, play and codeStorytelling, play and code
Storytelling, play and codeDan Hon
 
Technological Imperialism and Digital Writing
Technological Imperialism and Digital WritingTechnological Imperialism and Digital Writing
Technological Imperialism and Digital WritingLeonardo Flores
 
Tom Stead Presentation-ISTE
Tom Stead Presentation-ISTETom Stead Presentation-ISTE
Tom Stead Presentation-ISTEWIRED staff
 
History and Spirit of C (2017)
History and Spirit of C (2017)History and Spirit of C (2017)
History and Spirit of C (2017)Olve Maudal
 

Similar to Gene siskel (20)

Storytelling January 6 2010
Storytelling January 6 2010Storytelling January 6 2010
Storytelling January 6 2010
 
KhK winter semester 2018: Screenology block
KhK winter semester 2018: Screenology blockKhK winter semester 2018: Screenology block
KhK winter semester 2018: Screenology block
 
Rosa menkman portfolio
Rosa menkman portfolioRosa menkman portfolio
Rosa menkman portfolio
 
Rosa menkman portfolio
Rosa menkman portfolioRosa menkman portfolio
Rosa menkman portfolio
 
Order and Progress
Order and ProgressOrder and Progress
Order and Progress
 
The Web is Flat
The Web is FlatThe Web is Flat
The Web is Flat
 
Science Fiction and Design
Science Fiction and DesignScience Fiction and Design
Science Fiction and Design
 
Science Fiction and Design Practice
Science Fiction and Design PracticeScience Fiction and Design Practice
Science Fiction and Design Practice
 
Cave To Cloud: the post-image / ESAD, Amiens
Cave To Cloud: the post-image / ESAD, AmiensCave To Cloud: the post-image / ESAD, Amiens
Cave To Cloud: the post-image / ESAD, Amiens
 
Assignment #3 amendolara & gorosito
Assignment #3   amendolara & gorositoAssignment #3   amendolara & gorosito
Assignment #3 amendolara & gorosito
 
Science Fiction and Design - Aalto Media Lab March 2017
Science Fiction and Design - Aalto Media Lab March 2017Science Fiction and Design - Aalto Media Lab March 2017
Science Fiction and Design - Aalto Media Lab March 2017
 
7046 animation fred_dbfinal (1)
7046 animation fred_dbfinal (1)7046 animation fred_dbfinal (1)
7046 animation fred_dbfinal (1)
 
A Brief History of New Media Art
A Brief History of New Media ArtA Brief History of New Media Art
A Brief History of New Media Art
 
Mac309 Cult of Mac
Mac309 Cult of MacMac309 Cult of Mac
Mac309 Cult of Mac
 
History of F#, and the ML family of languages.
History of F#, and the ML family of languages. History of F#, and the ML family of languages.
History of F#, and the ML family of languages.
 
Joseph DeLappe Selected Works 1996-2010
Joseph DeLappe Selected Works 1996-2010Joseph DeLappe Selected Works 1996-2010
Joseph DeLappe Selected Works 1996-2010
 
Storytelling, play and code
Storytelling, play and codeStorytelling, play and code
Storytelling, play and code
 
Technological Imperialism and Digital Writing
Technological Imperialism and Digital WritingTechnological Imperialism and Digital Writing
Technological Imperialism and Digital Writing
 
Tom Stead Presentation-ISTE
Tom Stead Presentation-ISTETom Stead Presentation-ISTE
Tom Stead Presentation-ISTE
 
History and Spirit of C (2017)
History and Spirit of C (2017)History and Spirit of C (2017)
History and Spirit of C (2017)
 

More from Rosa ɯǝukɯɐn

Becoming Fog: Tactical Media, Spam and Obfuscation Seminar, Winter Semester K...
Becoming Fog: Tactical Media, Spam and Obfuscation Seminar, Winter Semester K...Becoming Fog: Tactical Media, Spam and Obfuscation Seminar, Winter Semester K...
Becoming Fog: Tactical Media, Spam and Obfuscation Seminar, Winter Semester K...Rosa ɯǝukɯɐn
 
The institutions of Resolution Disputes [iRD]
The institutions of Resolution Disputes [iRD]The institutions of Resolution Disputes [iRD]
The institutions of Resolution Disputes [iRD]Rosa ɯǝukɯɐn
 
Kanye West color channel de-sync effect
Kanye West color channel de-sync effectKanye West color channel de-sync effect
Kanye West color channel de-sync effectRosa ɯǝukɯɐn
 
VIRTUEEL PLATFORM / GLITCH GEBRUIKT TECHNISCH FALEN ALS RUIMTE VOOR CREATIE
VIRTUEEL PLATFORM / GLITCH GEBRUIKT TECHNISCH FALEN ALS RUIMTE VOOR CREATIEVIRTUEEL PLATFORM / GLITCH GEBRUIKT TECHNISCH FALEN ALS RUIMTE VOOR CREATIE
VIRTUEEL PLATFORM / GLITCH GEBRUIKT TECHNISCH FALEN ALS RUIMTE VOOR CREATIERosa ɯǝukɯɐn
 
Interview for mexican creditcard magazin 'club credomatic'
Interview for mexican creditcard magazin 'club credomatic'Interview for mexican creditcard magazin 'club credomatic'
Interview for mexican creditcard magazin 'club credomatic'Rosa ɯǝukɯɐn
 
//STEIM Workshop: A Vernacular of File Formats
//STEIM Workshop: A Vernacular of File Formats//STEIM Workshop: A Vernacular of File Formats
//STEIM Workshop: A Vernacular of File FormatsRosa ɯǝukɯɐn
 
Filtering Failure exhibition catalogue
Filtering Failure exhibition catalogueFiltering Failure exhibition catalogue
Filtering Failure exhibition catalogueRosa ɯǝukɯɐn
 
Catalogue of tipping point of failure exhibition by rosa menkman
Catalogue of tipping point of failure exhibition by rosa menkmanCatalogue of tipping point of failure exhibition by rosa menkman
Catalogue of tipping point of failure exhibition by rosa menkmanRosa ɯǝukɯɐn
 
lofi Rosa Menkman - A Vernacular of File Formats
lofi Rosa Menkman - A Vernacular of File Formatslofi Rosa Menkman - A Vernacular of File Formats
lofi Rosa Menkman - A Vernacular of File FormatsRosa ɯǝukɯɐn
 
Rosa Menkman - A Vernacular of File Formats
Rosa Menkman - A Vernacular of File FormatsRosa Menkman - A Vernacular of File Formats
Rosa Menkman - A Vernacular of File FormatsRosa ɯǝukɯɐn
 
Entropic elasticity: critical glitch artware && the demoscene
Entropic elasticity: critical glitch artware && the demosceneEntropic elasticity: critical glitch artware && the demoscene
Entropic elasticity: critical glitch artware && the demosceneRosa ɯǝukɯɐn
 
Alternatief gebruik van digitale idiomen
Alternatief gebruik van digitale idiomenAlternatief gebruik van digitale idiomen
Alternatief gebruik van digitale idiomenRosa ɯǝukɯɐn
 

More from Rosa ɯǝukɯɐn (20)

Becoming Fog: Tactical Media, Spam and Obfuscation Seminar, Winter Semester K...
Becoming Fog: Tactical Media, Spam and Obfuscation Seminar, Winter Semester K...Becoming Fog: Tactical Media, Spam and Obfuscation Seminar, Winter Semester K...
Becoming Fog: Tactical Media, Spam and Obfuscation Seminar, Winter Semester K...
 
Behind White Shadows
Behind White ShadowsBehind White Shadows
Behind White Shadows
 
One day in Trondheim
One day in Trondheim One day in Trondheim
One day in Trondheim
 
The institutions of Resolution Disputes [iRD]
The institutions of Resolution Disputes [iRD]The institutions of Resolution Disputes [iRD]
The institutions of Resolution Disputes [iRD]
 
Kanye West color channel de-sync effect
Kanye West color channel de-sync effectKanye West color channel de-sync effect
Kanye West color channel de-sync effect
 
VIRTUEEL PLATFORM / GLITCH GEBRUIKT TECHNISCH FALEN ALS RUIMTE VOOR CREATIE
VIRTUEEL PLATFORM / GLITCH GEBRUIKT TECHNISCH FALEN ALS RUIMTE VOOR CREATIEVIRTUEEL PLATFORM / GLITCH GEBRUIKT TECHNISCH FALEN ALS RUIMTE VOOR CREATIE
VIRTUEEL PLATFORM / GLITCH GEBRUIKT TECHNISCH FALEN ALS RUIMTE VOOR CREATIE
 
Interview for mexican creditcard magazin 'club credomatic'
Interview for mexican creditcard magazin 'club credomatic'Interview for mexican creditcard magazin 'club credomatic'
Interview for mexican creditcard magazin 'club credomatic'
 
Gli.tc:h 20111 program
Gli.tc:h 20111 programGli.tc:h 20111 program
Gli.tc:h 20111 program
 
//STEIM Workshop: A Vernacular of File Formats
//STEIM Workshop: A Vernacular of File Formats//STEIM Workshop: A Vernacular of File Formats
//STEIM Workshop: A Vernacular of File Formats
 
Filtering Failure exhibition catalogue
Filtering Failure exhibition catalogueFiltering Failure exhibition catalogue
Filtering Failure exhibition catalogue
 
Filtering failure
Filtering failureFiltering failure
Filtering failure
 
Catalogue of tipping point of failure exhibition by rosa menkman
Catalogue of tipping point of failure exhibition by rosa menkmanCatalogue of tipping point of failure exhibition by rosa menkman
Catalogue of tipping point of failure exhibition by rosa menkman
 
H booklet
H bookletH booklet
H booklet
 
Gene Siskel Presentation
Gene Siskel PresentationGene Siskel Presentation
Gene Siskel Presentation
 
lofi Rosa Menkman - A Vernacular of File Formats
lofi Rosa Menkman - A Vernacular of File Formatslofi Rosa Menkman - A Vernacular of File Formats
lofi Rosa Menkman - A Vernacular of File Formats
 
Rosa Menkman - A Vernacular of File Formats
Rosa Menkman - A Vernacular of File FormatsRosa Menkman - A Vernacular of File Formats
Rosa Menkman - A Vernacular of File Formats
 
Naomi ellemers
Naomi ellemersNaomi ellemers
Naomi ellemers
 
Entropic elasticity: critical glitch artware && the demoscene
Entropic elasticity: critical glitch artware && the demosceneEntropic elasticity: critical glitch artware && the demoscene
Entropic elasticity: critical glitch artware && the demoscene
 
Rosa Menkman
Rosa MenkmanRosa Menkman
Rosa Menkman
 
Alternatief gebruik van digitale idiomen
Alternatief gebruik van digitale idiomenAlternatief gebruik van digitale idiomen
Alternatief gebruik van digitale idiomen
 

Gene siskel

  • 1. Rosa Menkman Gene siskel 30 september 2010 Manifesto: http://rosa-menkman.blogspot.com/2010/02/glitch-studies-manifesto.html! Vernacular: http://rosa-menkman.blogspot.com/2010/08/vernacular-of-file-formats-2-workshop.html
  • 2.
  • 3. Get away from the established action scripts and join the avant- garde of the unknown. Become a nomad of noise artifacts!! feedback! software that is used to encode and decode the information! There are three instances when the static notion of transmitting information is interrupted. These interruptions result in noise artifacts:
 Encoding / decoding (compression), Glitch (other noise) and Feedback 

  • 4. noise artifacts! 7. RyBN performing Monochrome, (Cimatics 8. Still from registration of Botborg performance at 9. Beflix. Glitch (12). 2001-2005, re-colored 2007. Festival, Brussels: 28 November 2008) TransAcoustic, Auckland, New Zealand, December Fuji Crystal Archive prints from hi-res digital 2005. images <http://www.beflix.com/works/glitch.php? <http://www.botborg.com/index.php? id=121> 1 May 2009. go=imageslive> 3 May 2009. Exploit compressions, feedback and glitches!
  • 5. The dominant, continuing search for a noiseless channel has been, and will always be no more than a regrettable, ill-fated dogma.! 2. Len Lye. A Colour Box, 1937. 3. Nam June Paik, Magnet TV, 1965 4. Cory Arcangel. Panasonic TH42PV60EH Plasma Screen Burn, 2007. 5. webcrash2800. %SCR2, May 16, 2009
  • 6. Dispute the operating templates of creative practice. Fight genres and expectations! ! 6. 5VOLTCORE. output screen 172. 2005. (circuitbend computer)!
  • 7. Glitches vs Glitch art! 10. Serial Cosign. Broken Mac Screenshot. 2008. Screenshot. 11. Beflix. Glitch (12). 2001-2005, re-colored 2007. <http://www.flickr.com/photos/serial_consign/sets/72157605952462193/ Fuji Crystal Archive prints from hi-res digital images > 1 May 2009. <http://www.beflix.com/works/glitch.php?id=121>
  • 8. Employ bends and breaks as a metaphor for différance. Use the glitch as an exoskeleton for progress.! glitch alike! Programmed glitch art! 12. Still from Jodi. UNTITLED GAME: E1M1AP. 1996. 13. Still from Jodi. UNTITLED GAME: Ctrl-F6. 1996. Videogame Mod Executable.<http://www.untitled- Videogame Mod Executable.<http://www.untitled- game.org/download.html> game.org/download.html> Challenge the materiality (input and hard/software) and interpretation (genres, interfaces and expectations)!
  • 9. Rejoice the critical trans-media aesthetics of glitch artifacts. ! * Glitches can show any medium in a critical state (ruined, unwanted, not recognized, accidental and horrendous state); a state of hypetrophy.! Then we see the exoskeleton of the “Vernacular of File Formats”! * Glitches can be used to criticize the inherent politics of the medium (genre, interface norms and expectations)! 23. Libeskind, Daniel. Jewish Museum Berlin (Blitz or Between the Lines). 1989-1999.
  • 10. Realize that the gospel of (progressive) glitch art also tells about new standards implemented by corruption.! 15. Takeshi Murata. Monster Movie, 2005. 16. Nabil Elderkin KANYE WEST "Welcome To Heartbreak" Directed by Nabil, 2009 Vimeo Video http://vimeo.com/3256023
  • 11. From Artifact to Filter.! 17. noteNdo. 2001. Circuitbent Nes Console. 18. no-carrier. GlitchNES. March 2009. 19. Rosa Menkman. Romscape. July 2008. 20. Dan Winckler, Anton Marini. OPEN EMU. Jan. 2009.plugin for Quartz Composer.<http:// openemu.sourceforge.net/>
  • 12. Glitches and filters are inevitably connected! 21. Title Credits America’s Next top Model. 2009. 22. Title Credits America’s Next top Model. 2010. Cool vs Hot glitches!
  • 13.
  • 14. Force the audience to voyage the acousmatic videoscape! 24. Menkman, Rosa and Extraboy. Radio Dada, 2008.
  • 15. Speak the totalitarian language of disintegration! Text Text Text Text Text Text 25. Jodi. <$BlogTitle$>. 2006-2007. webpage. Glitchspeak (opposing ʻNewspeakʼ: Orwell, 1984), is not just a new form, but an exoskeleton of progress, a new generative form.! Just like Foucault stated that there can be no reason without madness, Gombrich wrote that order does not exist without chaos and Virilio described that there is no technological progression without its inherent accident, I am of the opinion that flow cannot be understood without interruption or functioning without glitching. This is why there is a need for glitch studies.!
  • 16. Employ Glitchspeak (as opposed to Newspeak) and study what is outside ! of knowledge. Glitch theory is what you can just get away with!! 26. Friedrich, Caspar David. The wanderer above the sea of fog. 1818. Oil on canvas, 98 × 74 cm. Hamburg: Kunsthalle.
  • 17. Rosa Menkman rmenkman@gmail.com http://rosa-menkman.blogspot.com